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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82AD3E it is the complementary color #7D52C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82AD3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82AD3E shade: #87AD39, #98BF4C, #A9D15F, #BAE372 and #CBF585

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82AD3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82AD3E shade: #82AD3E, #719B2B, #608918, #4F7705 and #3E6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82AD3E shade: #81AC3E, #9FAC3E, #AC9B3E, #AC7D3E and #AC603E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82AD3E shade: #81AC3E, #63AC3E, #46AC3E, #3EAC53 and #3EAC71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82AD3E shade matches the following richer shades: #81AC3E, #85BF2B, #8AD218 and #8EE505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82AD3E shade: #81AC3E, #7D9951, #798664, #747377 and #70608A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82AD3E shade: #AC9B3E, #9FAC3E, #82AC3E, #64AC3E and #47AC3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82AD3E shade: #546F28, #6A8E33, #81AC3E, #96C052 and #A8CB71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82AD3E shade: #82AD3E, #3EAC7E and #AA3EAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82AD3E shade: #82AD3E, #3E82AC and #AC3E82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82AD3E shade: #82AD3E, #3EAC7E, #683EAC and #AC3E6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82AD3E shade: #82AD3E, #3EAC9F, #683EAC and #AC3E4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 64 / 32

HEX #82AD3E

RGB 130 173 62

HSL 83.24, 0.47%, 0.46%

LAB 65.73, -31.86, 50.71

 

Complementary color

CMYK 35 / 58 / 0 / 24

HEX #7D52C1

RGB 125 82 193

HSL 263.24, 0.47%, 0.54%

LAB 44.58, 41.62, -51.97

 

CMYK 22 / 0 / 67 / 32

HEX #87AD39

RGB 135 173 57

HSL 79.66, 0.5%, 0.45%

LAB 66.01, -30.27, 53.19

 

CMYK 20 / 0 / 60 / 25

HEX #98BF4C

RGB 152 191 76

HSL 80.35, 0.47%, 0.52%

LAB 72.53, -30.6, 52.46

 

CMYK 19 / 0 / 55 / 18

HEX #A9D15F

RGB 169 209 95

HSL 81.05, 0.55%, 0.6%

LAB 78.96, -30.83, 51.49

 

CMYK 18 / 0 / 50 / 11

HEX #BAE372

RGB 186 227 114

HSL 81.77, 0.67%, 0.67%

LAB 85.3, -30.98, 50.42

 

CMYK 17 / 0 / 46 / 4

HEX #CBF585

RGB 203 245 133

HSL 82.5, 0.85%, 0.74%

LAB 91.55, -31.07, 49.3

 

CMYK 25 / 0 / 64 / 32

HEX #82AD3E

RGB 130 173 62

HSL 83.24, 0.47%, 0.46%

LAB 65.73, -31.86, 50.71

 

CMYK 27 / 0 / 72 / 39

HEX #719B2B

RGB 113 155 43

HSL 82.5, 0.57%, 0.39%

LAB 59.09, -31.49, 51.22

 

CMYK 30 / 0 / 82 / 46

HEX #608918

RGB 96 137 24

HSL 81.77, 0.7%, 0.32%

LAB 52.34, -30.9, 50.92

 

CMYK 34 / 0 / 96 / 53

HEX #4F7705

RGB 79 119 5

HSL 81.05, 0.92%, 0.24%

LAB 45.45, -30.03, 49.15

 

CMYK 39 / 0 / 100 / 60

HEX #3E6500

RGB 62 101 0

HSL 83.17, 1%, 0.2%

LAB 38.43, -28.69, 44.41

 

CMYK 25 / 0 / 64 / 33

HEX #81AC3E

RGB 129 172 62

HSL 83.45, 0.47%, 0.46%

LAB 65.37, -31.78, 50.3

 

CMYK 8 / 0 / 64 / 33

HEX #9FAC3E

RGB 159 172 62

HSL 67.09, 0.47%, 0.46%

LAB 67.44, -19.54, 53.14

 

