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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #826A30 it is the complementary color #7D95CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #826A30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #826A30 shade: #876A2B, #987C3E, #A98E51, #BAA064 and #CBB277

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #826A30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #826A30 shade: #826A30, #71581D, #60460A, #4F3400 and #3E2200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #826A30 shade: #826A30, #825430, #823D30 and #823030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #826A30 shade: #826A30, #828030, #6E8230, #578230 and #418230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #826A30 shade matches the following richer shades: #826A30, #907021, #9F7613 and #AD7C04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #826A30 shade: #826A30, #73643E, #655E4D, #56585B and #485269

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #826A30 shade: #823D30, #825330, #826930, #827F30 and #6F8230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #826A30 shade: #463919, #645125, #826A30, #A0823B and #BB9A49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #826A30 shade: #826A30, #388230 and #483082

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #826A30 shade: #826A30, #308269 and #693082

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #826A30 shade: #826A30, #388230, #304882 and #7A3082

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #826A30 shade: #826A30, #308240, #304882 and #823071

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 63 / 49

HEX #826A30

RGB 130 106 48

HSL 42.44, 0.46%, 0.35%

LAB 46, 2.33, 35.47

 

Complementary color

CMYK 40 / 28 / 0 / 19

HEX #7D95CF

RGB 125 149 207

HSL 222.44, 0.46%, 0.65%

LAB 61.96, 6.14, -32.49

 

CMYK 0 / 21 / 68 / 47

HEX #876A2B

RGB 135 106 43

HSL 41.09, 0.52%, 0.35%

LAB 46.49, 4.3, 38.69

 

CMYK 0 / 18 / 59 / 40

HEX #987C3E

RGB 152 124 62

HSL 41.33, 0.42%, 0.42%

LAB 53.43, 3.15, 37.4

 

CMYK 0 / 16 / 52 / 34

HEX #A98E51

RGB 169 142 81

HSL 41.59, 0.35%, 0.49%

LAB 60.23, 2.22, 36.04

 

CMYK 0 / 14 / 46 / 27

HEX #BAA064

RGB 186 160 100

HSL 41.86, 0.38%, 0.56%

LAB 66.9, 1.46, 34.71

 

CMYK 0 / 12 / 41 / 20

HEX #CBB277

RGB 203 178 119

HSL 42.14, 0.45%, 0.63%

LAB 73.46, 0.83, 33.44

 

CMYK 0 / 18 / 63 / 49

HEX #826A30

RGB 130 106 48

HSL 42.44, 0.46%, 0.35%

LAB 46, 2.33, 35.47

 

CMYK 0 / 22 / 74 / 56

HEX #71581D

RGB 113 88 29

HSL 42.14, 0.59%, 0.28%

LAB 38.86, 3.6, 36.63

 

CMYK 0 / 27 / 90 / 62

HEX #60460A

RGB 96 70 10

HSL 41.86, 0.81%, 0.21%

LAB 31.55, 5.3, 36.94

 

CMYK 0 / 34 / 100 / 69

HEX #4F3400

RGB 79 52 0

HSL 39.49, 1%, 0.15%

LAB 24.06, 7.58, 33.47

 

CMYK 0 / 45 / 100 / 76

HEX #3E2200

RGB 62 34 0

HSL 32.9, 1%, 0.12%

LAB 16.35, 10.43, 24.13

 

CMYK 0 / 18 / 63 / 49

HEX #826A30

RGB 130 106 48

HSL 42.44, 0.46%, 0.35%

LAB 46, 2.33, 35.47

 

CMYK 0 / 35 / 63 / 49

HEX #825430

RGB 130 84 48

HSL 26.34, 0.46%, 0.35%

LAB 40.08, 15.29, 28.6

 

CMYK 0 / 53 / 63 / 49

HEX #823D30

RGB 130 61 48

HSL 9.51, 0.46%, 0.35%

LAB 34.59, 28.56, 21.89

 

CMYK 0 / 63 / 63 / 49

HEX #823030

RGB 130 48 48

HSL 0, 0.46%, 0.35%

LAB 31.97, 35.37, 18.56

 

CMYK 0 / 18 / 63 / 49

HEX #826A30

RGB 130 106 48

HSL 42.44, 0.46%, 0.35%

LAB 46, 2.33, 35.47

 

CMYK 0 / 2 / 63 / 49

HEX #828030

RGB 130 128 48

HSL 58.54, 0.46%, 0.35%

LAB 52.28, -10.1, 42.42

 

CMYK 15 / 0 / 63 / 49

HEX #6E8230

RGB 110 130 48

HSL 74.63, 0.46%, 0.35%

LAB 51.26, -20.03, 40.84

 

CMYK 33 / 0 / 63 / 49

HEX #578230

RGB 87 130 48

HSL 91.46, 0.46%, 0.35%

LAB 49.74, -29.47, 38.73

 

CMYK 50 / 0 / 63 / 49

HEX #418230

RGB 65 130 48

HSL 107.56, 0.46%, 0.35%

LAB 48.64, -37.22, 37.19

 

CMYK 0 / 18 / 63 / 49

HEX #826A30

RGB 130 106 48

HSL 42.44, 0.46%, 0.35%

LAB 46, 2.33, 35.47

 

CMYK 0 / 22 / 77 / 44

HEX #907021

RGB 144 112 33

HSL 42.7, 0.63%, 0.35%

LAB 49.04, 4.48, 46.13

 

CMYK 0 / 26 / 88 / 38

HEX #9F7613

RGB 159 118 19

HSL 42.43, 0.79%, 0.35%

LAB 52.26, 7.55, 54.41

 

CMYK 0 / 28 / 98 / 32

HEX #AD7C04

RGB 173 124 4

HSL 42.6, 0.95%, 0.35%

LAB 55.39, 10.34, 60.57

 

