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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82D897 it is the complementary color #7D2768. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82D897. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82D897 shade: #87D892, #98EAA5, #A9FCB8, #BAFFCB and #CBFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82D897. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82D897 shade: #82D897, #71C684, #60B471, #4FA25E and #3E904B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82D897 shade: #82D797, #85D782, #9CD782, #B2D782 and #C9D782

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82D897 shade: #82D797, #82D7AE, #82D7C5, #82D3D7 and #82BCD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82D897 shade matches the following richer shades: #82D797, #75E590 and #68F28A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82D897 shade: #82D797, #90CA9E, #9DBDA5, #AAB0AB and #B7A3B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82D897 shade: #9CD782, #85D782, #82D796, #82D7AD and #82D7C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82D897 shade: #44C463, #63CD7D, #82D797, #A2E1B1 and #C1EBCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82D897 shade: #82D897, #82B3D7 and #D78291

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82D897 shade: #82D897, #9682D7 and #D79682

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82D897 shade: #82D897, #82B3D7, #D782C4 and #D7A782

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82D897 shade: #82D897, #8299D7, #D782C4 and #D7C182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 30 / 15

HEX #82D897

RGB 130 216 151

HSL 134.65, 0.52%, 0.68%

LAB 79.67, -39.71, 24.09

 

Complementary color

CMYK 0 / 69 / 17 / 51

HEX #7D2768

RGB 125 39 104

HSL 314.65, 0.52%, 0.32%

LAB 31.37, 44.41, -18.78

 

CMYK 38 / 0 / 32 / 15

HEX #87D892

RGB 135 216 146

HSL 128.15, 0.51%, 0.69%

LAB 79.81, -39.09, 26.92

 

CMYK 35 / 0 / 29 / 8

HEX #98EAA5

RGB 152 234 165

HSL 129.51, 0.66%, 0.76%

LAB 86.13, -38.83, 25.81

 

CMYK 33 / 0 / 27 / 1

HEX #A9FCB8

RGB 169 252 184

HSL 130.84, 0.93%, 0.83%

LAB 92.36, -38.57, 24.77

 

CMYK 27 / 0 / 20 / 0

HEX #BAFFCB

RGB 186 255 203

HSL 134.78, 1%, 0.86%

LAB 94.43, -31.46, 18.08

 

CMYK 20 / 0 / 13 / 0

HEX #CBFFDE

RGB 203 255 222

HSL 141.92, 1%, 0.9%

LAB 95.79, -22.74, 10.4

 

CMYK 40 / 0 / 30 / 15

HEX #82D897

RGB 130 216 151

HSL 134.65, 0.52%, 0.68%

LAB 79.67, -39.71, 24.09

 

CMYK 43 / 0 / 33 / 22

HEX #71C684

RGB 113 198 132

HSL 133.41, 0.43%, 0.61%

LAB 73.26, -39.95, 25.25

 

CMYK 47 / 0 / 37 / 29

HEX #60B471

RGB 96 180 113

HSL 132.14, 0.36%, 0.54%

LAB 66.76, -40.16, 26.48

 

CMYK 51 / 0 / 42 / 36

HEX #4FA25E

RGB 79 162 94

HSL 130.84, 0.34%, 0.47%

LAB 60.17, -40.31, 27.81

 

CMYK 57 / 0 / 48 / 44

HEX #3E904B

RGB 62 144 75

HSL 129.51, 0.4%, 0.4%

LAB 53.47, -40.31, 29.22

 

CMYK 40 / 0 / 30 / 16

HEX #82D797

RGB 130 215 151

HSL 134.82, 0.52%, 0.68%

LAB 79.37, -39.26, 23.69

 

CMYK 38 / 0 / 40 / 16

HEX #85D782

RGB 133 215 130

HSL 117.88, 0.52%, 0.68%

LAB 79.16, -41.8, 34.25

 

