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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82E79A it is the complementary color #7D1865. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82E79A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82E79A shade: #87E795, #98F9A8, #A9FFBB, #BAFFCE and #CBFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82E79A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82E79A shade: #82E79A, #71D587, #60C374, #4FB161 and #3E9F4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82E79A shade: #82E79A, #85E782, #A1E782, #BCE782 and #D7E782

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82E79A shade: #82E79A, #82E7B5, #82E7D0, #82E2E7 and #82C7E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82E79A shade matches the following richer shades: #82E79A and #76F394

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82E79A shade: #82E79A, #8EDBA0, #9ACFA7, #A6C3AD and #B2B7B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82E79A shade: #A0E782, #86E782, #82E79A, #82E7B5 and #82E7CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82E79A shade: #3DDA62, #60E07E, #82E79A, #A5EDB6 and #C8F4D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82E79A shade: #82E79A, #82BBE7 and #E78293

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82E79A shade: #82E79A, #9A82E7 and #E79A82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82E79A shade: #82E79A, #82BBE7, #E782CF and #E7AE82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82E79A shade: #82E79A, #829DE7, #E782CF and #E7CC82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 33 / 9

HEX #82E79A

RGB 130 231 154

HSL 134.26, 0.68%, 0.71%

LAB 84.09, -45.75, 28.53

 

Complementary color

CMYK 0 / 81 / 19 / 51

HEX #7D1865

RGB 125 24 101

HSL 314.26, 0.68%, 0.29%

LAB 29.29, 49.41, -20.07

 

CMYK 42 / 0 / 35 / 9

HEX #87E795

RGB 135 231 149

HSL 128.75, 0.67%, 0.72%

LAB 84.21, -45.18, 31.28

 

CMYK 39 / 0 / 33 / 2

HEX #98F9A8

RGB 152 249 168

HSL 129.9, 0.89%, 0.79%

LAB 90.44, -44.95, 30.13

 

CMYK 34 / 0 / 27 / 0

HEX #A9FFBB

RGB 169 255 187

HSL 132.56, 1%, 0.83%

LAB 93.25, -39.41, 24.47

 

CMYK 27 / 0 / 19 / 0

HEX #BAFFCE

RGB 186 255 206

HSL 137.39, 1%, 0.86%

LAB 94.49, -30.93, 16.63

 

CMYK 20 / 0 / 12 / 0

HEX #CBFFE1

RGB 203 255 225

HSL 145.38, 1%, 0.9%

LAB 95.85, -22.19, 8.95

 

CMYK 44 / 0 / 33 / 9

HEX #82E79A

RGB 130 231 154

HSL 134.26, 0.68%, 0.71%

LAB 84.09, -45.75, 28.53

 

CMYK 47 / 0 / 37 / 16

HEX #71D587

RGB 113 213 135

HSL 133.2, 0.54%, 0.64%

LAB 77.79, -45.94, 29.73

 

CMYK 51 / 0 / 41 / 24

HEX #60C374

RGB 96 195 116

HSL 132.12, 0.45%, 0.57%

LAB 71.4, -46.08, 31.02

 

CMYK 55 / 0 / 45 / 31

HEX #4FB161

RGB 79 177 97

HSL 131.02, 0.39%, 0.5%

LAB 64.94, -46.1, 32.38

 

CMYK 61 / 0 / 51 / 38

HEX #3E9F4E

RGB 62 159 78

HSL 129.9, 0.44%, 0.43%

LAB 58.39, -45.94, 33.81

 

CMYK 44 / 0 / 33 / 9

HEX #82E79A

RGB 130 231 154

HSL 134.26, 0.68%, 0.71%

LAB 84.09, -45.75, 28.53

 

CMYK 42 / 0 / 44 / 9

HEX #85E782

RGB 133 231 130

HSL 118.22, 0.68%, 0.71%

LAB 83.84, -48.65, 40.28

 

