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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #827D52 it is the complementary color #7D82AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #827D52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #827D52 shade: #877D4D, #988F60, #A9A173, #BAB386 and #CBC599

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #827D52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #827D52 shade: #827D52, #716B3F, #60592C, #4F4719 and #3E3506

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #827D52 shade: #837E52, #837152, #836452, #835652 and #835252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #827D52 shade: #837E52, #7B8352, #6E8352, #618352 and #538352

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #827D52 shade matches the following richer shades: #837E52, #958C41, #A69A2F, #B7A71E and #C9B50D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #827D52 shade: #837E52, #727063, #616375, #4F5586 and #3E4797

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #827D52 shade: #836352, #837052, #837D52, #7C8352 and #6F8352

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #827D52 shade: #504D32, #6A6642, #837E52, #9D9662 and #ACA77B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #827D52 shade: #827D52, #528356 and #6A5283

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #827D52 shade: #827D52, #52837D and #7D5283

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #827D52 shade: #827D52, #528356, #525883 and #83527F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #827D52 shade: #827D52, #528365, #525883 and #835270

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 37 / 49

HEX #827D52

RGB 130 125 82

HSL 53.75, 0.23%, 0.42%

LAB 51.86, -5.05, 24.15

 

Complementary color

CMYK 28 / 25 / 0 / 32

HEX #7D82AD

RGB 125 130 173

HSL 233.75, 0.23%, 0.58%

LAB 55.42, 8.1, -23.34

 

CMYK 0 / 7 / 43 / 47

HEX #877D4D

RGB 135 125 77

HSL 49.66, 0.27%, 0.42%

LAB 52.24, -3.49, 27.51

 

CMYK 0 / 6 / 37 / 40

HEX #988F60

RGB 152 143 96

HSL 50.36, 0.23%, 0.49%

LAB 59.13, -3.96, 26.24

 

CMYK 0 / 5 / 32 / 34

HEX #A9A173

RGB 169 161 115

HSL 51.11, 0.24%, 0.56%

LAB 65.88, -4.35, 25.05

 

CMYK 0 / 4 / 28 / 27

HEX #BAB386

RGB 186 179 134

HSL 51.92, 0.27%, 0.63%

LAB 72.5, -4.66, 23.93

 

CMYK 0 / 3 / 25 / 20

HEX #CBC599

RGB 203 197 153

HSL 52.8, 0.32%, 0.7%

LAB 79, -4.93, 22.88

 

CMYK 0 / 4 / 37 / 49

HEX #827D52

RGB 130 125 82

HSL 53.75, 0.23%, 0.42%

LAB 51.86, -5.05, 24.15

 

CMYK 0 / 5 / 44 / 56

HEX #716B3F

RGB 113 107 63

HSL 52.8, 0.28%, 0.35%

LAB 44.78, -4.6, 25.46

 

CMYK 0 / 7 / 54 / 62

HEX #60592C

RGB 96 89 44

HSL 51.92, 0.37%, 0.27%

LAB 37.51, -4, 26.83

 

CMYK 0 / 10 / 68 / 69

HEX #4F4719

RGB 79 71 25

HSL 51.11, 0.52%, 0.2%

LAB 30.01, -3.13, 28.13

 

CMYK 0 / 15 / 90 / 76

HEX #3E3506

RGB 62 53 6

HSL 50.36, 0.82%, 0.13%

LAB 22.24, -1.85, 28.48

 

CMYK 0 / 4 / 37 / 49

HEX #837E52

RGB 131 126 82

HSL 53.88, 0.23%, 0.42%

LAB 52.24, -5.18, 24.66

 

CMYK 0 / 14 / 37 / 49

HEX #837152

RGB 131 113 82

HSL 37.96, 0.23%, 0.42%

LAB 48.57, 2.23, 19.82

 

CMYK 0 / 24 / 37 / 49

HEX #836452

RGB 131 100 82

HSL 22.04, 0.23%, 0.42%

LAB 45.01, 9.85, 15.02

 

