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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82B450 it is the complementary color #7D4BAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82B450. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82B450 shade: #87B44B, #98C65E, #A9D871, #BAEA84 and #CBFC97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82B450. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82B450 shade: #82B450, #71A23D, #60902A, #4F7E17 and #3E6C04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82B450 shade: #82B450, #9DB450, #B4B050, #B49550 and #B47A50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82B450 shade: #82B450, #67B450, #50B454, #50B46E and #50B489

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82B450 shade matches the following richer shades: #82B450, #82C83B, #82DC27 and #82F013

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82B450 shade: #82B450, #829F64, #828B78, #82778C and #8263A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82B450 shade: #B4B050, #9CB450, #82B450, #67B450 and #50B453

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82B450 shade: #587C35, #6D9941, #82B450, #96C06C and #ABCC89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82B450 shade: #82B450, #50B496 and #B450AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82B450 shade: #82B450, #5082B4 and #B45082

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82B450 shade: #82B450, #50B496, #8250B4 and #B4506E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82B450 shade: #82B450, #50B4B4, #8250B4 and #B45050

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 56 / 29

HEX #82B450

RGB 130 180 80

HSL 90, 0.4%, 0.51%

LAB 68, -33.47, 45.1

 

Complementary color

CMYK 29 / 57 / 0 / 31

HEX #7D4BAF

RGB 125 75 175

HSL 270, 0.4%, 0.49%

LAB 41.98, 40.95, -45.6

 

CMYK 25 / 0 / 58 / 29

HEX #87B44B

RGB 135 180 75

HSL 85.71, 0.41%, 0.5%

LAB 68.24, -32.08, 47.79

 

CMYK 23 / 0 / 53 / 22

HEX #98C65E

RGB 152 198 94

HSL 86.54, 0.48%, 0.57%

LAB 74.74, -32.2, 46.74

 

CMYK 22 / 0 / 48 / 15

HEX #A9D871

RGB 169 216 113

HSL 87.38, 0.57%, 0.65%

LAB 81.15, -32.25, 45.61

 

CMYK 21 / 0 / 44 / 8

HEX #BAEA84

RGB 186 234 132

HSL 88.24, 0.71%, 0.72%

LAB 87.46, -32.25, 44.46

 

CMYK 19 / 0 / 40 / 1

HEX #CBFC97

RGB 203 252 151

HSL 89.11, 0.94%, 0.79%

LAB 93.69, -32.23, 43.33

 

CMYK 28 / 0 / 56 / 29

HEX #82B450

RGB 130 180 80

HSL 90, 0.4%, 0.51%

LAB 68, -33.47, 45.1

 

CMYK 30 / 0 / 62 / 36

HEX #71A23D

RGB 113 162 61

HSL 89.11, 0.45%, 0.44%

LAB 61.38, -33.35, 46.1

 

CMYK 33 / 0 / 71 / 44

HEX #60902A

RGB 96 144 42

HSL 88.24, 0.55%, 0.36%

LAB 54.66, -33.08, 46.79

 

CMYK 37 / 0 / 82 / 51

HEX #4F7E17

RGB 79 126 23

HSL 87.38, 0.69%, 0.29%

LAB 47.81, -32.57, 46.72

 

CMYK 43 / 0 / 96 / 58

HEX #3E6C04

RGB 62 108 4

HSL 86.54, 0.93%, 0.22%

LAB 40.83, -31.73, 45.25

 

CMYK 28 / 0 / 56 / 29

HEX #82B450

RGB 130 180 80

HSL 90, 0.4%, 0.51%

LAB 68, -33.47, 45.1

 

CMYK 13 / 0 / 56 / 29

HEX #9DB450

RGB 157 180 80

HSL 73.8, 0.4%, 0.51%

LAB 69.75, -22.95, 47.58

 

CMYK 0 / 2 / 56 / 29

HEX #B4B050

RGB 180 176 80

HSL 57.6, 0.4%, 0.51%

LAB 70.41, -11.37, 48.81

 

