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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82EDBC it is the complementary color #7D1243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82EDBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82EDBC shade: #87EDB7, #98FFCA, #A9FFDD, #BAFFF0 and #CBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82EDBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82EDBC shade: #82EDBC, #71DBA9, #60C996, #4FB783 and #3EA570

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82EDBC shade: #82EDBC, #82ED9F, #82ED82, #9EED82 and #BBED82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82EDBC shade: #82EDBC, #82EDD8, #82E4ED, #82C7ED and #82AAED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82EDBC shade matches the following richer shades: #82EDBC and #76F8BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82EDBC shade: #82EDBC, #8DE1BB, #99D6BA, #A4CAB9 and #B0BEB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82EDBC shade: #82ED82, #82ED9E, #82EDBB, #82EDD7 and #82E6ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82EDBC shade: #39E295, #5DE7A8, #82EDBC, #A6F2CF and #CAF7E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82EDBC shade: #82EDBC, #829EED and #ED9082

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82EDBC shade: #82EDBC, #BB82ED and #EDBB82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82EDBC shade: #82EDBC, #829EED, #ED82B4 and #EDD082

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82EDBC shade: #82EDBC, #8582ED, #ED82B4 and #E9ED82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 21 / 7

HEX #82EDBC

RGB 130 237 188

HSL 152.52, 0.75%, 0.72%

LAB 86.48, -41.98, 14.26

 

Complementary color

CMYK 0 / 86 / 46 / 51

HEX #7D1243

RGB 125 18 67

HSL 332.52, 0.75%, 0.28%

LAB 27.29, 46.95, -0.62

 

CMYK 43 / 0 / 23 / 7

HEX #87EDB7

RGB 135 237 183

HSL 148.24, 0.74%, 0.73%

LAB 86.57, -41.69, 17.02

 

CMYK 40 / 0 / 21 / 0

HEX #98FFCA

RGB 152 255 202

HSL 149.13, 1%, 0.8%

LAB 92.78, -41.46, 16.04

 

CMYK 34 / 0 / 13 / 0

HEX #A9FFDD

RGB 169 255 221

HSL 156.28, 1%, 0.83%

LAB 93.96, -33.05, 8.06

 

CMYK 27 / 0 / 6 / 0

HEX #BAFFF0

RGB 186 255 240

HSL 166.96, 1%, 0.86%

LAB 95.27, -24.36, 0.27

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFF

RGB 203 255 255

HSL 180, 1%, 0.9%

LAB 96.59, -16.31, -5.41

 

CMYK 45 / 0 / 21 / 7

HEX #82EDBC

RGB 130 237 188

HSL 152.52, 0.75%, 0.72%

LAB 86.48, -41.98, 14.26

 

CMYK 48 / 0 / 23 / 14

HEX #71DBA9

RGB 113 219 169

HSL 151.7, 0.6%, 0.65%

LAB 80.2, -42.15, 15.28

 

CMYK 52 / 0 / 25 / 21

HEX #60C996

RGB 96 201 150

HSL 150.86, 0.49%, 0.58%

LAB 73.84, -42.29, 16.38

 

CMYK 57 / 0 / 28 / 28

HEX #4FB783

RGB 79 183 131

HSL 150, 0.42%, 0.51%

LAB 67.4, -42.35, 17.58

 

CMYK 62 / 0 / 32 / 35

HEX #3EA570

RGB 62 165 112

HSL 149.13, 0.45%, 0.45%

LAB 60.87, -42.28, 18.89

 

CMYK 45 / 0 / 21 / 7

HEX #82EDBC

RGB 130 237 188

HSL 152.52, 0.75%, 0.72%

LAB 86.48, -41.98, 14.26

 

CMYK 45 / 0 / 33 / 7

HEX #82ED9F

RGB 130 237 159

HSL 136.26, 0.75%, 0.72%

LAB 85.92, -47.44, 28.44

 

