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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8292C2 it is the complementary color #7D6D3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8292C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8292C2 shade: #8792BD, #98A4D0, #A9B6E3, #BAC8F6 and #CBDAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8292C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8292C2 shade: #8292C2, #7180AF, #606E9C, #4F5C89 and #3E4A76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8292C2 shade: #8393C2, #8583C2, #9683C2, #A683C2 and #B783C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8292C2 shade: #8393C2 and #8383C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8292C2 shade matches the following richer shades: #8393C2, #758CD1, #6684E0, #577DEE and #4875FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8292C2 shade: #8393C2, #929BB3, #A1A2A4, #B0A995 and #BFB186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8292C2 shade: #83B4C2, #83A4C2, #8393C2, #8583C2 and #9583C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8292C2 shade: #5065A3, #687BB4, #8393C2, #9FABD0 and #BBC3DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8292C2 shade: #8292C2, #BF83C2 and #ACC283

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8292C2 shade: #8292C2, #C28393 and #93C283

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8292C2 shade: #8292C2, #BF83C2, #C2B283 and #87C283

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8292C2 shade: #8292C2, #C283B2, #C2B283 and #83C293

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 25 / 0 / 24

HEX #8292C2

RGB 130 146 194

HSL 225, 0.34%, 0.64%

LAB 60.96, 5.76, -26.73

 

Complementary color

CMYK 0 / 13 / 51 / 51

HEX #7D6D3D

RGB 125 109 61

HSL 45, 0.34%, 0.36%

LAB 46.49, -0.55, 28.96

 

CMYK 29 / 23 / 0 / 26

HEX #8792BD

RGB 135 146 189

HSL 227.78, 0.29%, 0.64%

LAB 61.12, 5.96, -23.63

 

CMYK 27 / 21 / 0 / 18

HEX #98A4D0

RGB 152 164 208

HSL 227.14, 0.37%, 0.71%

LAB 67.86, 5.62, -23.81

 

CMYK 26 / 20 / 0 / 11

HEX #A9B6E3

RGB 169 182 227

HSL 226.55, 0.51%, 0.78%

LAB 74.47, 5.31, -24

 

CMYK 24 / 19 / 0 / 4

HEX #BAC8F6

RGB 186 200 246

HSL 226, 0.77%, 0.85%

LAB 80.96, 5.03, -24.22

 

CMYK 20 / 15 / 0 / 0

HEX #CBDAFF

RGB 203 218 255

HSL 222.69, 1%, 0.9%

LAB 87.03, 2.57, -19.69

 

CMYK 33 / 25 / 0 / 24

HEX #8292C2

RGB 130 146 194

HSL 225, 0.34%, 0.64%

LAB 60.96, 5.76, -26.73

 

CMYK 35 / 27 / 0 / 31

HEX #7180AF

RGB 113 128 175

HSL 225.48, 0.28%, 0.56%

LAB 54.07, 6.19, -26.64

 

CMYK 38 / 29 / 0 / 39

HEX #606E9C

RGB 96 110 156

HSL 226, 0.24%, 0.49%

LAB 47.03, 6.7, -26.6

 

CMYK 42 / 33 / 0 / 46

HEX #4F5C89

RGB 79 92 137

HSL 226.55, 0.27%, 0.42%

LAB 39.79, 7.32, -26.62

 

CMYK 47 / 37 / 0 / 54

HEX #3E4A76

RGB 62 74 118

HSL 227.14, 0.31%, 0.35%

LAB 32.32, 8.11, -26.71

 

CMYK 32 / 24 / 0 / 24

HEX #8393C2

RGB 131 147 194

HSL 224.76, 0.34%, 0.64%

LAB 61.3, 5.47, -26.2

 

CMYK 31 / 32 / 0 / 24

HEX #8583C2

RGB 133 131 194

HSL 241.9, 0.34%, 0.64%

LAB 57.19, 15.35, -32.55

 