CMYK 27 / 0 / 40 / 16

HEX #9CD782

RGB 156 215 130

HSL 101.65, 0.52%, 0.68%

LAB 80.34, -34.29, 36.02

 

CMYK 17 / 0 / 40 / 16

HEX #B2D782

RGB 178 215 130

HSL 86.12, 0.52%, 0.68%

LAB 81.66, -26.44, 37.99

 

CMYK 7 / 0 / 40 / 16

HEX #C9D782

RGB 201 215 130

HSL 69.88, 0.52%, 0.68%

LAB 83.25, -17.76, 40.33

 

CMYK 40 / 0 / 30 / 16

HEX #82D797

RGB 130 215 151

HSL 134.82, 0.52%, 0.68%

LAB 79.37, -39.26, 23.69

 

CMYK 40 / 0 / 19 / 16

HEX #82D7AE

RGB 130 215 174

HSL 151.06, 0.52%, 0.68%

LAB 79.84, -34.87, 12.23

 

CMYK 40 / 0 / 8 / 16

HEX #82D7C5

RGB 130 215 197

HSL 167.29, 0.52%, 0.68%

LAB 80.39, -29.91, 0.78

 

CMYK 40 / 2 / 0 / 16

HEX #82D3D7

RGB 130 211 215

HSL 182.82, 0.52%, 0.68%

LAB 79.75, -23.7, -9.79

 

CMYK 40 / 13 / 0 / 16

HEX #82BCD7

RGB 130 188 215

HSL 199.06, 0.52%, 0.68%

LAB 73.3, -11.92, -19.48

 

CMYK 40 / 0 / 30 / 16

HEX #82D797

RGB 130 215 151

HSL 134.82, 0.52%, 0.68%

LAB 79.37, -39.26, 23.69

 

CMYK 49 / 0 / 37 / 10

HEX #75E590

RGB 117 229 144

HSL 134.46, 0.68%, 0.68%

LAB 82.83, -50.06, 31.85

 

CMYK 57 / 0 / 43 / 5

HEX #68F28A

RGB 104 242 138

HSL 134.78, 0.84%, 0.68%

LAB 86.15, -59.31, 39.1

 

CMYK 40 / 0 / 30 / 16

HEX #82D797

RGB 130 215 151

HSL 134.82, 0.52%, 0.68%

LAB 79.37, -39.26, 23.69

 

CMYK 29 / 0 / 22 / 21

HEX #90CA9E

RGB 144 202 158

HSL 134.48, 0.35%, 0.68%

LAB 76.46, -27.64, 16.08

 

CMYK 17 / 0 / 13 / 26

HEX #9DBDA5

RGB 157 189 165

HSL 135, 0.2%, 0.68%

LAB 73.73, -15.55, 8.56

 

CMYK 3 / 0 / 3 / 31

HEX #AAB0AB

RGB 170 176 171

HSL 130, 0.04%, 0.68%

LAB 71.24, -3.05, 1.81

 

CMYK 0 / 11 / 3 / 28

HEX #B7A3B2

RGB 183 163 178

HSL 315, 0.12%, 0.68%

LAB 69.09, 9.96, -5.07

 

CMYK 27 / 0 / 40 / 16

HEX #9CD782

RGB 156 215 130

HSL 101.65, 0.52%, 0.68%

LAB 80.34, -34.29, 36.02

 

CMYK 38 / 0 / 40 / 16

HEX #85D782

RGB 133 215 130

HSL 117.88, 0.52%, 0.68%

LAB 79.16, -41.8, 34.25

 

CMYK 40 / 0 / 30 / 16

HEX #82D796

RGB 130 215 150

HSL 134.12, 0.52%, 0.68%

LAB 79.36, -39.44, 24.19

 

CMYK 40 / 0 / 20 / 16

HEX #82D7AD

RGB 130 215 173

HSL 150.35, 0.52%, 0.68%

LAB 79.82, -35.08, 12.73

 

CMYK 40 / 0 / 9 / 16

HEX #82D7C4

RGB 130 215 196

HSL 166.59, 0.52%, 0.68%

LAB 80.37, -30.14, 1.27

 

