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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #829B1E it is the complementary color #7D64E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #829B1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #829B1E shade: #879B19, #98AD2C, #A9BF3F, #BAD152 and #CBE365

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #829B1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #829B1E shade: #829B1E, #71890B, #607700, #4F6500 and #3E5300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #829B1E shade: #819A1D, #9A911D, #9A6F1D, #9A4E1D and #9A2C1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #829B1E shade: #819A1D, #5F9A1D, #3D9A1D, #1D9A1E and #1D9A40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #829B1E shade matches the following richer shades: #819A1D and #8AA90E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #829B1E shade: #819A1D, #788B2C, #6F7C3B, #666D49 and #5D5E58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #829B1E shade: #9A701D, #9A911D, #819A1D, #5F9A1D and #3E9A1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #829B1E shade: #475410, #647716, #819A1D, #9EBC23 and #B6D732

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #829B1E shade: #829B1E, #1D9A4F and #811D9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #829B1E shade: #829B1E, #1D819A and #9A1D81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #829B1E shade: #829B1E, #1D9A4F, #361D9A and #9A1D68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #829B1E shade: #829B1E, #1D9A74, #361D9A and #9A1D42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 81 / 39

HEX #829B1E

RGB 130 155 30

HSL 72, 0.68%, 0.36%

LAB 60.14, -25.16, 57.03

 

Complementary color

CMYK 44 / 56 / 0 / 12

HEX #7D64E1

RGB 125 100 225

HSL 252, 0.68%, 0.64%

LAB 50.58, 40.08, -60.63

 

CMYK 13 / 0 / 84 / 39

HEX #879B19

RGB 135 155 25

HSL 69.23, 0.72%, 0.35%

LAB 60.48, -23.2, 58.85

 

CMYK 12 / 0 / 75 / 32

HEX #98AD2C

RGB 152 173 44

HSL 69.77, 0.59%, 0.43%

LAB 67.08, -24.06, 59.55

 

CMYK 12 / 0 / 67 / 25

HEX #A9BF3F

RGB 169 191 63

HSL 70.31, 0.5%, 0.5%

LAB 73.58, -24.73, 59.37

 

CMYK 11 / 0 / 61 / 18

HEX #BAD152

RGB 186 209 82

HSL 70.87, 0.58%, 0.57%

LAB 79.98, -25.25, 58.71

 

CMYK 11 / 0 / 56 / 11

HEX #CBE365

RGB 203 227 101

HSL 71.43, 0.69%, 0.64%

LAB 86.29, -25.66, 57.81

 

CMYK 16 / 0 / 81 / 39

HEX #829B1E

RGB 130 155 30

HSL 72, 0.68%, 0.36%

LAB 60.14, -25.16, 57.03

 

CMYK 18 / 0 / 92 / 46

HEX #71890B

RGB 113 137 11

HSL 71.43, 0.85%, 0.29%

LAB 53.41, -24.18, 55.37

 

CMYK 19 / 0 / 100 / 53

HEX #607700

RGB 96 119 0

HSL 71.6, 1%, 0.23%

LAB 46.55, -22.89, 51.58

 

CMYK 22 / 0 / 100 / 60

HEX #4F6500

RGB 79 101 0

HSL 73.07, 1%, 0.2%

LAB 39.53, -21.35, 45.73

 

CMYK 25 / 0 / 100 / 67

HEX #3E5300

RGB 62 83 0

HSL 75.18, 1%, 0.16%

LAB 32.28, -19.77, 39.7

 

CMYK 16 / 0 / 81 / 40

HEX #819A1D

RGB 129 154 29

HSL 72, 0.68%, 0.36%

LAB 59.77, -25.13, 56.96

 

CMYK 0 / 6 / 81 / 40

HEX #9A911D

RGB 154 145 29

HSL 55.68, 0.68%, 0.36%

LAB 59.17, -9.41, 57.19

 

