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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #828DAF it is the complementary color #7D7250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #828DAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #828DAF shade: #878DAA, #989FBD, #A9B1D0, #BAC3E3 and #CBD5F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #828DAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #828DAF shade: #828DAF, #717B9C, #606989, #4F5776 and #3E4563

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #828DAF shade: #828DAF, #8382AF, #8F82AF, #9B82AF and #A782AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #828DAF shade: #828DAF and #8282AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #828DAF shade matches the following richer shades: #828DAF, #7285BF, #617CD0, #5174E0 and #406BF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #828DAF shade: #828DAF, #93959E, #A39E8E, #B4A67D and #C4AF6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #828DAF shade: #82A5AF, #8299AF, #828DAF, #8382AF and #8F82AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #828DAF shade: #576388, #69769F, #828DAF, #9BA4BF and #B4BBCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #828DAF shade: #828DAF, #AD82AF and #9FAF82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #828DAF shade: #828DAF, #AF828D and #8DAF82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #828DAF shade: #828DAF, #AD82AF, #AFA482 and #84AF82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #828DAF shade: #828DAF, #AF82A4, #AFA482 and #82AF8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 19 / 0 / 31

HEX #828DAF

RGB 130 141 175

HSL 225.33, 0.22%, 0.6%

LAB 58.87, 3.78, -19.17

 

Complementary color

CMYK 0 / 9 / 36 / 51

HEX #7D7250

RGB 125 114 80

HSL 45.33, 0.22%, 0.4%

LAB 48.23, -1.21, 20.42

 

CMYK 21 / 17 / 0 / 33

HEX #878DAA

RGB 135 141 170

HSL 229.71, 0.17%, 0.6%

LAB 59.07, 4.18, -15.99

 

CMYK 20 / 16 / 0 / 26

HEX #989FBD

RGB 152 159 189

HSL 228.65, 0.22%, 0.67%

LAB 65.86, 3.93, -16.29

 

CMYK 19 / 15 / 0 / 18

HEX #A9B1D0

RGB 169 177 208

HSL 227.69, 0.29%, 0.74%

LAB 72.52, 3.69, -16.61

 

CMYK 18 / 14 / 0 / 11

HEX #BAC3E3

RGB 186 195 227

HSL 226.83, 0.42%, 0.81%

LAB 79.05, 3.47, -16.94

 

CMYK 17 / 13 / 0 / 4

HEX #CBD5F6

RGB 203 213 246

HSL 226.05, 0.7%, 0.88%

LAB 85.47, 3.26, -17.28

 

CMYK 26 / 19 / 0 / 31

HEX #828DAF

RGB 130 141 175

HSL 225.33, 0.22%, 0.6%

LAB 58.87, 3.78, -19.17

 

CMYK 28 / 21 / 0 / 39

HEX #717B9C

RGB 113 123 156

HSL 226.05, 0.18%, 0.53%

LAB 51.92, 4.09, -18.95

 

CMYK 30 / 23 / 0 / 46

HEX #606989

RGB 96 105 137

HSL 226.83, 0.18%, 0.46%

LAB 44.8, 4.44, -18.76

 

CMYK 33 / 26 / 0 / 54

HEX #4F5776

RGB 79 87 118

HSL 227.69, 0.2%, 0.39%

LAB 37.46, 4.86, -18.62

 

CMYK 37 / 30 / 0 / 61

HEX #3E4563

RGB 62 69 99

HSL 228.65, 0.23%, 0.32%

LAB 29.87, 5.37, -18.54

 

CMYK 26 / 19 / 0 / 31

HEX #828DAF

RGB 130 141 175

HSL 225.33, 0.22%, 0.6%

LAB 58.87, 3.78, -19.17

 

CMYK 25 / 26 / 0 / 31

HEX #8382AF

RGB 131 130 175

HSL 241.33, 0.22%, 0.6%

LAB 55.97, 10.47, -23.6

 

