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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82BE3A it is the complementary color #7D41C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82BE3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82BE3A shade: #87BE35, #98D048, #A9E25B, #BAF46E and #CBFF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82BE3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82BE3A shade: #82BE3A, #71AC27, #609A14, #4F8801 and #3E7600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82BE3A shade: #82BF3A, #A6BF3A, #BFB33A, #BF903A and #BF6C3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82BE3A shade: #82BF3A, #5FBF3A, #3BBF3A, #3ABF5D and #3ABF81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82BE3A shade matches the following richer shades: #82BF3A, #84D326 and #86E712

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82BE3A shade: #82BF3A, #81AA4E, #7F9663, #7D8277 and #7B6E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82BE3A shade: #BFB43A, #A6BF3A, #83BF3A, #60BF3A and #3CBF3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82BE3A shade: #578027, #6D9F31, #82BF3A, #96CB57 and #AAD577

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82BE3A shade: #82BE3A, #3ABF90 and #BF3AB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82BE3A shade: #82BE3A, #3A83BF and #BF3A83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82BE3A shade: #82BE3A, #3ABF90, #763ABF and #BF3A69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82BE3A shade: #82BE3A, #3ABFB8, #763ABF and #BF3A41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 69 / 25

HEX #82BE3A

RGB 130 190 58

HSL 87.27, 0.53%, 0.49%

LAB 70.79, -39.88, 57.66

 

Complementary color

CMYK 37 / 67 / 0 / 23

HEX #7D41C5

RGB 125 65 197

HSL 267.27, 0.53%, 0.51%

LAB 41.49, 51.7, -59.29

 

CMYK 29 / 0 / 72 / 25

HEX #87BE35

RGB 135 190 53

HSL 84.09, 0.56%, 0.48%

LAB 71.03, -38.35, 59.85

 

CMYK 27 / 0 / 65 / 18

HEX #98D048

RGB 152 208 72

HSL 84.71, 0.59%, 0.55%

LAB 77.43, -38.72, 59.47

 

CMYK 25 / 0 / 60 / 11

HEX #A9E25B

RGB 169 226 91

HSL 85.33, 0.7%, 0.62%

LAB 83.75, -38.97, 58.72

 

CMYK 24 / 0 / 55 / 4

HEX #BAF46E

RGB 186 244 110

HSL 85.97, 0.86%, 0.69%

LAB 89.98, -39.12, 57.78

 

CMYK 20 / 0 / 49 / 0

HEX #CBFF81

RGB 203 255 129

HSL 84.76, 1%, 0.75%

LAB 94.23, -36.07, 54.44

 

CMYK 32 / 0 / 69 / 25

HEX #82BE3A

RGB 130 190 58

HSL 87.27, 0.53%, 0.49%

LAB 70.79, -39.88, 57.66

 

CMYK 34 / 0 / 77 / 33

HEX #71AC27

RGB 113 172 39

HSL 86.62, 0.63%, 0.41%

LAB 64.29, -39.42, 57.69

 

CMYK 38 / 0 / 87 / 40

HEX #609A14

RGB 96 154 20

HSL 85.97, 0.77%, 0.34%

LAB 57.7, -38.72, 56.7

 

CMYK 42 / 0 / 99 / 47

HEX #4F8801

RGB 79 136 1

HSL 85.33, 0.99%, 0.27%

LAB 51, -37.74, 54.36

 

CMYK 47 / 0 / 100 / 54

HEX #3E7600

RGB 62 118 0

HSL 88.47, 1%, 0.23%

LAB 44.21, -36.22, 48.9

 

CMYK 32 / 0 / 70 / 25

HEX #82BF3A

RGB 130 191 58

HSL 87.52, 0.53%, 0.49%

LAB 71.09, -40.32, 57.96

 

CMYK 13 / 0 / 70 / 25

HEX #A6BF3A

RGB 166 191 58

HSL 71.28, 0.53%, 0.49%

LAB 73.33, -26.27, 60.97

 

