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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8290DD it is the complementary color #7D6F22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8290DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8290DD shade: #8790D8, #98A2EB, #A9B4FE, #BAC6FF and #CBD8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8290DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8290DD shade: #8290DD, #717ECA, #606CB7, #4F5AA4 and #3E4891

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8290DD shade: #8290DD, #8D82DD, #A582DD, #BD82DD and #D682DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8290DD shade: #8290DD and #8282DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8290DD shade matches the following richer shades: #8290DD, #7687E9 and #697FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8290DD shade: #8290DD, #8F99D0, #9CA2C3, #A9ABB6 and #B6B4A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8290DD shade: #82C1DD, #82A9DD, #8291DD, #8B82DD and #A382DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8290DD shade: #4257CB, #6273D4, #8290DD, #A3ADE5 and #C3CAEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8290DD shade: #8290DD, #DD82DA and #B5DD82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8290DD shade: #8290DD, #DD8291 and #91DD82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8290DD shade: #8290DD, #DD82DA, #DDCD82 and #82DD85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8290DD shade: #8290DD, #DD82BE, #DDCD82 and #82DDA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 35 / 0 / 13

HEX #8290DD

RGB 130 144 221

HSL 230.77, 0.57%, 0.69%

LAB 61.58, 14.28, -40.87

 

Complementary color

CMYK 0 / 11 / 73 / 51

HEX #7D6F22

RGB 125 111 34

HSL 50.77, 0.57%, 0.31%

LAB 46.77, -3.82, 42.8

 

CMYK 38 / 33 / 0 / 15

HEX #8790D8

RGB 135 144 216

HSL 233.33, 0.51%, 0.69%

LAB 61.7, 14.21, -37.87

 

CMYK 35 / 31 / 0 / 8

HEX #98A2EB

RGB 152 162 235

HSL 232.77, 0.67%, 0.76%

LAB 68.4, 13.59, -37.83

 

CMYK 33 / 29 / 0 / 0

HEX #A9B4FE

RGB 169 180 254

HSL 232.24, 0.98%, 0.83%

LAB 74.97, 13.04, -37.82

 

CMYK 27 / 22 / 0 / 0

HEX #BAC6FF

RGB 186 198 255

HSL 229.57, 1%, 0.86%

LAB 80.77, 8.21, -29.32

 

CMYK 20 / 15 / 0 / 0

HEX #CBD8FF

RGB 203 216 255

HSL 225, 1%, 0.9%

LAB 86.52, 3.62, -20.45

 

CMYK 41 / 35 / 0 / 13

HEX #8290DD

RGB 130 144 221

HSL 230.77, 0.57%, 0.69%

LAB 61.58, 14.28, -40.87

 

CMYK 44 / 38 / 0 / 21

HEX #717ECA

RGB 113 126 202

HSL 231.24, 0.46%, 0.62%

LAB 54.76, 15.07, -41

 

CMYK 48 / 41 / 0 / 28

HEX #606CB7

RGB 96 108 183

HSL 231.72, 0.38%, 0.55%

LAB 47.79, 16.02, -41.19

 

CMYK 52 / 45 / 0 / 36

HEX #4F5AA4

RGB 79 90 164

HSL 232.24, 0.35%, 0.48%

LAB 40.66, 17.17, -41.44

 

CMYK 57 / 50 / 0 / 43

HEX #3E4891

RGB 62 72 145

HSL 232.77, 0.4%, 0.41%

LAB 33.36, 18.6, -41.75

 

CMYK 41 / 35 / 0 / 13

HEX #8290DD

RGB 130 144 221

HSL 230.77, 0.57%, 0.69%

LAB 61.58, 14.28, -40.87

 

CMYK 36 / 41 / 0 / 13

HEX #8D82DD

RGB 141 130 221

HSL 247.25, 0.57%, 0.69%

LAB 58.83, 25.34, -45.14

 

CMYK 25 / 41 / 0 / 13

HEX #A582DD

RGB 165 130 221

HSL 263.08, 0.57%, 0.69%

LAB 60.94, 31.94, -41.67

 

CMYK 14 / 41 / 0 / 13

HEX #BD82DD

RGB 189 130 221

HSL 278.9, 0.57%, 0.69%

LAB 63.35, 38.89, -37.74

 

CMYK 3 / 41 / 0 / 13

HEX #D682DD

RGB 214 130 221

HSL 295.38, 0.57%, 0.69%

LAB 66.12, 46.3, -33.2

 

CMYK 41 / 35 / 0 / 13

HEX #8290DD

RGB 130 144 221

HSL 230.77, 0.57%, 0.69%

LAB 61.58, 14.28, -40.87

 

CMYK 41 / 41 / 0 / 13

HEX #8282DD

RGB 130 130 221

HSL 240, 0.57%, 0.69%

LAB 57.97, 22.49, -46.56

 

CMYK 41 / 35 / 0 / 13

HEX #8290DD

RGB 130 144 221

HSL 230.77, 0.57%, 0.69%

LAB 61.58, 14.28, -40.87

 

CMYK 49 / 42 / 0 / 9

HEX #7687E9

RGB 118 135 233

HSL 231.13, 0.72%, 0.69%

LAB 59.03, 20.18, -51.62

 

CMYK 57 / 48 / 0 / 4

HEX #697FF6

RGB 105 127 246

HSL 230.64, 0.89%, 0.69%

LAB 56.92, 26.33, -62.26

 

CMYK 41 / 35 / 0 / 13

HEX #8290DD

RGB 130 144 221

HSL 230.77, 0.57%, 0.69%

LAB 61.58, 14.28, -40.87

 

