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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82EEDA it is the complementary color #7D1125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82EEDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82EEDA shade: #87EED5, #98FFE8, #A9FFFB, #BAFFFF and #CBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82EEDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82EEDA shade: #82EEDA, #71DCC7, #60CAB4, #4FB8A1 and #3EA68E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82EEDA shade: #81EDD9, #81EDBC, #81ED9F, #81ED81 and #9DED81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82EEDA shade: #81EDD9, #81E4ED, #81C7ED, #81AAED and #818CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82EEDA shade matches the following richer shades: #81EDD9 and #75F9E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82EEDA shade: #81EDD9, #8CE2D2, #98D6CB, #A3CBC3 and #AFBFBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82EEDA shade: #81ED9E, #81EDBB, #81EDD8, #81E6ED and #81C9ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82EEDA shade: #38E3C4, #5DE8CF, #81EDD9, #A5F2E4 and #C9F7EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82EEDA shade: #82EEDA, #8181ED and #EDAC81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82EEDA shade: #82EEDA, #D881ED and #EDD881

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82EEDA shade: #82EEDA, #8181ED, #ED8197 and #EDED81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82EEDA shade: #82EEDA, #A181ED, #ED8197 and #CDED81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 8 / 7

HEX #82EEDA

RGB 130 238 218

HSL 168.89, 0.76%, 0.72%

LAB 87.46, -35.89, -0

 

Complementary color

CMYK 0 / 86 / 70 / 51

HEX #7D1125

RGB 125 17 37

HSL 348.89, 0.76%, 0.28%

LAB 26.43, 44.93, 18.51

 

CMYK 43 / 0 / 11 / 7

HEX #87EED5

RGB 135 238 213

HSL 165.44, 0.75%, 0.73%

LAB 87.54, -35.83, 2.74

 

CMYK 40 / 0 / 9 / 0

HEX #98FFE8

RGB 152 255 232

HSL 166.6, 1%, 0.8%

LAB 93.46, -35.23, 1.57

 

CMYK 34 / 0 / 2 / 0

HEX #A9FFFB

RGB 169 255 251

HSL 177.21, 1%, 0.83%

LAB 94.7, -26.64, -6.33

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFF

RGB 203 255 255

HSL 180, 1%, 0.9%

LAB 96.59, -16.31, -5.41

 

CMYK 45 / 0 / 8 / 7

HEX #82EEDA

RGB 130 238 218

HSL 168.89, 0.76%, 0.72%

LAB 87.46, -35.89, -0

 

CMYK 49 / 0 / 10 / 14

HEX #71DCC7

RGB 113 220 199

HSL 168.22, 0.6%, 0.65%

LAB 81.19, -35.96, 0.8

 

CMYK 52 / 0 / 11 / 21

HEX #60CAB4

RGB 96 202 180

HSL 167.55, 0.5%, 0.58%

LAB 74.84, -35.98, 1.66

 

CMYK 57 / 0 / 13 / 28

HEX #4FB8A1

RGB 79 184 161

HSL 166.86, 0.43%, 0.52%

LAB 68.4, -35.93, 2.59

 

CMYK 63 / 0 / 14 / 35

HEX #3EA68E

RGB 62 166 142

HSL 166.15, 0.46%, 0.45%

LAB 61.87, -35.76, 3.61

 

CMYK 46 / 0 / 8 / 7

HEX #81EDD9

RGB 129 237 217

HSL 168.89, 0.75%, 0.72%

LAB 87.12, -35.89, 0.01

 

CMYK 46 / 0 / 21 / 7

HEX #81EDBC

RGB 129 237 188

HSL 152.78, 0.75%, 0.72%

LAB 86.44, -42.23, 14.2

 

CMYK 46 / 0 / 33 / 7

HEX #81ED9F

RGB 129 237 159

HSL 136.67, 0.75%, 0.72%

LAB 85.88, -47.71, 28.38

 

CMYK 46 / 0 / 46 / 7

HEX #81ED81

RGB 129 237 129

HSL 120, 0.75%, 0.72%

LAB 85.41, -52.4, 42.74

 

CMYK 34 / 0 / 46 / 7

HEX #9DED81

RGB 157 237 129

HSL 104.44, 0.75%, 0.72%

LAB 86.66, -43.92, 44.57

 

CMYK 46 / 0 / 8 / 7

HEX #81EDD9

RGB 129 237 217

HSL 168.89, 0.75%, 0.72%

LAB 87.12, -35.89, 0.01

 

CMYK 46 / 4 / 0 / 7

HEX #81E4ED

RGB 129 228 237

HSL 185, 0.75%, 0.72%

LAB 85.13, -26.76, -13.45

 

CMYK 46 / 16 / 0 / 7

HEX #81C7ED

RGB 129 199 237

HSL 201.11, 0.75%, 0.72%

LAB 77.06, -12.1, -25.66

 

CMYK 46 / 28 / 0 / 7

HEX #81AAED

RGB 129 170 237

HSL 217.22, 0.75%, 0.72%

LAB 69.13, 3.68, -37.88

 

CMYK 46 / 41 / 0 / 7

HEX #818CED

RGB 129 140 237

HSL 233.89, 0.75%, 0.72%

LAB 61.25, 20.96, -50.27

 

CMYK 46 / 0 / 8 / 7

HEX #81EDD9

RGB 129 237 217

HSL 168.89, 0.75%, 0.72%

LAB 87.12, -35.89, 0.01

 

CMYK 53 / 0 / 10 / 2

HEX #75F9E1

RGB 117 249 225

HSL 169.09, 0.92%, 0.72%

LAB 90.31, -42.07, 0.44

 

