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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #826F5D it is the complementary color #7D90A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #826F5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #826F5D shade: #876F58, #98816B, #A9937E, #BAA591 and #CBB7A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #826F5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #826F5D shade: #826F5D, #715D4A, #604B37, #4F3924 and #3E2711

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #826F5D shade: #836F5D, #83655D and #835D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #826F5D shade: #836F5D, #83795D, #82835D, #78835D and #6D835D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #826F5D shade matches the following richer shades: #836F5D, #956F4A, #A76E38, #B96E26 and #CB6D14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #826F5D shade: #836F5D, #71706F, #5E7081, #4C7193 and #3A71A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #826F5D shade: #835D5F, #83655D, #836F5D, #83795D and #82835D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #826F5D shade: #53463A, #6B5B4C, #836F5D, #998470 and #AA9888

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #826F5D shade: #826F5D, #69835D and #605D83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #826F5D shade: #826F5D, #5D836F and #6F5D83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #826F5D shade: #826F5D, #69835D, #5D7083 and #775D83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #826F5D shade: #826F5D, #5D835D, #5D7083 and #825D83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 28 / 49

HEX #826F5D

RGB 130 111 93

HSL 29.19, 0.17%, 0.44%

LAB 48.14, 4.51, 12.79

 

Complementary color

CMYK 23 / 11 / 0 / 36

HEX #7D90A2

RGB 125 144 162

HSL 209.19, 0.17%, 0.56%

LAB 58.9, -2.67, -11.76

 

CMYK 0 / 18 / 35 / 47

HEX #876F58

RGB 135 111 88

HSL 29.36, 0.21%, 0.44%

LAB 48.54, 5.91, 16.36

 

CMYK 0 / 15 / 30 / 40

HEX #98816B

RGB 152 129 107

HSL 29.33, 0.18%, 0.51%

LAB 55.52, 5.33, 15.2

 

CMYK 0 / 13 / 25 / 34

HEX #A9937E

RGB 169 147 126

HSL 29.3, 0.2%, 0.58%

LAB 62.35, 4.85, 14.14

 

CMYK 0 / 11 / 22 / 27

HEX #BAA591

RGB 186 165 145

HSL 29.27, 0.23%, 0.65%

LAB 69.04, 4.43, 13.16

 

CMYK 0 / 10 / 19 / 20

HEX #CBB7A4

RGB 203 183 164

HSL 29.23, 0.27%, 0.72%

LAB 75.6, 4.06, 12.25

 

CMYK 0 / 15 / 28 / 49

HEX #826F5D

RGB 130 111 93

HSL 29.19, 0.17%, 0.44%

LAB 48.14, 4.51, 12.79

 

CMYK 0 / 18 / 35 / 56

HEX #715D4A

RGB 113 93 74

HSL 29.23, 0.21%, 0.37%

LAB 40.95, 5.08, 13.96

 

CMYK 0 / 22 / 43 / 62

HEX #604B37

RGB 96 75 55

HSL 29.27, 0.27%, 0.3%

LAB 33.55, 5.81, 15.3

 

CMYK 0 / 28 / 54 / 69

HEX #4F3924

RGB 79 57 36

HSL 29.3, 0.37%, 0.23%

LAB 25.91, 6.78, 16.85

 

CMYK 0 / 37 / 73 / 76

HEX #3E2711

RGB 62 39 17

HSL 29.33, 0.57%, 0.15%

LAB 17.99, 8.16, 18.61

 

CMYK 0 / 15 / 29 / 49

HEX #836F5D

RGB 131 111 93

HSL 28.42, 0.17%, 0.44%

LAB 48.24, 4.93, 12.95

 

CMYK 0 / 23 / 29 / 49

HEX #83655D

RGB 131 101 93

HSL 12.63, 0.17%, 0.44%

LAB 45.53, 10.81, 9.16

 

