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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #826358 it is the complementary color #7D9CA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #826358. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #826358 shade: #876353, #987566, #A98779, #BA998C and #CBAB9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #826358. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #826358 shade: #826358, #715145, #603F32, #4F2D1F and #3E1B0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #826358 shade: #826358 and #825858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #826358 shade: #826358, #826E58, #827A58, #7F8258 and #748258

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #826358 shade matches the following richer shades: #826358, #945B47, #A55235, #B74A23 and #C94111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #826358 shade: #826358, #706C6A, #5F747C, #4D7D8E and #3B859F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #826358 shade: #825864, #825859, #826358, #826E58 and #827958

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #826358 shade: #513E37, #695048, #826358, #99766A and #AA8D83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #826358 shade: #826358, #6F8258 and #585F82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #826358 shade: #826358, #588263 and #635882

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #826358 shade: #826358, #6F8258, #587882 and #6B5882

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #826358 shade: #826358, #638258, #587882 and #785882

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 32 / 49

HEX #826358

RGB 130 99 88

HSL 15.71, 0.19%, 0.43%

LAB 44.76, 10.84, 11.07

 

Complementary color

CMYK 25 / 7 / 0 / 35

HEX #7D9CA7

RGB 125 156 167

HSL 195.71, 0.19%, 0.57%

LAB 62.45, -8.15, -9.28

 

CMYK 0 / 27 / 39 / 47

HEX #876353

RGB 135 99 83

HSL 18.46, 0.24%, 0.43%

LAB 45.22, 12.29, 14.79

 

CMYK 0 / 23 / 33 / 40

HEX #987566

RGB 152 117 102

HSL 18, 0.2%, 0.5%

LAB 52.24, 11.5, 13.55

 

CMYK 0 / 20 / 28 / 34

HEX #A98779

RGB 169 135 121

HSL 17.5, 0.22%, 0.57%

LAB 59.11, 10.84, 12.44

 

CMYK 0 / 18 / 25 / 27

HEX #BA998C

RGB 186 153 140

HSL 16.96, 0.25%, 0.64%

LAB 65.84, 10.26, 11.43

 

CMYK 0 / 16 / 22 / 20

HEX #CBAB9F

RGB 203 171 159

HSL 16.36, 0.3%, 0.71%

LAB 72.45, 9.76, 10.5

 

CMYK 0 / 24 / 32 / 49

HEX #826358

RGB 130 99 88

HSL 15.71, 0.19%, 0.43%

LAB 44.76, 10.84, 11.07

 

CMYK 0 / 28 / 39 / 56

HEX #715145

RGB 113 81 69

HSL 16.36, 0.24%, 0.36%

LAB 37.53, 11.66, 12.34

 

CMYK 0 / 34 / 48 / 62

HEX #603F32

RGB 96 63 50

HSL 16.96, 0.32%, 0.29%

LAB 30.09, 12.68, 13.82

 

CMYK 0 / 43 / 61 / 69

HEX #4F2D1F

RGB 79 45 31

HSL 17.5, 0.44%, 0.22%

LAB 22.44, 14, 15.64

 

CMYK 0 / 56 / 81 / 76

HEX #3E1B0C

RGB 62 27 12

HSL 18, 0.68%, 0.15%

LAB 14.59, 15.73, 16.96

 

CMYK 0 / 24 / 32 / 49

HEX #826358

RGB 130 99 88

HSL 15.71, 0.19%, 0.43%

LAB 44.76, 10.84, 11.07

 

CMYK 0 / 32 / 32 / 49

HEX #825858

RGB 130 88 88

HSL 0, 0.19%, 0.43%

LAB 41.89, 17.37, 7.03

 

CMYK 0 / 24 / 32 / 49

HEX #826358

RGB 130 99 88

HSL 15.71, 0.19%, 0.43%

LAB 44.76, 10.84, 11.07

 

CMYK 0 / 15 / 32 / 49

HEX #826E58

RGB 130 110 88

HSL 31.43, 0.19%, 0.43%

LAB 47.75, 4.36, 15.21

 

CMYK 0 / 6 / 32 / 49

HEX #827A58

RGB 130 122 88

HSL 48.57, 0.19%, 0.43%

LAB 51.12, -2.55, 19.76

 

CMYK 2 / 0 / 32 / 49

HEX #7F8258

RGB 127 130 88

HSL 64.29, 0.19%, 0.43%

LAB 53.15, -8.3, 22.42

 

CMYK 11 / 0 / 32 / 49

HEX #748258

RGB 116 130 88

HSL 80, 0.19%, 0.43%

LAB 52.27, -12.84, 21.09

 

CMYK 0 / 24 / 32 / 49

HEX #826358

RGB 130 99 88

HSL 15.71, 0.19%, 0.43%

LAB 44.76, 10.84, 11.07

 

CMYK 0 / 39 / 52 / 42

HEX #945B47

RGB 148 91 71

HSL 15.58, 0.35%, 0.43%

LAB 44.57, 21.16, 21.33

 

CMYK 0 / 50 / 68 / 35

HEX #A55235

RGB 165 82 53

HSL 15.54, 0.51%, 0.43%

LAB 44.65, 31.85, 32.4

 

CMYK 0 / 60 / 81 / 28

HEX #B74A23

RGB 183 74 35

HSL 15.81, 0.68%, 0.43%

LAB 45.75, 42.12, 43.94

 

CMYK 0 / 68 / 92 / 21

HEX #C94111

RGB 201 65 17

HSL 15.65, 0.84%, 0.43%

LAB 47.29, 52.12, 53.91

 

