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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #829B24 it is the complementary color #7D64DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #829B24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #829B24 shade: #879B1F, #98AD32, #A9BF45, #BAD158 and #CBE36B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #829B24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #829B24 shade: #829B24, #718911, #607700, #4F6500 and #3E5300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #829B24 shade: #809823, #989123, #987223, #985223 and #983323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #829B24 shade: #809823, #609823, #419823, #239826 and #239845

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #829B24 shade matches the following richer shades: #809823, #89A814 and #91B705

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #829B24 shade: #809823, #778933, #6E7A42, #656B51 and #5C5B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #829B24 shade: #987123, #989123, #819823, #629823 and #439823

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #829B24 shade: #485614, #64771C, #809823, #9CBA2B and #B2D13D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #829B24 shade: #829B24, #239852 and #812398

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #829B24 shade: #829B24, #238198 and #982381

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #829B24 shade: #829B24, #239852, #3B2398 and #98236A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #829B24 shade: #829B24, #239875, #3B2398 and #982346

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 77 / 39

HEX #829B24

RGB 130 155 36

HSL 72.61, 0.62%, 0.37%

LAB 60.17, -24.89, 55.16

 

Complementary color

CMYK 43 / 54 / 0 / 14

HEX #7D64DB

RGB 125 100 219

HSL 252.61, 0.62%, 0.63%

LAB 50.2, 38.39, -57.85

 

CMYK 13 / 0 / 80 / 39

HEX #879B1F

RGB 135 155 31

HSL 69.68, 0.67%, 0.36%

LAB 60.51, -22.97, 57.2

 

CMYK 12 / 0 / 71 / 32

HEX #98AD32

RGB 152 173 50

HSL 70.24, 0.55%, 0.44%

LAB 67.12, -23.74, 57.44

 

CMYK 12 / 0 / 64 / 25

HEX #A9BF45

RGB 169 191 69

HSL 70.82, 0.49%, 0.51%

LAB 73.63, -24.34, 56.98

 

CMYK 11 / 0 / 58 / 18

HEX #BAD158

RGB 186 209 88

HSL 71.4, 0.57%, 0.58%

LAB 80.04, -24.79, 56.17

 

CMYK 11 / 0 / 53 / 11

HEX #CBE36B

RGB 203 227 107

HSL 72, 0.68%, 0.65%

LAB 86.35, -25.15, 55.18

 

CMYK 16 / 0 / 77 / 39

HEX #829B24

RGB 130 155 36

HSL 72.61, 0.62%, 0.37%

LAB 60.17, -24.89, 55.16

 

CMYK 18 / 0 / 88 / 46

HEX #718911

RGB 113 137 17

HSL 72, 0.78%, 0.3%

LAB 53.43, -24.02, 54.16

 

CMYK 19 / 0 / 100 / 53

HEX #607700

RGB 96 119 0

HSL 71.6, 1%, 0.23%

LAB 46.55, -22.89, 51.58

 

CMYK 22 / 0 / 100 / 60

HEX #4F6500

RGB 79 101 0

HSL 73.07, 1%, 0.2%

LAB 39.53, -21.35, 45.73

 

CMYK 25 / 0 / 100 / 67

HEX #3E5300

RGB 62 83 0

HSL 75.18, 1%, 0.16%

LAB 32.28, -19.77, 39.7

 

CMYK 16 / 0 / 77 / 40

HEX #809823

RGB 128 152 35

HSL 72.31, 0.63%, 0.37%

LAB 59.13, -24.3, 54.47

 

CMYK 0 / 5 / 77 / 40

HEX #989123

RGB 152 145 35

HSL 56.41, 0.63%, 0.37%

LAB 59.02, -10.08, 55.06

 

CMYK 0 / 25 / 77 / 40

HEX #987223

RGB 152 114 35

HSL 40.51, 0.63%, 0.37%

LAB 50.49, 7.14, 47.01

 

CMYK 0 / 46 / 77 / 40

HEX #985223

RGB 152 82 35

HSL 24.1, 0.63%, 0.37%

LAB 42.51, 25.43, 39.1

 

CMYK 0 / 66 / 77 / 40

HEX #983323

RGB 152 51 35

HSL 8.21, 0.63%, 0.37%

LAB 36.3, 41.35, 32.59

 

CMYK 16 / 0 / 77 / 40

HEX #809823

RGB 128 152 35

HSL 72.31, 0.63%, 0.37%

LAB 59.13, -24.3, 54.47

 

CMYK 37 / 0 / 77 / 40

HEX #609823

RGB 96 152 35

HSL 88.72, 0.63%, 0.37%

LAB 57.14, -37.14, 51.87

 

CMYK 57 / 0 / 77 / 40

HEX #419823

RGB 65 152 35

HSL 104.62, 0.63%, 0.37%

LAB 55.79, -47.2, 50.1

 

CMYK 77 / 0 / 75 / 40

HEX #239826

RGB 35 152 38

HSL 121.54, 0.63%, 0.37%

LAB 55.02, -53.43, 48

 

CMYK 77 / 0 / 55 / 40

HEX #239845

RGB 35 152 69

HSL 137.44, 0.63%, 0.37%

LAB 55.32, -49.84, 34.48

 

CMYK 16 / 0 / 77 / 40

HEX #809823

RGB 128 152 35

HSL 72.31, 0.63%, 0.37%

LAB 59.13, -24.3, 54.47

 

CMYK 18 / 0 / 88 / 34

HEX #89A814

RGB 137 168 20

HSL 72.57, 0.79%, 0.37%

LAB 64.46, -28.85, 63.41

 

CMYK 21 / 0 / 97 / 28

HEX #91B705

RGB 145 183 5

HSL 72.81, 0.95%, 0.37%

LAB 69.4, -32.89, 69.74

 