CMYK 0 / 29 / 29 / 49

HEX #835D5D

RGB 131 93 93

HSL 0, 0.17%, 0.44%

LAB 43.43, 15.55, 6.18

 

CMYK 0 / 15 / 29 / 49

HEX #836F5D

RGB 131 111 93

HSL 28.42, 0.17%, 0.44%

LAB 48.24, 4.93, 12.95

 

CMYK 0 / 8 / 29 / 49

HEX #83795D

RGB 131 121 93

HSL 44.21, 0.17%, 0.44%

LAB 51.03, -0.85, 16.77

 

CMYK 1 / 0 / 29 / 49

HEX #82835D

RGB 130 131 93

HSL 61.58, 0.17%, 0.44%

LAB 53.78, -6.91, 20.48

 

CMYK 8 / 0 / 29 / 49

HEX #78835D

RGB 120 131 93

HSL 77.37, 0.17%, 0.44%

LAB 52.97, -11, 19.25

 

CMYK 17 / 0 / 29 / 49

HEX #6D835D

RGB 109 131 93

HSL 94.74, 0.17%, 0.44%

LAB 52.15, -15.38, 18

 

CMYK 0 / 15 / 29 / 49

HEX #836F5D

RGB 131 111 93

HSL 28.42, 0.17%, 0.44%

LAB 48.24, 4.93, 12.95

 

CMYK 0 / 26 / 50 / 42

HEX #956F4A

RGB 149 111 74

HSL 29.6, 0.34%, 0.44%

LAB 49.8, 10.33, 26.38

 

CMYK 0 / 34 / 66 / 35

HEX #A76E38

RGB 167 110 56

HSL 29.19, 0.5%, 0.44%

LAB 51.44, 17.34, 38.67

 

CMYK 0 / 41 / 79 / 27

HEX #B96E26

RGB 185 110 38

HSL 29.39, 0.66%, 0.44%

LAB 53.61, 24.27, 50.17

 

CMYK 0 / 46 / 90 / 20

HEX #CB6D14

RGB 203 109 20

HSL 29.18, 0.82%, 0.44%

LAB 55.77, 31.92, 59.31

 

CMYK 0 / 15 / 29 / 49

HEX #836F5D

RGB 131 111 93

HSL 28.42, 0.17%, 0.44%

LAB 48.24, 4.93, 12.95

 

CMYK 0 / 1 / 2 / 56

HEX #71706F

RGB 113 112 111

HSL 30, 0.01%, 0.44%

LAB 47.3, 0.18, 0.68

 

CMYK 27 / 13 / 0 / 49

HEX #5E7081

RGB 94 112 129

HSL 209.14, 0.16%, 0.44%

LAB 46.38, -2.51, -11.58

 

CMYK 48 / 23 / 0 / 42

HEX #4C7193

RGB 76 113 147

HSL 208.73, 0.32%, 0.44%

LAB 46.25, -3.3, -22.59

 

CMYK 65 / 32 / 0 / 35

HEX #3A71A5

RGB 58 113 165

HSL 209.16, 0.48%, 0.44%

LAB 46.21, -1.35, -33.32

 

CMYK 0 / 29 / 27 / 49

HEX #835D5F

RGB 131 93 95

HSL 356.84, 0.17%, 0.44%

LAB 43.48, 15.86, 5.04

 

CMYK 0 / 23 / 29 / 49

HEX #83655D

RGB 131 101 93

HSL 12.63, 0.17%, 0.44%

LAB 45.53, 10.81, 9.16

 

CMYK 0 / 15 / 29 / 49

HEX #836F5D

RGB 131 111 93

HSL 28.42, 0.17%, 0.44%

LAB 48.24, 4.93, 12.95

 

CMYK 0 / 8 / 29 / 49

HEX #83795D

RGB 131 121 93

HSL 44.21, 0.17%, 0.44%

LAB 51.03, -0.85, 16.77

 

CMYK 1 / 0 / 29 / 49

HEX #82835D

RGB 130 131 93

HSL 61.58, 0.17%, 0.44%

LAB 53.78, -6.91, 20.48

 