CMYK 0 / 10 / 64 / 33

HEX #AC9B3E

RGB 172 155 62

HSL 50.73, 0.47%, 0.46%

LAB 63.8, -5.05, 49.57

 

CMYK 0 / 27 / 64 / 33

HEX #AC7D3E

RGB 172 125 62

HSL 34.36, 0.47%, 0.46%

LAB 55.87, 11.49, 40.79

 

CMYK 0 / 44 / 64 / 33

HEX #AC603E

RGB 172 96 62

HSL 18.55, 0.47%, 0.46%

LAB 48.86, 27.71, 32.61

 

CMYK 25 / 0 / 64 / 33

HEX #81AC3E

RGB 129 172 62

HSL 83.45, 0.47%, 0.46%

LAB 65.37, -31.78, 50.3

 

CMYK 42 / 0 / 64 / 33

HEX #63AC3E

RGB 99 172 62

HSL 99.82, 0.47%, 0.46%

LAB 63.76, -42.63, 48.08

 

CMYK 59 / 0 / 64 / 33

HEX #46AC3E

RGB 70 172 62

HSL 115.64, 0.47%, 0.46%

LAB 62.64, -51.04, 46.52

 

CMYK 64 / 0 / 52 / 33

HEX #3EAC53

RGB 62 172 83

HSL 131.45, 0.47%, 0.46%

LAB 62.64, -50.23, 36.52

 

CMYK 64 / 0 / 34 / 33

HEX #3EAC71

RGB 62 172 113

HSL 147.82, 0.47%, 0.46%

LAB 63.11, -45, 21.39

 

CMYK 25 / 0 / 64 / 33

HEX #81AC3E

RGB 129 172 62

HSL 83.45, 0.47%, 0.46%

LAB 65.37, -31.78, 50.3

 

CMYK 30 / 0 / 77 / 25

HEX #85BF2B

RGB 133 191 43

HSL 83.51, 0.63%, 0.46%

LAB 71.16, -40.1, 63.29

 

CMYK 34 / 0 / 89 / 18

HEX #8AD218

RGB 138 210 24

HSL 83.23, 0.79%, 0.46%

LAB 77.02, -47.08, 73.12

 

CMYK 38 / 0 / 98 / 10

HEX #8EE505

RGB 142 229 5

HSL 83.3, 0.96%, 0.46%

LAB 82.81, -53.71, 80.1

 

CMYK 25 / 0 / 64 / 33

HEX #81AC3E

RGB 129 172 62

HSL 83.45, 0.47%, 0.46%

LAB 65.37, -31.78, 50.3

 

CMYK 18 / 0 / 47 / 40

HEX #7D9951

RGB 125 153 81

HSL 83.33, 0.31%, 0.46%

LAB 59.65, -22.21, 34.5

 

CMYK 10 / 0 / 25 / 47

HEX #798664

RGB 121 134 100

HSL 82.94, 0.15%, 0.46%

LAB 54.06, -11.14, 16.77

 

CMYK 3 / 3 / 0 / 53

HEX #747377

RGB 116 115 119

HSL 255, 0.02%, 0.46%

LAB 48.64, 1.2, -2.07

 

CMYK 19 / 30 / 0 / 46

HEX #70608A

RGB 112 96 138

HSL 262.86, 0.18%, 0.46%

LAB 43.72, 15.48, -20.9

 

CMYK 0 / 10 / 64 / 33

HEX #AC9B3E

RGB 172 155 62

HSL 50.73, 0.47%, 0.46%

LAB 63.8, -5.05, 49.57

 

CMYK 8 / 0 / 64 / 33

HEX #9FAC3E

RGB 159 172 62

HSL 67.09, 0.47%, 0.46%

LAB 67.44, -19.54, 53.14

 

CMYK 24 / 0 / 64 / 33

HEX #82AC3E

RGB 130 172 62

HSL 82.91, 0.47%, 0.46%

LAB 65.44, -31.39, 50.39

 

CMYK 42 / 0 / 64 / 33

HEX #64AC3E

RGB 100 172 62

HSL 99.27, 0.47%, 0.46%

LAB 63.8, -42.3, 48.14

 

