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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #827618 it is the complementary color #7D89E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #827618. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #827618 shade: #877613, #988826, #A99A39, #BAAC4C and #CBBE5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #827618. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #827618 shade: #827618, #716405, #605200, #4F4000 and #3E2E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #827618 shade: #817517, #815817, #813C17, #811F17 and #811717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #827618 shade: #817517, #708117, #548117, #378117 and #1B8117

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #827618 shade matches the following richer shades: #817517 and #8D7E0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #827618 shade: #817517, #746B24, #686230, #5C583C and #4F4F49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #827618 shade: #813C17, #815817, #817417, #718117 and #558117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #827618 shade: #3B360A, #5E5511, #817517, #A4941E and #C7B424

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #827618 shade: #827618, #178120 and #4A1781

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #827618 shade: #827618, #178174 and #741781

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #827618 shade: #827618, #178120, #172481 and #811778

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #827618 shade: #827618, #178140, #172481 and #811758

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 82 / 49

HEX #827618

RGB 130 118 24

HSL 53.21, 0.69%, 0.3%

LAB 49.21, -5.89, 49.1

 

Complementary color

CMYK 46 / 41 / 0 / 9

HEX #7D89E7

RGB 125 137 231

HSL 233.21, 0.69%, 0.7%

LAB 59.91, 20.02, -49.09

 

CMYK 0 / 13 / 86 / 47

HEX #877613

RGB 135 118 19

HSL 51.21, 0.75%, 0.3%

LAB 49.68, -3.7, 51.23

 

CMYK 0 / 11 / 75 / 40

HEX #988826

RGB 152 136 38

HSL 51.58, 0.6%, 0.37%

LAB 56.51, -5.07, 51.61

 

CMYK 0 / 9 / 66 / 34

HEX #A99A39

RGB 169 154 57

HSL 51.96, 0.5%, 0.44%

LAB 63.21, -6.16, 51.07

 

CMYK 0 / 8 / 59 / 27

HEX #BAAC4C

RGB 186 172 76

HSL 52.36, 0.44%, 0.51%

LAB 69.8, -7.04, 50.12

 

CMYK 0 / 6 / 53 / 20

HEX #CBBE5F

RGB 203 190 95

HSL 52.78, 0.51%, 0.58%

LAB 76.28, -7.76, 49

 

CMYK 0 / 9 / 82 / 49

HEX #827618

RGB 130 118 24

HSL 53.21, 0.69%, 0.3%

LAB 49.21, -5.89, 49.1

 

CMYK 0 / 12 / 96 / 56

HEX #716405

RGB 113 100 5

HSL 52.78, 0.92%, 0.23%

LAB 42.21, -4.36, 47.75

 

CMYK 0 / 15 / 100 / 62

HEX #605200

RGB 96 82 0

HSL 51.25, 1%, 0.19%

LAB 35.05, -2.36, 43.12

 

CMYK 0 / 19 / 100 / 69

HEX #4F4000

RGB 79 64 0

HSL 48.61, 1%, 0.15%

LAB 27.65, -0.09, 36.78

 

CMYK 0 / 26 / 100 / 76

HEX #3E2E00

RGB 62 46 0

HSL 44.52, 1%, 0.12%

LAB 19.96, 2.39, 28.42

 

CMYK 0 / 9 / 82 / 49

HEX #817517

RGB 129 117 23

HSL 53.21, 0.7%, 0.3%

LAB 48.82, -5.84, 49.04

 

CMYK 0 / 32 / 82 / 49

HEX #815817

RGB 129 88 23

HSL 36.79, 0.7%, 0.3%

LAB 40.75, 10.99, 41.76

 

CMYK 0 / 53 / 82 / 49

HEX #813C17

RGB 129 60 23

HSL 20.94, 0.7%, 0.3%

LAB 33.9, 27.26, 35.31

 

CMYK 0 / 76 / 82 / 49

HEX #811F17

RGB 129 31 23

HSL 4.53, 0.7%, 0.3%

LAB 28.67, 41.12, 30.14

 

CMYK 0 / 82 / 82 / 49

HEX #811717

RGB 129 23 23

HSL 0, 0.7%, 0.3%

LAB 27.69, 43.85, 29.14

 

CMYK 0 / 9 / 82 / 49

HEX #817517

RGB 129 117 23

HSL 53.21, 0.7%, 0.3%

LAB 48.82, -5.84, 49.04

 

CMYK 13 / 0 / 82 / 49

HEX #708117

RGB 112 129 23

HSL 69.62, 0.7%, 0.3%

LAB 50.93, -20.18, 50.36

 

CMYK 35 / 0 / 82 / 49

HEX #548117

RGB 84 129 23

HSL 85.47, 0.7%, 0.3%

LAB 49.07, -32.01, 47.98

 

CMYK 57 / 0 / 82 / 49

HEX #378117

RGB 55 129 23

HSL 101.89, 0.7%, 0.3%

LAB 47.72, -41.96, 46.24

 

CMYK 79 / 0 / 82 / 49

HEX #1B8117

RGB 27 129 23

HSL 117.74, 0.7%, 0.3%

LAB 46.97, -48.2, 45.26

 

CMYK 0 / 9 / 82 / 49

HEX #817517

RGB 129 117 23

HSL 53.21, 0.7%, 0.3%

LAB 48.82, -5.84, 49.04

 

CMYK 0 / 11 / 92 / 45

HEX #8D7E0B

RGB 141 126 11

HSL 53.08, 0.86%, 0.3%

LAB 52.52, -5.54, 55.66

 

