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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82E896 it is the complementary color #7D1769. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82E896. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82E896 shade: #87E891, #98FAA4, #A9FFB7, #BAFFCA and #CBFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82E896. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82E896 shade: #82E896, #71D683, #60C470, #4FB25D and #3EA04A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82E896 shade: #82E896, #89E882, #A5E882, #C0E882 and #DCE882

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82E896 shade: #82E896, #82E8B1, #82E8CD, #82E7E8 and #82CCE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82E896 shade matches the following richer shades: #82E896 and #76F48E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82E896 shade: #82E896, #8DDC9D, #99D0A4, #A5C4AB and #B1B8B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82E896 shade: #A5E882, #8AE882, #82E894, #82E8AF and #82E8CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82E896 shade: #3CDB5B, #5FE178, #82E896, #A4EEB3 and #C7F4D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82E896 shade: #82E896, #82C0E8 and #E88298

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82E896 shade: #82E896, #9482E8 and #E89482

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82E896 shade: #82E896, #82C0E8, #E882D5 and #E8A982

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82E896 shade: #82E896, #82A2E8, #E882D5 and #E8C782

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 35 / 9

HEX #82E896

RGB 130 232 150

HSL 131.76, 0.69%, 0.71%

LAB 84.31, -46.85, 30.86

 

Complementary color

CMYK 0 / 82 / 16 / 51

HEX #7D1769

RGB 125 23 105

HSL 311.76, 0.69%, 0.29%

LAB 29.39, 50.29, -22.5

 

CMYK 42 / 0 / 38 / 9

HEX #87E891

RGB 135 232 145

HSL 126.19, 0.68%, 0.72%

LAB 84.44, -46.25, 33.6

 

CMYK 39 / 0 / 34 / 2

HEX #98FAA4

RGB 152 250 164

HSL 127.35, 0.91%, 0.79%

LAB 90.66, -46.03, 32.43

 

CMYK 34 / 0 / 28 / 0

HEX #A9FFB7

RGB 169 255 183

HSL 129.77, 1%, 0.83%

LAB 93.18, -40.09, 26.4

 

CMYK 27 / 0 / 21 / 0

HEX #BAFFCA

RGB 186 255 202

HSL 133.91, 1%, 0.86%

LAB 94.41, -31.64, 18.57

 

CMYK 20 / 0 / 13 / 0

HEX #CBFFDD

RGB 203 255 221

HSL 140.77, 1%, 0.9%

LAB 95.76, -22.92, 10.88

 

CMYK 44 / 0 / 35 / 9

HEX #82E896

RGB 130 232 150

HSL 131.76, 0.69%, 0.71%

LAB 84.31, -46.85, 30.86

 

CMYK 47 / 0 / 39 / 16

HEX #71D683

RGB 113 214 131

HSL 130.69, 0.55%, 0.64%

LAB 78.02, -47.03, 32.09

 

CMYK 51 / 0 / 43 / 23

HEX #60C470

RGB 96 196 112

HSL 129.6, 0.46%, 0.57%

LAB 71.65, -47.14, 33.39

 

CMYK 56 / 0 / 48 / 30

HEX #4FB25D

RGB 79 178 93

HSL 128.48, 0.39%, 0.5%

LAB 65.19, -47.13, 34.76

 

CMYK 61 / 0 / 54 / 37

HEX #3EA04A

RGB 62 160 74

HSL 127.35, 0.44%, 0.44%

LAB 58.66, -46.92, 36.16

 

CMYK 44 / 0 / 35 / 9

HEX #82E896

RGB 130 232 150

HSL 131.76, 0.69%, 0.71%

LAB 84.31, -46.85, 30.86

 

CMYK 41 / 0 / 44 / 9

HEX #89E882

RGB 137 232 130

HSL 115.88, 0.69%, 0.71%

LAB 84.3, -47.89, 40.91

 