CMYK 23 / 32 / 0 / 24

HEX #9683C2

RGB 150 131 194

HSL 258.1, 0.34%, 0.64%

LAB 58.61, 20.45, -30.22

 

CMYK 14 / 32 / 0 / 24

HEX #A683C2

RGB 166 131 194

HSL 273.33, 0.34%, 0.64%

LAB 60.1, 25.45, -27.8

 

CMYK 6 / 32 / 0 / 24

HEX #B783C2

RGB 183 131 194

HSL 289.52, 0.34%, 0.64%

LAB 61.82, 30.9, -25.01

 

CMYK 32 / 24 / 0 / 24

HEX #8393C2

RGB 131 147 194

HSL 224.76, 0.34%, 0.64%

LAB 61.3, 5.47, -26.2

 

CMYK 32 / 32 / 0 / 24

HEX #8383C2

RGB 131 131 194

HSL 240, 0.34%, 0.64%

LAB 57.03, 14.77, -32.81

 

CMYK 32 / 24 / 0 / 24

HEX #8393C2

RGB 131 147 194

HSL 224.76, 0.34%, 0.64%

LAB 61.3, 5.47, -26.2

 

CMYK 44 / 33 / 0 / 18

HEX #758CD1

RGB 117 140 209

HSL 225, 0.5%, 0.64%

LAB 59.11, 9.84, -38.11

 

CMYK 54 / 41 / 0 / 12

HEX #6684E0

RGB 102 132 224

HSL 225.25, 0.66%, 0.64%

LAB 56.79, 15.68, -50.23

 

CMYK 63 / 47 / 0 / 7

HEX #577DEE

RGB 87 125 238

HSL 224.9, 0.82%, 0.64%

LAB 54.93, 21.7, -61.05

 

CMYK 72 / 54 / 0 / 1

HEX #4875FD

RGB 72 117 253

HSL 225.08, 0.98%, 0.64%

LAB 53.16, 29.62, -72.28

 

CMYK 32 / 24 / 0 / 24

HEX #8393C2

RGB 131 147 194

HSL 224.76, 0.34%, 0.64%

LAB 61.3, 5.47, -26.2

 

CMYK 18 / 13 / 0 / 30

HEX #929BB3

RGB 146 155 179

HSL 223.64, 0.18%, 0.64%

LAB 64.01, 1.94, -13.54

 

CMYK 2 / 1 / 0 / 36

HEX #A1A2A4

RGB 161 162 164

HSL 220, 0.02%, 0.64%

LAB 66.59, 0.03, -1.17

 

CMYK 0 / 4 / 15 / 31

HEX #B0A995

RGB 176 169 149

HSL 44.44, 0.15%, 0.64%

LAB 69.31, -0.94, 11.22

 

CMYK 0 / 7 / 30 / 25

HEX #BFB186

RGB 191 177 134

HSL 45.26, 0.31%, 0.64%

LAB 72.39, -1.64, 23.86

 

CMYK 32 / 7 / 0 / 24

HEX #83B4C2

RGB 131 180 194

HSL 193.33, 0.34%, 0.64%

LAB 70.43, -12.73, -12.32

 

CMYK 32 / 15 / 0 / 24

HEX #83A4C2

RGB 131 164 194

HSL 208.57, 0.34%, 0.64%

LAB 65.96, -4.09, -19.07

 

CMYK 32 / 24 / 0 / 24

HEX #8393C2

RGB 131 147 194

HSL 224.76, 0.34%, 0.64%

LAB 61.3, 5.47, -26.2

 

CMYK 31 / 32 / 0 / 24

HEX #8583C2

RGB 133 131 194

HSL 241.9, 0.34%, 0.64%

LAB 57.19, 15.35, -32.55

 

CMYK 23 / 32 / 0 / 24

HEX #9583C2

RGB 149 131 194

HSL 257.14, 0.34%, 0.64%

LAB 58.52, 20.14, -30.37

 

