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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #827A7C it is the complementary color #7D8583. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #827A7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #827A7C shade: #877A77, #988C8A, #A99E9D, #BAB0B0 and #CBC2C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #827A7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #827A7C shade: #827A7C, #716869, #605656, #4F4443 and #3E3230

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #827A7C shade: #80797B and #807979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #827A7C shade: #80797B, #80797D, #80797F, #807980 and #7E7980

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #827A7C shade matches the following richer shades: #80797B, #946470, #A95066, #BD3C5C and #D12852

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #827A7C shade: #80797B, #6C8D85, #58A18F, #44B599 and #2FCAA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #827A7C shade: #80797F, #80797D, #80797B, #807979 and #807B79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #827A7C shade: #565152, #6B6566, #80797B, #948E8F and #A8A3A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #827A7C shade: #827A7C, #808079 and #797E80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #827A7C shade: #827A7C, #7B8079 and #797B80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #827A7C shade: #827A7C, #808079, #79807E and #797980

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #827A7C shade: #827A7C, #7E8079, #79807E and #7B7980

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 5 / 49

HEX #827A7C

RGB 130 122 124

HSL 345, 0.03%, 0.49%

LAB 51.97, 3.43, -0

 

Complementary color

CMYK 6 / 0 / 2 / 48

HEX #7D8583

RGB 125 133 131

HSL 165, 0.03%, 0.51%

LAB 54.84, -3.35, 0.05

 

CMYK 0 / 10 / 12 / 47

HEX #877A77

RGB 135 122 119

HSL 11.25, 0.06%, 0.5%

LAB 52.29, 4.43, 3.44

 

CMYK 0 / 8 / 9 / 40

HEX #988C8A

RGB 152 140 138

HSL 8.57, 0.06%, 0.57%

LAB 59.22, 4.11, 2.67

 

CMYK 0 / 7 / 7 / 34

HEX #A99E9D

RGB 169 158 157

HSL 5, 0.07%, 0.64%

LAB 66, 3.82, 1.95

 

CMYK 0 / 5 / 5 / 27

HEX #BAB0B0

RGB 186 176 176

HSL 0, 0.07%, 0.71%

LAB 72.64, 3.56, 1.27

 

CMYK 0 / 4 / 4 / 20

HEX #CBC2C3

RGB 203 194 195

HSL 353.33, 0.08%, 0.78%

LAB 79.17, 3.32, 0.61

 

CMYK 0 / 6 / 5 / 49

HEX #827A7C

RGB 130 122 124

HSL 345, 0.03%, 0.49%

LAB 51.97, 3.43, -0

 

CMYK 0 / 8 / 7 / 56

HEX #716869

RGB 113 104 105

HSL 353.33, 0.04%, 0.43%

LAB 44.85, 3.73, 0.71

 

CMYK 0 / 10 / 10 / 62

HEX #605656

RGB 96 86 86

HSL 0, 0.05%, 0.36%

LAB 37.51, 4.07, 1.48

 

CMYK 0 / 14 / 15 / 69

HEX #4F4443

RGB 79 68 67

HSL 5, 0.08%, 0.29%

LAB 29.92, 4.49, 2.33

 

CMYK 0 / 19 / 23 / 76

HEX #3E3230

RGB 62 50 48

HSL 8.57, 0.13%, 0.22%

LAB 22.01, 5.01, 3.29

 

CMYK 0 / 5 / 4 / 50

HEX #80797B

RGB 128 121 123

HSL 342.86, 0.03%, 0.49%

LAB 51.49, 3.06, -0.14

 

CMYK 0 / 5 / 5 / 50

HEX #807979

RGB 128 121 121

HSL 0, 0.03%, 0.49%

LAB 51.43, 2.67, 0.95

 

CMYK 0 / 5 / 4 / 50

HEX #80797B

RGB 128 121 123

HSL 342.86, 0.03%, 0.49%

LAB 51.49, 3.06, -0.14

 

CMYK 0 / 5 / 2 / 50

HEX #80797D

RGB 128 121 125

HSL 325.71, 0.03%, 0.49%

LAB 51.55, 3.45, -1.23

 

CMYK 0 / 5 / 1 / 50

HEX #80797F

RGB 128 121 127

HSL 308.57, 0.03%, 0.49%

LAB 51.61, 3.84, -2.32

 

CMYK 0 / 5 / 0 / 50

HEX #807980

RGB 128 121 128

HSL 300, 0.03%, 0.49%

LAB 51.64, 4.04, -2.86

 

CMYK 2 / 5 / 0 / 50

HEX #7E7980

RGB 126 121 128

HSL 282.86, 0.03%, 0.49%

LAB 51.46, 3.3, -3.14

 

CMYK 0 / 5 / 4 / 50

HEX #80797B

RGB 128 121 123

HSL 342.86, 0.03%, 0.49%

LAB 51.49, 3.06, -0.14

 

CMYK 0 / 32 / 24 / 42

HEX #946470

RGB 148 100 112

HSL 345, 0.19%, 0.49%

LAB 47.73, 21.19, 1.15

 

CMYK 0 / 53 / 40 / 34

HEX #A95066

RGB 169 80 102

HSL 345.17, 0.36%, 0.49%

LAB 45.81, 38.82, 4.79

 

CMYK 0 / 68 / 51 / 26

HEX #BD3C5C

RGB 189 60 92

HSL 345.12, 0.52%, 0.49%

LAB 45.39, 53.74, 10.78

 

CMYK 0 / 81 / 61 / 18

HEX #D12852

RGB 209 40 82

HSL 345.09, 0.68%, 0.49%

LAB 46.55, 65.33, 19.14

 

