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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82A3DD it is the complementary color #7D5C22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82A3DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82A3DD shade: #87A3D8, #98B5EB, #A9C7FE, #BAD9FF and #CBEBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82A3DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82A3DD shade: #82A3DD, #7191CA, #607FB7, #4F6DA4 and #3E5B91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82A3DD shade: #82A3DD, #828BDD, #9282DD, #AB82DD and #C382DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82A3DD shade: #82A3DD, #828BDD and #8282DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82A3DD shade matches the following richer shades: #82A3DD, #76A0E9 and #699CF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82A3DD shade: #82A3DD, #8FA7D0, #9CAAC3, #A9AEB6 and #B6B1A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82A3DD shade: #82D3DD, #82BBDD, #82A3DD, #828BDD and #9182DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82A3DD shade: #4273CB, #628BD4, #82A3DD, #A3BBE5 and #C3D3EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82A3DD shade: #82A3DD, #CD82DD and #C7DD82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82A3DD shade: #82A3DD, #DD82A3 and #A3DD82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82A3DD shade: #82A3DD, #CD82DD, #DDBB82 and #91DD82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82A3DD shade: #82A3DD, #DD82D0, #DDBB82 and #82DD8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 26 / 0 / 13

HEX #82A3DD

RGB 130 163 221

HSL 218.24, 0.57%, 0.69%

LAB 66.64, 3.37, -32.98

 

Complementary color

CMYK 0 / 26 / 73 / 51

HEX #7D5C22

RGB 125 92 34

HSL 38.24, 0.57%, 0.31%

LAB 41.42, 7.26, 37.33

 

CMYK 38 / 25 / 0 / 15

HEX #87A3D8

RGB 135 163 216

HSL 219.26, 0.51%, 0.69%

LAB 66.75, 3.34, -30.02

 

CMYK 35 / 23 / 0 / 8

HEX #98B5EB

RGB 152 181 235

HSL 219.04, 0.67%, 0.76%

LAB 73.36, 2.97, -30.14

 

CMYK 33 / 22 / 0 / 0

HEX #A9C7FE

RGB 169 199 254

HSL 218.82, 0.98%, 0.83%

LAB 79.86, 2.63, -30.27

 

CMYK 27 / 15 / 0 / 0

HEX #BAD9FF

RGB 186 217 255

HSL 213.04, 1%, 0.86%

LAB 85.65, -1.93, -21.88

 

CMYK 20 / 8 / 0 / 0

HEX #CBEBFF

RGB 203 235 255

HSL 203.08, 1%, 0.9%

LAB 91.38, -6.26, -13.14

 

CMYK 41 / 26 / 0 / 13

HEX #82A3DD

RGB 130 163 221

HSL 218.24, 0.57%, 0.69%

LAB 66.64, 3.37, -32.98

 

CMYK 44 / 28 / 0 / 21

HEX #7191CA

RGB 113 145 202

HSL 218.43, 0.46%, 0.62%

LAB 59.91, 3.88, -32.93

 

CMYK 48 / 31 / 0 / 28

HEX #607FB7

RGB 96 127 183

HSL 218.62, 0.38%, 0.55%

LAB 53.04, 4.49, -32.93

 

CMYK 52 / 34 / 0 / 36

HEX #4F6DA4

RGB 79 109 164

HSL 218.82, 0.35%, 0.48%

LAB 46.02, 5.24, -32.97

 

CMYK 57 / 37 / 0 / 43

HEX #3E5B91

RGB 62 91 145

HSL 219.04, 0.4%, 0.41%

LAB 38.81, 6.2, -33.06

 

CMYK 41 / 26 / 0 / 13

HEX #82A3DD

RGB 130 163 221

HSL 218.24, 0.57%, 0.69%

LAB 66.64, 3.37, -32.98

 

CMYK 41 / 37 / 0 / 13

HEX #828BDD

RGB 130 139 221

HSL 234.07, 0.57%, 0.69%

LAB 60.28, 17.2, -42.92

 