CMYK 0 / 17 / 56 / 29

HEX #B49550

RGB 180 149 80

HSL 41.4, 0.4%, 0.51%

LAB 63.16, 3.04, 40.36

 

CMYK 0 / 32 / 56 / 29

HEX #B47A50

RGB 180 122 80

HSL 25.2, 0.4%, 0.51%

LAB 56.29, 18.02, 31.98

 

CMYK 28 / 0 / 56 / 29

HEX #82B450

RGB 130 180 80

HSL 90, 0.4%, 0.51%

LAB 68, -33.47, 45.1

 

CMYK 43 / 0 / 56 / 29

HEX #67B450

RGB 103 180 80

HSL 106.2, 0.4%, 0.51%

LAB 66.6, -42.83, 43.11

 

CMYK 56 / 0 / 53 / 29

HEX #50B454

RGB 80 180 84

HSL 122.4, 0.4%, 0.51%

LAB 65.74, -48.96, 39.93

 

CMYK 56 / 0 / 39 / 29

HEX #50B46E

RGB 80 180 110

HSL 138, 0.4%, 0.51%

LAB 66.12, -44.9, 27.11

 

CMYK 56 / 0 / 24 / 29

HEX #50B489

RGB 80 180 137

HSL 154.2, 0.4%, 0.51%

LAB 66.64, -39.53, 13.25

 

CMYK 28 / 0 / 56 / 29

HEX #82B450

RGB 130 180 80

HSL 90, 0.4%, 0.51%

LAB 68, -33.47, 45.1

 

CMYK 35 / 0 / 71 / 22

HEX #82C83B

RGB 130 200 59

HSL 89.79, 0.56%, 0.51%

LAB 73.79, -44.13, 60.34

 

CMYK 41 / 0 / 82 / 14

HEX #82DC27

RGB 130 220 39

HSL 89.83, 0.72%, 0.51%

LAB 79.66, -53.38, 72.09

 

CMYK 46 / 0 / 92 / 6

HEX #82F013

RGB 130 240 19

HSL 89.86, 0.88%, 0.51%

LAB 85.56, -61.56, 80.74

 

CMYK 28 / 0 / 56 / 29

HEX #82B450

RGB 130 180 80

HSL 90, 0.4%, 0.51%

LAB 68, -33.47, 45.1

 

CMYK 18 / 0 / 37 / 38

HEX #829F64

RGB 130 159 100

HSL 89.49, 0.24%, 0.51%

LAB 62.05, -20.82, 27.56

 

CMYK 6 / 0 / 14 / 45

HEX #828B78

RGB 130 139 120

HSL 88.42, 0.08%, 0.51%

LAB 56.65, -6.96, 9.05

 

CMYK 7 / 15 / 0 / 45

HEX #82778C

RGB 130 119 140

HSL 271.43, 0.08%, 0.51%

LAB 51.65, 8.44, -9.87

 

CMYK 19 / 38 / 0 / 37

HEX #8263A0

RGB 130 99 160

HSL 270.49, 0.24%, 0.51%

LAB 47.25, 24.85, -28.39

 

CMYK 0 / 2 / 56 / 29

HEX #B4B050

RGB 180 176 80

HSL 57.6, 0.4%, 0.51%

LAB 70.41, -11.37, 48.81

 

CMYK 13 / 0 / 56 / 29

HEX #9CB450

RGB 156 180 80

HSL 74.4, 0.4%, 0.51%

LAB 69.68, -23.35, 47.48

 

CMYK 28 / 0 / 56 / 29

HEX #82B450

RGB 130 180 80

HSL 90, 0.4%, 0.51%

LAB 68, -33.47, 45.1

 

CMYK 43 / 0 / 56 / 29

HEX #67B450

RGB 103 180 80

HSL 106.2, 0.4%, 0.51%

LAB 66.6, -42.83, 43.11

 