CMYK 29 / 0 / 44 / 9

HEX #A5E882

RGB 165 232 130

HSL 99.41, 0.69%, 0.71%

LAB 85.67, -38.94, 42.93

 

CMYK 17 / 0 / 44 / 9

HEX #C0E882

RGB 192 232 130

HSL 83.53, 0.69%, 0.71%

LAB 87.26, -29.37, 45.26

 

CMYK 5 / 0 / 44 / 9

HEX #DCE882

RGB 220 232 130

HSL 67.06, 0.69%, 0.71%

LAB 89.18, -18.79, 48.07

 

CMYK 44 / 0 / 35 / 9

HEX #82E896

RGB 130 232 150

HSL 131.76, 0.69%, 0.71%

LAB 84.31, -46.85, 30.86

 

CMYK 44 / 0 / 24 / 9

HEX #82E8B1

RGB 130 232 177

HSL 147.65, 0.69%, 0.71%

LAB 84.81, -41.96, 17.64

 

CMYK 44 / 0 / 12 / 9

HEX #82E8CD

RGB 130 232 205

HSL 164.12, 0.69%, 0.71%

LAB 85.44, -36.09, 3.87

 

CMYK 44 / 0 / 0 / 9

HEX #82E7E8

RGB 130 231 232

HSL 180.59, 0.69%, 0.71%

LAB 85.87, -29.24, -9.71

 

CMYK 44 / 12 / 0 / 9

HEX #82CCE8

RGB 130 204 232

HSL 196.47, 0.69%, 0.71%

LAB 78.32, -15.81, -21.05

 

CMYK 44 / 0 / 35 / 9

HEX #82E896

RGB 130 232 150

HSL 131.76, 0.69%, 0.71%

LAB 84.31, -46.85, 30.86

 

CMYK 52 / 0 / 42 / 4

HEX #76F48E

RGB 118 244 142

HSL 131.43, 0.85%, 0.71%

LAB 87.24, -56.18, 38.64

 

CMYK 44 / 0 / 35 / 9

HEX #82E896

RGB 130 232 150

HSL 131.76, 0.69%, 0.71%

LAB 84.31, -46.85, 30.86

 

CMYK 36 / 0 / 29 / 14

HEX #8DDC9D

RGB 141 220 157

HSL 132.15, 0.53%, 0.71%

LAB 81.45, -37.2, 23.48

 

CMYK 26 / 0 / 21 / 18

HEX #99D0A4

RGB 153 208 164

HSL 132, 0.37%, 0.71%

LAB 78.79, -26.55, 16.22

 

CMYK 16 / 0 / 13 / 23

HEX #A5C4AB

RGB 165 196 171

HSL 131.61, 0.21%, 0.71%

LAB 76.33, -15.29, 9.1

 

CMYK 4 / 0 / 3 / 28

HEX #B1B8B3

RGB 177 184 179

HSL 137.14, 0.05%, 0.71%

LAB 74.11, -3.38, 1.68

 

CMYK 29 / 0 / 44 / 9

HEX #A5E882

RGB 165 232 130

HSL 99.41, 0.69%, 0.71%

LAB 85.67, -38.94, 42.93

 

CMYK 41 / 0 / 44 / 9

HEX #8AE882

RGB 138 232 130

HSL 115.29, 0.69%, 0.71%

LAB 84.34, -47.59, 40.97

 

CMYK 44 / 0 / 36 / 9

HEX #82E894

RGB 130 232 148

HSL 130.59, 0.69%, 0.71%

LAB 84.28, -47.18, 31.83

 

CMYK 44 / 0 / 25 / 9

HEX #82E8AF

RGB 130 232 175

HSL 146.47, 0.69%, 0.71%

LAB 84.77, -42.35, 18.62

 

CMYK 44 / 0 / 13 / 9

HEX #82E8CB

RGB 130 232 203

HSL 162.94, 0.69%, 0.71%

LAB 85.39, -36.53, 4.85

 

