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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82D82B it is the complementary color #7D27D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82D82B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82D82B shade: #87D826, #98EA39, #A9FC4C, #BAFF5F and #CBFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82D82B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82D82B shade: #82D82B, #71C618, #60B405, #4FA200 and #3E9000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82D82B shade: #82D82B, #B1D82B, #D8D02B, #D8A22B and #D8732B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82D82B shade: #82D82B, #54D82B, #2BD832, #2BD860 and #2BD88F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82D82B shade matches the following richer shades: #82D82B and #82EC17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82D82B shade: #82D82B, #82C440, #82AF54, #829B68 and #82877C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82D82B shade: #D8CF2B, #B2D82B, #84D82B, #56D82B and #2BD82E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82D82B shade: #59961B, #6DB821, #82D82B, #97DE4E and #ABE571

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82D82B shade: #82D82B, #2BD8A1 and #D82BC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82D82B shade: #82D82B, #2B84D8 and #D82B84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82D82B shade: #82D82B, #2BD8A1, #7F2BD8 and #D82B62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82D82B shade: #82D82B, #2BD8D5, #7F2BD8 and #D82B2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 80 / 15

HEX #82D82B

RGB 130 216 43

HSL 89.83, 0.69%, 0.51%

LAB 78.48, -51.62, 70

 

Complementary color

CMYK 41 / 82 / 0 / 17

HEX #7D27D4

RGB 125 39 212

HSL 269.83, 0.69%, 0.49%

LAB 38.84, 66.22, -72.3

 

CMYK 38 / 0 / 82 / 15

HEX #87D826

RGB 135 216 38

HSL 87.3, 0.7%, 0.5%

LAB 78.7, -50.14, 71.57

 

CMYK 35 / 0 / 76 / 8

HEX #98EA39

RGB 152 234 57

HSL 87.8, 0.81%, 0.57%

LAB 84.9, -50.76, 72.3

 

CMYK 33 / 0 / 70 / 1

HEX #A9FC4C

RGB 169 252 76

HSL 88.3, 0.97%, 0.64%

LAB 91.04, -51.21, 72.33

 

CMYK 27 / 0 / 63 / 0

HEX #BAFF5F

RGB 186 255 95

HSL 85.88, 1%, 0.69%

LAB 92.92, -45.2, 67.41

 

CMYK 20 / 0 / 55 / 0

HEX #CBFF72

RGB 203 255 114

HSL 82.13, 1%, 0.72%

LAB 94.07, -37.5, 61

 

CMYK 40 / 0 / 80 / 15

HEX #82D82B

RGB 130 216 43

HSL 89.83, 0.69%, 0.51%

LAB 78.48, -51.62, 70

 

CMYK 43 / 0 / 88 / 22

HEX #71C618

RGB 113 198 24

HSL 89.31, 0.78%, 0.44%

LAB 72.2, -50.83, 68.6

 

CMYK 47 / 0 / 97 / 29

HEX #60B405

RGB 96 180 5

HSL 88.8, 0.95%, 0.36%

LAB 65.86, -49.74, 65.84

 

CMYK 51 / 0 / 100 / 36

HEX #4FA200

RGB 79 162 0

HSL 90.74, 1%, 0.32%

LAB 59.44, -48.25, 61.13

 

CMYK 57 / 0 / 100 / 44

HEX #3E9000

RGB 62 144 0

HSL 94.17, 1%, 0.28%

LAB 52.92, -46.5, 55.74

 

CMYK 40 / 0 / 80 / 15

HEX #82D82B

RGB 130 216 43

HSL 89.83, 0.69%, 0.51%

LAB 78.48, -51.62, 70

 

CMYK 18 / 0 / 80 / 15

HEX #B1D82B

RGB 177 216 43

HSL 73.53, 0.69%, 0.51%

LAB 81.09, -34.29, 73.33

 