CMYK 0 / 5 / 4 / 50

HEX #80797B

RGB 128 121 123

HSL 342.86, 0.03%, 0.49%

LAB 51.49, 3.06, -0.14

 

CMYK 23 / 0 / 6 / 45

HEX #6C8D85

RGB 108 141 133

HSL 165.45, 0.13%, 0.49%

LAB 56.02, -13.32, 0.48

 

CMYK 45 / 0 / 11 / 37

HEX #58A18F

RGB 88 161 143

HSL 165.21, 0.29%, 0.49%

LAB 61.26, -27.3, 2.29

 

CMYK 62 / 0 / 15 / 29

HEX #44B599

RGB 68 181 153

HSL 165.13, 0.45%, 0.49%

LAB 66.96, -38.69, 4.87

 

CMYK 77 / 0 / 19 / 21

HEX #2FCAA3

RGB 47 202 163

HSL 164.9, 0.62%, 0.49%

LAB 73.21, -48.31, 8.33

 

CMYK 0 / 5 / 1 / 50

HEX #80797F

RGB 128 121 127

HSL 308.57, 0.03%, 0.49%

LAB 51.61, 3.84, -2.32

 

CMYK 0 / 5 / 2 / 50

HEX #80797D

RGB 128 121 125

HSL 325.71, 0.03%, 0.49%

LAB 51.55, 3.45, -1.23

 

CMYK 0 / 5 / 4 / 50

HEX #80797B

RGB 128 121 123

HSL 342.86, 0.03%, 0.49%

LAB 51.49, 3.06, -0.14

 

CMYK 0 / 5 / 5 / 50

HEX #807979

RGB 128 121 121

HSL 0, 0.03%, 0.49%

LAB 51.43, 2.67, 0.95

 

CMYK 0 / 4 / 5 / 50

HEX #807B79

RGB 128 123 121

HSL 17.14, 0.03%, 0.49%

LAB 51.99, 1.51, 1.76

HEX #807B79

CMYK 0 / 6 / 5 / 66

HEX #565152

RGB 86 81 82

HSL 348, 0.03%, 0.33%

LAB 34.95, 2.25, 0.14

 

CMYK 0 / 6 / 5 / 58

HEX #6B6566

RGB 107 101 102

HSL 350, 0.03%, 0.41%

LAB 43.35, 2.56, 0.28

 

CMYK 0 / 5 / 4 / 50

HEX #80797B

RGB 128 121 123

HSL 342.86, 0.03%, 0.49%

LAB 51.49, 3.06, -0.14

 

CMYK 0 / 4 / 3 / 42

HEX #948E8F

RGB 148 142 143

HSL 350, 0.03%, 0.57%

LAB 59.55, 2.41, 0.25

 

CMYK 0 / 3 / 2 / 34

HEX #A8A3A4

RGB 168 163 164

HSL 348, 0.03%, 0.65%

LAB 67.43, 1.99, 0.11

 

CMYK 0 / 6 / 5 / 49

HEX #827A7C

RGB 130 122 124

HSL 345, 0.03%, 0.49%

LAB 51.97, 3.43, -0

 

CMYK 0 / 0 / 5 / 50

HEX #808079

RGB 128 128 121

HSL 60, 0.03%, 0.49%

LAB 53.39, -1.35, 3.79

 

CMYK 5 / 2 / 0 / 50

HEX #797E80

RGB 121 126 128

HSL 197.14, 0.03%, 0.49%

LAB 52.45, -1.44, -1.74

 

CMYK 0 / 6 / 5 / 49

HEX #827A7C

RGB 130 122 124

HSL 345, 0.03%, 0.49%

LAB 51.97, 3.43, -0

 

CMYK 4 / 0 / 5 / 50

HEX #7B8079

RGB 123 128 121

HSL 102.86, 0.03%, 0.49%

LAB 52.98, -3.26, 3.14

 

CMYK 5 / 4 / 0 / 50

HEX #797B80

RGB 121 123 128

HSL 222.86, 0.03%, 0.49%

LAB 51.6, 0.28, -2.99

 

CMYK 0 / 6 / 5 / 49

HEX #827A7C

RGB 130 122 124

HSL 345, 0.03%, 0.49%

LAB 51.97, 3.43, -0

 

CMYK 0 / 0 / 5 / 50

HEX #808079

RGB 128 128 121

HSL 60, 0.03%, 0.49%

LAB 53.39, -1.35, 3.79

 

CMYK 5 / 0 / 2 / 50

HEX #79807E

RGB 121 128 126

HSL 162.86, 0.03%, 0.49%

LAB 52.96, -3, 0.18

 

CMYK 5 / 5 / 0 / 50

HEX #797980

RGB 121 121 128

HSL 240, 0.03%, 0.49%

LAB 51.03, 1.44, -3.82

 

CMYK 0 / 6 / 5 / 49

HEX #827A7C

RGB 130 122 124

HSL 345, 0.03%, 0.49%

LAB 51.97, 3.43, -0

 

CMYK 2 / 0 / 5 / 50

HEX #7E8079

RGB 126 128 121

HSL 77.14, 0.03%, 0.49%

LAB 53.23, -2.12, 3.53

 

CMYK 5 / 0 / 2 / 50

HEX #79807E

RGB 121 128 126

HSL 162.86, 0.03%, 0.49%

LAB 52.96, -3, 0.18

 

CMYK 4 / 5 / 0 / 50

HEX #7B7980

RGB 123 121 128

HSL 257.14, 0.03%, 0.49%

LAB 51.2, 2.18, -3.55

 

Description

Color code: HEX #827A7C | qconv.com Color code: HEX #827A7C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 122 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 122 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 5 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 5% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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