CMYK 0 / 6 / 70 / 25

HEX #BFB33A

RGB 191 179 58

HSL 54.59, 0.53%, 0.49%

LAB 71.98, -9.67, 60.26

 

CMYK 0 / 25 / 70 / 25

HEX #BF903A

RGB 191 144 58

HSL 38.8, 0.53%, 0.49%

LAB 62.78, 9.06, 50.86

 

CMYK 0 / 43 / 70 / 25

HEX #BF6C3A

RGB 191 108 58

HSL 22.56, 0.53%, 0.49%

LAB 54.14, 28.82, 41.52

 

CMYK 32 / 0 / 70 / 25

HEX #82BF3A

RGB 130 191 58

HSL 87.52, 0.53%, 0.49%

LAB 71.09, -40.32, 57.96

 

CMYK 50 / 0 / 70 / 25

HEX #5FBF3A

RGB 95 191 58

HSL 103.31, 0.53%, 0.49%

LAB 69.47, -51.87, 55.78

 

CMYK 69 / 0 / 70 / 25

HEX #3BBF3A

RGB 59 191 58

HSL 119.55, 0.53%, 0.49%

LAB 68.39, -60.51, 54.31

 

CMYK 70 / 0 / 51 / 25

HEX #3ABF5D

RGB 58 191 93

HSL 135.79, 0.53%, 0.49%

LAB 68.72, -56.53, 39.01

 

CMYK 70 / 0 / 32 / 25

HEX #3ABF81

RGB 58 191 129

HSL 152.03, 0.53%, 0.49%

LAB 69.29, -50.12, 21.15

 

CMYK 32 / 0 / 70 / 25

HEX #82BF3A

RGB 130 191 58

HSL 87.52, 0.53%, 0.49%

LAB 71.09, -40.32, 57.96

 

CMYK 37 / 0 / 82 / 17

HEX #84D326

RGB 132 211 38

HSL 87.4, 0.69%, 0.49%

LAB 77.06, -49.14, 70.06

 

CMYK 42 / 0 / 92 / 9

HEX #86E712

RGB 134 231 18

HSL 87.32, 0.86%, 0.49%

LAB 83.05, -56.95, 78.89

 

CMYK 32 / 0 / 70 / 25

HEX #82BF3A

RGB 130 191 58

HSL 87.52, 0.53%, 0.49%

LAB 71.09, -40.32, 57.96

 

CMYK 24 / 0 / 54 / 33

HEX #81AA4E

RGB 129 170 78

HSL 86.74, 0.37%, 0.49%

LAB 64.94, -29.35, 42.45

 

CMYK 15 / 0 / 34 / 41

HEX #7F9663

RGB 127 150 99

HSL 87.06, 0.2%, 0.49%

LAB 59.18, -17.48, 24.3

 

CMYK 4 / 0 / 8 / 49

HEX #7D8277

RGB 125 130 119

HSL 87.27, 0.04%, 0.49%

LAB 53.66, -4.01, 5.31

 

CMYK 12 / 21 / 0 / 45

HEX #7B6E8B

RGB 123 110 139

HSL 266.9, 0.12%, 0.49%

LAB 48.54, 11.06, -14.03

 

CMYK 0 / 6 / 70 / 25

HEX #BFB43A

RGB 191 180 58

HSL 55.04, 0.53%, 0.49%

LAB 72.24, -10.19, 60.53

 

CMYK 13 / 0 / 70 / 25

HEX #A6BF3A

RGB 166 191 58

HSL 71.28, 0.53%, 0.49%

LAB 73.33, -26.27, 60.97

 

CMYK 31 / 0 / 70 / 25

HEX #83BF3A

RGB 131 191 58

HSL 87.07, 0.53%, 0.49%

LAB 71.14, -39.95, 58.04

 

CMYK 50 / 0 / 70 / 25

HEX #60BF3A

RGB 96 191 58

HSL 102.86, 0.53%, 0.49%

LAB 69.51, -51.58, 55.84

 