CMYK 18 / 26 / 0 / 31

HEX #8F82AF

RGB 143 130 175

HSL 257.33, 0.22%, 0.6%

LAB 56.98, 14.32, -21.97

 

CMYK 11 / 26 / 0 / 31

HEX #9B82AF

RGB 155 130 175

HSL 273.33, 0.22%, 0.6%

LAB 58.06, 18.28, -20.21

 

CMYK 5 / 26 / 0 / 31

HEX #A782AF

RGB 167 130 175

HSL 289.33, 0.22%, 0.6%

LAB 59.23, 22.33, -18.33

 

CMYK 26 / 19 / 0 / 31

HEX #828DAF

RGB 130 141 175

HSL 225.33, 0.22%, 0.6%

LAB 58.87, 3.78, -19.17

 

CMYK 26 / 26 / 0 / 31

HEX #8282AF

RGB 130 130 175

HSL 240, 0.22%, 0.6%

LAB 55.89, 10.16, -23.73

 

CMYK 26 / 19 / 0 / 31

HEX #828DAF

RGB 130 141 175

HSL 225.33, 0.22%, 0.6%

LAB 58.87, 3.78, -19.17

 

CMYK 40 / 30 / 0 / 25

HEX #7285BF

RGB 114 133 191

HSL 225.19, 0.38%, 0.6%

LAB 56.2, 7.99, -32.48

 

CMYK 53 / 40 / 0 / 18

HEX #617CD0

RGB 97 124 208

HSL 225.41, 0.54%, 0.6%

LAB 53.5, 14.33, -46.46

 

CMYK 64 / 48 / 0 / 12

HEX #5174E0

RGB 81 116 224

HSL 225.31, 0.7%, 0.6%

LAB 51.41, 21.45, -58.9

 

CMYK 73 / 56 / 0 / 5

HEX #406BF1

RGB 64 107 241

HSL 225.42, 0.86%, 0.6%

LAB 49.44, 30.62, -71.65

 

CMYK 26 / 19 / 0 / 31

HEX #828DAF

RGB 130 141 175

HSL 225.33, 0.22%, 0.6%

LAB 58.87, 3.78, -19.17

 

CMYK 7 / 6 / 0 / 38

HEX #93959E

RGB 147 149 158

HSL 229.09, 0.05%, 0.6%

LAB 61.8, 1.08, -4.98

 

CMYK 0 / 3 / 13 / 36

HEX #A39E8E

RGB 163 158 142

HSL 45.71, 0.1%, 0.6%

LAB 65.12, -1.03, 9

 

CMYK 0 / 8 / 31 / 29

HEX #B4A67D

RGB 180 166 125

HSL 44.73, 0.27%, 0.6%

LAB 68.36, -1.3, 23.1

 

CMYK 0 / 11 / 44 / 23

HEX #C4AF6D

RGB 196 175 109

HSL 45.52, 0.42%, 0.6%

LAB 71.89, -1.5, 36.52

 

CMYK 26 / 6 / 0 / 31

HEX #82A5AF

RGB 130 165 175

HSL 193.33, 0.22%, 0.6%

LAB 65.55, -9.59, -9.09

 

CMYK 26 / 13 / 0 / 31

HEX #8299AF

RGB 130 153 175

HSL 209.33, 0.22%, 0.6%

LAB 62.19, -3, -14.14

 

CMYK 26 / 19 / 0 / 31

HEX #828DAF

RGB 130 141 175

HSL 225.33, 0.22%, 0.6%

LAB 58.87, 3.78, -19.17

 

CMYK 25 / 26 / 0 / 31

HEX #8382AF

RGB 131 130 175

HSL 241.33, 0.22%, 0.6%

LAB 55.97, 10.47, -23.6

 

CMYK 18 / 26 / 0 / 31

HEX #8F82AF

RGB 143 130 175

HSL 257.33, 0.22%, 0.6%

LAB 56.98, 14.32, -21.97

 

