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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82686A it is the complementary color #7D9795. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82686A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82686A shade: #876865, #987A78, #A98C8B, #BA9E9E and #CBB0B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82686A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82686A shade: #82686A, #715657, #604444, #4F3231 and #3E201E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82686A shade: #82686A and #826868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82686A shade: #82686A, #826871, #826878, #82687F and #7E6882

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82686A shade matches the following richer shades: #82686A, #95555A, #A8424A, #BB2F3A and #CE1C2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82686A shade: #82686A, #6F7B7A, #5C8E8A, #49A19A and #36B4AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82686A shade: #826878, #826871, #82686A, #826D68 and #827468

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82686A shade: #544344, #6B5657, #82686A, #967D7F and #A99395

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82686A shade: #82686A, #7F8268 and #687482

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82686A shade: #82686A, #6A8268 and #686A82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82686A shade: #82686A, #7F8268, #688280 and #6B6882

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82686A shade: #82686A, #778268, #688280 and #736882

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 18 / 49

HEX #82686A

RGB 130 104 106

HSL 355.38, 0.11%, 0.46%

LAB 46.56, 10.71, 2.81

 

Complementary color

CMYK 17 / 0 / 1 / 41

HEX #7D9795

RGB 125 151 149

HSL 175.38, 0.11%, 0.54%

LAB 60.48, -9.53, -2

 

CMYK 0 / 23 / 25 / 47

HEX #876865

RGB 135 104 101

HSL 5.29, 0.14%, 0.46%

LAB 46.96, 11.92, 6.45

 

CMYK 0 / 20 / 21 / 40

HEX #987A78

RGB 152 122 120

HSL 3.75, 0.13%, 0.53%

LAB 53.97, 11.31, 5.5

 

CMYK 0 / 17 / 18 / 34

HEX #A98C8B

RGB 169 140 139

HSL 2, 0.15%, 0.6%

LAB 60.83, 10.78, 4.63

 

CMYK 0 / 15 / 15 / 27

HEX #BA9E9E

RGB 186 158 158

HSL 0, 0.17%, 0.67%

LAB 67.55, 10.31, 3.83

 

CMYK 0 / 13 / 13 / 20

HEX #CBB0B1

RGB 203 176 177

HSL 357.78, 0.21%, 0.74%

LAB 74.14, 9.89, 3.07

 

CMYK 0 / 20 / 18 / 49

HEX #82686A

RGB 130 104 106

HSL 355.38, 0.11%, 0.46%

LAB 46.56, 10.71, 2.81

 

CMYK 0 / 24 / 23 / 56

HEX #715657

RGB 113 86 87

HSL 357.78, 0.14%, 0.39%

LAB 39.33, 11.33, 3.73

 

CMYK 0 / 29 / 29 / 62

HEX #604444

RGB 96 68 68

HSL 0, 0.17%, 0.32%

LAB 31.89, 12.08, 4.78

 

CMYK 0 / 37 / 38 / 69

HEX #4F3231

RGB 79 50 49

HSL 2, 0.23%, 0.25%

LAB 24.21, 13.02, 6.04

 

CMYK 0 / 48 / 52 / 76

HEX #3E201E

RGB 62 32 30

HSL 3.75, 0.35%, 0.18%

LAB 16.26, 14.21, 7.68

 

CMYK 0 / 20 / 18 / 49

HEX #82686A

RGB 130 104 106

HSL 355.38, 0.11%, 0.46%

LAB 46.56, 10.71, 2.81

 

CMYK 0 / 20 / 20 / 49

HEX #826868

RGB 130 104 104

HSL 0, 0.11%, 0.46%

LAB 46.51, 10.37, 3.93

 

CMYK 0 / 20 / 18 / 49

HEX #82686A

RGB 130 104 106

HSL 355.38, 0.11%, 0.46%

LAB 46.56, 10.71, 2.81

 

CMYK 0 / 20 / 13 / 49

HEX #826871

RGB 130 104 113

HSL 339.23, 0.11%, 0.46%

LAB 46.76, 11.94, -1.1

 

CMYK 0 / 20 / 8 / 49

HEX #826878

RGB 130 104 120

HSL 323.08, 0.11%, 0.46%

LAB 46.98, 13.24, -4.98

 

CMYK 0 / 20 / 2 / 49

HEX #82687F

RGB 130 104 127

HSL 306.92, 0.11%, 0.46%

LAB 47.21, 14.61, -8.83

 

CMYK 3 / 20 / 0 / 49

HEX #7E6882

RGB 126 104 130

HSL 290.77, 0.11%, 0.46%

LAB 46.91, 13.75, -11.12

 

CMYK 0 / 20 / 18 / 49

HEX #82686A

RGB 130 104 106

HSL 355.38, 0.11%, 0.46%

LAB 46.56, 10.71, 2.81

 

CMYK 0 / 43 / 40 / 42

HEX #95555A

RGB 149 85 90

HSL 355.31, 0.27%, 0.46%

LAB 43.69, 27.1, 8.7

 

CMYK 0 / 61 / 56 / 34

HEX #A8424A

RGB 168 66 74

HSL 355.29, 0.44%, 0.46%

LAB 42.33, 42.62, 17.11

 

CMYK 0 / 75 / 69 / 27

HEX #BB2F3A

RGB 187 47 58

HSL 355.29, 0.6%, 0.46%

LAB 42.62, 55.6, 27.95

 

CMYK 0 / 86 / 80 / 19

HEX #CE1C2A

RGB 206 28 42

HSL 355.28, 0.76%, 0.46%

LAB 44.4, 65.4, 40.37

 

