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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #826059 it is the complementary color #7D9FA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #826059. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #826059 shade: #876054, #987267, #A9847A, #BA968D and #CBA8A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #826059. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #826059 shade: #826059, #714E46, #603C33, #4F2A20 and #3E180D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #826059 shade: #825F58 and #825858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #826059 shade: #825F58, #826B58, #827658, #828158 and #788258

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #826059 shade matches the following richer shades: #825F58, #945447, #A54835, #B73C23 and #C93111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #826059 shade: #825F58, #706B6A, #5F777C, #4D828E and #3B8E9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #826059 shade: #825868, #82585C, #825F58, #826A58 and #827558

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #826059 shade: #513B37, #694D48, #825F58, #99726A and #AA8983

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #826059 shade: #826059, #738258 and #586282

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #826059 shade: #826059, #58825F and #5F5882

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #826059 shade: #826059, #738258, #587B82 and #685882

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #826059 shade: #826059, #668258, #587B82 and #745882

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 32 / 49

HEX #826059

RGB 130 96 89

HSL 10.24, 0.19%, 0.43%

LAB 43.99, 12.76, 9.39

 

Complementary color

CMYK 25 / 4 / 0 / 35

HEX #7D9FA6

RGB 125 159 166

HSL 190.24, 0.19%, 0.57%

LAB 63.27, -10.02, -7.49

 

CMYK 0 / 29 / 38 / 47

HEX #876054

RGB 135 96 84

HSL 14.12, 0.23%, 0.43%

LAB 44.46, 14.19, 13.14

 

CMYK 0 / 25 / 32 / 40

HEX #987267

RGB 152 114 103

HSL 13.47, 0.19%, 0.5%

LAB 51.48, 13.37, 11.91

 

CMYK 0 / 22 / 28 / 34

HEX #A9847A

RGB 169 132 122

HSL 12.77, 0.21%, 0.57%

LAB 58.36, 12.67, 10.82

 

CMYK 0 / 19 / 24 / 27

HEX #BA968D

RGB 186 150 141

HSL 12, 0.25%, 0.64%

LAB 65.1, 12.07, 9.83

 

CMYK 0 / 17 / 21 / 20

HEX #CBA8A0

RGB 203 168 160

HSL 11.16, 0.29%, 0.71%

LAB 71.72, 11.54, 8.92

 

CMYK 0 / 26 / 32 / 49

HEX #826059

RGB 130 96 89

HSL 10.24, 0.19%, 0.43%

LAB 43.99, 12.76, 9.39

 

CMYK 0 / 31 / 38 / 56

HEX #714E46

RGB 113 78 70

HSL 11.16, 0.23%, 0.36%

LAB 36.75, 13.62, 10.64

 

CMYK 0 / 38 / 47 / 62

HEX #603C33

RGB 96 60 51

HSL 12, 0.31%, 0.29%

LAB 29.31, 14.67, 12.12

 

CMYK 0 / 47 / 59 / 69

HEX #4F2A20

RGB 79 42 32

HSL 12.77, 0.42%, 0.22%

LAB 21.66, 16.01, 13.99

 

CMYK 0 / 61 / 79 / 76

HEX #3E180D

RGB 62 24 13

HSL 13.47, 0.65%, 0.15%

LAB 13.86, 17.67, 15.55

 

CMYK 0 / 27 / 32 / 49

HEX #825F58

RGB 130 95 88

HSL 10, 0.19%, 0.43%

LAB 43.7, 13.21, 9.59

 

CMYK 0 / 32 / 32 / 49

HEX #825858

RGB 130 88 88

HSL 0, 0.19%, 0.43%

LAB 41.89, 17.37, 7.03

 

CMYK 0 / 27 / 32 / 49

HEX #825F58

RGB 130 95 88

HSL 10, 0.19%, 0.43%

LAB 43.7, 13.21, 9.59

 

CMYK 0 / 18 / 32 / 49

HEX #826B58

RGB 130 107 88

HSL 27.14, 0.19%, 0.43%

LAB 46.93, 6.12, 14.07

 

CMYK 0 / 9 / 32 / 49

HEX #827658

RGB 130 118 88

HSL 42.86, 0.19%, 0.43%

LAB 49.99, -0.27, 18.24

 

CMYK 0 / 1 / 32 / 49

HEX #828158

RGB 130 129 88

HSL 58.57, 0.19%, 0.43%

LAB 53.11, -6.49, 22.42

 

CMYK 8 / 0 / 32 / 49

HEX #788258

RGB 120 130 88

HSL 74.29, 0.19%, 0.43%

LAB 52.58, -11.2, 21.56

 

CMYK 0 / 27 / 32 / 49

HEX #825F58

RGB 130 95 88

HSL 10, 0.19%, 0.43%

LAB 43.7, 13.21, 9.59

 

CMYK 0 / 43 / 52 / 42

HEX #945447

RGB 148 84 71

HSL 10.13, 0.35%, 0.43%

LAB 42.9, 25.16, 19.14

 

CMYK 0 / 56 / 68 / 35

HEX #A54835

RGB 165 72 53

HSL 10.18, 0.51%, 0.43%

LAB 42.6, 37.07, 29.98

 

CMYK 0 / 67 / 81 / 28

HEX #B73C23

RGB 183 60 35

HSL 10.14, 0.68%, 0.43%

LAB 43.39, 48.41, 41.66

 

CMYK 0 / 76 / 92 / 21

HEX #C93111

RGB 201 49 17

HSL 10.43, 0.84%, 0.43%

LAB 45.16, 57.97, 52.44

 