CMYK 30 / 0 / 44 / 9

HEX #A1E782

RGB 161 231 130

HSL 101.58, 0.68%, 0.71%

LAB 85.17, -39.84, 42.25

 

CMYK 19 / 0 / 44 / 9

HEX #BCE782

RGB 188 231 130

HSL 85.54, 0.68%, 0.71%

LAB 86.73, -30.36, 44.54

 

CMYK 7 / 0 / 44 / 9

HEX #D7E782

RGB 215 231 130

HSL 69.5, 0.68%, 0.71%

LAB 88.55, -20.23, 47.21

 

CMYK 44 / 0 / 33 / 9

HEX #82E79A

RGB 130 231 154

HSL 134.26, 0.68%, 0.71%

LAB 84.09, -45.75, 28.53

 

CMYK 44 / 0 / 22 / 9

HEX #82E7B5

RGB 130 231 181

HSL 150.3, 0.68%, 0.71%

LAB 84.6, -40.73, 15.27

 

CMYK 44 / 0 / 10 / 9

HEX #82E7D0

RGB 130 231 208

HSL 166.34, 0.68%, 0.71%

LAB 85.23, -34.95, 1.99

 

CMYK 44 / 2 / 0 / 9

HEX #82E2E7

RGB 130 226 231

HSL 182.97, 0.68%, 0.71%

LAB 84.44, -27.08, -11.31

 

CMYK 44 / 14 / 0 / 9

HEX #82C7E7

RGB 130 199 231

HSL 199.01, 0.68%, 0.71%

LAB 76.9, -13.48, -22.67

 

CMYK 44 / 0 / 33 / 9

HEX #82E79A

RGB 130 231 154

HSL 134.26, 0.68%, 0.71%

LAB 84.09, -45.75, 28.53

 

CMYK 51 / 0 / 39 / 5

HEX #76F394

RGB 118 243 148

HSL 134.4, 0.84%, 0.71%

LAB 87.04, -54.83, 35.4

 

CMYK 44 / 0 / 33 / 9

HEX #82E79A

RGB 130 231 154

HSL 134.26, 0.68%, 0.71%

LAB 84.09, -45.75, 28.53

 

CMYK 35 / 0 / 27 / 14

HEX #8EDBA0

RGB 142 219 160

HSL 134.03, 0.52%, 0.71%

LAB 81.27, -35.91, 21.67

 

CMYK 26 / 0 / 19 / 19

HEX #9ACFA7

RGB 154 207 167

HSL 134.72, 0.36%, 0.71%

LAB 78.63, -25.19, 14.41

 

CMYK 15 / 0 / 11 / 24

HEX #A6C3AD

RGB 166 195 173

HSL 134.48, 0.19%, 0.71%

LAB 76.16, -14.07, 7.79

 

CMYK 3 / 0 / 2 / 28

HEX #B2B7B3

RGB 178 183 179

HSL 132, 0.03%, 0.71%

LAB 73.92, -2.49, 1.41

 

CMYK 31 / 0 / 44 / 9

HEX #A0E782

RGB 160 231 130

HSL 102.18, 0.68%, 0.71%

LAB 85.12, -40.18, 42.17

 

CMYK 42 / 0 / 44 / 9

HEX #86E782

RGB 134 231 130

HSL 117.62, 0.68%, 0.71%

LAB 83.88, -48.36, 40.34

 

CMYK 44 / 0 / 33 / 9

HEX #82E79A

RGB 130 231 154

HSL 134.26, 0.68%, 0.71%

LAB 84.09, -45.75, 28.53

 

CMYK 44 / 0 / 22 / 9

HEX #82E7B5

RGB 130 231 181

HSL 150.3, 0.68%, 0.71%

LAB 84.6, -40.73, 15.27

 

CMYK 44 / 0 / 10 / 9

HEX #82E7CF

RGB 130 231 207

HSL 165.74, 0.68%, 0.71%

LAB 85.2, -35.17, 2.48

 

