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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #827FE0 it is the complementary color #7D801F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #827FE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #827FE0 shade: #877FDB, #9891EE, #A9A3FF, #BAB5FF and #CBC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #827FE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #827FE0 shade: #827FE0, #716DCD, #605BBA, #4F49A7 and #3E3794

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #827FE0 shade: #827FE0, #9C7FE0, #B67FE0, #D07FE0 and #E07FD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #827FE0 shade: #827FE0 and #7F7FE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #827FE0 shade matches the following richer shades: #827FE0, #7672EC and #6A66F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #827FE0 shade: #827FE0, #8E8CD3, #9A99C6, #A6A6B9 and #B2B2AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #827FE0 shade: #7FB1E0, #7F97E0, #817FE0, #9B7FE0 and #B47FE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #827FE0 shade: #413DD0, #625ED8, #827FE0, #A3A0E8 and #C3C2F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #827FE0 shade: #827FE0, #E07FCB and #A4E07F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #827FE0 shade: #827FE0, #E0817F and #7FE081

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #827FE0 shade: #827FE0, #E07FCB, #DEE07F and #7FE094

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #827FE0 shade: #827FE0, #E07FAE, #DEE07F and #7FE0B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 43 / 0 / 12

HEX #827FE0

RGB 130 127 224

HSL 241.86, 0.61%, 0.69%

LAB 57.37, 25.11, -49.19

 

Complementary color

CMYK 2 / 0 / 76 / 50

HEX #7D801F

RGB 125 128 31

HSL 61.86, 0.61%, 0.31%

LAB 51.72, -13.41, 48.8

 

CMYK 38 / 42 / 0 / 14

HEX #877FDB

RGB 135 127 219

HSL 245.22, 0.56%, 0.68%

LAB 57.51, 24.98, -46.15

 

CMYK 36 / 39 / 0 / 7

HEX #9891EE

RGB 152 145 238

HSL 244.52, 0.73%, 0.75%

LAB 64.24, 24.11, -45.99

 

CMYK 34 / 36 / 0 / 0

HEX #A9A3FF

RGB 169 163 255

HSL 243.91, 1%, 0.82%

LAB 70.77, 22.82, -44.93

 

CMYK 27 / 29 / 0 / 0

HEX #BAB5FF

RGB 186 181 255

HSL 244.05, 1%, 0.85%

LAB 76.5, 17.5, -35.89

 

CMYK 20 / 22 / 0 / 0

HEX #CBC7FF

RGB 203 199 255

HSL 244.29, 1%, 0.89%

LAB 82.25, 12.69, -26.94

 

CMYK 42 / 43 / 0 / 12

HEX #827FE0

RGB 130 127 224

HSL 241.86, 0.61%, 0.69%

LAB 57.37, 25.11, -49.19

 

CMYK 45 / 47 / 0 / 20

HEX #716DCD

RGB 113 109 205

HSL 242.5, 0.49%, 0.62%

LAB 50.52, 26.2, -49.44

 

CMYK 48 / 51 / 0 / 27

HEX #605BBA

RGB 96 91 186

HSL 243.16, 0.41%, 0.54%

LAB 43.53, 27.47, -49.73

 

CMYK 53 / 56 / 0 / 35

HEX #4F49A7

RGB 79 73 167

HSL 243.83, 0.39%, 0.47%

LAB 36.4, 28.96, -50.07

 

CMYK 58 / 63 / 0 / 42

HEX #3E3794

RGB 62 55 148

HSL 244.52, 0.46%, 0.4%

LAB 29.15, 30.73, -50.39

 

CMYK 42 / 43 / 0 / 12

HEX #827FE0

RGB 130 127 224

HSL 241.86, 0.61%, 0.69%

LAB 57.37, 25.11, -49.19

 

CMYK 30 / 43 / 0 / 12

HEX #9C7FE0

RGB 156 127 224

HSL 257.94, 0.61%, 0.69%

LAB 59.55, 31.89, -45.6

 

CMYK 19 / 43 / 0 / 12

HEX #B67FE0

RGB 182 127 224

HSL 274.02, 0.61%, 0.69%

LAB 62.09, 39.15, -41.43

 

CMYK 7 / 43 / 0 / 12

HEX #D07FE0

RGB 208 127 224

HSL 290.1, 0.61%, 0.69%

LAB 64.94, 46.67, -36.76

 

CMYK 0 / 43 / 5 / 12

HEX #E07FD5

RGB 224 127 213

HSL 306.8, 0.61%, 0.69%

LAB 66.39, 49.41, -28.24

 

CMYK 42 / 43 / 0 / 12

HEX #827FE0

RGB 130 127 224

HSL 241.86, 0.61%, 0.69%

LAB 57.37, 25.11, -49.19

 

CMYK 43 / 43 / 0 / 12

HEX #7F7FE0

RGB 127 127 224

HSL 240, 0.61%, 0.69%

LAB 57.15, 24.38, -49.56

 

CMYK 42 / 43 / 0 / 12

HEX #827FE0

RGB 130 127 224

HSL 241.86, 0.61%, 0.69%

LAB 57.37, 25.11, -49.19

 

CMYK 50 / 52 / 0 / 7

HEX #7672EC

RGB 118 114 236

HSL 241.97, 0.76%, 0.69%

LAB 53.97, 33.59, -61.39

 

CMYK 57 / 59 / 0 / 2

HEX #6A66F9

RGB 106 102 249

HSL 241.63, 0.92%, 0.69%

LAB 51.16, 42.4, -73.22

 

CMYK 42 / 43 / 0 / 12

HEX #827FE0

RGB 130 127 224

HSL 241.86, 0.61%, 0.69%

LAB 57.37, 25.11, -49.19

 

