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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82ECBD it is the complementary color #7D1342. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82ECBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82ECBD shade: #87ECB8, #98FECB, #A9FFDE, #BAFFF1 and #CBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82ECBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82ECBD shade: #82ECBD, #71DAAA, #60C897, #4FB684 and #3EA471

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82ECBD shade: #82ECBD, #82ECA1, #82EC84, #9DEC82 and #B9EC82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82ECBD shade: #82ECBD, #82ECDA, #82E2EC, #82C5EC and #82A9EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82ECBD shade matches the following richer shades: #82ECBD and #77F7BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82ECBD shade: #82ECBD, #8EE0BC, #99D5BA, #A5C9B9 and #B0BEB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82ECBD shade: #82EC84, #82ECA0, #82ECBC, #82ECD9 and #82E3EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82ECBD shade: #3AE197, #5EE7AA, #82ECBD, #A6F1D0 and #CAF7E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82ECBD shade: #82ECBD, #829DEC and #EC9282

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82ECBD shade: #82ECBD, #BC82EC and #ECBC82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82ECBD shade: #82ECBD, #829DEC, #EC82B2 and #ECD282

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82ECBD shade: #82ECBD, #8882EC, #EC82B2 and #E7EC82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 20 / 7

HEX #82ECBD

RGB 130 236 189

HSL 153.4, 0.74%, 0.72%

LAB 86.21, -41.33, 13.36

 

Complementary color

CMYK 0 / 85 / 47 / 51

HEX #7D1342

RGB 125 19 66

HSL 333.4, 0.74%, 0.28%

LAB 27.35, 46.59, 0.14

 

CMYK 43 / 0 / 22 / 7

HEX #87ECB8

RGB 135 236 184

HSL 149.11, 0.73%, 0.73%

LAB 86.31, -41.05, 16.13

 

CMYK 40 / 0 / 20 / 0

HEX #98FECB

RGB 152 254 203

HSL 150, 0.98%, 0.8%

LAB 92.52, -40.82, 15.16

 

CMYK 34 / 0 / 13 / 0

HEX #A9FFDE

RGB 169 255 222

HSL 156.98, 1%, 0.83%

LAB 93.98, -32.85, 7.58

 

CMYK 27 / 0 / 5 / 0

HEX #BAFFF1

RGB 186 255 241

HSL 167.83, 1%, 0.86%

LAB 95.29, -24.15, -0.21

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFF

RGB 203 255 255

HSL 180, 1%, 0.9%

LAB 96.59, -16.31, -5.41

 

CMYK 45 / 0 / 20 / 7

HEX #82ECBD

RGB 130 236 189

HSL 153.4, 0.74%, 0.72%

LAB 86.21, -41.33, 13.36

 

CMYK 48 / 0 / 22 / 15

HEX #71DAAA

RGB 113 218 170

HSL 152.57, 0.59%, 0.65%

LAB 79.93, -41.51, 14.37

 

CMYK 52 / 0 / 25 / 22

HEX #60C897

RGB 96 200 151

HSL 151.73, 0.49%, 0.58%

LAB 73.56, -41.64, 15.46

 

CMYK 57 / 0 / 27 / 29

HEX #4FB684

RGB 79 182 132

HSL 150.87, 0.41%, 0.51%

LAB 67.11, -41.71, 16.64

 

CMYK 62 / 0 / 31 / 36

HEX #3EA471

RGB 62 164 113

HSL 150, 0.45%, 0.44%

LAB 60.58, -41.65, 17.93

 

CMYK 45 / 0 / 20 / 7

HEX #82ECBD

RGB 130 236 189

HSL 153.4, 0.74%, 0.72%

LAB 86.21, -41.33, 13.36

 

CMYK 45 / 0 / 32 / 7

HEX #82ECA1

RGB 130 236 161

HSL 137.55, 0.74%, 0.72%

LAB 85.66, -46.67, 27.07

 

