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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82C9B0 it is the complementary color #7D364F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82C9B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82C9B0 shade: #87C9AB, #98DBBE, #A9EDD1, #BAFFE4 and #CBFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82C9B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82C9B0 shade: #82C9B0, #71B79D, #60A58A, #4F9377 and #3E8164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82C9B0 shade: #82C9B0, #82C99D, #82C989, #8DC982 and #A0C982

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82C9B0 shade: #82C9B0, #82C9C3, #82BCC9, #82A8C9 and #8295C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82C9B0 shade matches the following richer shades: #82C9B0, #73D7B4, #65E6B8 and #56F4BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82C9B0 shade: #82C9B0, #90BBAC, #9EACA7, #AD9EA3 and #BB8F9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82C9B0 shade: #82C989, #82C99C, #82C9AF, #82C9C2 and #82BDC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82C9B0 shade: #4AAE8B, #65BD9E, #82C9B0, #9ED5C2 and #BBE2D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82C9B0 shade: #82C9B0, #828DC9 and #C99282

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82C9B0 shade: #82C9B0, #AF82C9 and #C9AF82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82C9B0 shade: #82C9B0, #828DC9, #C9829C and #C9BD82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82C9B0 shade: #82C9B0, #8B82C9, #C9829C and #BFC982

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 12 / 21

HEX #82C9B0

RGB 130 201 176

HSL 158.87, 0.4%, 0.65%

LAB 75.86, -27.82, 5.46

 

Complementary color

CMYK 0 / 57 / 37 / 51

HEX #7D364F

RGB 125 54 79

HSL 338.87, 0.4%, 0.35%

LAB 33.06, 33.6, -0.11

 

CMYK 33 / 0 / 15 / 21

HEX #87C9AB

RGB 135 201 171

HSL 152.73, 0.38%, 0.66%

LAB 75.99, -27.41, 8.38

 

CMYK 31 / 0 / 13 / 14

HEX #98DBBE

RGB 152 219 190

HSL 154.03, 0.48%, 0.73%

LAB 82.41, -27.18, 7.55

 

CMYK 29 / 0 / 12 / 7

HEX #A9EDD1

RGB 169 237 209

HSL 155.29, 0.65%, 0.8%

LAB 88.74, -26.97, 6.77

 

CMYK 27 / 0 / 11 / 0

HEX #BAFFE4

RGB 186 255 228

HSL 156.52, 1%, 0.86%

LAB 94.98, -26.78, 6.03

 

CMYK 20 / 0 / 3 / 0

HEX #CBFFF7

RGB 203 255 247

HSL 170.77, 1%, 0.9%

LAB 96.38, -17.94, -1.6

 

CMYK 35 / 0 / 12 / 21

HEX #82C9B0

RGB 130 201 176

HSL 158.87, 0.4%, 0.65%

LAB 75.86, -27.82, 5.46

 

CMYK 38 / 0 / 14 / 28

HEX #71B79D

RGB 113 183 157

HSL 157.71, 0.33%, 0.58%

LAB 69.34, -28.04, 6.31

 

CMYK 42 / 0 / 16 / 35

HEX #60A58A

RGB 96 165 138

HSL 156.52, 0.28%, 0.51%

LAB 62.7, -28.26, 7.21

 

CMYK 46 / 0 / 19 / 42

HEX #4F9377

RGB 79 147 119

HSL 155.29, 0.3%, 0.44%

LAB 55.95, -28.48, 8.2

 

CMYK 52 / 0 / 22 / 49

HEX #3E8164

RGB 62 129 100

HSL 154.03, 0.35%, 0.37%

LAB 49.06, -28.66, 9.29

 

CMYK 35 / 0 / 12 / 21

HEX #82C9B0

RGB 130 201 176

HSL 158.87, 0.4%, 0.65%

LAB 75.86, -27.82, 5.46

 

CMYK 35 / 0 / 22 / 21

HEX #82C99D

RGB 130 201 157

HSL 142.82, 0.4%, 0.65%

LAB 75.42, -31.7, 15.06

 