CMYK 51 / 38 / 0 / 36

HEX #5065A3

RGB 80 101 163

HSL 224.82, 0.34%, 0.48%

LAB 43.74, 10.12, -35.96

 

CMYK 42 / 32 / 0 / 29

HEX #687BB4

RGB 104 123 180

HSL 225, 0.34%, 0.56%

LAB 52.29, 8.06, -32.34

 

CMYK 32 / 24 / 0 / 24

HEX #8393C2

RGB 131 147 194

HSL 224.76, 0.34%, 0.64%

LAB 61.3, 5.47, -26.2

 

CMYK 24 / 18 / 0 / 18

HEX #9FABD0

RGB 159 171 208

HSL 225.31, 0.34%, 0.72%

LAB 70.21, 3.86, -20.17

 

CMYK 15 / 12 / 0 / 13

HEX #BBC3DD

RGB 187 195 221

HSL 225.88, 0.33%, 0.8%

LAB 78.93, 2.5, -13.88

 

CMYK 33 / 25 / 0 / 24

HEX #8292C2

RGB 130 146 194

HSL 225, 0.34%, 0.64%

LAB 60.96, 5.76, -26.73

 

CMYK 2 / 32 / 0 / 24

HEX #BF83C2

RGB 191 131 194

HSL 297.14, 0.34%, 0.64%

LAB 62.68, 33.49, -23.62

 

CMYK 11 / 0 / 32 / 24

HEX #ACC283

RGB 172 194 131

HSL 80.95, 0.34%, 0.64%

LAB 75.45, -18.22, 29.28

 

CMYK 33 / 25 / 0 / 24

HEX #8292C2

RGB 130 146 194

HSL 225, 0.34%, 0.64%

LAB 60.96, 5.76, -26.73

 

CMYK 0 / 32 / 24 / 24

HEX #C28393

RGB 194 131 147

HSL 344.76, 0.34%, 0.64%

LAB 61.49, 26.52, 1.35

 

CMYK 24 / 0 / 32 / 24

HEX #93C283

RGB 147 194 131

HSL 104.76, 0.34%, 0.64%

LAB 73.82, -27.34, 26.83

 

CMYK 33 / 25 / 0 / 24

HEX #8292C2

RGB 130 146 194

HSL 225, 0.34%, 0.64%

LAB 60.96, 5.76, -26.73

 

CMYK 2 / 32 / 0 / 24

HEX #BF83C2

RGB 191 131 194

HSL 297.14, 0.34%, 0.64%

LAB 62.68, 33.49, -23.62

 

CMYK 0 / 8 / 32 / 24

HEX #C2B283

RGB 194 178 131

HSL 44.76, 0.34%, 0.64%

LAB 72.86, -1.37, 26.14

 

CMYK 30 / 0 / 32 / 24

HEX #87C283

RGB 135 194 131

HSL 116.19, 0.34%, 0.64%

LAB 73.14, -31.44, 25.79

 

CMYK 33 / 25 / 0 / 24

HEX #8292C2

RGB 130 146 194

HSL 225, 0.34%, 0.64%

LAB 60.96, 5.76, -26.73

 

CMYK 0 / 32 / 8 / 24

HEX #C283B2

RGB 194 131 178

HSL 315.24, 0.34%, 0.64%

LAB 62.44, 31.54, -14.9

 

CMYK 0 / 8 / 32 / 24

HEX #C2B283

RGB 194 178 131

HSL 44.76, 0.34%, 0.64%

LAB 72.86, -1.37, 26.14

 

CMYK 32 / 0 / 24 / 24

HEX #83C293

RGB 131 194 147

HSL 135.24, 0.34%, 0.64%

LAB 73.23, -29.96, 17.36

 

Description

Color code: HEX #8292C2 | qconv.com Color code: HEX #8292C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 146 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 146 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 25 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 25% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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