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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #829FA8 it is the complementary color #7D6057. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #829FA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #829FA8 shade: #879FA3, #98B1B6, #A9C3C9, #BAD5DC and #CBE7EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #829FA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #829FA8 shade: #829FA8, #718D95, #607B82, #4F696F and #3E575C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #829FA8 shade: #809EA7, #8093A7, #8089A7, #8280A7 and #8C80A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #829FA8 shade: #809EA7, #8093A7, #8089A7 and #8080A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #829FA8 shade matches the following richer shades: #809EA7, #6FA7B8, #5DB0C9, #4CB9DB and #3BC2EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #829FA8 shade: #809EA7, #919495, #A38B84, #B48273 and #C57961

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #829FA8 shade: #80A79B, #80A7A5, #809EA7, #8093A7 and #8089A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #829FA8 shade: #57747D, #688B96, #809EA7, #98B0B8 and #B1C3C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #829FA8 shade: #829FA8, #9180A7 and #A7A080

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #829FA8 shade: #829FA8, #A7809E and #9EA780

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #829FA8 shade: #829FA8, #9180A7, #A78980 and #96A780

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #829FA8 shade: #829FA8, #9C80A7, #A78980 and #8AA780

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 5 / 0 / 34

HEX #829FA8

RGB 130 159 168

HSL 194.21, 0.18%, 0.58%

LAB 63.65, -7.97, -8.01

 

Complementary color

CMYK 0 / 23 / 30 / 51

HEX #7D6057

RGB 125 96 87

HSL 14.21, 0.18%, 0.42%

LAB 43.38, 10.36, 9.66

 

CMYK 17 / 2 / 0 / 36

HEX #879FA3

RGB 135 159 163

HSL 188.57, 0.13%, 0.58%

LAB 63.83, -7.48, -4.9

 

CMYK 16 / 3 / 0 / 29

HEX #98B1B6

RGB 152 177 182

HSL 190, 0.17%, 0.65%

LAB 70.52, -7.48, -5.44

 

CMYK 16 / 3 / 0 / 21

HEX #A9C3C9

RGB 169 195 201

HSL 191.25, 0.23%, 0.73%

LAB 77.09, -7.5, -5.97

 

CMYK 15 / 3 / 0 / 14

HEX #BAD5DC

RGB 186 213 220

HSL 192.35, 0.33%, 0.8%

LAB 83.54, -7.52, -6.48

 

CMYK 15 / 3 / 0 / 6

HEX #CBE7EF

RGB 203 231 239

HSL 193.33, 0.53%, 0.87%

LAB 89.9, -7.55, -6.99

 

CMYK 23 / 5 / 0 / 34

HEX #829FA8

RGB 130 159 168

HSL 194.21, 0.18%, 0.58%

LAB 63.65, -7.97, -8.01

 

CMYK 24 / 5 / 0 / 42

HEX #718D95

RGB 113 141 149

HSL 193.33, 0.15%, 0.51%

LAB 56.81, -7.97, -7.52

 

CMYK 26 / 5 / 0 / 49

HEX #607B82

RGB 96 123 130

HSL 192.35, 0.15%, 0.44%

LAB 49.82, -7.98, -7.01

 

CMYK 29 / 5 / 0 / 56

HEX #4F696F

RGB 79 105 111

HSL 191.25, 0.17%, 0.37%

LAB 42.63, -7.99, -6.49

 

CMYK 33 / 5 / 0 / 64

HEX #3E575C

RGB 62 87 92

HSL 190, 0.19%, 0.3%

LAB 35.23, -8.02, -5.94

 

CMYK 23 / 5 / 0 / 35

HEX #809EA7

RGB 128 158 167

HSL 193.85, 0.18%, 0.58%

LAB 63.2, -8.29, -8.12

 

CMYK 23 / 12 / 0 / 35

HEX #8093A7

RGB 128 147 167

HSL 210.77, 0.18%, 0.58%

LAB 60.11, -2.2, -12.76

 