CMYK 59 / 0 / 64 / 33

HEX #47AC3E

RGB 71 172 62

HSL 115.09, 0.47%, 0.46%

LAB 62.67, -50.79, 46.57

 

CMYK 24 / 0 / 64 / 56

HEX #546F28

RGB 84 111 40

HSL 82.82, 0.47%, 0.3%

LAB 43.37, -22.06, 35.42

 

CMYK 25 / 0 / 64 / 44

HEX #6A8E33

RGB 106 142 51

HSL 83.74, 0.47%, 0.38%

LAB 54.71, -27.48, 43.15

 

CMYK 25 / 0 / 64 / 33

HEX #81AC3E

RGB 129 172 62

HSL 83.45, 0.47%, 0.46%

LAB 65.37, -31.78, 50.3

 

CMYK 22 / 0 / 57 / 25

HEX #96C052

RGB 150 192 82

HSL 82.91, 0.47%, 0.54%

LAB 72.76, -31.32, 49.98

 

CMYK 17 / 0 / 44 / 20

HEX #A8CB71

RGB 168 203 113

HSL 83.33, 0.46%, 0.62%

LAB 77.42, -26.46, 40.98

 

CMYK 25 / 0 / 64 / 32

HEX #82AD3E

RGB 130 173 62

HSL 83.24, 0.47%, 0.46%

LAB 65.73, -31.86, 50.71

 

CMYK 64 / 0 / 27 / 33

HEX #3EAC7E

RGB 62 172 126

HSL 154.91, 0.47%, 0.46%

LAB 63.37, -42.24, 14.64

 

CMYK 1 / 64 / 0 / 33

HEX #AA3EAC

RGB 170 62 172

HSL 298.91, 0.47%, 0.46%

LAB 45.59, 58.03, -37.71

 

CMYK 25 / 0 / 64 / 32

HEX #82AD3E

RGB 130 173 62

HSL 83.24, 0.47%, 0.46%

LAB 65.73, -31.86, 50.71

 

CMYK 64 / 24 / 0 / 33

HEX #3E82AC

RGB 62 130 172

HSL 202.91, 0.47%, 0.46%

LAB 51.8, -8.26, -28.65

 

CMYK 0 / 64 / 24 / 33

HEX #AC3E82

RGB 172 62 130

HSL 322.91, 0.47%, 0.46%

LAB 43.98, 51.96, -14.97

 

CMYK 25 / 0 / 64 / 32

HEX #82AD3E

RGB 130 173 62

HSL 83.24, 0.47%, 0.46%

LAB 65.73, -31.86, 50.71

 

CMYK 64 / 0 / 27 / 33

HEX #3EAC7E

RGB 62 172 126

HSL 154.91, 0.47%, 0.46%

LAB 63.37, -42.24, 14.64

 

CMYK 40 / 64 / 0 / 33

HEX #683EAC

RGB 104 62 172

HSL 262.91, 0.47%, 0.46%

LAB 36.68, 42.39, -52.47

 

CMYK 0 / 64 / 37 / 33

HEX #AC3E6C

RGB 172 62 108

HSL 334.91, 0.47%, 0.46%

LAB 43.21, 49.17, -2.62

 

CMYK 25 / 0 / 64 / 32

HEX #82AD3E

RGB 130 173 62

HSL 83.24, 0.47%, 0.46%

LAB 65.73, -31.86, 50.71

 

CMYK 64 / 0 / 8 / 33

HEX #3EAC9F

RGB 62 172 159

HSL 172.91, 0.47%, 0.46%

LAB 64.19, -34.07, -2.51

 

CMYK 40 / 64 / 0 / 33

HEX #683EAC

RGB 104 62 172

HSL 262.91, 0.47%, 0.46%

LAB 36.68, 42.39, -52.47

 

CMYK 0 / 64 / 56 / 33

HEX #AC3E4B

RGB 172 62 75

HSL 352.91, 0.47%, 0.46%

LAB 42.34, 45.94, 16.62

 

Description

Color code: HEX #82AD3E | qconv.com Color code: HEX #82AD3E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 173 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 173 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 64 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 64% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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