CMYK 34 / 41 / 0 / 13

HEX #9282DD

RGB 146 130 221

HSL 250.55, 0.57%, 0.69%

LAB 59.25, 26.68, -44.46

 

CMYK 23 / 41 / 0 / 13

HEX #AB82DD

RGB 171 130 221

HSL 267.03, 0.57%, 0.69%

LAB 61.52, 33.65, -40.73

 

CMYK 12 / 41 / 0 / 13

HEX #C382DD

RGB 195 130 221

HSL 282.86, 0.57%, 0.69%

LAB 63.99, 40.66, -36.69

 

CMYK 41 / 26 / 0 / 13

HEX #82A3DD

RGB 130 163 221

HSL 218.24, 0.57%, 0.69%

LAB 66.64, 3.37, -32.98

 

CMYK 41 / 37 / 0 / 13

HEX #828BDD

RGB 130 139 221

HSL 234.07, 0.57%, 0.69%

LAB 60.28, 17.2, -42.92

 

CMYK 41 / 41 / 0 / 13

HEX #8282DD

RGB 130 130 221

HSL 240, 0.57%, 0.69%

LAB 57.97, 22.49, -46.56

 

CMYK 41 / 26 / 0 / 13

HEX #82A3DD

RGB 130 163 221

HSL 218.24, 0.57%, 0.69%

LAB 66.64, 3.37, -32.98

 

CMYK 49 / 31 / 0 / 9

HEX #76A0E9

RGB 118 160 233

HSL 218.09, 0.72%, 0.69%

LAB 65.65, 5.58, -41.18

 

CMYK 57 / 37 / 0 / 4

HEX #699CF6

RGB 105 156 246

HSL 218.3, 0.89%, 0.69%

LAB 64.51, 9.12, -50.15

 

CMYK 41 / 26 / 0 / 13

HEX #82A3DD

RGB 130 163 221

HSL 218.24, 0.57%, 0.69%

LAB 66.64, 3.37, -32.98

 

CMYK 31 / 20 / 0 / 18

HEX #8FA7D0

RGB 143 167 208

HSL 217.85, 0.41%, 0.69%

LAB 68.04, 1.28, -23.58

 

CMYK 20 / 13 / 0 / 24

HEX #9CAAC3

RGB 156 170 195

HSL 218.46, 0.25%, 0.69%

LAB 69.3, 0.48, -14.41

 

CMYK 7 / 4 / 0 / 29

HEX #A9AEB6

RGB 169 174 182

HSL 216.92, 0.08%, 0.69%

LAB 70.93, -0.18, -4.7

 

CMYK 0 / 3 / 7 / 29

HEX #B6B1A9

RGB 182 177 169

HSL 36.92, 0.08%, 0.69%

LAB 72.4, 0.34, 4.71

 

CMYK 41 / 5 / 0 / 13

HEX #82D3DD

RGB 130 211 221

HSL 186.59, 0.57%, 0.69%

LAB 79.93, -22.2, -12.73

 

CMYK 41 / 15 / 0 / 13

HEX #82BBDD

RGB 130 187 221

HSL 202.42, 0.57%, 0.69%

LAB 73.22, -9.81, -22.86

 

CMYK 41 / 26 / 0 / 13

HEX #82A3DD

RGB 130 163 221

HSL 218.24, 0.57%, 0.69%

LAB 66.64, 3.37, -32.98

 

CMYK 41 / 37 / 0 / 13

HEX #828BDD

RGB 130 139 221

HSL 234.07, 0.57%, 0.69%

LAB 60.28, 17.2, -42.92

 

CMYK 34 / 41 / 0 / 13

HEX #9182DD

RGB 145 130 221

HSL 249.89, 0.57%, 0.69%

LAB 59.16, 26.41, -44.6

 