CMYK 0 / 34 / 37 / 49

HEX #835652

RGB 131 86 82

HSL 4.9, 0.23%, 0.42%

LAB 41.36, 18.14, 9.98

 

CMYK 0 / 37 / 37 / 49

HEX #835252

RGB 131 82 82

HSL 0, 0.23%, 0.42%

LAB 40.36, 20.5, 8.58

 

CMYK 0 / 4 / 37 / 49

HEX #837E52

RGB 131 126 82

HSL 53.88, 0.23%, 0.42%

LAB 52.24, -5.18, 24.66

 

CMYK 6 / 0 / 37 / 49

HEX #7B8352

RGB 123 131 82

HSL 69.8, 0.23%, 0.42%

LAB 53.01, -11.34, 25.53

 

CMYK 16 / 0 / 37 / 49

HEX #6E8352

RGB 110 131 82

HSL 85.71, 0.23%, 0.42%

LAB 52.01, -16.69, 24.04

 

CMYK 26 / 0 / 37 / 49

HEX #618352

RGB 97 131 82

HSL 101.63, 0.23%, 0.42%

LAB 51.13, -21.78, 22.72

 

CMYK 37 / 0 / 37 / 49

HEX #538352

RGB 83 131 82

HSL 118.78, 0.23%, 0.42%

LAB 50.31, -26.85, 21.49

 

CMYK 0 / 4 / 37 / 49

HEX #837E52

RGB 131 126 82

HSL 53.88, 0.23%, 0.42%

LAB 52.24, -5.18, 24.66

 

CMYK 0 / 6 / 56 / 42

HEX #958C41

RGB 149 140 65

HSL 53.57, 0.39%, 0.42%

LAB 57.59, -6.84, 40.63

 

CMYK 0 / 7 / 72 / 35

HEX #A69A2F

RGB 166 154 47

HSL 53.95, 0.56%, 0.42%

LAB 62.86, -8.05, 54.76

 

CMYK 0 / 9 / 84 / 28

HEX #B7A71E

RGB 183 167 30

HSL 53.73, 0.72%, 0.42%

LAB 67.87, -8.04, 65.44

 

CMYK 0 / 10 / 94 / 21

HEX #C9B50D

RGB 201 181 13

HSL 53.62, 0.88%, 0.42%

LAB 73.22, -7.73, 73.63

 

CMYK 0 / 4 / 37 / 49

HEX #837E52

RGB 131 126 82

HSL 53.88, 0.23%, 0.42%

LAB 52.24, -5.18, 24.66

 

CMYK 0 / 2 / 13 / 55

HEX #727063

RGB 114 112 99

HSL 52, 0.07%, 0.42%

LAB 47.06, -1.7, 7.5

 

CMYK 17 / 15 / 0 / 54

HEX #616375

RGB 97 99 117

HSL 234, 0.09%, 0.42%

LAB 42.38, 3.31, -10.36

 

CMYK 41 / 37 / 0 / 47

HEX #4F5586

RGB 79 85 134

HSL 233.45, 0.26%, 0.42%

LAB 37.63, 10.85, -28.17

 

CMYK 59 / 53 / 0 / 41

HEX #3E4797

RGB 62 71 151

HSL 233.93, 0.42%, 0.42%

LAB 33.49, 21.35, -45.19

 

CMYK 0 / 24 / 37 / 49

HEX #836352

RGB 131 99 82

HSL 20.82, 0.23%, 0.42%

LAB 44.74, 10.44, 14.66

 

CMYK 0 / 15 / 37 / 49

HEX #837052

RGB 131 112 82

HSL 36.73, 0.23%, 0.42%

LAB 48.29, 2.81, 19.45

 

CMYK 0 / 5 / 37 / 49

HEX #837D52

RGB 131 125 82

HSL 52.65, 0.23%, 0.42%

LAB 51.95, -4.62, 24.29

 

CMYK 5 / 0 / 37 / 49

HEX #7C8352

RGB 124 131 82

HSL 68.57, 0.23%, 0.42%

LAB 53.09, -10.92, 25.65

 

