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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #827871 it is the complementary color #7D878E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #827871. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #827871 shade: #87786C, #988A7F, #A99C92, #BAAEA5 and #CBC0B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #827871. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #827871 shade: #827871, #71665E, #60544B, #4F4238 and #3E3025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #827871 shade: #827871, #827471 and #827171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #827871 shade: #827871, #827D71, #828271, #7F8271 and #7A8271

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #827871 shade matches the following richer shades: #827871, #96755E, #AA714A, #BE6E36 and #D26A22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #827871 shade: #827871, #6F7C85, #5B7F99, #4783AD and #3386C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #827871 shade: #827174, #827471, #827871, #827D71 and #828171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #827871 shade: #56504B, #6C645E, #827871, #968D87 and #AAA29D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #827871 shade: #827871, #788271 and #717182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #827871 shade: #827871, #718278 and #787182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #827871 shade: #827871, #788271, #717C82 and #7C7182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #827871 shade: #827871, #738271, #717C82 and #817182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 13 / 49

HEX #827871

RGB 130 120 113

HSL 24.71, 0.07%, 0.48%

LAB 51.12, 2.55, 5.22

 

Complementary color

CMYK 12 / 5 / 0 / 44

HEX #7D878E

RGB 125 135 142

HSL 204.71, 0.07%, 0.52%

LAB 55.73, -2.15, -5.01

 

CMYK 0 / 11 / 20 / 47

HEX #87786C

RGB 135 120 108

HSL 26.67, 0.11%, 0.48%

LAB 51.46, 3.7, 8.7

 

CMYK 0 / 9 / 16 / 40

HEX #988A7F

RGB 152 138 127

HSL 26.4, 0.11%, 0.55%

LAB 58.4, 3.33, 7.79

 

CMYK 0 / 8 / 14 / 34

HEX #A99C92

RGB 169 156 146

HSL 26.09, 0.12%, 0.62%

LAB 65.19, 3.02, 6.94

 

CMYK 0 / 6 / 11 / 27

HEX #BAAEA5

RGB 186 174 165

HSL 25.71, 0.13%, 0.69%

LAB 71.84, 2.73, 6.15

 

CMYK 0 / 5 / 9 / 20

HEX #CBC0B8

RGB 203 192 184

HSL 25.26, 0.15%, 0.76%

LAB 78.38, 2.48, 5.4

 

CMYK 0 / 8 / 13 / 49

HEX #827871

RGB 130 120 113

HSL 24.71, 0.07%, 0.48%

LAB 51.12, 2.55, 5.22

 

CMYK 0 / 10 / 17 / 56

HEX #71665E

RGB 113 102 94

HSL 25.26, 0.09%, 0.41%

LAB 43.98, 2.89, 6.1

 

CMYK 0 / 13 / 22 / 62

HEX #60544B

RGB 96 84 75

HSL 25.71, 0.12%, 0.34%

LAB 36.62, 3.29, 7.06

 

CMYK 0 / 16 / 29 / 69

HEX #4F4238

RGB 79 66 56

HSL 26.09, 0.17%, 0.26%

LAB 29.02, 3.79, 8.16

 

CMYK 0 / 23 / 40 / 76

HEX #3E3025

RGB 62 48 37

HSL 26.4, 0.25%, 0.19%

LAB 21.1, 4.47, 9.46

 

CMYK 0 / 8 / 13 / 49

HEX #827871

RGB 130 120 113

HSL 24.71, 0.07%, 0.48%

LAB 51.12, 2.55, 5.22

 

CMYK 0 / 11 / 13 / 49

HEX #827471

RGB 130 116 113

HSL 10.59, 0.07%, 0.48%

LAB 50.01, 4.88, 3.63

 

CMYK 0 / 13 / 13 / 49

HEX #827171

RGB 130 113 113

HSL 0, 0.07%, 0.48%

LAB 49.19, 6.63, 2.44

 

CMYK 0 / 8 / 13 / 49

HEX #827871

RGB 130 120 113

HSL 24.71, 0.07%, 0.48%

LAB 51.12, 2.55, 5.22

 

CMYK 0 / 4 / 13 / 49

HEX #827D71

RGB 130 125 113

HSL 42.35, 0.07%, 0.48%

LAB 52.51, -0.32, 7.21

 

CMYK 0 / 0 / 13 / 49

HEX #828271

RGB 130 130 113

HSL 60, 0.07%, 0.48%

LAB 53.92, -3.17, 9.22

 

CMYK 2 / 0 / 13 / 49

HEX #7F8271

RGB 127 130 113

HSL 70.59, 0.07%, 0.48%

LAB 53.67, -4.34, 8.83

 

CMYK 6 / 0 / 13 / 49

HEX #7A8271

RGB 122 130 113

HSL 88.24, 0.07%, 0.48%

LAB 53.27, -6.28, 8.2

 

CMYK 0 / 8 / 13 / 49

HEX #827871

RGB 130 120 113

HSL 24.71, 0.07%, 0.48%

LAB 51.12, 2.55, 5.22

 

CMYK 0 / 22 / 37 / 41

HEX #96755E

RGB 150 117 94

HSL 24.64, 0.23%, 0.48%

LAB 51.85, 9.6, 17.64

 

CMYK 0 / 34 / 56 / 33

HEX #AA714A

RGB 170 113 74

HSL 24.38, 0.39%, 0.48%

LAB 52.79, 18.3, 30.67

 

CMYK 0 / 42 / 72 / 25

HEX #BE6E36

RGB 190 110 54

HSL 24.71, 0.56%, 0.48%

LAB 54.41, 27.11, 43.81

 

CMYK 0 / 50 / 84 / 18

HEX #D26A22

RGB 210 106 34

HSL 24.55, 0.72%, 0.48%

LAB 56.21, 36.65, 55.45

 