CMYK 0 / 20 / 18 / 49

HEX #82686A

RGB 130 104 106

HSL 355.38, 0.11%, 0.46%

LAB 46.56, 10.71, 2.81

 

CMYK 10 / 0 / 1 / 52

HEX #6F7B7A

RGB 111 123 122

HSL 175, 0.05%, 0.46%

LAB 50.63, -4.65, -0.98

 

CMYK 35 / 0 / 3 / 44

HEX #5C8E8A

RGB 92 142 138

HSL 175.2, 0.21%, 0.46%

LAB 55.54, -17.69, -3.21

 

CMYK 55 / 0 / 4 / 37

HEX #49A19A

RGB 73 161 154

HSL 175.23, 0.38%, 0.46%

LAB 60.99, -28.04, -4.38

 

CMYK 70 / 0 / 6 / 29

HEX #36B4AA

RGB 54 180 170

HSL 175.24, 0.54%, 0.46%

LAB 66.77, -35.99, -4.84

 

CMYK 0 / 20 / 8 / 49

HEX #826878

RGB 130 104 120

HSL 323.08, 0.11%, 0.46%

LAB 46.98, 13.24, -4.98

 

CMYK 0 / 20 / 13 / 49

HEX #826871

RGB 130 104 113

HSL 339.23, 0.11%, 0.46%

LAB 46.76, 11.94, -1.1

 

CMYK 0 / 20 / 18 / 49

HEX #82686A

RGB 130 104 106

HSL 355.38, 0.11%, 0.46%

LAB 46.56, 10.71, 2.81

 

CMYK 0 / 16 / 20 / 49

HEX #826D68

RGB 130 109 104

HSL 11.54, 0.11%, 0.46%

LAB 47.86, 7.42, 5.87

 

CMYK 0 / 11 / 20 / 49

HEX #827468

RGB 130 116 104

HSL 27.69, 0.11%, 0.46%

LAB 49.78, 3.33, 8.61

 

CMYK 0 / 20 / 19 / 67

HEX #544344

RGB 84 67 68

HSL 356.47, 0.11%, 0.3%

LAB 30.2, 7.49, 2.15

 

CMYK 0 / 20 / 19 / 58

HEX #6B5657

RGB 107 86 87

HSL 357.14, 0.11%, 0.38%

LAB 38.67, 8.83, 2.69

 

CMYK 0 / 20 / 18 / 49

HEX #82686A

RGB 130 104 106

HSL 355.38, 0.11%, 0.46%

LAB 46.56, 10.71, 2.81

 

CMYK 0 / 17 / 15 / 41

HEX #967D7F

RGB 150 125 127

HSL 355.2, 0.11%, 0.54%

LAB 54.74, 9.96, 2.51

 

CMYK 0 / 13 / 12 / 34

HEX #A99395

RGB 169 147 149

HSL 354.55, 0.11%, 0.62%

LAB 62.9, 8.53, 1.96

 

CMYK 0 / 20 / 18 / 49

HEX #82686A

RGB 130 104 106

HSL 355.38, 0.11%, 0.46%

LAB 46.56, 10.71, 2.81

 

CMYK 2 / 0 / 20 / 49

HEX #7F8268

RGB 127 130 104

HSL 66.92, 0.11%, 0.46%

LAB 53.47, -5.88, 13.73

 

CMYK 20 / 11 / 0 / 49

HEX #687482

RGB 104 116 130

HSL 212.31, 0.11%, 0.46%

LAB 48.32, -1.25, -9.19

 

CMYK 0 / 20 / 18 / 49

HEX #82686A

RGB 130 104 106

HSL 355.38, 0.11%, 0.46%

LAB 46.56, 10.71, 2.81

 

CMYK 18 / 0 / 20 / 49

HEX #6A8268

RGB 106 130 104

HSL 115.38, 0.11%, 0.46%

LAB 51.87, -14.04, 11.26

 

CMYK 20 / 18 / 0 / 49

HEX #686A82

RGB 104 106 130

HSL 235.38, 0.11%, 0.46%

LAB 45.45, 4.7, -13.52

 

CMYK 0 / 20 / 18 / 49

HEX #82686A

RGB 130 104 106

HSL 355.38, 0.11%, 0.46%

LAB 46.56, 10.71, 2.81

 

CMYK 2 / 0 / 20 / 49

HEX #7F8268

RGB 127 130 104

HSL 66.92, 0.11%, 0.46%

LAB 53.47, -5.88, 13.73

 

CMYK 20 / 0 / 2 / 49

HEX #688280

RGB 104 130 128

HSL 175.38, 0.11%, 0.46%

LAB 52.36, -9.74, -2.01

 

CMYK 18 / 20 / 0 / 49

HEX #6B6882

RGB 107 104 130

HSL 246.92, 0.11%, 0.46%

LAB 45.13, 6.95, -13.97

 

CMYK 0 / 20 / 18 / 49

HEX #82686A

RGB 130 104 106

HSL 355.38, 0.11%, 0.46%

LAB 46.56, 10.71, 2.81

 

CMYK 8 / 0 / 20 / 49

HEX #778268

RGB 119 130 104

HSL 85.38, 0.11%, 0.46%

LAB 52.83, -9.06, 12.74

 

CMYK 20 / 0 / 2 / 49

HEX #688280

RGB 104 130 128

HSL 175.38, 0.11%, 0.46%

LAB 52.36, -9.74, -2.01

 

CMYK 12 / 20 / 0 / 49

HEX #736882

RGB 115 104 130

HSL 265.38, 0.11%, 0.46%

LAB 45.85, 9.77, -12.82

 

Description

Color code: HEX #82686A | qconv.com Color code: HEX #82686A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 104 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 104 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 18 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 18% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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