CMYK 23 / 18 / 0 / 35

HEX #8089A7

RGB 128 137 167

HSL 226.15, 0.18%, 0.58%

LAB 57.34, 3.49, -16.95

 

CMYK 22 / 23 / 0 / 35

HEX #8280A7

RGB 130 128 167

HSL 243.08, 0.18%, 0.58%

LAB 55.05, 9.36, -20.43

 

CMYK 16 / 23 / 0 / 35

HEX #8C80A7

RGB 140 128 167

HSL 258.46, 0.18%, 0.58%

LAB 55.89, 12.65, -19.06

 

CMYK 23 / 5 / 0 / 35

HEX #809EA7

RGB 128 158 167

HSL 193.85, 0.18%, 0.58%

LAB 63.2, -8.29, -8.12

 

CMYK 23 / 12 / 0 / 35

HEX #8093A7

RGB 128 147 167

HSL 210.77, 0.18%, 0.58%

LAB 60.11, -2.2, -12.76

 

CMYK 23 / 18 / 0 / 35

HEX #8089A7

RGB 128 137 167

HSL 226.15, 0.18%, 0.58%

LAB 57.34, 3.49, -16.95

 

CMYK 23 / 23 / 0 / 35

HEX #8080A7

RGB 128 128 167

HSL 240, 0.18%, 0.58%

LAB 54.88, 8.71, -20.69

 

CMYK 23 / 5 / 0 / 35

HEX #809EA7

RGB 128 158 167

HSL 193.85, 0.18%, 0.58%

LAB 63.2, -8.29, -8.12

 

CMYK 40 / 9 / 0 / 28

HEX #6FA7B8

RGB 111 167 184

HSL 193.97, 0.34%, 0.58%

LAB 65.34, -13.9, -14.54

 

CMYK 54 / 12 / 0 / 21

HEX #5DB0C9

RGB 93 176 201

HSL 193.89, 0.5%, 0.58%

LAB 67.72, -18.25, -20.44

 

CMYK 65 / 16 / 0 / 14

HEX #4CB9DB

RGB 76 185 219

HSL 194.27, 0.67%, 0.58%

LAB 70.42, -20.67, -26.25

 

CMYK 75 / 18 / 0 / 7

HEX #3BC2EC

RGB 59 194 236

HSL 194.24, 0.82%, 0.58%

LAB 73.27, -22.21, -31.14

 

CMYK 23 / 5 / 0 / 35

HEX #809EA7

RGB 128 158 167

HSL 193.85, 0.18%, 0.58%

LAB 63.2, -8.29, -8.12

 

CMYK 3 / 1 / 0 / 42

HEX #919495

RGB 145 148 149

HSL 195, 0.02%, 0.58%

LAB 61.11, -0.89, -0.91

 

CMYK 0 / 15 / 19 / 36

HEX #A38B84

RGB 163 139 132

HSL 13.55, 0.14%, 0.58%

LAB 59.81, 7.88, 7.09

 

CMYK 0 / 28 / 36 / 29

HEX #B48273

RGB 180 130 115

HSL 13.85, 0.3%, 0.58%

LAB 58.89, 17.26, 15.74

 

CMYK 0 / 39 / 51 / 23

HEX #C57961

RGB 197 121 97

HSL 14.4, 0.46%, 0.58%

LAB 58.42, 27.13, 25.67

 

CMYK 23 / 0 / 7 / 35

HEX #80A79B

RGB 128 167 155

HSL 161.54, 0.18%, 0.58%

LAB 65.43, -15.8, 1.87

 

CMYK 23 / 0 / 1 / 35

HEX #80A7A5

RGB 128 167 165

HSL 176.92, 0.18%, 0.58%

LAB 65.7, -13.6, -3.3

 

CMYK 23 / 5 / 0 / 35

HEX #809EA7

RGB 128 158 167

HSL 193.85, 0.18%, 0.58%

LAB 63.2, -8.29, -8.12

 

CMYK 23 / 12 / 0 / 35

HEX #8093A7

RGB 128 147 167

HSL 210.77, 0.18%, 0.58%

LAB 60.11, -2.2, -12.76

 