CMYK 0 / 9 / 82 / 49

HEX #817517

RGB 129 117 23

HSL 53.21, 0.7%, 0.3%

LAB 48.82, -5.84, 49.04

 

CMYK 0 / 8 / 69 / 55

HEX #746B24

RGB 116 107 36

HSL 53.25, 0.53%, 0.3%

LAB 44.74, -5.66, 39.56

 

CMYK 0 / 6 / 54 / 59

HEX #686230

RGB 104 98 48

HSL 53.57, 0.37%, 0.3%

LAB 41.04, -5.13, 29.04

 

CMYK 0 / 4 / 35 / 64

HEX #5C583C

RGB 92 88 60

HSL 52.5, 0.21%, 0.3%

LAB 37.08, -3.29, 16.85

 

CMYK 0 / 0 / 8 / 69

HEX #4F4F49

RGB 79 79 73

HSL 60, 0.04%, 0.3%

LAB 33.43, -1.25, 3.54

 

CMYK 0 / 53 / 82 / 49

HEX #813C17

RGB 129 60 23

HSL 20.94, 0.7%, 0.3%

LAB 33.9, 27.26, 35.31

 

CMYK 0 / 32 / 82 / 49

HEX #815817

RGB 129 88 23

HSL 36.79, 0.7%, 0.3%

LAB 40.75, 10.99, 41.76

 

CMYK 0 / 10 / 82 / 49

HEX #817417

RGB 129 116 23

HSL 52.64, 0.7%, 0.3%

LAB 48.54, -5.28, 48.79

 

CMYK 12 / 0 / 82 / 49

HEX #718117

RGB 113 129 23

HSL 69.06, 0.7%, 0.3%

LAB 51.01, -19.73, 50.46

 

CMYK 34 / 0 / 82 / 49

HEX #558117

RGB 85 129 23

HSL 84.91, 0.7%, 0.3%

LAB 49.12, -31.61, 48.05

 

CMYK 0 / 8 / 83 / 77

HEX #3B360A

RGB 59 54 10

HSL 53.88, 0.71%, 0.14%

LAB 22.27, -3.87, 26.77

 

CMYK 0 / 10 / 82 / 63

HEX #5E5511

RGB 94 85 17

HSL 52.99, 0.69%, 0.22%

LAB 35.82, -4.57, 38.11

 

CMYK 0 / 9 / 82 / 49

HEX #817517

RGB 129 117 23

HSL 53.21, 0.7%, 0.3%

LAB 48.82, -5.84, 49.04

 

CMYK 0 / 10 / 82 / 36

HEX #A4941E

RGB 164 148 30

HSL 52.84, 0.69%, 0.38%

LAB 60.93, -6.45, 58.79

 

CMYK 0 / 10 / 82 / 22

HEX #C7B424

RGB 199 180 36

HSL 53.01, 0.69%, 0.46%

LAB 72.83, -7.61, 68.64

 

CMYK 0 / 9 / 82 / 49

HEX #827618

RGB 130 118 24

HSL 53.21, 0.69%, 0.3%

LAB 49.21, -5.89, 49.1

 

CMYK 82 / 0 / 75 / 49

HEX #178120

RGB 23 129 32

HSL 125.09, 0.7%, 0.3%

LAB 46.96, -48.09, 42.03

 

CMYK 43 / 82 / 0 / 49

HEX #4A1781

RGB 74 23 129

HSL 268.87, 0.7%, 0.3%

LAB 22.49, 44.59, -49.37

 

CMYK 0 / 9 / 82 / 49

HEX #827618

RGB 130 118 24

HSL 53.21, 0.69%, 0.3%

LAB 49.21, -5.89, 49.1

 

CMYK 82 / 0 / 10 / 49

HEX #178174

RGB 23 129 116

HSL 172.64, 0.7%, 0.3%

LAB 48.44, -31.5, -1.11

 

CMYK 10 / 82 / 0 / 49

HEX #741781

RGB 116 23 129

HSL 292.64, 0.7%, 0.3%

LAB 29.19, 52.33, -38.2

 

CMYK 0 / 9 / 82 / 49

HEX #827618

RGB 130 118 24

HSL 53.21, 0.69%, 0.3%

LAB 49.21, -5.89, 49.1

 

CMYK 82 / 0 / 75 / 49

HEX #178120

RGB 23 129 32

HSL 125.09, 0.7%, 0.3%

LAB 46.96, -48.09, 42.03

 

CMYK 82 / 72 / 0 / 49

HEX #172481

RGB 23 36 129

HSL 232.64, 0.7%, 0.3%

LAB 20.16, 30.82, -53.38

 

CMYK 0 / 82 / 7 / 49

HEX #811778

RGB 129 23 120

HSL 305.09, 0.7%, 0.3%

LAB 30.96, 53.52, -29.56

 

CMYK 0 / 9 / 82 / 49

HEX #827618

RGB 130 118 24

HSL 53.21, 0.69%, 0.3%

LAB 49.21, -5.89, 49.1

 

CMYK 82 / 0 / 50 / 49

HEX #178140

RGB 23 129 64

HSL 143.21, 0.7%, 0.3%

LAB 47.3, -43.88, 27.14

 

CMYK 82 / 72 / 0 / 49

HEX #172481

RGB 23 36 129

HSL 232.64, 0.7%, 0.3%

LAB 20.16, 30.82, -53.38

 

CMYK 0 / 82 / 32 / 49

HEX #811758

RGB 129 23 88

HSL 323.21, 0.7%, 0.3%

LAB 29.37, 48.98, -11.4

 

Description

Color code: HEX #827618 | qconv.com Color code: HEX #827618 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 118 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 118 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 82 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 82% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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