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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82B10B it is the complementary color #7D4EF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82B10B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82B10B shade: #87B106, #98C319, #A9D52C, #BAE73F and #CBF952

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82B10B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82B10B shade: #82B10B, #719F00, #608D00, #4F7B00 and #3E6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82B10B shade: #82B10B, #AFB10B, #B1860B, #B15A0B and #B12D0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82B10B shade: #82B10B, #55B10B, #28B10B, #0BB11A and #0BB147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82B10B shade matches the following richer shades: #82B10B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82B10B shade: #82B10B, #7BA21A, #759229, #6E8339 and #677448

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82B10B shade: #B1850B, #B1B10B, #85B10B, #58B10B and #2CB10B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82B10B shade: #496306, #658A08, #82B10B, #9ED80D and #B5F01E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82B10B shade: #82B10B, #0BB158 and #9B0BB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82B10B shade: #82B10B, #0B85B1 and #B10B85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82B10B shade: #82B10B, #0BB158, #370BB1 and #B10B63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82B10B shade: #82B10B, #0BB18A, #370BB1 and #B10B32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 94 / 31

HEX #82B10B

RGB 130 177 11

HSL 76.99, 0.88%, 0.37%

LAB 66.68, -36.08, 66.49

 

Complementary color

CMYK 49 / 68 / 0 / 4

HEX #7D4EF4

RGB 125 78 244

HSL 256.99, 0.88%, 0.63%

LAB 47.42, 57.39, -76.45

 

CMYK 24 / 0 / 97 / 31

HEX #87B106

RGB 135 177 6

HSL 74.74, 0.93%, 0.36%

LAB 66.98, -34.16, 67.47

 

CMYK 22 / 0 / 87 / 24

HEX #98C319

RGB 152 195 25

HSL 75.18, 0.77%, 0.43%

LAB 73.4, -35.21, 70.25

 

CMYK 21 / 0 / 79 / 16

HEX #A9D52C

RGB 169 213 44

HSL 75.62, 0.67%, 0.5%

LAB 79.73, -36.04, 71.65

 

CMYK 19 / 0 / 73 / 9

HEX #BAE73F

RGB 186 231 63

HSL 76.07, 0.78%, 0.58%

LAB 85.98, -36.69, 72.08

 

CMYK 18 / 0 / 67 / 2

HEX #CBF952

RGB 203 249 82

HSL 76.53, 0.93%, 0.65%

LAB 92.16, -37.21, 71.91

 

CMYK 27 / 0 / 94 / 31

HEX #82B10B

RGB 130 177 11

HSL 76.99, 0.88%, 0.37%

LAB 66.68, -36.08, 66.49

 

CMYK 29 / 0 / 100 / 38

HEX #719F00

RGB 113 159 0

HSL 77.36, 1%, 0.31%

LAB 60.17, -34.88, 62.42

 

CMYK 32 / 0 / 100 / 45

HEX #608D00

RGB 96 141 0

HSL 79.15, 1%, 0.28%

LAB 53.53, -33.47, 56.9

 

CMYK 36 / 0 / 100 / 52

HEX #4F7B00

RGB 79 123 0

HSL 81.46, 1%, 0.24%

LAB 46.75, -32.03, 51.25

 

CMYK 41 / 0 / 100 / 59

HEX #3E6900

RGB 62 105 0

HSL 84.57, 1%, 0.21%

LAB 39.79, -30.53, 45.47

 

CMYK 27 / 0 / 94 / 31

HEX #82B10B

RGB 130 177 11

HSL 76.99, 0.88%, 0.37%

LAB 66.68, -36.08, 66.49

 

CMYK 1 / 0 / 94 / 31

HEX #AFB10B

RGB 175 177 11

HSL 60.72, 0.88%, 0.37%

LAB 69.88, -17.13, 70.37

 

CMYK 0 / 24 / 94 / 31

HEX #B1860B

RGB 177 134 11

HSL 44.46, 0.88%, 0.37%

LAB 58.43, 6.69, 61.8

 

CMYK 0 / 49 / 94 / 31

HEX #B15A0B

RGB 177 90 11

HSL 28.55, 0.88%, 0.37%

LAB 47.86, 31.03, 54.14

 

CMYK 0 / 75 / 94 / 31

HEX #B12D0B

RGB 177 45 11

HSL 12.29, 0.88%, 0.37%

LAB 40, 51.66, 48.82

 

CMYK 27 / 0 / 94 / 31

HEX #82B10B

RGB 130 177 11

HSL 76.99, 0.88%, 0.37%

LAB 66.68, -36.08, 66.49

 

CMYK 52 / 0 / 94 / 31

HEX #55B10B

RGB 85 177 11

HSL 93.25, 0.88%, 0.37%

LAB 64.48, -51.87, 63.8

 

CMYK 77 / 0 / 94 / 31

HEX #28B10B

RGB 40 177 11

HSL 109.52, 0.88%, 0.37%

LAB 63.28, -61.9, 62.31

 

CMYK 94 / 0 / 85 / 31

HEX #0BB11A

RGB 11 177 26

HSL 125.42, 0.88%, 0.37%

LAB 63, -64.18, 59.15

 

CMYK 94 / 0 / 60 / 31

HEX #0BB147

RGB 11 177 71

HSL 141.69, 0.88%, 0.37%

LAB 63.32, -60.19, 42.95

 

CMYK 27 / 0 / 94 / 31

HEX #82B10B

RGB 130 177 11

HSL 76.99, 0.88%, 0.37%

LAB 66.68, -36.08, 66.49

 

CMYK 27 / 0 / 94 / 31

HEX #82B10B

RGB 130 177 11

HSL 76.99, 0.88%, 0.37%

LAB 66.68, -36.08, 66.49

 