CMYK 56 / 0 / 54 / 29

HEX #50B453

RGB 80 180 83

HSL 121.8, 0.4%, 0.51%

LAB 65.73, -49.09, 40.41

 

CMYK 29 / 0 / 57 / 51

HEX #587C35

RGB 88 124 53

HSL 90.42, 0.4%, 0.35%

LAB 47.94, -25.65, 34.24

 

CMYK 29 / 0 / 58 / 40

HEX #6D9941

RGB 109 153 65

HSL 90, 0.4%, 0.43%

LAB 58.43, -30.26, 40.83

 

CMYK 28 / 0 / 56 / 29

HEX #82B450

RGB 130 180 80

HSL 90, 0.4%, 0.51%

LAB 68, -33.47, 45.1

 

CMYK 22 / 0 / 44 / 25

HEX #96C06C

RGB 150 192 108

HSL 90, 0.4%, 0.59%

LAB 73.07, -28.51, 37.78

 

CMYK 16 / 0 / 33 / 20

HEX #ABCC89

RGB 171 204 137

HSL 89.55, 0.4%, 0.67%

LAB 78.26, -22.73, 29.87

 

CMYK 28 / 0 / 56 / 29

HEX #82B450

RGB 130 180 80

HSL 90, 0.4%, 0.51%

LAB 68, -33.47, 45.1

 

CMYK 56 / 0 / 17 / 29

HEX #50B496

RGB 80 180 150

HSL 162, 0.4%, 0.51%

LAB 66.94, -36.56, 6.54

 

CMYK 0 / 56 / 6 / 29

HEX #B450AA

RGB 180 80 170

HSL 306, 0.4%, 0.51%

LAB 49.91, 52.31, -29.66

 

CMYK 28 / 0 / 56 / 29

HEX #82B450

RGB 130 180 80

HSL 90, 0.4%, 0.51%

LAB 68, -33.47, 45.1

 

CMYK 56 / 28 / 0 / 29

HEX #5082B4

RGB 80 130 180

HSL 210, 0.4%, 0.51%

LAB 52.91, -1.99, -31.47

 

CMYK 0 / 56 / 28 / 29

HEX #B45082

RGB 180 80 130

HSL 330, 0.4%, 0.51%

LAB 48.33, 46.14, -8.3

 

CMYK 28 / 0 / 56 / 29

HEX #82B450

RGB 130 180 80

HSL 90, 0.4%, 0.51%

LAB 68, -33.47, 45.1

 

CMYK 56 / 0 / 17 / 29

HEX #50B496

RGB 80 180 150

HSL 162, 0.4%, 0.51%

LAB 66.94, -36.56, 6.54

 

CMYK 28 / 56 / 0 / 29

HEX #8250B4

RGB 130 80 180

HSL 270, 0.4%, 0.51%

LAB 43.91, 40.69, -45.42

 

CMYK 0 / 56 / 39 / 29

HEX #B4506E

RGB 180 80 110

HSL 342, 0.4%, 0.51%

LAB 47.71, 43.63, 2.88

 

CMYK 28 / 0 / 56 / 29

HEX #82B450

RGB 130 180 80

HSL 90, 0.4%, 0.51%

LAB 68, -33.47, 45.1

 

CMYK 56 / 0 / 0 / 29

HEX #50B4B4

RGB 80 180 180

HSL 180, 0.4%, 0.51%

LAB 67.76, -28.85, -8.83

 

CMYK 28 / 56 / 0 / 29

HEX #8250B4

RGB 130 80 180

HSL 270, 0.4%, 0.51%

LAB 43.91, 40.69, -45.42

 

CMYK 0 / 56 / 56 / 29

HEX #B45050

RGB 180 80 80

HSL 0, 0.4%, 0.51%

LAB 47, 40.65, 20.03

 

Description

Color code: HEX #82B450 | qconv.com Color code: HEX #82B450 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 180 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 180 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 56 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 56% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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