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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #828EDD it is the complementary color #7D7122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #828EDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #828EDD shade: #878ED8, #98A0EB, #A9B2FE, #BAC4FF and #CBD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #828EDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #828EDD shade: #828EDD, #717CCA, #606AB7, #4F58A4 and #3E4691

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #828EDD shade: #828EDD, #8F82DD, #A782DD, #BF82DD and #D882DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #828EDD shade: #828EDD and #8282DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #828EDD shade matches the following richer shades: #828EDD, #7685E9 and #697BF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #828EDD shade: #828EDD, #8F98D0, #9CA1C3, #A9ABB6 and #B6B4A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #828EDD shade: #82BEDD, #82A6DD, #828EDD, #8E82DD and #A682DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #828EDD shade: #4254CB, #6271D4, #828EDD, #A3ACE5 and #C3C9EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #828EDD shade: #828EDD, #DD82D7 and #B2DD82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #828EDD shade: #828EDD, #DD828E and #8EDD82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #828EDD shade: #828EDD, #DD82D7, #DDD082 and #82DD88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #828EDD shade: #828EDD, #DD82BB, #DDD082 and #82DDA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 36 / 0 / 13

HEX #828EDD

RGB 130 142 221

HSL 232.09, 0.57%, 0.69%

LAB 61.06, 15.44, -41.69

 

Complementary color

CMYK 0 / 10 / 73 / 51

HEX #7D7122

RGB 125 113 34

HSL 52.09, 0.57%, 0.31%

LAB 47.35, -4.96, 43.38

 

CMYK 38 / 34 / 0 / 15

HEX #878ED8

RGB 135 142 216

HSL 234.81, 0.51%, 0.69%

LAB 61.18, 15.37, -38.69

 

CMYK 35 / 32 / 0 / 8

HEX #98A0EB

RGB 152 160 235

HSL 234.22, 0.67%, 0.76%

LAB 67.88, 14.73, -38.63

 

CMYK 33 / 30 / 0 / 0

HEX #A9B2FE

RGB 169 178 254

HSL 233.65, 0.98%, 0.83%

LAB 74.46, 14.15, -38.61

 

CMYK 27 / 23 / 0 / 0

HEX #BAC4FF

RGB 186 196 255

HSL 231.3, 1%, 0.86%

LAB 80.26, 9.29, -30.1

 

CMYK 20 / 16 / 0 / 0

HEX #CBD6FF

RGB 203 214 255

HSL 227.31, 1%, 0.9%

LAB 86.01, 4.68, -21.22

 

CMYK 41 / 36 / 0 / 13

HEX #828EDD

RGB 130 142 221

HSL 232.09, 0.57%, 0.69%

LAB 61.06, 15.44, -41.69

 

CMYK 44 / 39 / 0 / 21

HEX #717CCA

RGB 113 124 202

HSL 232.58, 0.46%, 0.62%

LAB 54.23, 16.27, -41.84

 

CMYK 48 / 42 / 0 / 28

HEX #606AB7

RGB 96 106 183

HSL 233.1, 0.38%, 0.55%

LAB 47.25, 17.25, -42.04

 

CMYK 52 / 46 / 0 / 36

HEX #4F58A4

RGB 79 88 164

HSL 233.65, 0.35%, 0.48%

LAB 40.12, 18.44, -42.31

 

CMYK 57 / 52 / 0 / 43

HEX #3E4691

RGB 62 70 145

HSL 234.22, 0.4%, 0.41%

LAB 32.81, 19.92, -42.63

 

CMYK 41 / 36 / 0 / 13

HEX #828EDD

RGB 130 142 221

HSL 232.09, 0.57%, 0.69%

LAB 61.06, 15.44, -41.69

 

CMYK 35 / 41 / 0 / 13

HEX #8F82DD

RGB 143 130 221

HSL 248.57, 0.57%, 0.69%

LAB 59, 25.87, -44.87

 

CMYK 24 / 41 / 0 / 13

HEX #A782DD

RGB 167 130 221

HSL 264.4, 0.57%, 0.69%

LAB 61.13, 32.51, -41.36

 

CMYK 14 / 41 / 0 / 13

HEX #BF82DD

RGB 191 130 221

HSL 280.22, 0.57%, 0.69%

LAB 63.56, 39.48, -37.39

 

CMYK 2 / 41 / 0 / 13

HEX #D882DD

RGB 216 130 221

HSL 296.7, 0.57%, 0.69%

LAB 66.36, 46.9, -32.82

 

CMYK 41 / 36 / 0 / 13

HEX #828EDD

RGB 130 142 221

HSL 232.09, 0.57%, 0.69%

LAB 61.06, 15.44, -41.69

 

CMYK 41 / 41 / 0 / 13

HEX #8282DD

RGB 130 130 221

HSL 240, 0.57%, 0.69%

LAB 57.97, 22.49, -46.56

 

CMYK 41 / 36 / 0 / 13

HEX #828EDD

RGB 130 142 221

HSL 232.09, 0.57%, 0.69%

LAB 61.06, 15.44, -41.69

 

CMYK 49 / 43 / 0 / 9

HEX #7685E9

RGB 118 133 233

HSL 232.17, 0.72%, 0.69%

LAB 58.52, 21.37, -52.44

 

CMYK 57 / 50 / 0 / 4

HEX #697BF6

RGB 105 123 246

HSL 232.34, 0.89%, 0.69%

LAB 55.91, 28.74, -63.87

 

CMYK 41 / 36 / 0 / 13

HEX #828EDD

RGB 130 142 221

HSL 232.09, 0.57%, 0.69%

LAB 61.06, 15.44, -41.69

 