CMYK 24 / 0 / 84 / 36

HEX #7BA21A

RGB 123 162 26

HSL 77.21, 0.72%, 0.37%

LAB 61.76, -31.6, 59.38

 

CMYK 20 / 0 / 72 / 43

HEX #759229

RGB 117 146 41

HSL 76.57, 0.56%, 0.37%

LAB 56.58, -25.65, 49.56

 

CMYK 16 / 0 / 56 / 49

HEX #6E8339

RGB 110 131 57

HSL 77.03, 0.39%, 0.37%

LAB 51.66, -19.73, 36.93

 

CMYK 11 / 0 / 38 / 55

HEX #677448

RGB 103 116 72

HSL 77.73, 0.23%, 0.37%

LAB 46.77, -12.87, 22.73

 

CMYK 0 / 25 / 94 / 31

HEX #B1850B

RGB 177 133 11

HSL 44.1, 0.88%, 0.37%

LAB 58.18, 7.25, 61.61

 

CMYK 0 / 0 / 94 / 31

HEX #B1B10B

RGB 177 177 11

HSL 60, 0.88%, 0.37%

LAB 70.05, -16.25, 70.56

 

CMYK 25 / 0 / 94 / 31

HEX #85B10B

RGB 133 177 11

HSL 75.9, 0.88%, 0.37%

LAB 66.87, -34.89, 66.72

 

CMYK 50 / 0 / 94 / 31

HEX #58B10B

RGB 88 177 11

HSL 92.17, 0.88%, 0.37%

LAB 64.6, -50.97, 63.94

 

CMYK 75 / 0 / 94 / 31

HEX #2CB10B

RGB 44 177 11

HSL 108.07, 0.88%, 0.37%

LAB 63.35, -61.29, 62.39

 

CMYK 26 / 0 / 94 / 61

HEX #496306

RGB 73 99 6

HSL 76.77, 0.89%, 0.21%

LAB 38.47, -22.81, 43.07

 

CMYK 27 / 0 / 94 / 46

HEX #658A08

RGB 101 138 8

HSL 77.08, 0.89%, 0.29%

LAB 52.91, -29.85, 55.14

 

CMYK 27 / 0 / 94 / 31

HEX #82B10B

RGB 130 177 11

HSL 76.99, 0.88%, 0.37%

LAB 66.68, -36.08, 66.49

 

CMYK 27 / 0 / 94 / 15

HEX #9ED80D

RGB 158 216 13

HSL 77.14, 0.89%, 0.45%

LAB 79.85, -42.45, 77.4

 

CMYK 25 / 0 / 88 / 6

HEX #B5F01E

RGB 181 240 30

HSL 76.86, 0.88%, 0.53%

LAB 88.08, -43.8, 82.22

 

CMYK 27 / 0 / 94 / 31

HEX #82B10B

RGB 130 177 11

HSL 76.99, 0.88%, 0.37%

LAB 66.68, -36.08, 66.49

 

CMYK 94 / 0 / 50 / 31

HEX #0BB158

RGB 11 177 88

HSL 147.83, 0.88%, 0.37%

LAB 63.52, -57.67, 34.92

 

CMYK 12 / 94 / 0 / 31

HEX #9B0BB1

RGB 155 11 177

HSL 292.05, 0.88%, 0.37%

LAB 38.52, 70, -52.12

 

CMYK 27 / 0 / 94 / 31

HEX #82B10B

RGB 130 177 11

HSL 76.99, 0.88%, 0.37%

LAB 66.68, -36.08, 66.49

 

CMYK 94 / 25 / 0 / 31

HEX #0B85B1

RGB 11 133 177

HSL 195.9, 0.88%, 0.37%

LAB 51.86, -13.8, -31.52

 

CMYK 0 / 94 / 25 / 31

HEX #B10B85

RGB 177 11 133

HSL 315.9, 0.88%, 0.37%

LAB 40.05, 67.65, -22.79

 

CMYK 27 / 0 / 94 / 31

HEX #82B10B

RGB 130 177 11

HSL 76.99, 0.88%, 0.37%

LAB 66.68, -36.08, 66.49

 

CMYK 94 / 0 / 50 / 31

HEX #0BB158

RGB 11 177 88

HSL 147.83, 0.88%, 0.37%

LAB 63.52, -57.67, 34.92

 

CMYK 69 / 94 / 0 / 31

HEX #370BB1

RGB 55 11 177

HSL 255.9, 0.88%, 0.37%

LAB 24.4, 58.95, -75.81

 

CMYK 0 / 94 / 44 / 31

HEX #B10B63

RGB 177 11 99

HSL 328.19, 0.88%, 0.37%

LAB 38.7, 64.08, -3.53

 

CMYK 27 / 0 / 94 / 31

HEX #82B10B

RGB 130 177 11

HSL 76.99, 0.88%, 0.37%

LAB 66.68, -36.08, 66.49

 

CMYK 94 / 0 / 22 / 31

HEX #0BB18A

RGB 11 177 138

HSL 165.9, 0.88%, 0.37%

LAB 64.44, -47.14, 9.42

 

CMYK 69 / 94 / 0 / 31

HEX #370BB1

RGB 55 11 177

HSL 255.9, 0.88%, 0.37%

LAB 24.4, 58.95, -75.81

 

CMYK 0 / 94 / 72 / 31

HEX #B10B32

RGB 177 11 50

HSL 345.9, 0.88%, 0.37%

LAB 37.51, 60.81, 26.22

 

Description

Color code: HEX #82B10B | qconv.com Color code: HEX #82B10B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 177 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 177 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 94 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 94% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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