CMYK 0 / 4 / 80 / 15

HEX #D8D02B

RGB 216 208 43

HSL 57.23, 0.69%, 0.51%

LAB 81.78, -14.32, 75.04

 

CMYK 0 / 25 / 80 / 15

HEX #D8A22B

RGB 216 162 43

HSL 41.27, 0.69%, 0.51%

LAB 69.9, 9.58, 64.6

 

CMYK 0 / 47 / 80 / 15

HEX #D8732B

RGB 216 115 43

HSL 24.97, 0.69%, 0.51%

LAB 59.01, 34.69, 54.66

 

CMYK 40 / 0 / 80 / 15

HEX #82D82B

RGB 130 216 43

HSL 89.83, 0.69%, 0.51%

LAB 78.48, -51.62, 70

 

CMYK 61 / 0 / 80 / 15

HEX #54D82B

RGB 84 216 43

HSL 105.78, 0.69%, 0.51%

LAB 76.78, -64.68, 67.81

 

CMYK 80 / 0 / 77 / 15

HEX #2BD832

RGB 43 216 50

HSL 122.43, 0.69%, 0.51%

LAB 75.98, -71.36, 64.7

 

CMYK 80 / 0 / 56 / 15

HEX #2BD860

RGB 43 216 96

HSL 138.38, 0.69%, 0.51%

LAB 76.36, -66.74, 46.79

 

CMYK 80 / 0 / 34 / 15

HEX #2BD88F

RGB 43 216 143

HSL 154.68, 0.69%, 0.51%

LAB 77.05, -58.71, 24.29

 

CMYK 40 / 0 / 80 / 15

HEX #82D82B

RGB 130 216 43

HSL 89.83, 0.69%, 0.51%

LAB 78.48, -51.62, 70

 

CMYK 45 / 0 / 90 / 7

HEX #82EC17

RGB 130 236 23

HSL 89.86, 0.85%, 0.51%

LAB 84.38, -60, 79.24

 

CMYK 40 / 0 / 80 / 15

HEX #82D82B

RGB 130 216 43

HSL 89.83, 0.69%, 0.51%

LAB 78.48, -51.62, 70

 

CMYK 34 / 0 / 67 / 23

HEX #82C440

RGB 130 196 64

HSL 90, 0.53%, 0.51%

LAB 72.62, -42.06, 57.22

 

CMYK 26 / 0 / 52 / 31

HEX #82AF54

RGB 130 175 84

HSL 89.67, 0.36%, 0.51%

LAB 66.55, -30.7, 41.47

 

CMYK 16 / 0 / 33 / 39

HEX #829B68

RGB 130 155 104

HSL 89.41, 0.2%, 0.51%

LAB 60.95, -18.18, 23.94

 

CMYK 4 / 0 / 8 / 47

HEX #82877C

RGB 130 135 124

HSL 87.27, 0.04%, 0.51%

LAB 55.61, -3.99, 5.27

 

CMYK 0 / 4 / 80 / 15

HEX #D8CF2B

RGB 216 207 43

HSL 56.88, 0.69%, 0.51%

LAB 81.51, -13.82, 74.81

 

CMYK 18 / 0 / 80 / 15

HEX #B2D82B

RGB 178 216 43

HSL 73.18, 0.69%, 0.51%

LAB 81.15, -33.89, 73.41

 

CMYK 39 / 0 / 80 / 15

HEX #84D82B

RGB 132 216 43

HSL 89.13, 0.69%, 0.51%

LAB 78.57, -50.95, 70.12

 

CMYK 60 / 0 / 80 / 15

HEX #56D82B

RGB 86 216 43

HSL 105.09, 0.69%, 0.51%

LAB 76.84, -64.22, 67.89

 

CMYK 80 / 0 / 79 / 15

HEX #2BD82E

RGB 43 216 46

HSL 121.04, 0.69%, 0.51%

LAB 75.96, -71.62, 65.89

 