CMYK 16 / 0 / 77 / 40

HEX #809823

RGB 128 152 35

HSL 72.31, 0.63%, 0.37%

LAB 59.13, -24.3, 54.47

 

CMYK 13 / 0 / 63 / 46

HEX #778933

RGB 119 137 51

HSL 72.56, 0.46%, 0.37%

LAB 54.08, -19.54, 42.73

 

CMYK 10 / 0 / 46 / 52

HEX #6E7A42

RGB 110 122 66

HSL 72.86, 0.3%, 0.37%

LAB 49.04, -13.96, 29.08

 

CMYK 6 / 0 / 24 / 58

HEX #656B51

RGB 101 107 81

HSL 73.85, 0.14%, 0.37%

LAB 44.05, -7.26, 13.84

 

CMYK 4 / 5 / 0 / 62

HEX #5C5B60

RGB 92 91 96

HSL 252, 0.03%, 0.37%

LAB 38.9, 1.47, -2.73

 

CMYK 0 / 26 / 77 / 40

HEX #987123

RGB 152 113 35

HSL 40, 0.63%, 0.37%

LAB 50.22, 7.71, 46.75

 

CMYK 0 / 5 / 77 / 40

HEX #989123

RGB 152 145 35

HSL 56.41, 0.63%, 0.37%

LAB 59.02, -10.08, 55.06

 

CMYK 15 / 0 / 77 / 40

HEX #819823

RGB 129 152 35

HSL 71.79, 0.63%, 0.37%

LAB 59.2, -23.87, 54.56

 

CMYK 36 / 0 / 77 / 40

HEX #629823

RGB 98 152 35

HSL 87.69, 0.63%, 0.37%

LAB 57.25, -36.4, 52.01

 

CMYK 56 / 0 / 77 / 40

HEX #439823

RGB 67 152 35

HSL 103.59, 0.63%, 0.37%

LAB 55.86, -46.64, 50.19

 

CMYK 16 / 0 / 77 / 66

HEX #485614

RGB 72 86 20

HSL 72.73, 0.62%, 0.21%

LAB 34.16, -15.72, 34.61

 

CMYK 16 / 0 / 76 / 53

HEX #64771C

RGB 100 119 28

HSL 72.53, 0.62%, 0.29%

LAB 46.96, -20.1, 44.66

 

CMYK 16 / 0 / 77 / 40

HEX #809823

RGB 128 152 35

HSL 72.31, 0.63%, 0.37%

LAB 59.13, -24.3, 54.47

 

CMYK 16 / 0 / 77 / 27

HEX #9CBA2B

RGB 156 186 43

HSL 72.59, 0.62%, 0.45%

LAB 71.12, -28.75, 63.76

 

CMYK 15 / 0 / 71 / 18

HEX #B2D13D

RGB 178 209 61

HSL 72.57, 0.62%, 0.53%

LAB 79.27, -29.81, 66.05

 

CMYK 16 / 0 / 77 / 39

HEX #829B24

RGB 130 155 36

HSL 72.61, 0.62%, 0.37%

LAB 60.17, -24.89, 55.16

 

CMYK 77 / 0 / 46 / 40

HEX #239852

RGB 35 152 82

HSL 144.1, 0.63%, 0.37%

LAB 55.51, -47.7, 27.94

 

CMYK 15 / 77 / 0 / 40

HEX #812398

RGB 129 35 152

HSL 288.21, 0.63%, 0.37%

LAB 34.26, 55.46, -44.15

 

CMYK 16 / 0 / 77 / 39

HEX #829B24

RGB 130 155 36

HSL 72.61, 0.62%, 0.37%

LAB 60.17, -24.89, 55.16

 

CMYK 77 / 15 / 0 / 40

HEX #238198

RGB 35 129 152

HSL 191.79, 0.63%, 0.37%

LAB 49.89, -18.62, -20.05

 

CMYK 0 / 77 / 15 / 40

HEX #982381

RGB 152 35 129

HSL 311.79, 0.63%, 0.37%

LAB 36.86, 56.67, -25.64

 

CMYK 16 / 0 / 77 / 39

HEX #829B24

RGB 130 155 36

HSL 72.61, 0.62%, 0.37%

LAB 60.17, -24.89, 55.16

 

CMYK 77 / 0 / 46 / 40

HEX #239852

RGB 35 152 82

HSL 144.1, 0.63%, 0.37%

LAB 55.51, -47.7, 27.94

 

CMYK 61 / 77 / 0 / 40

HEX #3B2398

RGB 59 35 152

HSL 252.31, 0.63%, 0.37%

LAB 24.95, 43.28, -59.73

 

CMYK 0 / 77 / 30 / 40

HEX #98236A

RGB 152 35 106

HSL 323.59, 0.63%, 0.37%

LAB 35.83, 53.56, -12.79

 

CMYK 16 / 0 / 77 / 39

HEX #829B24

RGB 130 155 36

HSL 72.61, 0.62%, 0.37%

LAB 60.17, -24.89, 55.16

 

CMYK 77 / 0 / 23 / 40

HEX #239875

RGB 35 152 117

HSL 162.05, 0.63%, 0.37%

LAB 56.19, -40.15, 9.49

 

CMYK 61 / 77 / 0 / 40

HEX #3B2398

RGB 59 35 152

HSL 252.31, 0.63%, 0.37%

LAB 24.95, 43.28, -59.73

 

CMYK 0 / 77 / 54 / 40

HEX #982346

RGB 152 35 70

HSL 342.05, 0.63%, 0.37%

LAB 34.64, 49.84, 8.64

 

Description

Color code: HEX #829B24 | qconv.com Color code: HEX #829B24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 155 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 155 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 77 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 77% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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