CMYK 31 / 26 / 0 / 18

HEX #8F99D0

RGB 143 153 208

HSL 230.77, 0.41%, 0.69%

LAB 64.3, 9.16, -29.32

 

CMYK 20 / 17 / 0 / 24

HEX #9CA2C3

RGB 156 162 195

HSL 230.77, 0.25%, 0.69%

LAB 67.16, 4.9, -17.63

 

CMYK 7 / 6 / 0 / 29

HEX #A9ABB6

RGB 169 171 182

HSL 230.77, 0.08%, 0.69%

LAB 70.13, 1.45, -5.88

 

CMYK 0 / 1 / 7 / 29

HEX #B6B4A9

RGB 182 180 169

HSL 50.77, 0.08%, 0.69%

LAB 73.19, -1.27, 5.85

 

CMYK 41 / 13 / 0 / 13

HEX #82C1DD

RGB 130 193 221

HSL 198.46, 0.57%, 0.69%

LAB 74.89, -12.98, -20.32

 

CMYK 41 / 24 / 0 / 13

HEX #82A9DD

RGB 130 169 221

HSL 214.29, 0.57%, 0.69%

LAB 68.27, 0.01, -30.45

 

CMYK 41 / 34 / 0 / 13

HEX #8291DD

RGB 130 145 221

HSL 230.11, 0.57%, 0.69%

LAB 61.84, 13.69, -40.46

 

CMYK 37 / 41 / 0 / 13

HEX #8B82DD

RGB 139 130 221

HSL 245.93, 0.57%, 0.69%

LAB 58.67, 24.81, -45.41

 

CMYK 26 / 41 / 0 / 13

HEX #A382DD

RGB 163 130 221

HSL 261.76, 0.57%, 0.69%

LAB 60.76, 31.38, -41.98

 

CMYK 67 / 57 / 0 / 20

HEX #4257CB

RGB 66 87 203

HSL 230.8, 0.57%, 0.53%

LAB 41.67, 29.99, -62.7

 

CMYK 54 / 46 / 0 / 17

HEX #6273D4

RGB 98 115 212

HSL 231.05, 0.57%, 0.61%

LAB 51.4, 21.31, -52.08

 

CMYK 41 / 35 / 0 / 13

HEX #8290DD

RGB 130 144 221

HSL 230.77, 0.57%, 0.69%

LAB 61.58, 14.28, -40.87

 

CMYK 29 / 24 / 0 / 10

HEX #A3ADE5

RGB 163 173 229

HSL 230.91, 0.56%, 0.77%

LAB 71.78, 8.99, -29.25

 

CMYK 18 / 15 / 0 / 7

HEX #C3CAEE

RGB 195 202 238

HSL 230.23, 0.56%, 0.85%

LAB 81.85, 4.91, -18.55

 

CMYK 41 / 35 / 0 / 13

HEX #8290DD

RGB 130 144 221

HSL 230.77, 0.57%, 0.69%

LAB 61.58, 14.28, -40.87

 

CMYK 0 / 41 / 1 / 13

HEX #DD82DA

RGB 221 130 218

HSL 301.98, 0.57%, 0.69%

LAB 66.82, 47.85, -30.38

 

CMYK 18 / 0 / 41 / 13

HEX #B5DD82

RGB 181 221 130

HSL 86.37, 0.57%, 0.69%

LAB 83.52, -28.21, 40.4

 

CMYK 41 / 35 / 0 / 13

HEX #8290DD

RGB 130 144 221

HSL 230.77, 0.57%, 0.69%

LAB 61.58, 14.28, -40.87

 

CMYK 0 / 41 / 34 / 13

HEX #DD8291

RGB 221 130 145

HSL 350.11, 0.57%, 0.69%

LAB 64.47, 36.73, 7.21

 

CMYK 34 / 0 / 41 / 13

HEX #91DD82

RGB 145 221 130

HSL 110.11, 0.57%, 0.69%

LAB 81.48, -40.66, 37.38

 

CMYK 41 / 35 / 0 / 13

HEX #8290DD

RGB 130 144 221

HSL 230.77, 0.57%, 0.69%

LAB 61.58, 14.28, -40.87

 

CMYK 0 / 41 / 1 / 13

HEX #DD82DA

RGB 221 130 218

HSL 301.98, 0.57%, 0.69%

LAB 66.82, 47.85, -30.38

 

CMYK 0 / 7 / 41 / 13

HEX #DDCD82

RGB 221 205 130

HSL 49.45, 0.57%, 0.69%

LAB 82.19, -4.86, 39.31

 

CMYK 41 / 0 / 40 / 13

HEX #82DD85

RGB 130 221 133

HSL 121.98, 0.57%, 0.69%

LAB 80.82, -44.86, 34.88

 

CMYK 41 / 35 / 0 / 13

HEX #8290DD

RGB 130 144 221

HSL 230.77, 0.57%, 0.69%

LAB 61.58, 14.28, -40.87

 

CMYK 0 / 41 / 14 / 13

HEX #DD82BE

RGB 221 130 190

HSL 320.44, 0.57%, 0.69%

LAB 65.79, 43.11, -16.31

 

CMYK 0 / 7 / 41 / 13

HEX #DDCD82

RGB 221 205 130

HSL 49.45, 0.57%, 0.69%

LAB 82.19, -4.86, 39.31

 

CMYK 41 / 0 / 28 / 13

HEX #82DDA0

RGB 130 221 160

HSL 139.78, 0.57%, 0.69%

LAB 81.29, -40.31, 21.62

 

Description

Color code: HEX #8290DD | qconv.com Color code: HEX #8290DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 144 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 144 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 35 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 35% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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