CMYK 41 / 0 / 82 / 41

HEX #59961B

RGB 89 150 27

HSL 89.76, 0.69%, 0.35%

LAB 56.1, -39.25, 53.32

 

CMYK 41 / 0 / 82 / 28

HEX #6DB821

RGB 109 184 33

HSL 89.8, 0.7%, 0.43%

LAB 67.76, -46.21, 62.59

 

CMYK 40 / 0 / 80 / 15

HEX #82D82B

RGB 130 216 43

HSL 89.83, 0.69%, 0.51%

LAB 78.48, -51.62, 70

 

CMYK 32 / 0 / 65 / 13

HEX #97DE4E

RGB 151 222 78

HSL 89.58, 0.69%, 0.59%

LAB 81.5, -44.74, 61.37

 

CMYK 25 / 0 / 51 / 10

HEX #ABE571

RGB 171 229 113

HSL 90, 0.69%, 0.67%

LAB 84.94, -37.48, 50.24

 

CMYK 40 / 0 / 80 / 15

HEX #82D82B

RGB 130 216 43

HSL 89.83, 0.69%, 0.51%

LAB 78.48, -51.62, 70

 

CMYK 80 / 0 / 25 / 15

HEX #2BD8A1

RGB 43 216 161

HSL 160.92, 0.69%, 0.51%

LAB 77.4, -54.8, 15.32

 

CMYK 0 / 80 / 7 / 15

HEX #D82BC9

RGB 216 43 201

HSL 305.2, 0.69%, 0.51%

LAB 52.45, 78.81, -43.3

 

CMYK 40 / 0 / 80 / 15

HEX #82D82B

RGB 130 216 43

HSL 89.83, 0.69%, 0.51%

LAB 78.48, -51.62, 70

 

CMYK 80 / 39 / 0 / 15

HEX #2B84D8

RGB 43 132 216

HSL 209.13, 0.69%, 0.51%

LAB 54, 3.6, -50.32

 

CMYK 0 / 80 / 39 / 15

HEX #D82B84

RGB 216 43 132

HSL 329.13, 0.69%, 0.51%

LAB 49.49, 70.38, -7.14

 

CMYK 40 / 0 / 80 / 15

HEX #82D82B

RGB 130 216 43

HSL 89.83, 0.69%, 0.51%

LAB 78.48, -51.62, 70

 

CMYK 80 / 0 / 25 / 15

HEX #2BD8A1

RGB 43 216 161

HSL 160.92, 0.69%, 0.51%

LAB 77.4, -54.8, 15.32

 

CMYK 41 / 80 / 0 / 15

HEX #7F2BD8

RGB 127 43 216

HSL 269.13, 0.69%, 0.51%

LAB 39.91, 66.05, -72.83

 

CMYK 0 / 80 / 55 / 15

HEX #D82B62

RGB 216 43 98

HSL 340.92, 0.69%, 0.51%

LAB 48.52, 67.49, 12.2

 

CMYK 40 / 0 / 80 / 15

HEX #82D82B

RGB 130 216 43

HSL 89.83, 0.69%, 0.51%

LAB 78.48, -51.62, 70

 

CMYK 80 / 0 / 1 / 15

HEX #2BD8D5

RGB 43 216 213

HSL 178.96, 0.69%, 0.51%

LAB 78.71, -41.32, -10.52

 

CMYK 41 / 80 / 0 / 15

HEX #7F2BD8

RGB 127 43 216

HSL 269.13, 0.69%, 0.51%

LAB 39.91, 66.05, -72.83

 

CMYK 0 / 80 / 79 / 15

HEX #D82B2E

RGB 216 43 46

HSL 358.96, 0.69%, 0.51%

LAB 47.65, 64.83, 42.12

 

Description

Color code: HEX #82D82B | qconv.com Color code: HEX #82D82B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 216 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 216 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 80 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 80% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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