CMYK 67 / 43 / 0 / 20

HEX #4273CB

RGB 66 115 203

HSL 218.54, 0.57%, 0.53%

LAB 49.17, 12.26, -50.61

 

CMYK 54 / 34 / 0 / 17

HEX #628BD4

RGB 98 139 212

HSL 218.42, 0.57%, 0.61%

LAB 57.86, 6.84, -41.82

 

CMYK 41 / 26 / 0 / 13

HEX #82A3DD

RGB 130 163 221

HSL 218.24, 0.57%, 0.69%

LAB 66.64, 3.37, -32.98

 

CMYK 29 / 18 / 0 / 10

HEX #A3BBE5

RGB 163 187 229

HSL 218.18, 0.56%, 0.77%

LAB 75.44, 1.29, -23.64

 

CMYK 18 / 11 / 0 / 7

HEX #C3D3EE

RGB 195 211 238

HSL 217.67, 0.56%, 0.85%

LAB 84.15, 0.13, -15.08

 

CMYK 41 / 26 / 0 / 13

HEX #82A3DD

RGB 130 163 221

HSL 218.24, 0.57%, 0.69%

LAB 66.64, 3.37, -32.98

 

CMYK 7 / 41 / 0 / 13

HEX #CD82DD

RGB 205 130 221

HSL 289.45, 0.57%, 0.69%

LAB 65.09, 43.62, -34.88

 

CMYK 10 / 0 / 41 / 13

HEX #C7DD82

RGB 199 221 130

HSL 74.51, 0.57%, 0.69%

LAB 84.72, -21.48, 42.18

 

CMYK 41 / 26 / 0 / 13

HEX #82A3DD

RGB 130 163 221

HSL 218.24, 0.57%, 0.69%

LAB 66.64, 3.37, -32.98

 

CMYK 0 / 41 / 26 / 13

HEX #DD82A3

RGB 221 130 163

HSL 338.24, 0.57%, 0.69%

LAB 64.95, 39.08, -2.31

 

CMYK 26 / 0 / 41 / 13

HEX #A3DD82

RGB 163 221 130

HSL 98.24, 0.57%, 0.69%

LAB 82.44, -34.63, 38.8

 

CMYK 41 / 26 / 0 / 13

HEX #82A3DD

RGB 130 163 221

HSL 218.24, 0.57%, 0.69%

LAB 66.64, 3.37, -32.98

 

CMYK 7 / 41 / 0 / 13

HEX #CD82DD

RGB 205 130 221

HSL 289.45, 0.57%, 0.69%

LAB 65.09, 43.62, -34.88

 

CMYK 0 / 15 / 41 / 13

HEX #DDBB82

RGB 221 187 130

HSL 37.58, 0.57%, 0.69%

LAB 77.59, 4.52, 33.38

 

CMYK 34 / 0 / 41 / 13

HEX #91DD82

RGB 145 221 130

HSL 110.11, 0.57%, 0.69%

LAB 81.48, -40.66, 37.38

 

CMYK 41 / 26 / 0 / 13

HEX #82A3DD

RGB 130 163 221

HSL 218.24, 0.57%, 0.69%

LAB 66.64, 3.37, -32.98

 

CMYK 0 / 41 / 6 / 13

HEX #DD82D0

RGB 221 130 208

HSL 308.57, 0.57%, 0.69%

LAB 66.44, 46.09, -25.41

 

CMYK 0 / 15 / 41 / 13

HEX #DDBB82

RGB 221 187 130

HSL 37.58, 0.57%, 0.69%

LAB 77.59, 4.52, 33.38

 

CMYK 41 / 0 / 36 / 13

HEX #82DD8E

RGB 130 221 142

HSL 127.91, 0.57%, 0.69%

LAB 80.97, -43.44, 30.49

 

Description

Color code: HEX #82A3DD | qconv.com Color code: HEX #82A3DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 163 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 163 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 26 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 26% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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