CMYK 73 / 0 / 58 / 14

HEX #3CDB5B

RGB 60 219 91

HSL 131.7, 0.69%, 0.55%

LAB 77.51, -66.12, 50.5

 

CMYK 58 / 0 / 47 / 12

HEX #5FE178

RGB 95 225 120

HSL 131.54, 0.68%, 0.63%

LAB 80.54, -57.61, 40.72

 

CMYK 44 / 0 / 35 / 9

HEX #82E896

RGB 130 232 150

HSL 131.76, 0.69%, 0.71%

LAB 84.31, -46.85, 30.86

 

CMYK 31 / 0 / 25 / 7

HEX #A4EEB3

RGB 164 238 179

HSL 132.16, 0.69%, 0.79%

LAB 88.11, -34.58, 21.43

 

CMYK 18 / 0 / 15 / 4

HEX #C7F4D0

RGB 199 244 208

HSL 132, 0.67%, 0.87%

LAB 92.31, -21.22, 12.63

 

CMYK 44 / 0 / 35 / 9

HEX #82E896

RGB 130 232 150

HSL 131.76, 0.69%, 0.71%

LAB 84.31, -46.85, 30.86

 

CMYK 44 / 17 / 0 / 9

HEX #82C0E8

RGB 130 192 232

HSL 203.53, 0.69%, 0.71%

LAB 75, -9.52, -26.11

 

CMYK 0 / 44 / 34 / 9

HEX #E88298

RGB 232 130 152

HSL 347.06, 0.69%, 0.71%

LAB 66.05, 41.53, 5.69

 

CMYK 44 / 0 / 35 / 9

HEX #82E896

RGB 130 232 150

HSL 131.76, 0.69%, 0.71%

LAB 84.31, -46.85, 30.86

 

CMYK 36 / 44 / 0 / 9

HEX #9482E8

RGB 148 130 232

HSL 250.59, 0.69%, 0.71%

LAB 59.97, 30.12, -49.44

 

CMYK 0 / 36 / 44 / 9

HEX #E89482

RGB 232 148 130

HSL 10.59, 0.69%, 0.71%

LAB 69.43, 29.65, 22.73

 

CMYK 44 / 0 / 35 / 9

HEX #82E896

RGB 130 232 150

HSL 131.76, 0.69%, 0.71%

LAB 84.31, -46.85, 30.86

 

CMYK 44 / 17 / 0 / 9

HEX #82C0E8

RGB 130 192 232

HSL 203.53, 0.69%, 0.71%

LAB 75, -9.52, -26.11

 

CMYK 0 / 44 / 8 / 9

HEX #E882D5

RGB 232 130 213

HSL 311.18, 0.69%, 0.71%

LAB 67.97, 50.33, -25.74

 

CMYK 0 / 27 / 44 / 9

HEX #E8A982

RGB 232 169 130

HSL 22.94, 0.69%, 0.71%

LAB 74.28, 18.47, 29.23

 

CMYK 44 / 0 / 35 / 9

HEX #82E896

RGB 130 232 150

HSL 131.76, 0.69%, 0.71%

LAB 84.31, -46.85, 30.86

 

CMYK 44 / 30 / 0 / 9

HEX #82A2E8

RGB 130 162 232

HSL 221.18, 0.69%, 0.71%

LAB 66.83, 7.02, -38.73

 

CMYK 0 / 44 / 8 / 9

HEX #E882D5

RGB 232 130 213

HSL 311.18, 0.69%, 0.71%

LAB 67.97, 50.33, -25.74

 

CMYK 0 / 14 / 44 / 9

HEX #E8C782

RGB 232 199 130

HSL 40.59, 0.69%, 0.71%

LAB 81.63, 2.63, 38.79

 

Description

Color code: HEX #82E896 | qconv.com Color code: HEX #82E896 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 232 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 232 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 35 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 35% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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