CMYK 0 / 28 / 81 / 40

HEX #9A6F1D

RGB 154 111 29

HSL 39.36, 0.68%, 0.36%

LAB 49.89, 9.53, 48.9

 

CMYK 0 / 49 / 81 / 40

HEX #9A4E1D

RGB 154 78 29

HSL 23.52, 0.68%, 0.36%

LAB 41.86, 28.25, 41.43

 

CMYK 0 / 71 / 81 / 40

HEX #9A2C1D

RGB 154 44 29

HSL 7.2, 0.68%, 0.36%

LAB 35.52, 44.79, 35.26

 

CMYK 16 / 0 / 81 / 40

HEX #819A1D

RGB 129 154 29

HSL 72, 0.68%, 0.36%

LAB 59.77, -25.13, 56.96

 

CMYK 38 / 0 / 81 / 40

HEX #5F9A1D

RGB 95 154 29

HSL 88.32, 0.68%, 0.36%

LAB 57.69, -38.71, 54.3

 

CMYK 60 / 0 / 81 / 40

HEX #3D9A1D

RGB 61 154 29

HSL 104.64, 0.68%, 0.36%

LAB 56.28, -49.38, 52.48

 

CMYK 81 / 0 / 81 / 40

HEX #1D9A1E

RGB 29 154 30

HSL 120.48, 0.68%, 0.36%

LAB 55.55, -55.52, 51.22

 

CMYK 81 / 0 / 58 / 40

HEX #1D9A40

RGB 29 154 64

HSL 136.8, 0.68%, 0.36%

LAB 55.83, -52.07, 37.54

 

CMYK 16 / 0 / 81 / 40

HEX #819A1D

RGB 129 154 29

HSL 72, 0.68%, 0.36%

LAB 59.77, -25.13, 56.96

 

CMYK 18 / 0 / 92 / 34

HEX #8AA90E

RGB 138 169 14

HSL 72, 0.85%, 0.36%

LAB 64.81, -29.05, 64.79

 

CMYK 16 / 0 / 81 / 40

HEX #819A1D

RGB 129 154 29

HSL 72, 0.68%, 0.36%

LAB 59.77, -25.13, 56.96

 

CMYK 14 / 0 / 68 / 45

HEX #788B2C

RGB 120 139 44

HSL 72, 0.52%, 0.36%

LAB 54.7, -20.66, 46.5

 

CMYK 10 / 0 / 52 / 51

HEX #6F7C3B

RGB 111 124 59

HSL 72, 0.36%, 0.36%

LAB 49.63, -15.4, 33.55

 

CMYK 6 / 0 / 33 / 57

HEX #666D49

RGB 102 109 73

HSL 71.67, 0.2%, 0.36%

LAB 44.58, -9.24, 19.27

 

CMYK 1 / 0 / 6 / 63

HEX #5D5E58

RGB 93 94 88

HSL 70, 0.03%, 0.36%

LAB 39.64, -1.63, 3.3

 

CMYK 0 / 27 / 81 / 40

HEX #9A701D

RGB 154 112 29

HSL 39.84, 0.68%, 0.36%

LAB 50.15, 8.96, 49.14

 

CMYK 0 / 6 / 81 / 40

HEX #9A911D

RGB 154 145 29

HSL 55.68, 0.68%, 0.36%

LAB 59.17, -9.41, 57.19

 

CMYK 16 / 0 / 81 / 40

HEX #819A1D

RGB 129 154 29

HSL 72, 0.68%, 0.36%

LAB 59.77, -25.13, 56.96

 

CMYK 38 / 0 / 81 / 40

HEX #5F9A1D

RGB 95 154 29

HSL 88.32, 0.68%, 0.36%

LAB 57.69, -38.71, 54.3

 

CMYK 60 / 0 / 81 / 40

HEX #3E9A1D

RGB 62 154 29

HSL 104.16, 0.68%, 0.36%

LAB 56.31, -49.12, 52.52

 