CMYK 0 / 27 / 32 / 49

HEX #825F58

RGB 130 95 88

HSL 10, 0.19%, 0.43%

LAB 43.7, 13.21, 9.59

 

CMYK 0 / 4 / 5 / 56

HEX #706B6A

RGB 112 107 106

HSL 10, 0.03%, 0.43%

LAB 45.64, 1.75, 1.25

 

CMYK 23 / 4 / 0 / 51

HEX #5F777C

RGB 95 119 124

HSL 190.34, 0.13%, 0.43%

LAB 48.36, -7.5, -5.63

 

CMYK 46 / 8 / 0 / 44

HEX #4D828E

RGB 77 130 142

HSL 191.08, 0.3%, 0.43%

LAB 51.26, -14.28, -11.99

 

CMYK 63 / 11 / 0 / 38

HEX #3B8E9F

RGB 59 142 159

HSL 190.2, 0.46%, 0.43%

LAB 54.84, -19.65, -16.49

 

CMYK 0 / 32 / 20 / 49

HEX #825868

RGB 130 88 104

HSL 337.14, 0.19%, 0.43%

LAB 42.35, 19.87, -2.13

 

CMYK 0 / 32 / 29 / 49

HEX #82585C

RGB 130 88 92

HSL 354.29, 0.19%, 0.43%

LAB 42, 17.96, 4.73

 

CMYK 0 / 27 / 32 / 49

HEX #825F58

RGB 130 95 88

HSL 10, 0.19%, 0.43%

LAB 43.7, 13.21, 9.59

 

CMYK 0 / 18 / 32 / 49

HEX #826A58

RGB 130 106 88

HSL 25.71, 0.19%, 0.43%

LAB 46.66, 6.7, 13.7

 

CMYK 0 / 10 / 32 / 49

HEX #827558

RGB 130 117 88

HSL 41.43, 0.19%, 0.43%

LAB 49.71, 0.3, 17.86

 

CMYK 0 / 27 / 32 / 68

HEX #513B37

RGB 81 59 55

HSL 9.23, 0.19%, 0.27%

LAB 27.17, 9.04, 6.26

 

CMYK 0 / 27 / 31 / 59

HEX #694D48

RGB 105 77 72

HSL 9.09, 0.19%, 0.35%

LAB 35.56, 11.03, 7.58

 

CMYK 0 / 27 / 32 / 49

HEX #825F58

RGB 130 95 88

HSL 10, 0.19%, 0.43%

LAB 43.7, 13.21, 9.59

 

CMYK 0 / 25 / 31 / 40

HEX #99726A

RGB 153 114 106

HSL 10.21, 0.19%, 0.51%

LAB 51.66, 14.2, 10.42

 

CMYK 0 / 19 / 23 / 33

HEX #AA8983

RGB 170 137 131

HSL 9.23, 0.19%, 0.59%

LAB 59.96, 11.59, 7.96

 

CMYK 0 / 26 / 32 / 49

HEX #826059

RGB 130 96 89

HSL 10.24, 0.19%, 0.43%

LAB 43.99, 12.76, 9.39

 

CMYK 12 / 0 / 32 / 49

HEX #738258

RGB 115 130 88

HSL 81.43, 0.19%, 0.43%

LAB 52.19, -13.24, 20.97

 

CMYK 32 / 25 / 0 / 49

HEX #586282

RGB 88 98 130

HSL 225.71, 0.19%, 0.43%

LAB 41.88, 4.26, -19.08

 

CMYK 0 / 26 / 32 / 49

HEX #826059

RGB 130 96 89

HSL 10.24, 0.19%, 0.43%

LAB 43.99, 12.76, 9.39

 

CMYK 32 / 0 / 27 / 49

HEX #58825F

RGB 88 130 95

HSL 130, 0.19%, 0.43%

LAB 50.53, -22.25, 14.42

 

CMYK 27 / 32 / 0 / 49

HEX #5F5882

RGB 95 88 130

HSL 250, 0.19%, 0.43%

LAB 39.62, 12.74, -22.52

 

CMYK 0 / 26 / 32 / 49

HEX #826059

RGB 130 96 89

HSL 10.24, 0.19%, 0.43%

LAB 43.99, 12.76, 9.39

 

CMYK 12 / 0 / 32 / 49

HEX #738258

RGB 115 130 88

HSL 81.43, 0.19%, 0.43%

LAB 52.19, -13.24, 20.97

 

CMYK 32 / 5 / 0 / 49

HEX #587B82

RGB 88 123 130

HSL 190, 0.19%, 0.43%

LAB 49.32, -10.52, -7.81

 

CMYK 20 / 32 / 0 / 49

HEX #685882

RGB 104 88 130

HSL 262.86, 0.19%, 0.43%

LAB 40.47, 15.72, -21.15

 

CMYK 0 / 26 / 32 / 49

HEX #826059

RGB 130 96 89

HSL 10.24, 0.19%, 0.43%

LAB 43.99, 12.76, 9.39

 

CMYK 22 / 0 / 32 / 49

HEX #668258

RGB 102 130 88

HSL 100, 0.19%, 0.43%

LAB 51.26, -18.38, 19.57

 

CMYK 32 / 5 / 0 / 49

HEX #587B82

RGB 88 123 130

HSL 190, 0.19%, 0.43%

LAB 49.32, -10.52, -7.81

 

CMYK 11 / 32 / 0 / 49

HEX #745882

RGB 116 88 130

HSL 280, 0.19%, 0.43%

LAB 41.7, 19.83, -19.15

 

Description

Color code: HEX #826059 | qconv.com Color code: HEX #826059 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 96 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 96 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 32 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 32% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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