CMYK 35 / 0 / 32 / 21

HEX #82C989

RGB 130 201 137

HSL 125.92, 0.4%, 0.65%

LAB 75.03, -35.33, 25.13

 

CMYK 30 / 0 / 35 / 21

HEX #8DC982

RGB 141 201 130

HSL 110.7, 0.4%, 0.65%

LAB 75.48, -32.89, 29.5

 

CMYK 20 / 0 / 35 / 21

HEX #A0C982

RGB 160 201 130

HSL 94.65, 0.4%, 0.65%

LAB 76.59, -26.26, 31.17

 

CMYK 35 / 0 / 12 / 21

HEX #82C9B0

RGB 130 201 176

HSL 158.87, 0.4%, 0.65%

LAB 75.86, -27.82, 5.46

 

CMYK 35 / 0 / 3 / 21

HEX #82C9C3

RGB 130 201 195

HSL 174.93, 0.4%, 0.65%

LAB 76.35, -23.55, -4.07

 

CMYK 35 / 6 / 0 / 21

HEX #82BCC9

RGB 130 188 201

HSL 190.99, 0.4%, 0.65%

LAB 72.85, -15.48, -12.54

 

CMYK 35 / 16 / 0 / 21

HEX #82A8C9

RGB 130 168 201

HSL 207.89, 0.4%, 0.65%

LAB 67.25, -4.78, -20.99

 

CMYK 35 / 26 / 0 / 21

HEX #8295C9

RGB 130 149 201

HSL 223.94, 0.4%, 0.65%

LAB 62.05, 5.89, -28.98

 

CMYK 35 / 0 / 12 / 21

HEX #82C9B0

RGB 130 201 176

HSL 158.87, 0.4%, 0.65%

LAB 75.86, -27.82, 5.46

 

CMYK 47 / 0 / 16 / 16

HEX #73D7B4

RGB 115 215 180

HSL 159, 0.56%, 0.65%

LAB 79.35, -37.53, 8.26

 

CMYK 56 / 0 / 20 / 10

HEX #65E6B8

RGB 101 230 184

HSL 158.6, 0.72%, 0.65%

LAB 83.35, -46.44, 11.77

 

CMYK 65 / 0 / 23 / 4

HEX #56F4BD

RGB 86 244 189

HSL 159.11, 0.88%, 0.65%

LAB 87.17, -53.93, 14.52

 

CMYK 35 / 0 / 12 / 21

HEX #82C9B0

RGB 130 201 176

HSL 158.87, 0.4%, 0.65%

LAB 75.86, -27.82, 5.46

 

CMYK 23 / 0 / 8 / 27

HEX #90BBAC

RGB 144 187 172

HSL 159.07, 0.24%, 0.65%

LAB 72.53, -17.43, 2.92

 

CMYK 8 / 0 / 3 / 33

HEX #9EACA7

RGB 158 172 167

HSL 158.57, 0.08%, 0.65%

LAB 69.16, -5.87, 0.88

 

CMYK 0 / 9 / 6 / 32

HEX #AD9EA3

RGB 173 158 163

HSL 340, 0.08%, 0.65%

LAB 66.51, 6.37, -0.62

 

CMYK 0 / 24 / 15 / 27

HEX #BB8F9F

RGB 187 143 159

HSL 338.18, 0.24%, 0.65%

LAB 63.93, 19.16, -1.99

 

CMYK 35 / 0 / 32 / 21

HEX #82C989

RGB 130 201 137

HSL 125.92, 0.4%, 0.65%

LAB 75.03, -35.33, 25.13

 

CMYK 35 / 0 / 22 / 21

HEX #82C99C

RGB 130 201 156

HSL 141.97, 0.4%, 0.65%

LAB 75.4, -31.89, 15.56

 

CMYK 35 / 0 / 13 / 21

HEX #82C9AF

RGB 130 201 175

HSL 158.03, 0.4%, 0.65%

LAB 75.83, -28.03, 5.97

 

CMYK 35 / 0 / 3 / 21

HEX #82C9C2

RGB 130 201 194

HSL 174.08, 0.4%, 0.65%

LAB 76.32, -23.78, -3.57

 