CMYK 45 / 0 / 44 / 7

HEX #82EC84

RGB 130 236 132

HSL 121.13, 0.74%, 0.72%

LAB 85.2, -51.29, 41.01

 

CMYK 33 / 0 / 45 / 7

HEX #9DEC82

RGB 157 236 130

HSL 104.72, 0.74%, 0.72%

LAB 86.39, -43.36, 43.75

 

CMYK 22 / 0 / 45 / 7

HEX #B9EC82

RGB 185 236 130

HSL 88.87, 0.74%, 0.72%

LAB 87.93, -33.77, 46

 

CMYK 45 / 0 / 20 / 7

HEX #82ECBD

RGB 130 236 189

HSL 153.4, 0.74%, 0.72%

LAB 86.21, -41.33, 13.36

 

CMYK 45 / 0 / 8 / 7

HEX #82ECDA

RGB 130 236 218

HSL 169.81, 0.74%, 0.72%

LAB 86.9, -34.96, -0.83

 

CMYK 45 / 4 / 0 / 7

HEX #82E2EC

RGB 130 226 236

HSL 185.66, 0.74%, 0.72%

LAB 84.58, -25.82, -13.74

 

CMYK 45 / 17 / 0 / 7

HEX #82C5EC

RGB 130 197 236

HSL 202.08, 0.74%, 0.72%

LAB 76.52, -11.08, -25.94

 

CMYK 45 / 28 / 0 / 7

HEX #82A9EC

RGB 130 169 236

HSL 217.92, 0.74%, 0.72%

LAB 68.88, 4.2, -37.73

 

CMYK 45 / 0 / 20 / 7

HEX #82ECBD

RGB 130 236 189

HSL 153.4, 0.74%, 0.72%

LAB 86.21, -41.33, 13.36

 

CMYK 52 / 0 / 23 / 3

HEX #77F7BE

RGB 119 247 190

HSL 153.28, 0.89%, 0.72%

LAB 89, -48.52, 16.71

 

CMYK 45 / 0 / 20 / 7

HEX #82ECBD

RGB 130 236 189

HSL 153.4, 0.74%, 0.72%

LAB 86.21, -41.33, 13.36

 

CMYK 37 / 0 / 16 / 12

HEX #8EE0BC

RGB 142 224 188

HSL 153.66, 0.57%, 0.72%

LAB 83.28, -32.86, 9.79

 

CMYK 28 / 0 / 13 / 16

HEX #99D5BA

RGB 153 213 186

HSL 153, 0.42%, 0.72%

LAB 80.69, -24.78, 7.21

 

CMYK 18 / 0 / 8 / 21

HEX #A5C9B9

RGB 165 201 185

HSL 153.33, 0.25%, 0.72%

LAB 78.04, -15.17, 4.02

 

CMYK 7 / 0 / 3 / 25

HEX #B0BEB8

RGB 176 190 184

HSL 154.29, 0.1%, 0.72%

LAB 75.77, -5.96, 1.36

 

CMYK 45 / 0 / 44 / 7

HEX #82EC84

RGB 130 236 132

HSL 121.13, 0.74%, 0.72%

LAB 85.2, -51.29, 41.01

 

CMYK 45 / 0 / 32 / 7

HEX #82ECA0

RGB 130 236 160

HSL 136.98, 0.74%, 0.72%

LAB 85.64, -46.85, 27.56

 

CMYK 45 / 0 / 20 / 7

HEX #82ECBC

RGB 130 236 188

HSL 152.83, 0.74%, 0.72%

LAB 86.19, -41.53, 13.85

 

CMYK 45 / 0 / 8 / 7

HEX #82ECD9

RGB 130 236 217

HSL 169.25, 0.74%, 0.72%

LAB 86.87, -35.2, -0.34

 

CMYK 45 / 4 / 0 / 7

HEX #82E3EC

RGB 130 227 236

HSL 185.09, 0.74%, 0.72%

LAB 84.86, -26.3, -13.32

 