CMYK 72 / 0 / 55 / 15

HEX #3DDA62

RGB 61 218 98

HSL 134.14, 0.68%, 0.55%

LAB 77.29, -64.73, 47.05

 

CMYK 57 / 0 / 44 / 12

HEX #60E07E

RGB 96 224 126

HSL 134.06, 0.67%, 0.63%

LAB 80.35, -56.09, 37.53

 

CMYK 44 / 0 / 33 / 9

HEX #82E79A

RGB 130 231 154

HSL 134.26, 0.68%, 0.71%

LAB 84.09, -45.75, 28.53

 

CMYK 30 / 0 / 23 / 7

HEX #A5EDB6

RGB 165 237 182

HSL 134.17, 0.67%, 0.79%

LAB 87.94, -33.29, 19.66

 

CMYK 18 / 0 / 14 / 4

HEX #C8F4D2

RGB 200 244 210

HSL 133.64, 0.67%, 0.87%

LAB 92.41, -20.54, 11.75

 

CMYK 44 / 0 / 33 / 9

HEX #82E79A

RGB 130 231 154

HSL 134.26, 0.68%, 0.71%

LAB 84.09, -45.75, 28.53

 

CMYK 44 / 19 / 0 / 9

HEX #82BBE7

RGB 130 187 231

HSL 206.14, 0.68%, 0.71%

LAB 73.58, -7.11, -27.74

 

CMYK 0 / 44 / 36 / 9

HEX #E78293

RGB 231 130 147

HSL 349.9, 0.68%, 0.71%

LAB 65.8, 40.57, 8.14

 

CMYK 44 / 0 / 33 / 9

HEX #82E79A

RGB 130 231 154

HSL 134.26, 0.68%, 0.71%

LAB 84.09, -45.75, 28.53

 

CMYK 33 / 44 / 0 / 9

HEX #9A82E7

RGB 154 130 231

HSL 254.26, 0.68%, 0.71%

LAB 60.43, 31.42, -48.12

 

CMYK 0 / 33 / 44 / 9

HEX #E79A82

RGB 231 154 130

HSL 14.26, 0.68%, 0.71%

LAB 70.67, 26.07, 24.39

 

CMYK 44 / 0 / 33 / 9

HEX #82E79A

RGB 130 231 154

HSL 134.26, 0.68%, 0.71%

LAB 84.09, -45.75, 28.53

 

CMYK 44 / 19 / 0 / 9

HEX #82BBE7

RGB 130 187 231

HSL 206.14, 0.68%, 0.71%

LAB 73.58, -7.11, -27.74

 

CMYK 0 / 44 / 10 / 9

HEX #E782CF

RGB 231 130 207

HSL 314.26, 0.68%, 0.71%

LAB 67.62, 49.03, -22.93

 

CMYK 0 / 25 / 44 / 9

HEX #E7AE82

RGB 231 174 130

HSL 26.14, 0.68%, 0.71%

LAB 75.37, 15.41, 30.65

 

CMYK 44 / 0 / 33 / 9

HEX #82E79A

RGB 130 231 154

HSL 134.26, 0.68%, 0.71%

LAB 84.09, -45.75, 28.53

 

CMYK 44 / 32 / 0 / 9

HEX #829DE7

RGB 130 157 231

HSL 223.96, 0.68%, 0.71%

LAB 65.46, 9.59, -40.33

 

CMYK 0 / 44 / 10 / 9

HEX #E782CF

RGB 231 130 207

HSL 314.26, 0.68%, 0.71%

LAB 67.62, 49.03, -22.93

 

CMYK 0 / 12 / 44 / 9

HEX #E7CC82

RGB 231 204 130

HSL 43.96, 0.68%, 0.71%

LAB 82.8, -0.36, 40.26

 

Description

Color code: HEX #82E79A | qconv.com Color code: HEX #82E79A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 231 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 231 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 33 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 33% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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