CMYK 0 / 18 / 63 / 49

HEX #826A30

RGB 130 106 48

HSL 42.44, 0.46%, 0.35%

LAB 46, 2.33, 35.47

 

CMYK 0 / 13 / 46 / 55

HEX #73643E

RGB 115 100 62

HSL 43.02, 0.3%, 0.35%

LAB 42.92, 0.27, 23.71

 

CMYK 0 / 7 / 24 / 60

HEX #655E4D

RGB 101 94 77

HSL 42.5, 0.13%, 0.35%

LAB 40.09, -0.29, 10.77

 

CMYK 5 / 3 / 0 / 64

HEX #56585B

RGB 86 88 91

HSL 216, 0.03%, 0.35%

LAB 37.32, -0.14, -2.01

 

CMYK 31 / 22 / 0 / 59

HEX #485269

RGB 72 82 105

HSL 221.82, 0.19%, 0.35%

LAB 34.87, 2.03, -14.57

 

CMYK 0 / 53 / 63 / 49

HEX #823D30

RGB 130 61 48

HSL 9.51, 0.46%, 0.35%

LAB 34.59, 28.56, 21.89

 

CMYK 0 / 36 / 63 / 49

HEX #825330

RGB 130 83 48

HSL 25.61, 0.46%, 0.35%

LAB 39.82, 15.88, 28.29

 

CMYK 0 / 19 / 63 / 49

HEX #826930

RGB 130 105 48

HSL 41.71, 0.46%, 0.35%

LAB 45.72, 2.91, 35.16

 

CMYK 0 / 2 / 63 / 49

HEX #827F30

RGB 130 127 48

HSL 57.8, 0.46%, 0.35%

LAB 51.99, -9.56, 42.11

 

CMYK 15 / 0 / 63 / 49

HEX #6F8230

RGB 111 130 48

HSL 73.9, 0.46%, 0.35%

LAB 51.33, -19.6, 40.94

 

CMYK 0 / 19 / 64 / 73

HEX #463919

RGB 70 57 25

HSL 42.67, 0.47%, 0.19%

LAB 24.63, 1.12, 21.8

 

CMYK 0 / 19 / 63 / 61

HEX #645125

RGB 100 81 37

HSL 41.9, 0.46%, 0.27%

LAB 35.45, 2.09, 28.41

 

CMYK 0 / 18 / 63 / 49

HEX #826A30

RGB 130 106 48

HSL 42.44, 0.46%, 0.35%

LAB 46, 2.33, 35.47

 

CMYK 0 / 19 / 63 / 37

HEX #A0823B

RGB 160 130 59

HSL 42.18, 0.46%, 0.43%

LAB 55.84, 3.13, 41.89

 

CMYK 0 / 18 / 61 / 27

HEX #BB9A49

RGB 187 154 73

HSL 42.63, 0.46%, 0.51%

LAB 65.09, 2.8, 46.25

 

CMYK 0 / 18 / 63 / 49

HEX #826A30

RGB 130 106 48

HSL 42.44, 0.46%, 0.35%

LAB 46, 2.33, 35.47

 

CMYK 57 / 0 / 63 / 49

HEX #388230

RGB 56 130 48

HSL 114.15, 0.46%, 0.35%

LAB 48.28, -39.89, 36.7

 

CMYK 45 / 63 / 0 / 49

HEX #483082

RGB 72 48 130

HSL 257.56, 0.46%, 0.35%

LAB 27.03, 31.44, -42.63

 

CMYK 0 / 18 / 63 / 49

HEX #826A30

RGB 130 106 48

HSL 42.44, 0.46%, 0.35%

LAB 46, 2.33, 35.47

 

CMYK 63 / 0 / 19 / 49

HEX #308269

RGB 48 130 105

HSL 161.71, 0.46%, 0.35%

LAB 49.02, -31.19, 6.25

 

CMYK 19 / 63 / 0 / 49

HEX #693082

RGB 105 48 130

HSL 281.71, 0.46%, 0.35%

LAB 31.18, 39.64, -35.73

 

CMYK 0 / 18 / 63 / 49

HEX #826A30

RGB 130 106 48

HSL 42.44, 0.46%, 0.35%

LAB 46, 2.33, 35.47

 

CMYK 57 / 0 / 63 / 49

HEX #388230

RGB 56 130 48

HSL 114.15, 0.46%, 0.35%

LAB 48.28, -39.89, 36.7

 

CMYK 63 / 45 / 0 / 49

HEX #304882

RGB 48 72 130

HSL 222.44, 0.46%, 0.35%

LAB 31.52, 10.25, -35.51

 

CMYK 6 / 63 / 0 / 49

HEX #7A3082

RGB 122 48 130

HSL 294.15, 0.46%, 0.35%

LAB 33.7, 44.15, -31.58

 

CMYK 0 / 18 / 63 / 49

HEX #826A30

RGB 130 106 48

HSL 42.44, 0.46%, 0.35%

LAB 46, 2.33, 35.47

 

CMYK 63 / 0 / 51 / 49

HEX #308240

RGB 48 130 64

HSL 131.71, 0.46%, 0.35%

LAB 48.21, -39.75, 28.4

 

CMYK 63 / 45 / 0 / 49

HEX #304882

RGB 48 72 130

HSL 222.44, 0.46%, 0.35%

LAB 31.52, 10.25, -35.51

 

CMYK 0 / 63 / 13 / 49

HEX #823071

RGB 130 48 113

HSL 312.44, 0.46%, 0.35%

LAB 34.09, 43.3, -20.22

 

Description

Color code: HEX #826A30 | qconv.com Color code: HEX #826A30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 106 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 106 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 63 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 63% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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