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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #828CD2 it is the complementary color #7D732D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #828CD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #828CD2 shade: #878CCD, #989EE0, #A9B0F3, #BAC2FF and #CBD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #828CD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #828CD2 shade: #828CD2, #717ABF, #6068AC, #4F5699 and #3E4486

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #828CD2 shade: #838DD2, #8E83D2, #A483D2, #B983D2 and #CE83D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #828CD2 shade: #838DD2 and #8383D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #828CD2 shade matches the following richer shades: #838DD2, #7582E0, #6878ED and #5A6EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #828CD2 shade: #838DD2, #9097C4, #9EA1B7, #ACABA9 and #B9B69B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #828CD2 shade: #83B8D2, #83A2D2, #838DD2, #8D83D2 and #A283D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #828CD2 shade: #4655BC, #6471C7, #838DD2, #A1A9DD and #BFC4E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #828CD2 shade: #828CD2, #D283CD and #ADD283

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #828CD2 shade: #828CD2, #D2838D and #8DD283

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #828CD2 shade: #828CD2, #D283CD, #D2C783 and #83D288

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #828CD2 shade: #828CD2, #D283B5, #D2C783 and #83D2A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 33 / 0 / 18

HEX #828CD2

RGB 130 140 210

HSL 232.5, 0.47%, 0.67%

LAB 60.03, 13.54, -37.16

 

Complementary color

CMYK 0 / 8 / 64 / 51

HEX #7D732D

RGB 125 115 45

HSL 52.5, 0.47%, 0.33%

LAB 48.02, -5.38, 39.08

 

CMYK 34 / 32 / 0 / 20

HEX #878CCD

RGB 135 140 205

HSL 235.71, 0.41%, 0.67%

LAB 60.17, 13.57, -34.1

 

CMYK 32 / 29 / 0 / 12

HEX #989EE0

RGB 152 158 224

HSL 235, 0.54%, 0.74%

LAB 66.91, 13, -34.1

 

CMYK 30 / 28 / 0 / 5

HEX #A9B0F3

RGB 169 176 243

HSL 234.32, 0.76%, 0.81%

LAB 73.52, 12.5, -34.14

 

CMYK 27 / 24 / 0 / 0

HEX #BAC2FF

RGB 186 194 255

HSL 233.04, 1%, 0.86%

LAB 79.75, 10.38, -30.88

 

CMYK 20 / 17 / 0 / 0

HEX #CBD4FF

RGB 203 212 255

HSL 229.62, 1%, 0.9%

LAB 85.51, 5.74, -21.99

 

CMYK 38 / 33 / 0 / 18

HEX #828CD2

RGB 130 140 210

HSL 232.5, 0.47%, 0.67%

LAB 60.03, 13.54, -37.16

 

CMYK 41 / 36 / 0 / 25

HEX #717ABF

RGB 113 122 191

HSL 233.08, 0.38%, 0.6%

LAB 53.16, 14.26, -37.25

 

CMYK 44 / 40 / 0 / 33

HEX #6068AC

RGB 96 104 172

HSL 233.68, 0.31%, 0.53%

LAB 46.13, 15.12, -37.4

 

CMYK 48 / 44 / 0 / 40

HEX #4F5699

RGB 79 86 153

HSL 234.32, 0.32%, 0.45%

LAB 38.93, 16.16, -37.62

 

CMYK 54 / 49 / 0 / 47

HEX #3E4486

RGB 62 68 134

HSL 235, 0.37%, 0.38%

LAB 31.53, 17.46, -37.92

 

CMYK 38 / 33 / 0 / 18

HEX #838DD2

RGB 131 141 210

HSL 232.41, 0.47%, 0.67%

LAB 60.36, 13.23, -36.63

 

CMYK 32 / 38 / 0 / 18

HEX #8E83D2

RGB 142 131 210

HSL 248.35, 0.47%, 0.67%

LAB 58.64, 22.11, -39.27

 

CMYK 22 / 38 / 0 / 18

HEX #A483D2

RGB 164 131 210

HSL 265.06, 0.47%, 0.67%

LAB 60.59, 28.47, -36.08

 

CMYK 12 / 38 / 0 / 18

HEX #B983D2

RGB 185 131 210

HSL 281.01, 0.47%, 0.67%

LAB 62.68, 34.81, -32.67

 

CMYK 2 / 38 / 0 / 18

HEX #CE83D2

RGB 206 131 210

HSL 296.96, 0.47%, 0.67%

LAB 64.97, 41.28, -28.93

 

CMYK 38 / 33 / 0 / 18

HEX #838DD2

RGB 131 141 210

HSL 232.41, 0.47%, 0.67%

LAB 60.36, 13.23, -36.63

 

CMYK 38 / 38 / 0 / 18

HEX #8383D2

RGB 131 131 210

HSL 240, 0.47%, 0.67%

LAB 57.76, 19.09, -40.71

 

CMYK 38 / 33 / 0 / 18

HEX #838DD2

RGB 131 141 210

HSL 232.41, 0.47%, 0.67%

LAB 60.36, 13.23, -36.63

 

CMYK 48 / 42 / 0 / 12

HEX #7582E0

RGB 117 130 224

HSL 232.71, 0.63%, 0.67%

LAB 57.2, 20.21, -49.52

 

CMYK 56 / 49 / 0 / 7

HEX #6878ED

RGB 104 120 237

HSL 232.78, 0.79%, 0.67%

LAB 54.54, 27.48, -61.07

 

CMYK 64 / 56 / 0 / 2

HEX #5A6EFB

RGB 90 110 251

HSL 232.55, 0.95%, 0.67%

LAB 52.16, 35.7, -72.74

 