CMYK 15 / 0 / 81 / 67

HEX #475410

RGB 71 84 16

HSL 71.47, 0.68%, 0.2%

LAB 33.39, -15.33, 35.45

 

CMYK 16 / 0 / 82 / 53

HEX #647716

RGB 100 119 22

HSL 71.75, 0.69%, 0.28%

LAB 46.92, -20.41, 46.72

 

CMYK 16 / 0 / 81 / 40

HEX #819A1D

RGB 129 154 29

HSL 72, 0.68%, 0.36%

LAB 59.77, -25.13, 56.96

 

CMYK 16 / 0 / 81 / 26

HEX #9EBC23

RGB 158 188 35

HSL 71.76, 0.69%, 0.44%

LAB 71.8, -29.2, 66.74

 

CMYK 15 / 0 / 77 / 16

HEX #B6D732

RGB 182 215 50

HSL 72, 0.67%, 0.52%

LAB 81.17, -31.55, 71.55

 

CMYK 16 / 0 / 81 / 39

HEX #829B1E

RGB 130 155 30

HSL 72, 0.68%, 0.36%

LAB 60.14, -25.16, 57.03

 

CMYK 81 / 0 / 49 / 40

HEX #1D9A4F

RGB 29 154 79

HSL 144, 0.68%, 0.36%

LAB 56.02, -49.74, 30.17

 

CMYK 16 / 81 / 0 / 40

HEX #811D9A

RGB 129 29 154

HSL 288, 0.68%, 0.36%

LAB 33.73, 57.79, -46.23

 

CMYK 16 / 0 / 81 / 39

HEX #829B1E

RGB 130 155 30

HSL 72, 0.68%, 0.36%

LAB 60.14, -25.16, 57.03

 

CMYK 81 / 16 / 0 / 40

HEX #1D819A

RGB 29 129 154

HSL 192, 0.68%, 0.36%

LAB 49.85, -18.6, -21.29

 

CMYK 0 / 81 / 16 / 40

HEX #9A1D81

RGB 154 29 129

HSL 312, 0.68%, 0.36%

LAB 36.62, 58.87, -25.99

 

CMYK 16 / 0 / 81 / 39

HEX #829B1E

RGB 130 155 30

HSL 72, 0.68%, 0.36%

LAB 60.14, -25.16, 57.03

 

CMYK 81 / 0 / 49 / 40

HEX #1D9A4F

RGB 29 154 79

HSL 144, 0.68%, 0.36%

LAB 56.02, -49.74, 30.17

 

CMYK 65 / 81 / 0 / 40

HEX #361D9A

RGB 54 29 154

HSL 252, 0.68%, 0.36%

LAB 23.66, 46.28, -63.1

 

CMYK 0 / 81 / 32 / 40

HEX #9A1D68

RGB 154 29 104

HSL 324, 0.68%, 0.36%

LAB 35.49, 55.63, -11.99

 

CMYK 16 / 0 / 81 / 39

HEX #829B1E

RGB 130 155 30

HSL 72, 0.68%, 0.36%

LAB 60.14, -25.16, 57.03

 

CMYK 81 / 0 / 25 / 40

HEX #1D9A74

RGB 29 154 116

HSL 161.76, 0.68%, 0.36%

LAB 56.72, -41.95, 10.79

 

CMYK 65 / 81 / 0 / 40

HEX #361D9A

RGB 54 29 154

HSL 252, 0.68%, 0.36%

LAB 23.66, 46.28, -63.1

 

CMYK 0 / 81 / 57 / 40

HEX #9A1D42

RGB 154 29 66

HSL 342.24, 0.68%, 0.36%

LAB 34.28, 51.98, 10.8

 

Description

Color code: HEX #829B1E | qconv.com Color code: HEX #829B1E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 155 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 155 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 81 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 81% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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