CMYK 33 / 34 / 0 / 17

HEX #8E8CD3

RGB 142 140 211

HSL 241.69, 0.45%, 0.69%

LAB 60.97, 17.14, -36.19

 

CMYK 22 / 23 / 0 / 22

HEX #9A99C6

RGB 154 153 198

HSL 241.33, 0.28%, 0.69%

LAB 64.75, 10.03, -23

 

CMYK 10 / 10 / 0 / 27

HEX #A6A6B9

RGB 166 166 185

HSL 240, 0.12%, 0.69%

LAB 68.67, 3.79, -9.75

 

CMYK 0 / 0 / 3 / 30

HEX #B2B2AD

RGB 178 178 173

HSL 60, 0.03%, 0.69%

LAB 72.44, -0.92, 2.54

 

CMYK 43 / 21 / 0 / 12

HEX #7FB1E0

RGB 127 177 224

HSL 209.07, 0.61%, 0.69%

LAB 70.41, -4.35, -28.81

 

CMYK 43 / 33 / 0 / 12

HEX #7F97E0

RGB 127 151 224

HSL 225.15, 0.61%, 0.69%

LAB 63.37, 10.3, -39.75

 

CMYK 42 / 43 / 0 / 12

HEX #817FE0

RGB 129 127 224

HSL 241.24, 0.61%, 0.69%

LAB 57.3, 24.87, -49.31

 

CMYK 31 / 43 / 0 / 12

HEX #9B7FE0

RGB 155 127 224

HSL 257.32, 0.61%, 0.69%

LAB 59.46, 31.62, -45.75

 

CMYK 20 / 43 / 0 / 12

HEX #B47FE0

RGB 180 127 224

HSL 272.78, 0.61%, 0.69%

LAB 61.88, 38.58, -41.77

 

CMYK 69 / 71 / 0 / 18

HEX #413DD0

RGB 65 61 208

HSL 241.63, 0.61%, 0.53%

LAB 36.01, 47.4, -74.84

 

CMYK 55 / 56 / 0 / 15

HEX #625ED8

RGB 98 94 216

HSL 241.97, 0.61%, 0.61%

LAB 46.39, 35.41, -62.4

 

CMYK 42 / 43 / 0 / 12

HEX #827FE0

RGB 130 127 224

HSL 241.86, 0.61%, 0.69%

LAB 57.37, 25.11, -49.19

 

CMYK 30 / 31 / 0 / 9

HEX #A3A0E8

RGB 163 160 232

HSL 242.5, 0.61%, 0.77%

LAB 68.57, 17.03, -35.85

 

CMYK 19 / 19 / 0 / 6

HEX #C3C2F0

RGB 195 194 240

HSL 241.3, 0.61%, 0.85%

LAB 79.88, 9.64, -22.59

 

CMYK 42 / 43 / 0 / 12

HEX #827FE0

RGB 130 127 224

HSL 241.86, 0.61%, 0.69%

LAB 57.37, 25.11, -49.19

 

CMYK 0 / 43 / 9 / 12

HEX #E07FCB

RGB 224 127 203

HSL 312.99, 0.61%, 0.69%

LAB 66.01, 47.72, -23.23

 

CMYK 27 / 0 / 43 / 12

HEX #A4E07F

RGB 164 224 127

HSL 97.11, 0.61%, 0.69%

LAB 83.3, -36.05, 41.4

 

CMYK 42 / 43 / 0 / 12

HEX #827FE0

RGB 130 127 224

HSL 241.86, 0.61%, 0.69%

LAB 57.37, 25.11, -49.19

 

CMYK 0 / 42 / 43 / 12

HEX #E0817F

RGB 224 129 127

HSL 1.24, 0.61%, 0.69%

LAB 64.23, 36.31, 17.13

 

CMYK 43 / 0 / 42 / 12

HEX #7FE081

RGB 127 224 129

HSL 121.24, 0.61%, 0.69%

LAB 81.52, -47.61, 37.76

 

CMYK 42 / 43 / 0 / 12

HEX #827FE0

RGB 130 127 224

HSL 241.86, 0.61%, 0.69%

LAB 57.37, 25.11, -49.19

 

CMYK 0 / 43 / 9 / 12

HEX #E07FCB

RGB 224 127 203

HSL 312.99, 0.61%, 0.69%

LAB 66.01, 47.72, -23.23

 

CMYK 1 / 0 / 43 / 12

HEX #DEE07F

RGB 222 224 127

HSL 61.24, 0.61%, 0.69%

LAB 87.18, -14.37, 47.08

 

CMYK 43 / 0 / 34 / 12

HEX #7FE094

RGB 127 224 148

HSL 132.99, 0.61%, 0.69%

LAB 81.82, -44.59, 28.53

 

CMYK 42 / 43 / 0 / 12

HEX #827FE0

RGB 130 127 224

HSL 241.86, 0.61%, 0.69%

LAB 57.37, 25.11, -49.19

 

CMYK 0 / 43 / 22 / 12

HEX #E07FAE

RGB 224 127 174

HSL 330.93, 0.61%, 0.69%

LAB 65.03, 43.22, -8.38

 

CMYK 1 / 0 / 43 / 12

HEX #DEE07F

RGB 222 224 127

HSL 61.24, 0.61%, 0.69%

LAB 87.18, -14.37, 47.08

 

CMYK 43 / 0 / 21 / 12

HEX #7FE0B1

RGB 127 224 177

HSL 150.93, 0.61%, 0.69%

LAB 82.38, -39.18, 14.21

 

Description

Color code: HEX #827FE0 | qconv.com Color code: HEX #827FE0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 127 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 127 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 43 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 43% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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