CMYK 15 / 0 / 37 / 49

HEX #6F8352

RGB 111 131 82

HSL 84.49, 0.23%, 0.42%

LAB 52.09, -16.28, 24.15

 

CMYK 0 / 4 / 38 / 69

HEX #504D32

RGB 80 77 50

HSL 54, 0.23%, 0.25%

LAB 32.35, -3.56, 16.49

 

CMYK 0 / 4 / 38 / 58

HEX #6A6642

RGB 106 102 66

HSL 54, 0.23%, 0.34%

LAB 42.7, -4.46, 20.94

 

CMYK 0 / 4 / 37 / 49

HEX #837E52

RGB 131 126 82

HSL 53.88, 0.23%, 0.42%

LAB 52.24, -5.18, 24.66

 

CMYK 0 / 4 / 38 / 38

HEX #9D9662

RGB 157 150 98

HSL 52.88, 0.23%, 0.5%

LAB 61.54, -5.46, 28.37

 

CMYK 0 / 3 / 28 / 33

HEX #ACA77B

RGB 172 167 123

HSL 53.88, 0.23%, 0.58%

LAB 67.9, -5.3, 23.46

 

CMYK 0 / 4 / 37 / 49

HEX #827D52

RGB 130 125 82

HSL 53.75, 0.23%, 0.42%

LAB 51.86, -5.05, 24.15

 

CMYK 37 / 0 / 34 / 49

HEX #528356

RGB 82 131 86

HSL 124.9, 0.23%, 0.42%

LAB 50.33, -26.49, 19.25

 

CMYK 19 / 37 / 0 / 49

HEX #6A5283

RGB 106 82 131

HSL 269.39, 0.23%, 0.42%

LAB 39.13, 20.35, -23.8

 

CMYK 0 / 4 / 37 / 49

HEX #827D52

RGB 130 125 82

HSL 53.75, 0.23%, 0.42%

LAB 51.86, -5.05, 24.15

 

CMYK 37 / 0 / 5 / 49

HEX #52837D

RGB 82 131 125

HSL 172.65, 0.23%, 0.42%

LAB 51.28, -18, -2.01

 

CMYK 5 / 37 / 0 / 49

HEX #7D5283

RGB 125 82 131

HSL 292.65, 0.23%, 0.42%

LAB 41.27, 26.74, -20.33

 

CMYK 0 / 4 / 37 / 49

HEX #827D52

RGB 130 125 82

HSL 53.75, 0.23%, 0.42%

LAB 51.86, -5.05, 24.15

 

CMYK 37 / 0 / 34 / 49

HEX #528356

RGB 82 131 86

HSL 124.9, 0.23%, 0.42%

LAB 50.33, -26.49, 19.25

 

CMYK 37 / 33 / 0 / 49

HEX #525883

RGB 82 88 131

HSL 232.65, 0.23%, 0.42%

LAB 38.57, 8.93, -24.85

 

CMYK 0 / 37 / 3 / 49

HEX #83527F

RGB 131 82 127

HSL 304.9, 0.23%, 0.42%

LAB 41.83, 27.99, -16.96

 

CMYK 0 / 4 / 37 / 49

HEX #827D52

RGB 130 125 82

HSL 53.75, 0.23%, 0.42%

LAB 51.86, -5.05, 24.15

 

CMYK 37 / 0 / 23 / 49

HEX #528365

RGB 82 131 101

HSL 143.27, 0.23%, 0.42%

LAB 50.65, -23.56, 11.07

 

CMYK 37 / 33 / 0 / 49

HEX #525883

RGB 82 88 131

HSL 232.65, 0.23%, 0.42%

LAB 38.57, 8.93, -24.85

 

CMYK 0 / 37 / 15 / 49

HEX #835270

RGB 131 82 112

HSL 323.27, 0.23%, 0.42%

LAB 41.26, 25.18, -8.64

 

Description

Color code: HEX #827D52 | qconv.com Color code: HEX #827D52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 125 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 125 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 37 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 37% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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