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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #827D05 it is the complementary color #7D82FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #827D05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #827D05 shade: #877D00, #988F13, #A9A126, #BAB339 and #CBC54C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #827D05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #827D05 shade: #827D05, #716B00, #605900, #4F4700 and #3E3500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #827D05 shade: #7F7B04, #7F5904, #7F3804, #7F1704 and #7F0404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #827D05 shade: #7F7B04, #637F04, #427F04, #217F04 and #047F09

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #827D05 shade matches the following richer shades: #7F7B04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #827D05 shade: #7F7B04, #75710F, #6A671A, #5F5D24 and #55532F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #827D05 shade: #7F3804, #7F5804, #7F7904, #657F04 and #447F04

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #827D05 shade: #302E01, #585403, #7F7B04, #A7A106 and #CFC707

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #827D05 shade: #827D05, #047F17 and #48047F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #827D05 shade: #827D05, #047F79 and #79047F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #827D05 shade: #827D05, #047F17, #040A7F and #7F046D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #827D05 shade: #827D05, #047F3C, #040A7F and #7F0448

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 96 / 49

HEX #827D05

RGB 130 125 5

HSL 57.6, 0.93%, 0.26%

LAB 51.18, -10.27, 55.29

 

Complementary color

CMYK 50 / 48 / 0 / 2

HEX #7D82FA

RGB 125 130 250

HSL 237.6, 0.93%, 0.74%

LAB 59.18, 29.8, -60.76

 

CMYK 0 / 7 / 100 / 47

HEX #877D00

RGB 135 125 0

HSL 55.56, 1%, 0.26%

LAB 51.63, -8.01, 56.79

 

CMYK 0 / 6 / 88 / 40

HEX #988F13

RGB 152 143 19

HSL 55.94, 0.78%, 0.34%

LAB 58.38, -9.55, 59.1

 

CMYK 0 / 5 / 78 / 34

HEX #A9A126

RGB 169 161 38

HSL 56.34, 0.63%, 0.41%

LAB 65.01, -10.83, 60.11

 

CMYK 0 / 4 / 69 / 27

HEX #BAB339

RGB 186 179 57

HSL 56.74, 0.53%, 0.48%

LAB 71.54, -11.88, 60.06

 

CMYK 0 / 3 / 63 / 20

HEX #CBC54C

RGB 203 197 76

HSL 57.17, 0.55%, 0.55%

LAB 77.96, -12.74, 59.46

 

CMYK 0 / 4 / 96 / 49

HEX #827D05

RGB 130 125 5

HSL 57.6, 0.93%, 0.26%

LAB 51.18, -10.27, 55.29

 

CMYK 0 / 5 / 100 / 56

HEX #716B00

RGB 113 107 0

HSL 56.81, 1%, 0.22%

LAB 44.27, -8.48, 50.52

 

CMYK 0 / 7 / 100 / 62

HEX #605900

RGB 96 89 0

HSL 55.63, 1%, 0.19%

LAB 37.17, -6.51, 44.64

 

CMYK 0 / 10 / 100 / 69

HEX #4F4700

RGB 79 71 0

HSL 53.92, 1%, 0.15%

LAB 29.83, -4.43, 38.54

 

CMYK 0 / 15 / 100 / 76

HEX #3E3500

RGB 62 53 0

HSL 51.29, 1%, 0.12%

LAB 22.2, -2.19, 30.87

 

CMYK 0 / 3 / 97 / 50

HEX #7F7B04

RGB 127 123 4

HSL 58.05, 0.94%, 0.26%

LAB 50.32, -10.6, 54.71

 

CMYK 0 / 30 / 97 / 50

HEX #7F5904

RGB 127 89 4

HSL 41.46, 0.94%, 0.26%

LAB 40.68, 8.92, 47.58

 

CMYK 0 / 56 / 97 / 50

HEX #7F3804

RGB 127 56 4

HSL 25.37, 0.94%, 0.26%

LAB 32.59, 28.08, 41.94

 

CMYK 0 / 82 / 97 / 50

HEX #7F1704

RGB 127 23 4

HSL 9.27, 0.94%, 0.26%

LAB 27.11, 42.75, 37.77

 

CMYK 0 / 97 / 97 / 50

HEX #7F0404

RGB 127 4 4

HSL 0, 0.94%, 0.26%

LAB 25.59, 47.1, 36.4

 

CMYK 0 / 3 / 97 / 50

HEX #7F7B04

RGB 127 123 4

HSL 58.05, 0.94%, 0.26%

LAB 50.32, -10.6, 54.71

 

CMYK 22 / 0 / 97 / 50

HEX #637F04

RGB 99 127 4

HSL 73.66, 0.94%, 0.26%

LAB 49.3, -25.47, 52.96

 

CMYK 48 / 0 / 97 / 50

HEX #427F04

RGB 66 127 4

HSL 89.76, 0.94%, 0.26%

LAB 47.42, -38.46, 50.67

 

CMYK 74 / 0 / 97 / 50

HEX #217F04

RGB 33 127 4

HSL 105.85, 0.94%, 0.26%

LAB 46.33, -47.37, 49.32

 

CMYK 97 / 0 / 93 / 50

HEX #047F09

RGB 4 127 9

HSL 122.44, 0.94%, 0.26%

LAB 45.94, -50.74, 47.82

 

CMYK 0 / 3 / 97 / 50

HEX #7F7B04

RGB 127 123 4

HSL 58.05, 0.94%, 0.26%

LAB 50.32, -10.6, 54.71

 

CMYK 0 / 3 / 97 / 50

HEX #7F7B04

RGB 127 123 4

HSL 58.05, 0.94%, 0.26%

LAB 50.32, -10.6, 54.71

 