CMYK 65 / 0 / 49 / 23

HEX #44C463

RGB 68 196 99

HSL 134.53, 0.52%, 0.52%

LAB 70.6, -55.61, 38.44

 

CMYK 52 / 0 / 39 / 20

HEX #63CD7D

RGB 99 205 125

HSL 134.72, 0.51%, 0.6%

LAB 74.7, -47.95, 30.71

 

CMYK 40 / 0 / 30 / 16

HEX #82D797

RGB 130 215 151

HSL 134.82, 0.52%, 0.68%

LAB 79.37, -39.26, 23.69

 

CMYK 28 / 0 / 21 / 12

HEX #A2E1B1

RGB 162 225 177

HSL 134.29, 0.51%, 0.76%

LAB 84.33, -29.48, 17.2

 

CMYK 18 / 0 / 14 / 8

HEX #C1EBCB

RGB 193 235 203

HSL 134.29, 0.51%, 0.84%

LAB 89.42, -19.66, 11.07

 

CMYK 40 / 0 / 30 / 15

HEX #82D897

RGB 130 216 151

HSL 134.65, 0.52%, 0.68%

LAB 79.67, -39.71, 24.09

 

CMYK 40 / 17 / 0 / 16

HEX #82B3D7

RGB 130 179 215

HSL 205.41, 0.52%, 0.68%

LAB 70.8, -7.1, -23.29

 

CMYK 0 / 40 / 33 / 16

HEX #D78291

RGB 215 130 145

HSL 349.41, 0.52%, 0.68%

LAB 63.72, 34.54, 6.04

 

CMYK 40 / 0 / 30 / 15

HEX #82D897

RGB 130 216 151

HSL 134.65, 0.52%, 0.68%

LAB 79.67, -39.71, 24.09

 

CMYK 30 / 40 / 0 / 16

HEX #9682D7

RGB 150 130 215

HSL 254.12, 0.52%, 0.68%

LAB 59.3, 26.23, -40.99

 

CMYK 0 / 30 / 40 / 16

HEX #D79682

RGB 215 150 130

HSL 14.12, 0.52%, 0.68%

LAB 67.93, 21.97, 20.36

 

CMYK 40 / 0 / 30 / 15

HEX #82D897

RGB 130 216 151

HSL 134.65, 0.52%, 0.68%

LAB 79.67, -39.71, 24.09

 

CMYK 40 / 17 / 0 / 16

HEX #82B3D7

RGB 130 179 215

HSL 205.41, 0.52%, 0.68%

LAB 70.8, -7.1, -23.29

 

CMYK 0 / 40 / 9 / 16

HEX #D782C4

RGB 215 130 196

HSL 313.41, 0.52%, 0.68%

LAB 65.28, 42.15, -20.53

 

CMYK 0 / 22 / 40 / 16

HEX #D7A782

RGB 215 167 130

HSL 26.12, 0.52%, 0.68%

LAB 72.02, 12.78, 25.91

 

CMYK 40 / 0 / 30 / 15

HEX #82D897

RGB 130 216 151

HSL 134.65, 0.52%, 0.68%

LAB 79.67, -39.71, 24.09

 

CMYK 40 / 29 / 0 / 16

HEX #8299D7

RGB 130 153 215

HSL 223.76, 0.52%, 0.68%

LAB 63.7, 7.4, -34.22

 

CMYK 0 / 40 / 9 / 16

HEX #D782C4

RGB 215 130 196

HSL 313.41, 0.52%, 0.68%

LAB 65.28, 42.15, -20.53

 

CMYK 0 / 10 / 40 / 16

HEX #D7C182

RGB 215 193 130

HSL 44.47, 0.52%, 0.68%

LAB 78.58, -1.03, 34.55

 

Description

Color code: HEX #82D897 | qconv.com Color code: HEX #82D897 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 216 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 216 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 30 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 30% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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