CMYK 0 / 24 / 32 / 49

HEX #826358

RGB 130 99 88

HSL 15.71, 0.19%, 0.43%

LAB 44.76, 10.84, 11.07

 

CMYK 0 / 4 / 5 / 56

HEX #706C6A

RGB 112 108 106

HSL 20, 0.03%, 0.43%

LAB 45.92, 1.16, 1.66

 

CMYK 23 / 6 / 0 / 51

HEX #5F747C

RGB 95 116 124

HSL 196.55, 0.13%, 0.43%

LAB 47.47, -5.77, -6.97

 

CMYK 46 / 12 / 0 / 44

HEX #4D7D8E

RGB 77 125 142

HSL 195.69, 0.3%, 0.43%

LAB 49.74, -11.49, -14.3

 

CMYK 63 / 16 / 0 / 38

HEX #3B859F

RGB 59 133 159

HSL 195.6, 0.46%, 0.43%

LAB 52.07, -14.78, -20.72

 

CMYK 0 / 32 / 23 / 49

HEX #825864

RGB 130 88 100

HSL 342.86, 0.19%, 0.43%

LAB 42.22, 19.21, 0.15

 

CMYK 0 / 32 / 32 / 49

HEX #825859

RGB 130 88 89

HSL 358.57, 0.19%, 0.43%

LAB 41.92, 17.51, 6.46

 

CMYK 0 / 24 / 32 / 49

HEX #826358

RGB 130 99 88

HSL 15.71, 0.19%, 0.43%

LAB 44.76, 10.84, 11.07

 

CMYK 0 / 15 / 32 / 49

HEX #826E58

RGB 130 110 88

HSL 31.43, 0.19%, 0.43%

LAB 47.75, 4.36, 15.21

 

CMYK 0 / 7 / 32 / 49

HEX #827958

RGB 130 121 88

HSL 47.14, 0.19%, 0.43%

LAB 50.83, -1.98, 19.38

 

CMYK 0 / 23 / 32 / 68

HEX #513E37

RGB 81 62 55

HSL 16.15, 0.19%, 0.27%

LAB 28.04, 7.11, 7.48

 

CMYK 0 / 24 / 31 / 59

HEX #695048

RGB 105 80 72

HSL 14.55, 0.19%, 0.35%

LAB 36.38, 9.18, 8.74

 

CMYK 0 / 24 / 32 / 49

HEX #826358

RGB 130 99 88

HSL 15.71, 0.19%, 0.43%

LAB 44.76, 10.84, 11.07

 

CMYK 0 / 23 / 31 / 40

HEX #99766A

RGB 153 118 106

HSL 15.32, 0.19%, 0.51%

LAB 52.7, 11.89, 11.87

 

CMYK 0 / 17 / 23 / 33

HEX #AA8D83

RGB 170 141 131

HSL 15.38, 0.19%, 0.59%

LAB 60.99, 9.34, 9.42

 

CMYK 0 / 24 / 32 / 49

HEX #826358

RGB 130 99 88

HSL 15.71, 0.19%, 0.43%

LAB 44.76, 10.84, 11.07

 

CMYK 15 / 0 / 32 / 49

HEX #6F8258

RGB 111 130 88

HSL 87.14, 0.19%, 0.43%

LAB 51.89, -14.85, 20.52

 

CMYK 32 / 27 / 0 / 49

HEX #585F82

RGB 88 95 130

HSL 230, 0.19%, 0.43%

LAB 41.01, 6.11, -20.42

 

CMYK 0 / 24 / 32 / 49

HEX #826358

RGB 130 99 88

HSL 15.71, 0.19%, 0.43%

LAB 44.76, 10.84, 11.07

 

CMYK 32 / 0 / 24 / 49

HEX #588263

RGB 88 130 99

HSL 135.71, 0.19%, 0.43%

LAB 50.62, -21.47, 12.24

 

CMYK 24 / 32 / 0 / 49

HEX #635882

RGB 99 88 130

HSL 255.71, 0.19%, 0.43%

LAB 39.99, 14.05, -21.92

 

CMYK 0 / 24 / 32 / 49

HEX #826358

RGB 130 99 88

HSL 15.71, 0.19%, 0.43%

LAB 44.76, 10.84, 11.07

 

CMYK 15 / 0 / 32 / 49

HEX #6F8258

RGB 111 130 88

HSL 87.14, 0.19%, 0.43%

LAB 51.89, -14.85, 20.52

 

CMYK 32 / 8 / 0 / 49

HEX #587882

RGB 88 120 130

HSL 194.29, 0.19%, 0.43%

LAB 48.41, -8.81, -9.16

 

CMYK 18 / 32 / 0 / 49

HEX #6B5882

RGB 107 88 130

HSL 267.14, 0.19%, 0.43%

LAB 40.76, 16.74, -20.66

 

CMYK 0 / 24 / 32 / 49

HEX #826358

RGB 130 99 88

HSL 15.71, 0.19%, 0.43%

LAB 44.76, 10.84, 11.07

 

CMYK 24 / 0 / 32 / 49

HEX #638258

RGB 99 130 88

HSL 104.29, 0.19%, 0.43%

LAB 51.06, -19.52, 19.27

 

CMYK 32 / 8 / 0 / 49

HEX #587882

RGB 88 120 130

HSL 194.29, 0.19%, 0.43%

LAB 48.41, -8.81, -9.16

 

CMYK 8 / 32 / 0 / 49

HEX #785882

RGB 120 88 130

HSL 285.71, 0.19%, 0.43%

LAB 42.13, 21.22, -18.44

 

Description

Color code: HEX #826358 | qconv.com Color code: HEX #826358 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 99 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 99 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 32 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 32% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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