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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82A7D8 it is the complementary color #7D5827. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82A7D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82A7D8 shade: #87A7D3, #98B9E6, #A9CBF9, #BADDFF and #CBEFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82A7D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82A7D8 shade: #82A7D8, #7195C5, #6083B2, #4F719F and #3E5F8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82A7D8 shade: #82A7D7, #8290D7, #8C82D7, #A382D7 and #BA82D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82A7D8 shade: #82A7D7, #8290D7 and #8282D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82A7D8 shade matches the following richer shades: #82A7D7, #75A5E5 and #68A3F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82A7D8 shade: #82A7D7, #90A9CA, #9DABBD, #AAADB0 and #B7AEA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82A7D8 shade: #82D5D7, #82BED7, #82A7D7, #8291D7 and #8B82D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82A7D8 shade: #447BC4, #6391CD, #82A7D7, #A2BDE1 and #C1D3EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82A7D8 shade: #82A7D8, #C482D7 and #C9D782

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82A7D8 shade: #82A7D8, #D782A7 and #A7D782

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82A7D8 shade: #82A7D8, #C482D7, #D7B382 and #96D782

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82A7D8 shade: #82A7D8, #D782D2, #D7B382 and #82D788

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 23 / 0 / 15

HEX #82A7D8

RGB 130 167 216

HSL 214.19, 0.52%, 0.68%

LAB 67.53, -0.24, -28.84

 

Complementary color

CMYK 0 / 30 / 69 / 51

HEX #7D5827

RGB 125 88 39

HSL 34.19, 0.52%, 0.32%

LAB 40.39, 9.95, 33.7

 

CMYK 36 / 21 / 0 / 17

HEX #87A7D3

RGB 135 167 211

HSL 214.74, 0.46%, 0.68%

LAB 67.64, -0.22, -25.89

 

CMYK 34 / 20 / 0 / 10

HEX #98B9E6

RGB 152 185 230

HSL 214.62, 0.61%, 0.75%

LAB 74.25, -0.5, -26.07

 

CMYK 32 / 18 / 0 / 2

HEX #A9CBF9

RGB 169 203 249

HSL 214.5, 0.87%, 0.82%

LAB 80.73, -0.75, -26.27

 

CMYK 27 / 13 / 0 / 0

HEX #BADDFF

RGB 186 221 255

HSL 209.57, 1%, 0.86%

LAB 86.69, -4.02, -20.3

 

CMYK 20 / 6 / 0 / 0

HEX #CBEFFF

RGB 203 239 255

HSL 198.46, 1%, 0.9%

LAB 92.42, -8.3, -11.59

 

CMYK 40 / 23 / 0 / 15

HEX #82A7D8

RGB 130 167 216

HSL 214.19, 0.52%, 0.68%

LAB 67.53, -0.24, -28.84

 

CMYK 43 / 24 / 0 / 23

HEX #7195C5

RGB 113 149 197

HSL 214.29, 0.42%, 0.61%

LAB 60.81, 0.15, -28.72

 

CMYK 46 / 26 / 0 / 30

HEX #6083B2

RGB 96 131 178

HSL 214.39, 0.35%, 0.54%

LAB 53.96, 0.62, -28.63

 

CMYK 50 / 29 / 0 / 38

HEX #4F719F

RGB 79 113 159

HSL 214.5, 0.34%, 0.47%

LAB 46.94, 1.2, -28.58

 

CMYK 56 / 32 / 0 / 45

HEX #3E5F8C

RGB 62 95 140

HSL 214.62, 0.39%, 0.4%

LAB 39.75, 1.96, -28.56

 

CMYK 40 / 22 / 0 / 16

HEX #82A7D7

RGB 130 167 215

HSL 213.88, 0.52%, 0.68%

LAB 67.49, -0.52, -28.35

 

