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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82F014 it is the complementary color #7D0FEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82F014. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82F014 shade: #87F00F, #98FF22, #A9FF35, #BAFF48 and #CBFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82F014. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82F014 shade: #82F014, #71DE01, #60CC00, #4FBA00 and #3EA800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82F014 shade: #82F014, #BDF014, #F0E714, #F0AC14 and #F07014

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82F014 shade: #82F014, #46F014, #14F01C, #14F058 and #14F093

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82F014 shade matches the following richer shades: #82F014

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82F014 shade: #82F014, #82DB28, #82C73C, #82B350 and #829F64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82F014 shade: #F0E814, #BCF014, #82F014, #47F014 and #14F01B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82F014 shade: #58A60A, #6DCD0D, #82F014, #96F23A and #ABF461

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82F014 shade: #82F014, #14F0AE and #F014DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82F014 shade: #82F014, #1482F0 and #F01482

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82F014 shade: #82F014, #14F0AE, #8214F0 and #F01456

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82F014 shade: #82F014, #14F0F0, #8214F0 and #F01414

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 92 / 6

HEX #82F014

RGB 130 240 20

HSL 90, 0.88%, 0.51%

LAB 85.56, -61.55, 80.62

 

Complementary color

CMYK 47 / 94 / 0 / 8

HEX #7D0FEB

RGB 125 15 235

HSL 270, 0.88%, 0.49%

LAB 39.07, 77, -85.08

 

CMYK 44 / 0 / 94 / 6

HEX #87F00F

RGB 135 240 15

HSL 88, 0.88%, 0.5%

LAB 85.76, -60.09, 81.44

 

CMYK 40 / 0 / 87 / 0

HEX #98FF22

RGB 152 255 34

HSL 87.96, 1%, 0.57%

LAB 90.92, -59.96, 83.29

 

CMYK 34 / 0 / 79 / 0

HEX #A9FF35

RGB 169 255 53

HSL 85.54, 1%, 0.6%

LAB 91.78, -53.63, 80.13

 

CMYK 27 / 0 / 72 / 0

HEX #BAFF48

RGB 186 255 72

HSL 82.62, 1%, 0.64%

LAB 92.76, -46.72, 75.71

 

CMYK 20 / 0 / 64 / 0

HEX #CBFF5B

RGB 203 255 91

HSL 79.02, 1%, 0.68%

LAB 93.87, -39.31, 70.29

 

CMYK 46 / 0 / 92 / 6

HEX #82F014

RGB 130 240 20

HSL 90, 0.88%, 0.51%

LAB 85.56, -61.55, 80.62

 

CMYK 49 / 0 / 100 / 13

HEX #71DE01

RGB 113 222 1

HSL 89.59, 0.99%, 0.44%

LAB 79.47, -60.33, 77.31

 

CMYK 53 / 0 / 100 / 20

HEX #60CC00

RGB 96 204 0

HSL 91.76, 1%, 0.4%

LAB 73.33, -58.75, 72.32

 

CMYK 58 / 0 / 100 / 27

HEX #4FBA00

RGB 79 186 0

HSL 94.52, 1%, 0.36%

LAB 67.11, -57.01, 67.17

 

CMYK 63 / 0 / 100 / 34

HEX #3EA800

RGB 62 168 0

HSL 97.86, 1%, 0.33%

LAB 60.81, -55.05, 61.97

 

CMYK 46 / 0 / 92 / 6

HEX #82F014

RGB 130 240 20

HSL 90, 0.88%, 0.51%

LAB 85.56, -61.55, 80.62

 

CMYK 21 / 0 / 92 / 6

HEX #BDF014

RGB 189 240 20

HSL 73.91, 0.88%, 0.51%

LAB 88.54, -40.94, 84.26

 

CMYK 0 / 4 / 92 / 6

HEX #F0E714

RGB 240 231 20

HSL 57.55, 0.88%, 0.51%

LAB 89.73, -16.05, 86.75

 

CMYK 0 / 28 / 92 / 6

HEX #F0AC14

RGB 240 172 20

HSL 41.45, 0.88%, 0.51%

LAB 74.88, 14.1, 75.57

 

CMYK 0 / 53 / 92 / 6

HEX #F07014

RGB 240 112 20

HSL 25.09, 0.88%, 0.51%

LAB 61.8, 45.08, 66.14

 

CMYK 46 / 0 / 92 / 6

HEX #82F014

RGB 130 240 20

HSL 90, 0.88%, 0.51%

LAB 85.56, -61.55, 80.62

 

CMYK 71 / 0 / 92 / 6

HEX #46F014

RGB 70 240 20

HSL 106.36, 0.88%, 0.51%

LAB 83.8, -75.87, 78.44

 

CMYK 92 / 0 / 88 / 6

HEX #14F01C

RGB 20 240 28

HSL 122.18, 0.88%, 0.51%

LAB 83.21, -81.02, 76.5

 

CMYK 92 / 0 / 63 / 6

HEX #14F058

RGB 20 240 88

HSL 138.55, 0.88%, 0.51%

LAB 83.53, -76.86, 58.54

 

CMYK 92 / 0 / 39 / 6

HEX #14F093

RGB 20 240 147

HSL 154.64, 0.88%, 0.51%

LAB 84.26, -68.03, 31.89

 

CMYK 46 / 0 / 92 / 6

HEX #82F014

RGB 130 240 20

HSL 90, 0.88%, 0.51%

LAB 85.56, -61.55, 80.62

 

CMYK 46 / 0 / 92 / 6

HEX #82F014

RGB 130 240 20

HSL 90, 0.88%, 0.51%

LAB 85.56, -61.55, 80.62

 