CMYK 0 / 3 / 87 / 54

HEX #75710F

RGB 117 113 15

HSL 57.65, 0.77%, 0.26%

LAB 46.48, -9.55, 48.93

 

CMYK 0 / 3 / 75 / 58

HEX #6A671A

RGB 106 103 26

HSL 57.75, 0.61%, 0.26%

LAB 42.52, -8.72, 41.33

 

CMYK 0 / 2 / 62 / 63

HEX #5F5D24

RGB 95 93 36

HSL 57.97, 0.45%, 0.26%

LAB 38.53, -7.56, 32.28

 

CMYK 0 / 2 / 45 / 67

HEX #55532F

RGB 85 83 47

HSL 56.84, 0.29%, 0.26%

LAB 34.65, -5.26, 21.35

 

CMYK 0 / 56 / 97 / 50

HEX #7F3804

RGB 127 56 4

HSL 25.37, 0.94%, 0.26%

LAB 32.59, 28.08, 41.94

 

CMYK 0 / 31 / 97 / 50

HEX #7F5804

RGB 127 88 4

HSL 40.98, 0.94%, 0.26%

LAB 40.41, 9.51, 47.39

 

CMYK 0 / 5 / 97 / 50

HEX #7F7904

RGB 127 121 4

HSL 57.07, 0.94%, 0.26%

LAB 49.73, -9.5, 54.27

 

CMYK 20 / 0 / 97 / 50

HEX #657F04

RGB 101 127 4

HSL 72.68, 0.94%, 0.26%

LAB 49.44, -24.6, 53.13

 

CMYK 46 / 0 / 97 / 50

HEX #447F04

RGB 68 127 4

HSL 88.78, 0.94%, 0.26%

LAB 47.52, -37.77, 50.78

 

CMYK 0 / 4 / 98 / 81

HEX #302E01

RGB 48 46 1

HSL 57.45, 0.96%, 0.1%

LAB 18.3, -5.31, 25.66

 

CMYK 0 / 5 / 97 / 65

HEX #585403

RGB 88 84 3

HSL 57.18, 0.93%, 0.18%

LAB 34.85, -7.5, 41.59

 

CMYK 0 / 3 / 97 / 50

HEX #7F7B04

RGB 127 123 4

HSL 58.05, 0.94%, 0.26%

LAB 50.32, -10.6, 54.71

 

CMYK 0 / 4 / 96 / 35

HEX #A7A106

RGB 167 161 6

HSL 57.76, 0.93%, 0.34%

LAB 64.74, -12.51, 66.79

 

CMYK 0 / 4 / 97 / 19

HEX #CFC707

RGB 207 199 7

HSL 57.6, 0.93%, 0.42%

LAB 78.54, -14.37, 78.49

 

CMYK 0 / 4 / 96 / 49

HEX #827D05

RGB 130 125 5

HSL 57.6, 0.93%, 0.26%

LAB 51.18, -10.27, 55.29

 

CMYK 97 / 0 / 82 / 50

HEX #047F17

RGB 4 127 23

HSL 129.27, 0.94%, 0.26%

LAB 46, -50, 44.24

 

CMYK 43 / 97 / 0 / 50

HEX #48047F

RGB 72 4 127

HSL 273.17, 0.94%, 0.26%

LAB 20.03, 49.65, -52.15

 

CMYK 0 / 4 / 96 / 49

HEX #827D05

RGB 130 125 5

HSL 57.6, 0.93%, 0.26%

LAB 51.18, -10.27, 55.29

 

CMYK 97 / 0 / 5 / 50

HEX #047F79

RGB 4 127 121

HSL 177.07, 0.94%, 0.26%

LAB 47.73, -30.38, -5.13

 

CMYK 5 / 97 / 0 / 50

HEX #79047F

RGB 121 4 127

HSL 297.07, 0.94%, 0.26%

LAB 28.6, 56.9, -37.84

 

CMYK 0 / 4 / 96 / 49

HEX #827D05

RGB 130 125 5

HSL 57.6, 0.93%, 0.26%

LAB 51.18, -10.27, 55.29

 

CMYK 97 / 0 / 82 / 50

HEX #047F17

RGB 4 127 23

HSL 129.27, 0.94%, 0.26%

LAB 46, -50, 44.24

 

CMYK 97 / 92 / 0 / 50

HEX #040A7F

RGB 4 10 127

HSL 237.07, 0.94%, 0.26%

LAB 14.26, 43.33, -61.91

 

CMYK 0 / 97 / 14 / 50

HEX #7F046D

RGB 127 4 109

HSL 308.78, 0.94%, 0.26%

LAB 28.65, 55.24, -26.22

 

CMYK 0 / 4 / 96 / 49

HEX #827D05

RGB 130 125 5

HSL 57.6, 0.93%, 0.26%

LAB 51.18, -10.27, 55.29

 

CMYK 97 / 0 / 53 / 50

HEX #047F3C

RGB 4 127 60

HSL 147.32, 0.94%, 0.26%

LAB 46.35, -45.56, 28.05

 

CMYK 97 / 92 / 0 / 50

HEX #040A7F

RGB 4 10 127

HSL 237.07, 0.94%, 0.26%

LAB 14.26, 43.33, -61.91

 

CMYK 0 / 97 / 43 / 50

HEX #7F0448

RGB 127 4 72

HSL 326.83, 0.94%, 0.26%

LAB 26.92, 50.75, -4.49

 

Description

Color code: HEX #827D05 | qconv.com Color code: HEX #827D05 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 125 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 125 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 96 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 96% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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