CMYK 46 / 0 / 8 / 7

HEX #81EDD9

RGB 129 237 217

HSL 168.89, 0.75%, 0.72%

LAB 87.12, -35.89, 0.01

 

CMYK 38 / 0 / 7 / 11

HEX #8CE2D2

RGB 140 226 210

HSL 168.84, 0.6%, 0.72%

LAB 84.29, -29.61, -0.38

 

CMYK 29 / 0 / 5 / 16

HEX #98D6CB

RGB 152 214 203

HSL 169.35, 0.43%, 0.72%

LAB 81.34, -22, -0.91

 

CMYK 20 / 0 / 4 / 20

HEX #A3CBC3

RGB 163 203 195

HSL 168, 0.28%, 0.72%

LAB 78.72, -14.82, -0.39

 

CMYK 8 / 0 / 2 / 25

HEX #AFBFBC

RGB 175 191 188

HSL 168.75, 0.11%, 0.72%

LAB 76.07, -6.06, -0.38

 

CMYK 46 / 0 / 33 / 7

HEX #81ED9E

RGB 129 237 158

HSL 136.11, 0.75%, 0.72%

LAB 85.86, -47.88, 28.86

 

CMYK 46 / 0 / 21 / 7

HEX #81EDBB

RGB 129 237 187

HSL 152.22, 0.75%, 0.72%

LAB 86.42, -42.43, 14.69

 

CMYK 46 / 0 / 9 / 7

HEX #81EDD8

RGB 129 237 216

HSL 168.33, 0.75%, 0.72%

LAB 87.09, -36.13, 0.5

 

CMYK 46 / 3 / 0 / 7

HEX #81E6ED

RGB 129 230 237

HSL 183.89, 0.75%, 0.72%

LAB 85.69, -27.73, -12.61

 

CMYK 46 / 15 / 0 / 7

HEX #81C9ED

RGB 129 201 237

HSL 200, 0.75%, 0.72%

LAB 77.61, -13.15, -24.81

 

CMYK 75 / 0 / 14 / 11

HEX #38E3C4

RGB 56 227 196

HSL 169.12, 0.75%, 0.55%

LAB 81.71, -49.42, 2.96

 

CMYK 60 / 0 / 11 / 9

HEX #5DE8CF

RGB 93 232 207

HSL 169.21, 0.75%, 0.64%

LAB 84.25, -43.47, 0.94

 

CMYK 46 / 0 / 8 / 7

HEX #81EDD9

RGB 129 237 217

HSL 168.89, 0.75%, 0.72%

LAB 87.12, -35.89, 0.01

 

CMYK 32 / 0 / 6 / 5

HEX #A5F2E4

RGB 165 242 228

HSL 169.09, 0.75%, 0.8%

LAB 90.37, -26.56, -0.8

 

CMYK 19 / 0 / 3 / 3

HEX #C9F7EF

RGB 201 247 239

HSL 169.57, 0.74%, 0.88%

LAB 93.96, -16.21, -1.03

 

CMYK 45 / 0 / 8 / 7

HEX #82EEDA

RGB 130 238 218

HSL 168.89, 0.76%, 0.72%

LAB 87.46, -35.89, -0

 

CMYK 46 / 46 / 0 / 7

HEX #8181ED

RGB 129 129 237

HSL 240, 0.75%, 0.72%

LAB 58.49, 27.44, -54.66

 

CMYK 0 / 27 / 46 / 7

HEX #EDAC81

RGB 237 172 129

HSL 23.89, 0.75%, 0.72%

LAB 75.51, 18.75, 31.48

 

CMYK 45 / 0 / 8 / 7

HEX #82EEDA

RGB 130 238 218

HSL 168.89, 0.76%, 0.72%

LAB 87.46, -35.89, -0

 

CMYK 9 / 46 / 0 / 7

HEX #D881ED

RGB 216 129 237

HSL 288.33, 0.75%, 0.72%

LAB 66.83, 50.46, -40.93

 

CMYK 0 / 9 / 46 / 7

HEX #EDD881

RGB 237 216 129

HSL 48.33, 0.75%, 0.72%

LAB 86.36, -4.22, 45.35

 

CMYK 45 / 0 / 8 / 7

HEX #82EEDA

RGB 130 238 218

HSL 168.89, 0.76%, 0.72%

LAB 87.46, -35.89, -0

 

CMYK 46 / 46 / 0 / 7

HEX #8181ED

RGB 129 129 237

HSL 240, 0.75%, 0.72%

LAB 58.49, 27.44, -54.66

 

CMYK 0 / 46 / 36 / 7

HEX #ED8197

RGB 237 129 151

HSL 347.78, 0.75%, 0.72%

LAB 66.47, 43.68, 6.95

 

CMYK 0 / 0 / 46 / 7

HEX #EDED81

RGB 237 237 129

HSL 60, 0.75%, 0.72%

LAB 91.76, -14.72, 51.99

 

CMYK 45 / 0 / 8 / 7

HEX #82EEDA

RGB 130 238 218

HSL 168.89, 0.76%, 0.72%

LAB 87.46, -35.89, -0

 

CMYK 32 / 46 / 0 / 7

HEX #A181ED

RGB 161 129 237

HSL 257.78, 0.75%, 0.72%

LAB 61.13, 35.37, -50.31

 

CMYK 0 / 46 / 36 / 7

HEX #ED8197

RGB 237 129 151

HSL 347.78, 0.75%, 0.72%

LAB 66.47, 43.68, 6.95

 

CMYK 14 / 0 / 46 / 7

HEX #CDED81

RGB 205 237 129

HSL 77.78, 0.75%, 0.72%

LAB 89.46, -27.01, 48.65

 

Description

Color code: HEX #82EEDA | qconv.com Color code: HEX #82EEDA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 238 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 238 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 8 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 8% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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