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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82E73A it is the complementary color #7D18C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82E73A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82E73A shade: #87E735, #98F948, #A9FF5B, #BAFF6E and #CBFF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82E73A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82E73A shade: #82E73A, #71D527, #60C314, #4FB101 and #3E9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82E73A shade: #83E63B, #B1E63B, #DFE63B, #E6C03B and #E6923B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82E73A shade: #83E63B, #54E63B, #3BE650, #3BE67F and #3BE6AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82E73A shade matches the following richer shades: #83E63B and #80F82A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82E73A shade: #83E63B, #85D54D, #88C35F, #8BB171 and #8E9F82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82E73A shade: #DEE63B, #B0E63B, #83E63B, #55E63B and #3BE64F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82E73A shade: #5AB916, #6CDE1B, #83E63B, #9AEB60 and #B1EF85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82E73A shade: #82E73A, #3BE6C1 and #E63BC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82E73A shade: #82E73A, #3B83E6 and #E63B83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82E73A shade: #82E73A, #3BE6C1, #9F3BE6 and #E63B60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82E73A shade: #82E73A, #3BD8E6, #9F3BE6 and #E64A3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 75 / 9

HEX #82E73A

RGB 130 231 58

HSL 95.03, 0.78%, 0.57%

LAB 83.02, -56.72, 69.83

 

Complementary color

CMYK 37 / 88 / 0 / 23

HEX #7D18C5

RGB 125 24 197

HSL 275.03, 0.78%, 0.43%

LAB 36.07, 67.21, -68.12

 

CMYK 42 / 0 / 77 / 9

HEX #87E735

RGB 135 231 53

HSL 92.36, 0.79%, 0.56%

LAB 83.21, -55.42, 71.63

 

CMYK 39 / 0 / 71 / 2

HEX #98F948

RGB 152 249 72

HSL 92.88, 0.94%, 0.63%

LAB 89.34, -55.91, 71.74

 

CMYK 34 / 0 / 64 / 0

HEX #A9FF5B

RGB 169 255 91

HSL 91.46, 1%, 0.68%

LAB 92, -51.39, 67.74

 

CMYK 27 / 0 / 57 / 0

HEX #BAFF6E

RGB 186 255 110

HSL 88.55, 1%, 0.72%

LAB 93.05, -43.95, 61.31

 

CMYK 20 / 0 / 49 / 0

HEX #CBFF81

RGB 203 255 129

HSL 84.76, 1%, 0.75%

LAB 94.23, -36.07, 54.44

 

CMYK 44 / 0 / 75 / 9

HEX #82E73A

RGB 130 231 58

HSL 95.03, 0.78%, 0.57%

LAB 83.02, -56.72, 69.83

 

CMYK 47 / 0 / 82 / 16

HEX #71D527

RGB 113 213 39

HSL 94.48, 0.69%, 0.49%

LAB 76.83, -56.05, 69.28

 

CMYK 51 / 0 / 90 / 24

HEX #60C314

RGB 96 195 20

HSL 93.94, 0.81%, 0.42%

LAB 70.57, -55.1, 67.66

 

CMYK 55 / 0 / 99 / 31

HEX #4FB101

RGB 79 177 1

HSL 93.41, 0.99%, 0.35%

LAB 64.25, -53.79, 64.79

 

CMYK 61 / 0 / 100 / 38

HEX #3E9F00

RGB 62 159 0

HSL 96.6, 1%, 0.31%

LAB 57.87, -51.93, 59.64

 

CMYK 43 / 0 / 74 / 10

HEX #83E63B

RGB 131 230 59

HSL 94.74, 0.77%, 0.57%

LAB 82.77, -55.96, 69.29

 

CMYK 23 / 0 / 74 / 10

HEX #B1E63B

RGB 177 230 59

HSL 78.6, 0.77%, 0.57%

LAB 85.13, -39.9, 72.37

 