CMYK 0 / 16 / 30 / 67

HEX #53463A

RGB 83 70 58

HSL 28.8, 0.18%, 0.28%

LAB 30.7, 3.4, 9.29

 

CMYK 0 / 15 / 29 / 58

HEX #6B5B4C

RGB 107 91 76

HSL 29.03, 0.17%, 0.36%

LAB 39.8, 3.95, 11.06

 

CMYK 0 / 15 / 29 / 49

HEX #836F5D

RGB 131 111 93

HSL 28.42, 0.17%, 0.44%

LAB 48.24, 4.93, 12.95

 

CMYK 0 / 14 / 27 / 40

HEX #998470

RGB 153 132 112

HSL 29.27, 0.17%, 0.52%

LAB 56.53, 4.77, 13.75

 

CMYK 0 / 11 / 20 / 33

HEX #AA9888

RGB 170 152 136

HSL 28.24, 0.17%, 0.6%

LAB 63.98, 3.99, 10.84

 

CMYK 0 / 15 / 28 / 49

HEX #826F5D

RGB 130 111 93

HSL 29.19, 0.17%, 0.44%

LAB 48.14, 4.51, 12.79

 

CMYK 20 / 0 / 29 / 49

HEX #69835D

RGB 105 131 93

HSL 101.05, 0.17%, 0.44%

LAB 51.87, -16.93, 17.57

 

CMYK 27 / 29 / 0 / 49

HEX #605D83

RGB 96 93 131

HSL 244.74, 0.17%, 0.44%

LAB 41.14, 10.21, -20.77

 

CMYK 0 / 15 / 28 / 49

HEX #826F5D

RGB 130 111 93

HSL 29.19, 0.17%, 0.44%

LAB 48.14, 4.51, 12.79

 

CMYK 29 / 0 / 15 / 49

HEX #5D836F

RGB 93 131 111

HSL 148.42, 0.17%, 0.44%

LAB 51.5, -17.8, 6.57

 

CMYK 15 / 29 / 0 / 49

HEX #6F5D83

RGB 111 93 131

HSL 268.42, 0.17%, 0.44%

LAB 42.53, 15.28, -18.51

 

CMYK 0 / 15 / 28 / 49

HEX #826F5D

RGB 130 111 93

HSL 29.19, 0.17%, 0.44%

LAB 48.14, 4.51, 12.79

 

CMYK 20 / 0 / 29 / 49

HEX #69835D

RGB 105 131 93

HSL 101.05, 0.17%, 0.44%

LAB 51.87, -16.93, 17.57

 

CMYK 29 / 15 / 0 / 49

HEX #5D7083

RGB 93 112 131

HSL 210, 0.17%, 0.44%

LAB 46.38, -2.32, -12.78

 

CMYK 9 / 29 / 0 / 49

HEX #775D83

RGB 119 93 131

HSL 281.05, 0.17%, 0.44%

LAB 43.34, 18.07, -17.2

 

CMYK 0 / 15 / 28 / 49

HEX #826F5D

RGB 130 111 93

HSL 29.19, 0.17%, 0.44%

LAB 48.14, 4.51, 12.79

 

CMYK 29 / 0 / 29 / 49

HEX #5D835D

RGB 93 131 93

HSL 120, 0.17%, 0.44%

LAB 51.09, -21.38, 16.39

 

CMYK 29 / 15 / 0 / 49

HEX #5D7083

RGB 93 112 131

HSL 210, 0.17%, 0.44%

LAB 46.38, -2.32, -12.78

 

CMYK 1 / 29 / 0 / 49

HEX #825D83

RGB 130 93 131

HSL 298.42, 0.17%, 0.44%

LAB 44.54, 21.97, -15.27

 

Description

Color code: HEX #826F5D | qconv.com Color code: HEX #826F5D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 111 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 111 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 28 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 28% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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