CMYK 35 / 6 / 0 / 21

HEX #82BDC9

RGB 130 189 201

HSL 190.14, 0.4%, 0.65%

LAB 73.13, -16, -12.12

 

CMYK 57 / 0 / 20 / 32

HEX #4AAE8B

RGB 74 174 139

HSL 159, 0.4%, 0.49%

LAB 64.64, -37.72, 9.3

 

CMYK 47 / 0 / 16 / 26

HEX #65BD9E

RGB 101 189 158

HSL 158.86, 0.4%, 0.57%

LAB 70.62, -33.91, 7.52

 

CMYK 35 / 0 / 12 / 21

HEX #82C9B0

RGB 130 201 176

HSL 158.87, 0.4%, 0.65%

LAB 75.86, -27.82, 5.46

 

CMYK 26 / 0 / 9 / 16

HEX #9ED5C2

RGB 158 213 194

HSL 159.27, 0.4%, 0.73%

LAB 81.16, -21.62, 3.66

 

CMYK 17 / 0 / 6 / 11

HEX #BBE2D4

RGB 187 226 212

HSL 158.46, 0.4%, 0.81%

LAB 86.85, -15.44, 2.61

 

CMYK 35 / 0 / 12 / 21

HEX #82C9B0

RGB 130 201 176

HSL 158.87, 0.4%, 0.65%

LAB 75.86, -27.82, 5.46

 

CMYK 35 / 30 / 0 / 21

HEX #828DC9

RGB 130 141 201

HSL 230.7, 0.4%, 0.65%

LAB 59.9, 10.51, -32.3

 

CMYK 0 / 27 / 35 / 21

HEX #C99282

RGB 201 146 130

HSL 13.52, 0.4%, 0.65%

LAB 65.43, 18.64, 16.67

 

CMYK 35 / 0 / 12 / 21

HEX #82C9B0

RGB 130 201 176

HSL 158.87, 0.4%, 0.65%

LAB 75.86, -27.82, 5.46

 

CMYK 13 / 35 / 0 / 21

HEX #AF82C9

RGB 175 130 201

HSL 278.03, 0.4%, 0.65%

LAB 61.04, 30.37, -30.23

 

CMYK 0 / 13 / 35 / 21

HEX #C9AF82

RGB 201 175 130

HSL 38.03, 0.4%, 0.65%

LAB 72.69, 2.89, 26.56

 

CMYK 35 / 0 / 12 / 21

HEX #82C9B0

RGB 130 201 176

HSL 158.87, 0.4%, 0.65%

LAB 75.86, -27.82, 5.46

 

CMYK 35 / 30 / 0 / 21

HEX #828DC9

RGB 130 141 201

HSL 230.7, 0.4%, 0.65%

LAB 59.9, 10.51, -32.3

 

CMYK 0 / 35 / 22 / 21

HEX #C9829C

RGB 201 130 156

HSL 338.03, 0.4%, 0.65%

LAB 62.32, 30.97, -2.47

 

CMYK 0 / 6 / 35 / 21

HEX #C9BD82

RGB 201 189 130

HSL 49.86, 0.4%, 0.65%

LAB 76.33, -4.51, 31.39

 

CMYK 35 / 0 / 12 / 21

HEX #82C9B0

RGB 130 201 176

HSL 158.87, 0.4%, 0.65%

LAB 75.86, -27.82, 5.46

 

CMYK 31 / 35 / 0 / 21

HEX #8B82C9

RGB 139 130 201

HSL 247.61, 0.4%, 0.65%

LAB 57.72, 19.5, -35.64

 

CMYK 0 / 35 / 22 / 21

HEX #C9829C

RGB 201 130 156

HSL 338.03, 0.4%, 0.65%

LAB 62.32, 30.97, -2.47

 

CMYK 5 / 0 / 35 / 21

HEX #BFC982

RGB 191 201 130

HSL 68.45, 0.4%, 0.65%

LAB 78.73, -14.62, 34.37

 

Description

Color code: HEX #82C9B0 | qconv.com Color code: HEX #82C9B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 201 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 201 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 12 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 12% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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