CMYK 31 / 27 / 0 / 18

HEX #8F98D0

RGB 143 152 208

HSL 231.69, 0.41%, 0.69%

LAB 64.04, 9.73, -29.73

 

CMYK 20 / 17 / 0 / 24

HEX #9CA1C3

RGB 156 161 195

HSL 232.31, 0.25%, 0.69%

LAB 66.9, 5.46, -18.03

 

CMYK 7 / 6 / 0 / 29

HEX #A9ABB6

RGB 169 171 182

HSL 230.77, 0.08%, 0.69%

LAB 70.13, 1.45, -5.88

 

CMYK 0 / 1 / 7 / 29

HEX #B6B4A9

RGB 182 180 169

HSL 50.77, 0.08%, 0.69%

LAB 73.19, -1.27, 5.85

 

CMYK 41 / 14 / 0 / 13

HEX #82BEDD

RGB 130 190 221

HSL 200.44, 0.57%, 0.69%

LAB 74.06, -11.4, -21.59

 

CMYK 41 / 25 / 0 / 13

HEX #82A6DD

RGB 130 166 221

HSL 216.26, 0.57%, 0.69%

LAB 67.46, 1.68, -31.72

 

CMYK 41 / 36 / 0 / 13

HEX #828EDD

RGB 130 142 221

HSL 232.09, 0.57%, 0.69%

LAB 61.06, 15.44, -41.69

 

CMYK 36 / 41 / 0 / 13

HEX #8E82DD

RGB 142 130 221

HSL 247.91, 0.57%, 0.69%

LAB 58.92, 25.61, -45

 

CMYK 25 / 41 / 0 / 13

HEX #A682DD

RGB 166 130 221

HSL 263.74, 0.57%, 0.69%

LAB 61.04, 32.23, -41.52

 

CMYK 67 / 59 / 0 / 20

HEX #4254CB

RGB 66 84 203

HSL 232.12, 0.57%, 0.53%

LAB 40.91, 31.89, -63.93

 

CMYK 54 / 47 / 0 / 17

HEX #6271D4

RGB 98 113 212

HSL 232.11, 0.57%, 0.61%

LAB 50.87, 22.54, -52.91

 

CMYK 41 / 36 / 0 / 13

HEX #828EDD

RGB 130 142 221

HSL 232.09, 0.57%, 0.69%

LAB 61.06, 15.44, -41.69

 

CMYK 29 / 25 / 0 / 10

HEX #A3ACE5

RGB 163 172 229

HSL 231.82, 0.56%, 0.77%

LAB 71.52, 9.55, -29.65

 

CMYK 18 / 16 / 0 / 7

HEX #C3C9EE

RGB 195 201 238

HSL 231.63, 0.56%, 0.85%

LAB 81.59, 5.44, -18.93

 

CMYK 41 / 36 / 0 / 13

HEX #828EDD

RGB 130 142 221

HSL 232.09, 0.57%, 0.69%

LAB 61.06, 15.44, -41.69

 

CMYK 0 / 41 / 3 / 13

HEX #DD82D7

RGB 221 130 215

HSL 303.96, 0.57%, 0.69%

LAB 66.71, 47.32, -28.9

 

CMYK 19 / 0 / 41 / 13

HEX #B2DD82

RGB 178 221 130

HSL 88.35, 0.57%, 0.69%

LAB 83.33, -29.3, 40.12

 

CMYK 41 / 36 / 0 / 13

HEX #828EDD

RGB 130 142 221

HSL 232.09, 0.57%, 0.69%

LAB 61.06, 15.44, -41.69

 

CMYK 0 / 41 / 36 / 13

HEX #DD828E

RGB 221 130 142

HSL 352.09, 0.57%, 0.69%

LAB 64.4, 36.36, 8.81

 

CMYK 36 / 0 / 41 / 13

HEX #8EDD82

RGB 142 221 130

HSL 112.09, 0.57%, 0.69%

LAB 81.33, -41.62, 37.16

 

CMYK 41 / 36 / 0 / 13

HEX #828EDD

RGB 130 142 221

HSL 232.09, 0.57%, 0.69%

LAB 61.06, 15.44, -41.69

 

CMYK 0 / 41 / 3 / 13

HEX #DD82D7

RGB 221 130 215

HSL 303.96, 0.57%, 0.69%

LAB 66.71, 47.32, -28.9

 

CMYK 0 / 6 / 41 / 13

HEX #DDD082

RGB 221 208 130

HSL 51.43, 0.57%, 0.69%

LAB 82.96, -6.4, 40.3

 

CMYK 41 / 0 / 38 / 13

HEX #82DD88

RGB 130 221 136

HSL 123.96, 0.57%, 0.69%

LAB 80.87, -44.4, 33.42

 

CMYK 41 / 36 / 0 / 13

HEX #828EDD

RGB 130 142 221

HSL 232.09, 0.57%, 0.69%

LAB 61.06, 15.44, -41.69

 

CMYK 0 / 41 / 15 / 13

HEX #DD82BB

RGB 221 130 187

HSL 322.42, 0.57%, 0.69%

LAB 65.69, 42.63, -14.77

 

CMYK 0 / 6 / 41 / 13

HEX #DDD082

RGB 221 208 130

HSL 51.43, 0.57%, 0.69%

LAB 82.96, -6.4, 40.3

 

CMYK 41 / 0 / 26 / 13

HEX #82DDA3

RGB 130 221 163

HSL 141.76, 0.57%, 0.69%

LAB 81.35, -39.76, 20.13

 

Description

Color code: HEX #828EDD | qconv.com Color code: HEX #828EDD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 142 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 142 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 36 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 36% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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