CMYK 3 / 0 / 74 / 10

HEX #DFE63B

RGB 223 230 59

HSL 62.46, 0.77%, 0.57%

LAB 88.26, -21.61, 76.43

 

CMYK 0 / 17 / 74 / 10

HEX #E6C03B

RGB 230 192 59

HSL 46.67, 0.77%, 0.57%

LAB 78.95, 0.39, 67.9

 

CMYK 0 / 37 / 74 / 10

HEX #E6923B

RGB 230 146 59

HSL 30.53, 0.77%, 0.57%

LAB 67.8, 24.72, 57

 

CMYK 43 / 0 / 74 / 10

HEX #83E63B

RGB 131 230 59

HSL 94.74, 0.77%, 0.57%

LAB 82.77, -55.96, 69.29

 

CMYK 63 / 0 / 74 / 10

HEX #54E63B

RGB 84 230 59

HSL 111.23, 0.77%, 0.57%

LAB 81.18, -68.37, 67.18

 

CMYK 74 / 0 / 65 / 10

HEX #3BE650

RGB 59 230 80

HSL 127.37, 0.77%, 0.57%

LAB 80.8, -71.03, 58.9

 

CMYK 74 / 0 / 45 / 10

HEX #3BE67F

RGB 59 230 127

HSL 143.86, 0.77%, 0.57%

LAB 81.32, -64.8, 38.11

 

CMYK 74 / 0 / 25 / 10

HEX #3BE6AD

RGB 59 230 173

HSL 160, 0.77%, 0.57%

LAB 82.13, -55.79, 15.68

 

CMYK 43 / 0 / 74 / 10

HEX #83E63B

RGB 131 230 59

HSL 94.74, 0.77%, 0.57%

LAB 82.77, -55.96, 69.29

 

CMYK 48 / 0 / 83 / 3

HEX #80F82A

RGB 128 248 42

HSL 94.95, 0.94%, 0.57%

LAB 87.92, -64.41, 78.69

 

CMYK 43 / 0 / 74 / 10

HEX #83E63B

RGB 131 230 59

HSL 94.74, 0.77%, 0.57%

LAB 82.77, -55.96, 69.29

 

CMYK 38 / 0 / 64 / 16

HEX #85D54D

RGB 133 213 77

HSL 95.29, 0.62%, 0.57%

LAB 77.94, -47.19, 57.68

 

CMYK 30 / 0 / 51 / 24

HEX #88C35F

RGB 136 195 95

HSL 95.4, 0.45%, 0.57%

LAB 72.95, -36.54, 43.89

 

CMYK 21 / 0 / 36 / 31

HEX #8BB171

RGB 139 177 113

HSL 95.63, 0.29%, 0.57%

LAB 68.11, -24.6, 28.68

 

CMYK 11 / 0 / 18 / 38

HEX #8E9F82

RGB 142 159 130

HSL 95.17, 0.13%, 0.57%

LAB 63.47, -11.53, 13.15

 

CMYK 3 / 0 / 74 / 10

HEX #DEE63B

RGB 222 230 59

HSL 62.81, 0.77%, 0.57%

LAB 88.18, -22.02, 76.33

 

CMYK 23 / 0 / 74 / 10

HEX #B0E63B

RGB 176 230 59

HSL 78.95, 0.77%, 0.57%

LAB 85.07, -40.27, 72.29

 

CMYK 43 / 0 / 74 / 10

HEX #83E63B

RGB 131 230 59

HSL 94.74, 0.77%, 0.57%

LAB 82.77, -55.96, 69.29

 

CMYK 63 / 0 / 74 / 10

HEX #55E63B

RGB 85 230 59

HSL 110.88, 0.77%, 0.57%

LAB 81.2, -68.16, 67.22

 

CMYK 74 / 0 / 66 / 10

HEX #3BE64F

RGB 59 230 79

HSL 127.02, 0.77%, 0.57%

LAB 80.79, -71.13, 59.29

 