CMYK 45 / 0 / 45 / 7

HEX #82ED82

RGB 130 237 130

HSL 120, 0.75%, 0.72%

LAB 85.47, -51.98, 42.33

 

CMYK 33 / 0 / 45 / 7

HEX #9EED82

RGB 158 237 130

HSL 104.3, 0.75%, 0.72%

LAB 86.73, -43.47, 44.18

 

CMYK 21 / 0 / 45 / 7

HEX #BBED82

RGB 187 237 130

HSL 88.04, 0.75%, 0.72%

LAB 88.33, -33.51, 46.53

 

CMYK 45 / 0 / 21 / 7

HEX #82EDBC

RGB 130 237 188

HSL 152.52, 0.75%, 0.72%

LAB 86.48, -41.98, 14.26

 

CMYK 45 / 0 / 9 / 7

HEX #82EDD8

RGB 130 237 216

HSL 168.22, 0.75%, 0.72%

LAB 87.13, -35.89, 0.56

 

CMYK 45 / 4 / 0 / 7

HEX #82E4ED

RGB 130 228 237

HSL 185.05, 0.75%, 0.72%

LAB 85.17, -26.54, -13.38

 

CMYK 45 / 16 / 0 / 7

HEX #82C7ED

RGB 130 199 237

HSL 201.31, 0.75%, 0.72%

LAB 77.11, -11.86, -25.58

 

CMYK 45 / 28 / 0 / 7

HEX #82AAED

RGB 130 170 237

HSL 217.57, 0.75%, 0.72%

LAB 69.19, 3.92, -37.79

 

CMYK 45 / 0 / 21 / 7

HEX #82EDBC

RGB 130 237 188

HSL 152.52, 0.75%, 0.72%

LAB 86.48, -41.98, 14.26

 

CMYK 52 / 0 / 24 / 3

HEX #76F8BD

RGB 118 248 189

HSL 152.77, 0.9%, 0.72%

LAB 89.23, -49.36, 17.55

 

CMYK 45 / 0 / 21 / 7

HEX #82EDBC

RGB 130 237 188

HSL 152.52, 0.75%, 0.72%

LAB 86.48, -41.98, 14.26

 

CMYK 37 / 0 / 17 / 12

HEX #8DE1BB

RGB 141 225 187

HSL 152.86, 0.58%, 0.72%

LAB 83.5, -33.81, 10.62

 

CMYK 29 / 0 / 13 / 16

HEX #99D6BA

RGB 153 214 186

HSL 152.46, 0.43%, 0.72%

LAB 80.97, -25.26, 7.61

 

CMYK 19 / 0 / 8 / 21

HEX #A4CAB9

RGB 164 202 185

HSL 153.16, 0.26%, 0.72%

LAB 78.25, -16.01, 4.32

 

CMYK 7 / 0 / 3 / 25

HEX #B0BEB8

RGB 176 190 184

HSL 154.29, 0.1%, 0.72%

LAB 75.77, -5.96, 1.36

 

CMYK 45 / 0 / 45 / 7

HEX #82ED82

RGB 130 237 130

HSL 120, 0.75%, 0.72%

LAB 85.47, -51.98, 42.33

 

CMYK 45 / 0 / 33 / 7

HEX #82ED9E

RGB 130 237 158

HSL 135.7, 0.75%, 0.72%

LAB 85.9, -47.62, 28.92

 

CMYK 45 / 0 / 21 / 7

HEX #82EDBB

RGB 130 237 187

HSL 151.96, 0.75%, 0.72%

LAB 86.46, -42.18, 14.75

 

CMYK 45 / 0 / 9 / 7

HEX #82EDD7

RGB 130 237 215

HSL 167.66, 0.75%, 0.72%

LAB 87.1, -36.12, 1.05

 

CMYK 45 / 3 / 0 / 7

HEX #82E6ED

RGB 130 230 237

HSL 183.93, 0.75%, 0.72%

LAB 85.73, -27.51, -12.54

 