CMYK 69 / 0 / 70 / 25

HEX #3CBF3A

RGB 60 191 58

HSL 119.1, 0.53%, 0.49%

LAB 68.41, -60.32, 54.35

 

CMYK 32 / 0 / 70 / 50

HEX #578027

RGB 87 128 39

HSL 87.64, 0.53%, 0.33%

LAB 49.02, -29.32, 42.02

 

CMYK 31 / 0 / 69 / 38

HEX #6D9F31

RGB 109 159 49

HSL 87.27, 0.53%, 0.41%

LAB 60.13, -34.47, 49.84

 

CMYK 32 / 0 / 70 / 25

HEX #82BF3A

RGB 130 191 58

HSL 87.52, 0.53%, 0.49%

LAB 71.09, -40.32, 57.96

 

CMYK 26 / 0 / 57 / 20

HEX #96CB57

RGB 150 203 87

HSL 87.41, 0.53%, 0.57%

LAB 76, -35.94, 51.42

 

CMYK 20 / 0 / 44 / 16

HEX #AAD577

RGB 170 213 119

HSL 87.45, 0.53%, 0.65%

LAB 80.44, -29.78, 41.82

 

CMYK 32 / 0 / 69 / 25

HEX #82BE3A

RGB 130 190 58

HSL 87.27, 0.53%, 0.49%

LAB 70.79, -39.88, 57.66

 

CMYK 70 / 0 / 25 / 25

HEX #3ABF90

RGB 58 191 144

HSL 158.8, 0.53%, 0.49%

LAB 69.59, -46.84, 13.5

 

CMYK 0 / 70 / 4 / 25

HEX #BF3AB8

RGB 191 58 184

HSL 303.16, 0.53%, 0.49%

LAB 48.96, 66.56, -39.22

 

CMYK 32 / 0 / 69 / 25

HEX #82BE3A

RGB 130 190 58

HSL 87.27, 0.53%, 0.49%

LAB 70.79, -39.88, 57.66

 

CMYK 70 / 31 / 0 / 25

HEX #3A83BF

RGB 58 131 191

HSL 207.07, 0.53%, 0.49%

LAB 52.83, -2.99, -37.96

 

CMYK 0 / 70 / 31 / 25

HEX #BF3A83

RGB 191 58 131

HSL 327.07, 0.53%, 0.49%

LAB 46.63, 59.1, -11.27

 

CMYK 32 / 0 / 69 / 25

HEX #82BE3A

RGB 130 190 58

HSL 87.27, 0.53%, 0.49%

LAB 70.79, -39.88, 57.66

 

CMYK 70 / 0 / 25 / 25

HEX #3ABF90

RGB 58 191 144

HSL 158.8, 0.53%, 0.49%

LAB 69.59, -46.84, 13.5

 

CMYK 38 / 70 / 0 / 25

HEX #763ABF

RGB 118 58 191

HSL 267.07, 0.53%, 0.49%

LAB 38.97, 52.26, -59.92

 

CMYK 0 / 70 / 45 / 25

HEX #BF3A69

RGB 191 58 105

HSL 338.8, 0.53%, 0.49%

LAB 45.8, 56.3, 3.41

 

CMYK 32 / 0 / 69 / 25

HEX #82BE3A

RGB 130 190 58

HSL 87.27, 0.53%, 0.49%

LAB 70.79, -39.88, 57.66

 

CMYK 70 / 0 / 4 / 25

HEX #3ABFB8

RGB 58 191 184

HSL 176.84, 0.53%, 0.49%

LAB 70.61, -36.6, -6.86

 

CMYK 38 / 70 / 0 / 25

HEX #763ABF

RGB 118 58 191

HSL 267.07, 0.53%, 0.49%

LAB 38.97, 52.26, -59.92

 

CMYK 0 / 70 / 66 / 25

HEX #BF3A41

RGB 191 58 65

HSL 356.84, 0.53%, 0.49%

LAB 44.92, 53.24, 26.73

 

Description

Color code: HEX #82BE3A | qconv.com Color code: HEX #82BE3A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 190 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 190 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 69 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 69% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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