CMYK 51 / 0 / 88 / 27

HEX #5AB916

RGB 90 185 22

HSL 94.97, 0.79%, 0.41%

LAB 67.22, -53.08, 64.36

 

CMYK 51 / 0 / 88 / 13

HEX #6CDE1B

RGB 108 222 27

HSL 95.08, 0.78%, 0.49%

LAB 79.33, -61.27, 74.02

 

CMYK 43 / 0 / 74 / 10

HEX #83E63B

RGB 131 230 59

HSL 94.74, 0.77%, 0.57%

LAB 82.77, -55.96, 69.29

 

CMYK 34 / 0 / 59 / 8

HEX #9AEB60

RGB 154 235 96

HSL 94.96, 0.78%, 0.65%

LAB 85.57, -47.68, 58.4

 

CMYK 26 / 0 / 44 / 6

HEX #B1EF85

RGB 177 239 133

HSL 95.09, 0.77%, 0.73%

LAB 88.34, -37.6, 44.97

 

CMYK 44 / 0 / 75 / 9

HEX #82E73A

RGB 130 231 58

HSL 95.03, 0.78%, 0.57%

LAB 83.02, -56.72, 69.83

 

CMYK 74 / 0 / 16 / 10

HEX #3BE6C1

RGB 59 230 193

HSL 167.02, 0.77%, 0.57%

LAB 82.58, -51.07, 5.81

 

CMYK 0 / 74 / 13 / 10

HEX #E63BC7

RGB 230 59 199

HSL 310.88, 0.77%, 0.57%

LAB 56.16, 77.22, -36.14

 

CMYK 44 / 0 / 75 / 9

HEX #82E73A

RGB 130 231 58

HSL 95.03, 0.78%, 0.57%

LAB 83.02, -56.72, 69.83

 

CMYK 74 / 43 / 0 / 10

HEX #3B83E6

RGB 59 131 230

HSL 214.74, 0.77%, 0.57%

LAB 54.94, 11.12, -56.64

 

CMYK 0 / 74 / 43 / 10

HEX #E63B83

RGB 230 59 131

HSL 334.74, 0.77%, 0.57%

LAB 53.59, 69.34, -0.19

 

CMYK 44 / 0 / 75 / 9

HEX #82E73A

RGB 130 231 58

HSL 95.03, 0.78%, 0.57%

LAB 83.02, -56.72, 69.83

 

CMYK 74 / 0 / 16 / 10

HEX #3BE6C1

RGB 59 230 193

HSL 167.02, 0.77%, 0.57%

LAB 82.58, -51.07, 5.81

 

CMYK 31 / 74 / 0 / 10

HEX #9F3BE6

RGB 159 59 230

HSL 275.09, 0.77%, 0.57%

LAB 47.25, 68.34, -68.67

 

CMYK 0 / 74 / 58 / 10

HEX #E63B60

RGB 230 59 96

HSL 347.02, 0.77%, 0.57%

LAB 52.72, 66.57, 19.59

 

CMYK 44 / 0 / 75 / 9

HEX #82E73A

RGB 130 231 58

HSL 95.03, 0.78%, 0.57%

LAB 83.02, -56.72, 69.83

 

CMYK 74 / 6 / 0 / 10

HEX #3BD8E6

RGB 59 216 230

HSL 184.91, 0.77%, 0.57%

LAB 79.47, -34.84, -18.44

 

CMYK 31 / 74 / 0 / 10

HEX #9F3BE6

RGB 159 59 230

HSL 275.09, 0.77%, 0.57%

LAB 47.25, 68.34, -68.67

 

CMYK 0 / 68 / 74 / 10

HEX #E64A3B

RGB 230 74 59

HSL 5.26, 0.77%, 0.57%

LAB 54.07, 59.33, 42.64

 

Description

Color code: HEX #82E73A | qconv.com Color code: HEX #82E73A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 231 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 231 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 75 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 75% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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