CMYK 36 / 27 / 0 / 47

HEX #576388

RGB 87 99 136

HSL 225.31, 0.22%, 0.44%

LAB 42.35, 5.02, -21.98

 

CMYK 34 / 26 / 0 / 38

HEX #69769F

RGB 105 118 159

HSL 225.56, 0.22%, 0.52%

LAB 50.05, 5.38, -23.62

 

CMYK 26 / 19 / 0 / 31

HEX #828DAF

RGB 130 141 175

HSL 225.33, 0.22%, 0.6%

LAB 58.87, 3.78, -19.17

 

CMYK 19 / 14 / 0 / 25

HEX #9BA4BF

RGB 155 164 191

HSL 225, 0.22%, 0.68%

LAB 67.49, 2.56, -14.93

 

CMYK 13 / 10 / 0 / 19

HEX #B4BBCF

RGB 180 187 207

HSL 224.44, 0.22%, 0.76%

LAB 75.91, 1.59, -10.88

 

CMYK 26 / 19 / 0 / 31

HEX #828DAF

RGB 130 141 175

HSL 225.33, 0.22%, 0.6%

LAB 58.87, 3.78, -19.17

 

CMYK 1 / 26 / 0 / 31

HEX #AD82AF

RGB 173 130 175

HSL 297.33, 0.22%, 0.6%

LAB 59.84, 24.37, -17.35

 

CMYK 9 / 0 / 26 / 31

HEX #9FAF82

RGB 159 175 130

HSL 81.33, 0.22%, 0.6%

LAB 69.21, -13.56, 21.28

 

CMYK 26 / 19 / 0 / 31

HEX #828DAF

RGB 130 141 175

HSL 225.33, 0.22%, 0.6%

LAB 58.87, 3.78, -19.17

 

CMYK 0 / 26 / 19 / 31

HEX #AF828D

RGB 175 130 141

HSL 345.33, 0.22%, 0.6%

LAB 58.98, 19.02, 0.88

 

CMYK 19 / 0 / 26 / 31

HEX #8DAF82

RGB 141 175 130

HSL 105.33, 0.22%, 0.6%

LAB 67.97, -20.22, 19.37

 

CMYK 26 / 19 / 0 / 31

HEX #828DAF

RGB 130 141 175

HSL 225.33, 0.22%, 0.6%

LAB 58.87, 3.78, -19.17

 

CMYK 1 / 26 / 0 / 31

HEX #AD82AF

RGB 173 130 175

HSL 297.33, 0.22%, 0.6%

LAB 59.84, 24.37, -17.35

 

CMYK 0 / 6 / 26 / 31

HEX #AFA482

RGB 175 164 130

HSL 45.33, 0.22%, 0.6%

LAB 67.48, -1.52, 19.11

 

CMYK 25 / 0 / 26 / 31

HEX #84AF82

RGB 132 175 130

HSL 117.33, 0.22%, 0.6%

LAB 67.41, -23.4, 18.51

 

CMYK 26 / 19 / 0 / 31

HEX #828DAF

RGB 130 141 175

HSL 225.33, 0.22%, 0.6%

LAB 58.87, 3.78, -19.17

 

CMYK 0 / 26 / 6 / 31

HEX #AF82A4

RGB 175 130 164

HSL 314.67, 0.22%, 0.6%

LAB 59.67, 22.98, -11.29

 

CMYK 0 / 6 / 26 / 31

HEX #AFA482

RGB 175 164 130

HSL 45.33, 0.22%, 0.6%

LAB 67.48, -1.52, 19.11

 

CMYK 26 / 0 / 19 / 31

HEX #82AF8D

RGB 130 175 141

HSL 134.67, 0.22%, 0.6%

LAB 67.52, -22.08, 12.63

 

Description

Color code: HEX #828DAF | qconv.com Color code: HEX #828DAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 141 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 141 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 19 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 19% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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