CMYK 75 / 0 / 34 / 11

HEX #39E295

RGB 57 226 149

HSL 152.66, 0.74%, 0.55%

LAB 80.42, -59.61, 25.79

 

CMYK 60 / 0 / 27 / 9

HEX #5DE7A8

RGB 93 231 168

HSL 152.61, 0.74%, 0.64%

LAB 83.08, -51.86, 19.72

 

CMYK 45 / 0 / 21 / 7

HEX #82EDBC

RGB 130 237 188

HSL 152.52, 0.75%, 0.72%

LAB 86.48, -41.98, 14.26

 

CMYK 31 / 0 / 14 / 5

HEX #A6F2CF

RGB 166 242 207

HSL 152.37, 0.75%, 0.8%

LAB 89.91, -30.63, 9.48

 

CMYK 18 / 0 / 9 / 3

HEX #CAF7E2

RGB 202 247 226

HSL 152, 0.74%, 0.88%

LAB 93.7, -18.42, 5.33

 

CMYK 45 / 0 / 21 / 7

HEX #82EDBC

RGB 130 237 188

HSL 152.52, 0.75%, 0.72%

LAB 86.48, -41.98, 14.26

 

CMYK 45 / 33 / 0 / 7

HEX #829EED

RGB 130 158 237

HSL 224.3, 0.75%, 0.72%

LAB 65.99, 10.74, -42.79

 

CMYK 0 / 39 / 45 / 7

HEX #ED9082

RGB 237 144 130

HSL 7.85, 0.75%, 0.72%

LAB 69.16, 33.66, 22.46

 

CMYK 45 / 0 / 21 / 7

HEX #82EDBC

RGB 130 237 188

HSL 152.52, 0.75%, 0.72%

LAB 86.48, -41.98, 14.26

 

CMYK 21 / 45 / 0 / 7

HEX #BB82ED

RGB 187 130 237

HSL 271.96, 0.75%, 0.72%

LAB 63.87, 41.82, -45.8

 

CMYK 0 / 21 / 45 / 7

HEX #EDBB82

RGB 237 187 130

HSL 31.96, 0.75%, 0.72%

LAB 79.13, 10.92, 35.67

 

CMYK 45 / 0 / 21 / 7

HEX #82EDBC

RGB 130 237 188

HSL 152.52, 0.75%, 0.72%

LAB 86.48, -41.98, 14.26

 

CMYK 45 / 33 / 0 / 7

HEX #829EED

RGB 130 158 237

HSL 224.3, 0.75%, 0.72%

LAB 65.99, 10.74, -42.79

 

CMYK 0 / 45 / 24 / 7

HEX #ED82B4

RGB 237 130 180

HSL 331.96, 0.75%, 0.72%

LAB 67.48, 46.88, -7.95

 

CMYK 0 / 12 / 45 / 7

HEX #EDD082

RGB 237 208 130

HSL 43.74, 0.75%, 0.72%

LAB 84.34, -0.03, 42.33

 

CMYK 45 / 0 / 21 / 7

HEX #82EDBC

RGB 130 237 188

HSL 152.52, 0.75%, 0.72%

LAB 86.48, -41.98, 14.26

 

CMYK 44 / 45 / 0 / 7

HEX #8582ED

RGB 133 130 237

HSL 241.68, 0.75%, 0.72%

LAB 59.04, 27.78, -53.77

 

CMYK 0 / 45 / 24 / 7

HEX #ED82B4

RGB 237 130 180

HSL 331.96, 0.75%, 0.72%

LAB 67.48, 46.88, -7.95

 

CMYK 2 / 0 / 45 / 7

HEX #E9ED82

RGB 233 237 130

HSL 62.24, 0.75%, 0.72%

LAB 91.46, -16.19, 51.09

 

Description

Color code: HEX #82EDBC | qconv.com Color code: HEX #82EDBC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 237 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 237 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 21 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 21% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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