CMYK 0 / 8 / 13 / 49

HEX #827871

RGB 130 120 113

HSL 24.71, 0.07%, 0.48%

LAB 51.12, 2.55, 5.22

 

CMYK 17 / 7 / 0 / 48

HEX #6F7C85

RGB 111 124 133

HSL 204.55, 0.09%, 0.48%

LAB 51.25, -2.77, -6.52

 

CMYK 41 / 17 / 0 / 40

HEX #5B7F99

RGB 91 127 153

HSL 205.16, 0.25%, 0.48%

LAB 51.5, -5.67, -17.98

 

CMYK 59 / 24 / 0 / 32

HEX #4783AD

RGB 71 131 173

HSL 204.71, 0.42%, 0.48%

LAB 52.5, -6.75, -28.12

 

CMYK 74 / 31 / 0 / 24

HEX #3386C1

RGB 51 134 193

HSL 204.93, 0.58%, 0.48%

LAB 53.6, -5.04, -37.9

 

CMYK 0 / 13 / 11 / 49

HEX #827174

RGB 130 113 116

HSL 349.41, 0.07%, 0.48%

LAB 49.27, 7.17, 0.78

 

CMYK 0 / 11 / 13 / 49

HEX #827471

RGB 130 116 113

HSL 10.59, 0.07%, 0.48%

LAB 50.01, 4.88, 3.63

 

CMYK 0 / 8 / 13 / 49

HEX #827871

RGB 130 120 113

HSL 24.71, 0.07%, 0.48%

LAB 51.12, 2.55, 5.22

 

CMYK 0 / 4 / 13 / 49

HEX #827D71

RGB 130 125 113

HSL 42.35, 0.07%, 0.48%

LAB 52.51, -0.32, 7.21

 

CMYK 0 / 1 / 13 / 49

HEX #828171

RGB 130 129 113

HSL 56.47, 0.07%, 0.48%

LAB 53.64, -2.6, 8.81

 

CMYK 0 / 7 / 13 / 66

HEX #56504B

RGB 86 80 75

HSL 27.27, 0.07%, 0.32%

LAB 34.44, 1.47, 3.83

 

CMYK 0 / 7 / 13 / 58

HEX #6C645E

RGB 108 100 94

HSL 25.71, 0.07%, 0.4%

LAB 42.93, 2.03, 4.54

 

CMYK 0 / 8 / 13 / 49

HEX #827871

RGB 130 120 113

HSL 24.71, 0.07%, 0.48%

LAB 51.12, 2.55, 5.22

 

CMYK 0 / 6 / 10 / 41

HEX #968D87

RGB 150 141 135

HSL 24, 0.07%, 0.56%

LAB 59.24, 2.25, 4.39

 

CMYK 0 / 5 / 8 / 33

HEX #AAA29D

RGB 170 162 157

HSL 23.08, 0.07%, 0.64%

LAB 67.14, 1.99, 3.62

 

CMYK 0 / 8 / 13 / 49

HEX #827871

RGB 130 120 113

HSL 24.71, 0.07%, 0.48%

LAB 51.12, 2.55, 5.22

 

CMYK 8 / 0 / 13 / 49

HEX #788271

RGB 120 130 113

HSL 95.29, 0.07%, 0.48%

LAB 53.11, -7.05, 7.95

 

CMYK 13 / 13 / 0 / 49

HEX #717182

RGB 113 113 130

HSL 240, 0.07%, 0.48%

LAB 48.18, 3.68, -9.33

 

CMYK 0 / 8 / 13 / 49

HEX #827871

RGB 130 120 113

HSL 24.71, 0.07%, 0.48%

LAB 51.12, 2.55, 5.22

 

CMYK 13 / 0 / 8 / 49

HEX #718278

RGB 113 130 120

HSL 144.71, 0.07%, 0.48%

LAB 52.77, -8.3, 3.32

 

CMYK 8 / 13 / 0 / 49

HEX #787182

RGB 120 113 130

HSL 264.71, 0.07%, 0.48%

LAB 48.78, 6.2, -8.36

 

CMYK 0 / 8 / 13 / 49

HEX #827871

RGB 130 120 113

HSL 24.71, 0.07%, 0.48%

LAB 51.12, 2.55, 5.22

 

CMYK 8 / 0 / 13 / 49

HEX #788271

RGB 120 130 113

HSL 95.29, 0.07%, 0.48%

LAB 53.11, -7.05, 7.95

 

CMYK 13 / 5 / 0 / 49

HEX #717C82

RGB 113 124 130

HSL 201.18, 0.07%, 0.48%

LAB 51.31, -2.75, -4.66

 

CMYK 5 / 13 / 0 / 49

HEX #7C7182

RGB 124 113 130

HSL 278.82, 0.07%, 0.48%

LAB 49.14, 7.67, -7.79

 

CMYK 0 / 8 / 13 / 49

HEX #827871

RGB 130 120 113

HSL 24.71, 0.07%, 0.48%

LAB 51.12, 2.55, 5.22

 

CMYK 12 / 0 / 13 / 49

HEX #738271

RGB 115 130 113

HSL 112.94, 0.07%, 0.48%

LAB 52.73, -8.95, 7.36

 

CMYK 13 / 5 / 0 / 49

HEX #717C82

RGB 113 124 130

HSL 201.18, 0.07%, 0.48%

LAB 51.31, -2.75, -4.66

 

CMYK 1 / 13 / 0 / 49

HEX #817182

RGB 129 113 130

HSL 296.47, 0.07%, 0.48%

LAB 49.6, 9.51, -7.04

 

Description

Color code: HEX #827871 | qconv.com Color code: HEX #827871 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 120 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 120 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 13 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 13% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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