CMYK 38 / 33 / 0 / 18

HEX #838DD2

RGB 131 141 210

HSL 232.41, 0.47%, 0.67%

LAB 60.36, 13.23, -36.63

 

CMYK 27 / 23 / 0 / 23

HEX #9097C4

RGB 144 151 196

HSL 231.92, 0.31%, 0.67%

LAB 63.38, 7.59, -24.04

 

CMYK 14 / 12 / 0 / 28

HEX #9EA1B7

RGB 158 161 183

HSL 232.8, 0.15%, 0.67%

LAB 66.66, 3.44, -11.71

 

CMYK 0 / 1 / 2 / 33

HEX #ACABA9

RGB 172 171 169

HSL 40, 0.02%, 0.67%

LAB 70.01, -0.01, 1.14

 

CMYK 0 / 2 / 16 / 27

HEX #B9B69B

RGB 185 182 155

HSL 54, 0.18%, 0.67%

LAB 73.63, -3.56, 14.14

 

CMYK 38 / 12 / 0 / 18

HEX #83B8D2

RGB 131 184 210

HSL 199.75, 0.47%, 0.67%

LAB 72.07, -10.83, -18.62

 

CMYK 38 / 23 / 0 / 18

HEX #83A2D2

RGB 131 162 210

HSL 216.46, 0.47%, 0.67%

LAB 66, 1.2, -27.89

 

CMYK 38 / 33 / 0 / 18

HEX #838DD2

RGB 131 141 210

HSL 232.41, 0.47%, 0.67%

LAB 60.36, 13.23, -36.63

 

CMYK 33 / 38 / 0 / 18

HEX #8D83D2

RGB 141 131 210

HSL 247.59, 0.47%, 0.67%

LAB 58.55, 21.83, -39.41

 

CMYK 23 / 38 / 0 / 18

HEX #A283D2

RGB 162 131 210

HSL 263.54, 0.47%, 0.67%

LAB 60.4, 27.88, -36.39

 

CMYK 63 / 55 / 0 / 26

HEX #4655BC

RGB 70 85 188

HSL 232.37, 0.47%, 0.51%

LAB 40.3, 26.65, -56.2

 

CMYK 50 / 43 / 0 / 22

HEX #6471C7

RGB 100 113 199

HSL 232.12, 0.47%, 0.59%

LAB 50.27, 18.87, -46.46

 

CMYK 38 / 33 / 0 / 18

HEX #838DD2

RGB 131 141 210

HSL 232.41, 0.47%, 0.67%

LAB 60.36, 13.23, -36.63

 

CMYK 27 / 24 / 0 / 13

HEX #A1A9DD

RGB 161 169 221

HSL 232, 0.47%, 0.75%

LAB 70.3, 8.68, -27.17

 

CMYK 18 / 16 / 0 / 9

HEX #BFC4E8

RGB 191 196 232

HSL 232.68, 0.47%, 0.83%

LAB 79.83, 5.58, -18.41

 

CMYK 38 / 33 / 0 / 18

HEX #828CD2

RGB 130 140 210

HSL 232.5, 0.47%, 0.67%

LAB 60.03, 13.54, -37.16

 

CMYK 0 / 38 / 2 / 18

HEX #D283CD

RGB 210 131 205

HSL 303.8, 0.47%, 0.67%

LAB 65.23, 41.61, -25.69

 

CMYK 18 / 0 / 38 / 18

HEX #ADD283

RGB 173 210 131

HSL 88.1, 0.47%, 0.67%

LAB 79.96, -25.74, 35.22

 

CMYK 38 / 33 / 0 / 18

HEX #828CD2

RGB 130 140 210

HSL 232.5, 0.47%, 0.67%

LAB 60.03, 13.54, -37.16

 

CMYK 0 / 38 / 33 / 18

HEX #D2838D

RGB 210 131 141

HSL 352.41, 0.47%, 0.67%

LAB 63.22, 31.65, 7.52

 

CMYK 33 / 0 / 38 / 18

HEX #8DD283

RGB 141 210 131

HSL 112.41, 0.47%, 0.67%

LAB 78.11, -36.88, 32.45

 

CMYK 38 / 33 / 0 / 18

HEX #828CD2

RGB 130 140 210

HSL 232.5, 0.47%, 0.67%

LAB 60.03, 13.54, -37.16

 

CMYK 0 / 38 / 2 / 18

HEX #D283CD

RGB 210 131 205

HSL 303.8, 0.47%, 0.67%

LAB 65.23, 41.61, -25.69

 

CMYK 0 / 5 / 38 / 18

HEX #D2C783

RGB 210 199 131

HSL 51.65, 0.47%, 0.67%

LAB 79.72, -6.03, 35.44

 

CMYK 38 / 0 / 35 / 18

HEX #83D288

RGB 131 210 136

HSL 123.8, 0.47%, 0.67%

LAB 77.7, -39.27, 29.24

 

CMYK 38 / 33 / 0 / 18

HEX #828CD2

RGB 130 140 210

HSL 232.5, 0.47%, 0.67%

LAB 60.03, 13.54, -37.16

 

CMYK 0 / 38 / 14 / 18

HEX #D283B5

RGB 210 131 181

HSL 322.03, 0.47%, 0.67%

LAB 64.38, 37.48, -13.49

 

CMYK 0 / 5 / 38 / 18

HEX #D2C783

RGB 210 199 131

HSL 51.65, 0.47%, 0.67%

LAB 79.72, -6.03, 35.44

 

CMYK 38 / 0 / 24 / 18

HEX #83D2A0

RGB 131 210 160

HSL 142.03, 0.47%, 0.67%

LAB 78.14, -35.04, 17.27

 

Description

Color code: HEX #828CD2 | qconv.com Color code: HEX #828CD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 140 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 140 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 33 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 33% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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