CMYK 40 / 33 / 0 / 16

HEX #8290D7

RGB 130 144 215

HSL 230.12, 0.52%, 0.68%

LAB 61.31, 12.6, -37.96

 

CMYK 35 / 40 / 0 / 16

HEX #8C82D7

RGB 140 130 215

HSL 247.06, 0.52%, 0.68%

LAB 58.46, 23.47, -42.37

 

CMYK 24 / 40 / 0 / 16

HEX #A382D7

RGB 163 130 215

HSL 263.29, 0.52%, 0.68%

LAB 60.48, 29.93, -39.06

 

CMYK 13 / 40 / 0 / 16

HEX #BA82D7

RGB 186 130 215

HSL 279.53, 0.52%, 0.68%

LAB 62.77, 36.72, -35.31

 

CMYK 40 / 22 / 0 / 16

HEX #82A7D7

RGB 130 167 215

HSL 213.88, 0.52%, 0.68%

LAB 67.49, -0.52, -28.35

 

CMYK 40 / 33 / 0 / 16

HEX #8290D7

RGB 130 144 215

HSL 230.12, 0.52%, 0.68%

LAB 61.31, 12.6, -37.96

 

CMYK 40 / 40 / 0 / 16

HEX #8282D7

RGB 130 130 215

HSL 240, 0.52%, 0.68%

LAB 57.67, 20.8, -43.67

 

CMYK 40 / 22 / 0 / 16

HEX #82A7D7

RGB 130 167 215

HSL 213.88, 0.52%, 0.68%

LAB 67.49, -0.52, -28.35

 

CMYK 49 / 28 / 0 / 10

HEX #75A5E5

RGB 117 165 229

HSL 214.29, 0.68%, 0.68%

LAB 66.79, 1.32, -37.21

 

CMYK 57 / 33 / 0 / 5

HEX #68A3F2

RGB 104 163 242

HSL 214.35, 0.84%, 0.68%

LAB 66.17, 3.62, -45.34

 

CMYK 40 / 22 / 0 / 16

HEX #82A7D7

RGB 130 167 215

HSL 213.88, 0.52%, 0.68%

LAB 67.49, -0.52, -28.35

 

CMYK 29 / 16 / 0 / 21

HEX #90A9CA

RGB 144 169 202

HSL 214.14, 0.35%, 0.68%

LAB 68.44, -1.03, -19.66

 

CMYK 17 / 10 / 0 / 26

HEX #9DABBD

RGB 157 171 189

HSL 213.75, 0.2%, 0.68%

LAB 69.45, -1.09, -10.86

 

CMYK 3 / 2 / 0 / 31

HEX #AAADB0

RGB 170 173 176

HSL 210, 0.04%, 0.68%

LAB 70.57, -0.48, -1.91

 

CMYK 0 / 5 / 11 / 28

HEX #B7AEA3

RGB 183 174 163

HSL 33, 0.12%, 0.68%

LAB 71.54, 1.29, 6.78

 

CMYK 40 / 1 / 0 / 16

HEX #82D5D7

RGB 130 213 215

HSL 181.41, 0.52%, 0.68%

LAB 80.31, -24.69, -8.95

 

CMYK 40 / 12 / 0 / 16

HEX #82BED7

RGB 130 190 215

HSL 197.65, 0.52%, 0.68%

LAB 73.86, -12.97, -18.64

 

CMYK 40 / 22 / 0 / 16

HEX #82A7D7

RGB 130 167 215

HSL 213.88, 0.52%, 0.68%

LAB 67.49, -0.52, -28.35

 

CMYK 40 / 33 / 0 / 16

HEX #8291D7

RGB 130 145 215

HSL 229.41, 0.52%, 0.68%

LAB 61.57, 12.01, -37.54

 

CMYK 35 / 40 / 0 / 16

HEX #8B82D7

RGB 139 130 215

HSL 246.35, 0.52%, 0.68%

LAB 58.38, 23.19, -42.51

 