CMYK 74 / 0 / 33 / 12

HEX #3AE197

RGB 58 225 151

HSL 153.41, 0.74%, 0.55%

LAB 80.17, -58.7, 24.42

 

CMYK 59 / 0 / 26 / 9

HEX #5EE7AA

RGB 94 231 170

HSL 153.28, 0.74%, 0.64%

LAB 83.14, -51.26, 18.78

 

CMYK 45 / 0 / 20 / 7

HEX #82ECBD

RGB 130 236 189

HSL 153.4, 0.74%, 0.72%

LAB 86.21, -41.33, 13.36

 

CMYK 31 / 0 / 14 / 5

HEX #A6F1D0

RGB 166 241 208

HSL 153.6, 0.73%, 0.8%

LAB 89.66, -29.96, 8.6

 

CMYK 18 / 0 / 8 / 3

HEX #CAF7E3

RGB 202 247 227

HSL 153.33, 0.74%, 0.88%

LAB 93.72, -18.24, 4.85

 

CMYK 45 / 0 / 20 / 7

HEX #82ECBD

RGB 130 236 189

HSL 153.4, 0.74%, 0.72%

LAB 86.21, -41.33, 13.36

 

CMYK 45 / 33 / 0 / 7

HEX #829DEC

RGB 130 157 236

HSL 224.72, 0.74%, 0.72%

LAB 65.68, 11.03, -42.73

 

CMYK 0 / 38 / 45 / 7

HEX #EC9282

RGB 236 146 130

HSL 9.06, 0.74%, 0.72%

LAB 69.47, 32.24, 22.87

 

CMYK 45 / 0 / 20 / 7

HEX #82ECBD

RGB 130 236 189

HSL 153.4, 0.74%, 0.72%

LAB 86.21, -41.33, 13.36

 

CMYK 20 / 45 / 0 / 7

HEX #BC82EC

RGB 188 130 236

HSL 272.83, 0.74%, 0.72%

LAB 63.93, 41.87, -45.16

 

CMYK 0 / 20 / 45 / 7

HEX #ECBC82

RGB 236 188 130

HSL 32.83, 0.74%, 0.72%

LAB 79.28, 9.99, 35.84

 

CMYK 45 / 0 / 20 / 7

HEX #82ECBD

RGB 130 236 189

HSL 153.4, 0.74%, 0.72%

LAB 86.21, -41.33, 13.36

 

CMYK 45 / 33 / 0 / 7

HEX #829DEC

RGB 130 157 236

HSL 224.72, 0.74%, 0.72%

LAB 65.68, 11.03, -42.73

 

CMYK 0 / 45 / 25 / 7

HEX #EC82B2

RGB 236 130 178

HSL 332.83, 0.74%, 0.72%

LAB 67.29, 46.27, -7.12

 

CMYK 0 / 11 / 45 / 7

HEX #ECD282

RGB 236 210 130

HSL 45.28, 0.74%, 0.72%

LAB 84.76, -1.45, 42.84

 

CMYK 45 / 0 / 20 / 7

HEX #82ECBD

RGB 130 236 189

HSL 153.4, 0.74%, 0.72%

LAB 86.21, -41.33, 13.36

 

CMYK 42 / 45 / 0 / 7

HEX #8882EC

RGB 136 130 236

HSL 243.4, 0.74%, 0.72%

LAB 59.21, 28.22, -52.93

 

CMYK 0 / 45 / 25 / 7

HEX #EC82B2

RGB 236 130 178

HSL 332.83, 0.74%, 0.72%

LAB 67.29, 46.27, -7.12

 

CMYK 2 / 0 / 45 / 7

HEX #E7EC82

RGB 231 236 130

HSL 62.83, 0.74%, 0.72%

LAB 91.05, -16.48, 50.55

 

Description

Color code: HEX #82ECBD | qconv.com Color code: HEX #82ECBD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 236 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 236 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 20 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 20% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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