CMYK 41 / 0 / 82 / 14

HEX #82DB28

RGB 130 219 40

HSL 89.83, 0.71%, 0.51%

LAB 79.36, -52.94, 71.58

 

CMYK 35 / 0 / 70 / 22

HEX #82C73C

RGB 130 199 60

HSL 89.78, 0.55%, 0.51%

LAB 73.49, -43.64, 59.67

 

CMYK 27 / 0 / 55 / 30

HEX #82B350

RGB 130 179 80

HSL 89.7, 0.39%, 0.51%

LAB 67.7, -33.01, 44.75

 

CMYK 18 / 0 / 37 / 38

HEX #829F64

RGB 130 159 100

HSL 89.49, 0.24%, 0.51%

LAB 62.05, -20.82, 27.56

 

CMYK 0 / 3 / 92 / 6

HEX #F0E814

RGB 240 232 20

HSL 57.82, 0.88%, 0.51%

LAB 89.99, -16.54, 86.95

 

CMYK 22 / 0 / 92 / 6

HEX #BCF014

RGB 188 240 20

HSL 74.18, 0.88%, 0.51%

LAB 88.48, -41.33, 84.18

 

CMYK 46 / 0 / 92 / 6

HEX #82F014

RGB 130 240 20

HSL 90, 0.88%, 0.51%

LAB 85.56, -61.55, 80.62

 

CMYK 70 / 0 / 92 / 6

HEX #47F014

RGB 71 240 20

HSL 106.09, 0.88%, 0.51%

LAB 83.81, -75.7, 78.46

 

CMYK 92 / 0 / 89 / 6

HEX #14F01B

RGB 20 240 27

HSL 121.91, 0.88%, 0.51%

LAB 83.2, -81.05, 76.66

 

CMYK 47 / 0 / 94 / 35

HEX #58A60A

RGB 88 166 10

HSL 90, 0.89%, 0.35%

LAB 61.11, -46.74, 61.22

 

CMYK 47 / 0 / 94 / 20

HEX #6DCD0D

RGB 109 205 13

HSL 90, 0.88%, 0.43%

LAB 74.15, -55.07, 71.83

 

CMYK 46 / 0 / 92 / 6

HEX #82F014

RGB 130 240 20

HSL 90, 0.88%, 0.51%

LAB 85.56, -61.55, 80.62

 

CMYK 38 / 0 / 76 / 5

HEX #96F23A

RGB 150 242 58

HSL 90, 0.88%, 0.59%

LAB 87.14, -54.6, 74.09

 

CMYK 30 / 0 / 60 / 4

HEX #ABF461

RGB 171 244 97

HSL 89.8, 0.87%, 0.67%

LAB 89.03, -45.6, 62.09

 

CMYK 46 / 0 / 92 / 6

HEX #82F014

RGB 130 240 20

HSL 90, 0.88%, 0.51%

LAB 85.56, -61.55, 80.62

 

CMYK 92 / 0 / 28 / 6

HEX #14F0AE

RGB 20 240 174

HSL 162, 0.88%, 0.51%

LAB 84.75, -62.46, 18.77

 

CMYK 0 / 92 / 9 / 6

HEX #F014DA

RGB 240 20 218

HSL 306, 0.88%, 0.51%

LAB 56.18, 89.38, -46.85

 

CMYK 46 / 0 / 92 / 6

HEX #82F014

RGB 130 240 20

HSL 90, 0.88%, 0.51%

LAB 85.56, -61.55, 80.62

 

CMYK 92 / 46 / 0 / 6

HEX #1482F0

RGB 20 130 240

HSL 210, 0.88%, 0.51%

LAB 54.45, 12.34, -63.04

 

CMYK 0 / 92 / 46 / 6

HEX #F01482

RGB 240 20 130

HSL 330, 0.88%, 0.51%

LAB 52.55, 79.89, -0.89

 

CMYK 46 / 0 / 92 / 6

HEX #82F014

RGB 130 240 20

HSL 90, 0.88%, 0.51%

LAB 85.56, -61.55, 80.62

 

CMYK 92 / 0 / 28 / 6

HEX #14F0AE

RGB 20 240 174

HSL 162, 0.88%, 0.51%

LAB 84.75, -62.46, 18.77

 

CMYK 46 / 92 / 0 / 6

HEX #8214F0

RGB 130 20 240

HSL 270, 0.88%, 0.51%

LAB 40.47, 77.73, -85.58

 

CMYK 0 / 92 / 64 / 6

HEX #F01456

RGB 240 20 86

HSL 342, 0.88%, 0.51%

LAB 51.49, 76.99, 24.33

 

CMYK 46 / 0 / 92 / 6

HEX #82F014

RGB 130 240 20

HSL 90, 0.88%, 0.51%

LAB 85.56, -61.55, 80.62

 

CMYK 92 / 0 / 0 / 6

HEX #14F0F0

RGB 20 240 240

HSL 180, 0.88%, 0.51%

LAB 86.39, -45.43, -13.39

 

CMYK 46 / 92 / 0 / 6

HEX #8214F0

RGB 130 20 240

HSL 270, 0.88%, 0.51%

LAB 40.47, 77.73, -85.58

 

CMYK 0 / 92 / 92 / 6

HEX #F01414

RGB 240 20 20

HSL 0, 0.88%, 0.51%

LAB 50.78, 74.98, 58.82

 

Description

Color code: HEX #82F014 | qconv.com Color code: HEX #82F014 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 240 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 240 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 92 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 92% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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