CMYK 65 / 37 / 0 / 23

HEX #447BC4

RGB 68 123 196

HSL 214.22, 0.52%, 0.52%

LAB 51.13, 5.2, -43.48

 

CMYK 52 / 29 / 0 / 20

HEX #6391CD

RGB 99 145 205

HSL 213.96, 0.51%, 0.6%

LAB 59.26, 1.38, -35.69

 

CMYK 40 / 22 / 0 / 16

HEX #82A7D7

RGB 130 167 215

HSL 213.88, 0.52%, 0.68%

LAB 67.49, -0.52, -28.35

 

CMYK 28 / 16 / 0 / 12

HEX #A2BDE1

RGB 162 189 225

HSL 214.29, 0.51%, 0.76%

LAB 75.77, -1.04, -20.98

 

CMYK 18 / 10 / 0 / 8

HEX #C1D3EB

RGB 193 211 235

HSL 214.29, 0.51%, 0.84%

LAB 83.93, -1.13, -13.84

 

CMYK 40 / 23 / 0 / 15

HEX #82A7D8

RGB 130 167 216

HSL 214.19, 0.52%, 0.68%

LAB 67.53, -0.24, -28.84

 

CMYK 9 / 40 / 0 / 16

HEX #C482D7

RGB 196 130 215

HSL 286.59, 0.52%, 0.68%

LAB 63.84, 39.73, -33.56

 

CMYK 7 / 0 / 40 / 16

HEX #C9D782

RGB 201 215 130

HSL 69.88, 0.52%, 0.68%

LAB 83.25, -17.76, 40.33

 

CMYK 40 / 23 / 0 / 15

HEX #82A7D8

RGB 130 167 216

HSL 214.19, 0.52%, 0.68%

LAB 67.53, -0.24, -28.84

 

CMYK 0 / 40 / 22 / 16

HEX #D782A7

RGB 215 130 167

HSL 333.88, 0.52%, 0.68%

LAB 64.32, 37.56, -5.58

 

CMYK 22 / 0 / 40 / 16

HEX #A7D782

RGB 167 215 130

HSL 93.88, 0.52%, 0.68%

LAB 80.98, -30.43, 36.97

 

CMYK 40 / 23 / 0 / 15

HEX #82A7D8

RGB 130 167 216

HSL 214.19, 0.52%, 0.68%

LAB 67.53, -0.24, -28.84

 

CMYK 9 / 40 / 0 / 16

HEX #C482D7

RGB 196 130 215

HSL 286.59, 0.52%, 0.68%

LAB 63.84, 39.73, -33.56

 

CMYK 0 / 17 / 40 / 16

HEX #D7B382

RGB 215 179 130

HSL 34.59, 0.52%, 0.68%

LAB 75.01, 6.35, 29.88

 

CMYK 30 / 0 / 40 / 16

HEX #96D782

RGB 150 215 130

HSL 105.88, 0.52%, 0.68%

LAB 80.01, -36.32, 35.53

 

CMYK 40 / 23 / 0 / 15

HEX #82A7D8

RGB 130 167 216

HSL 214.19, 0.52%, 0.68%

LAB 67.53, -0.24, -28.84

 

CMYK 0 / 40 / 2 / 16

HEX #D782D2

RGB 215 130 210

HSL 303.53, 0.52%, 0.68%

LAB 65.8, 44.59, -27.57

 

CMYK 0 / 17 / 40 / 16

HEX #D7B382

RGB 215 179 130

HSL 34.59, 0.52%, 0.68%

LAB 75.01, 6.35, 29.88

 

CMYK 40 / 0 / 37 / 16

HEX #82D788

RGB 130 215 136

HSL 124.24, 0.52%, 0.68%

LAB 79.11, -41.79, 31.11

 

Description

Color code: HEX #82A7D8 | qconv.com Color code: HEX #82A7D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 167 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 167 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 23 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 23% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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