CMYK 23 / 18 / 0 / 35

HEX #8089A7

RGB 128 137 167

HSL 226.15, 0.18%, 0.58%

LAB 57.34, 3.49, -16.95

 

CMYK 30 / 7 / 0 / 51

HEX #57747D

RGB 87 116 125

HSL 194.21, 0.18%, 0.42%

LAB 46.97, -8.14, -8.36

 

CMYK 31 / 7 / 0 / 41

HEX #688B96

RGB 104 139 150

HSL 194.35, 0.18%, 0.5%

LAB 55.7, -9.44, -9.82

 

CMYK 23 / 5 / 0 / 35

HEX #809EA7

RGB 128 158 167

HSL 193.85, 0.18%, 0.58%

LAB 63.2, -8.29, -8.12

 

CMYK 17 / 4 / 0 / 28

HEX #98B0B8

RGB 152 176 184

HSL 195, 0.18%, 0.66%

LAB 70.31, -6.51, -6.86

 

CMYK 12 / 3 / 0 / 21

HEX #B1C3C9

RGB 177 195 201

HSL 195, 0.18%, 0.74%

LAB 77.63, -4.9, -5.1

 

CMYK 23 / 5 / 0 / 34

HEX #829FA8

RGB 130 159 168

HSL 194.21, 0.18%, 0.58%

LAB 63.65, -7.97, -8.01

 

CMYK 13 / 23 / 0 / 35

HEX #9180A7

RGB 145 128 167

HSL 266.15, 0.18%, 0.58%

LAB 56.34, 14.32, -18.34

 

CMYK 0 / 4 / 23 / 35

HEX #A7A080

RGB 167 160 128

HSL 49.23, 0.18%, 0.58%

LAB 65.68, -2.79, 17.63

 

CMYK 23 / 5 / 0 / 34

HEX #829FA8

RGB 130 159 168

HSL 194.21, 0.18%, 0.58%

LAB 63.65, -7.97, -8.01

 

CMYK 0 / 23 / 5 / 35

HEX #A7809E

RGB 167 128 158

HSL 313.85, 0.18%, 0.58%

LAB 58.15, 20.15, -10.21

 

CMYK 5 / 0 / 23 / 35

HEX #9EA780

RGB 158 167 128

HSL 73.85, 0.18%, 0.58%

LAB 66.87, -10.05, 19.15

 

CMYK 23 / 5 / 0 / 34

HEX #829FA8

RGB 130 159 168

HSL 194.21, 0.18%, 0.58%

LAB 63.65, -7.97, -8.01

 

CMYK 13 / 23 / 0 / 35

HEX #9180A7

RGB 145 128 167

HSL 266.15, 0.18%, 0.58%

LAB 56.34, 14.32, -18.34

 

CMYK 0 / 18 / 23 / 35

HEX #A78980

RGB 167 137 128

HSL 13.85, 0.18%, 0.58%

LAB 59.59, 9.95, 9.1

 

CMYK 10 / 0 / 23 / 35

HEX #96A780

RGB 150 167 128

HSL 86.15, 0.18%, 0.58%

LAB 66.27, -13.1, 18.23

 

CMYK 23 / 5 / 0 / 34

HEX #829FA8

RGB 130 159 168

HSL 194.21, 0.18%, 0.58%

LAB 63.65, -7.97, -8.01

 

CMYK 7 / 23 / 0 / 35

HEX #9C80A7

RGB 156 128 167

HSL 283.08, 0.18%, 0.58%

LAB 57.36, 18.07, -16.69

 

CMYK 0 / 18 / 23 / 35

HEX #A78980

RGB 167 137 128

HSL 13.85, 0.18%, 0.58%

LAB 59.59, 9.95, 9.1

 

CMYK 17 / 0 / 23 / 35

HEX #8AA780

RGB 138 167 128

HSL 104.62, 0.18%, 0.58%

LAB 65.44, -17.55, 16.94

 

Description

Color code: HEX #829FA8 | qconv.com Color code: HEX #829FA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 159 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 159 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 5 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 5% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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