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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #831956 it is the complementary color #7CE6A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #831956. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #831956 shade: #881951, #992B64, #AA3D77, #BB4F8A and #CC619D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #831956. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #831956 shade: #831956, #720743, #610030, #50001D and #3F000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #831956 shade: #841957, #84193A, #84191D and #841919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #831956 shade: #841957, #841974, #781984, #5B1984 and #3E1984

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #831956 shade matches the following richer shades: #841957 and #910C59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #831956 shade: #841957, #782655, #6B3253, #5E3F51 and #514C4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #831956 shade: #781984, #841974, #841958, #84193B and #84191E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #831956 shade: #3F0C29, #621240, #841957, #A71F6D and #CA2684

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #831956 shade: #831956, #845B19 and #198384

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #831956 shade: #831956, #588419 and #195884

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #831956 shade: #831956, #845B19, #198446 and #194284

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #831956 shade: #831956, #847B19, #198446 and #192284

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 34 / 49

HEX #831956

RGB 131 25 86

HSL 325.47, 0.68%, 0.31%

LAB 29.89, 48.68, -9.27

 

Complementary color

CMYK 46 / 0 / 27 / 10

HEX #7CE6A9

RGB 124 230 169

HSL 145.47, 0.68%, 0.69%

LAB 83.83, -44.19, 20.4

 

CMYK 0 / 82 / 40 / 47

HEX #881951

RGB 136 25 81

HSL 329.73, 0.69%, 0.32%

LAB 30.7, 49.46, -4.67

 

CMYK 0 / 72 / 35 / 40

HEX #992B64

RGB 153 43 100

HSL 328.91, 0.56%, 0.38%

LAB 36.78, 50.29, -7.52

 

CMYK 0 / 64 / 30 / 33

HEX #AA3D77

RGB 170 61 119

HSL 328.07, 0.47%, 0.45%

LAB 43.09, 50.33, -9.63

 

CMYK 0 / 58 / 26 / 27

HEX #BB4F8A

RGB 187 79 138

HSL 327.22, 0.44%, 0.52%

LAB 49.49, 49.94, -11.25

 

CMYK 0 / 52 / 23 / 20

HEX #CC619D

RGB 204 97 157

HSL 326.36, 0.51%, 0.59%

LAB 55.91, 49.33, -12.55

 

CMYK 0 / 81 / 34 / 49

HEX #831956

RGB 131 25 86

HSL 325.47, 0.68%, 0.31%

LAB 29.89, 48.68, -9.27

 

CMYK 0 / 94 / 41 / 55

HEX #720743

RGB 114 7 67

HSL 326.36, 0.88%, 0.24%

LAB 24.11, 46.49, -5.59

 

CMYK 0 / 100 / 51 / 62

HEX #610030

RGB 97 0 48

HSL 330.31, 1%, 0.19%

LAB 19.03, 41.96, -0.27

 

CMYK 0 / 100 / 64 / 69

HEX #50001D

RGB 80 0 29

HSL 338.25, 1%, 0.16%

LAB 14.37, 35.93, 6.38

 

CMYK 0 / 100 / 84 / 75

HEX #3F000A

RGB 63 0 10

HSL 350.48, 1%, 0.12%

LAB 9.63, 29.93, 11.11

 

CMYK 0 / 81 / 34 / 48

HEX #841957

RGB 132 25 87

HSL 325.23, 0.68%, 0.31%

LAB 30.13, 49.06, -9.54

 

CMYK 0 / 81 / 56 / 48

HEX #84193A

RGB 132 25 58

HSL 341.5, 0.68%, 0.31%

LAB 29.17, 46.16, 8.32

 

CMYK 0 / 81 / 78 / 48

HEX #84191D

RGB 132 25 29

HSL 357.76, 0.68%, 0.31%

LAB 28.62, 44.4, 26.65

 

CMYK 0 / 81 / 81 / 48

HEX #841919

RGB 132 25 25

HSL 0, 0.68%, 0.31%

LAB 28.57, 44.25, 29.05

 

CMYK 0 / 81 / 34 / 48

HEX #841957

RGB 132 25 87

HSL 325.23, 0.68%, 0.31%

LAB 30.13, 49.06, -9.54

 

CMYK 0 / 81 / 12 / 48

HEX #841974

RGB 132 25 116

HSL 308.97, 0.68%, 0.31%

LAB 31.49, 53.02, -26.15

 

CMYK 9 / 81 / 0 / 48

HEX #781984

RGB 120 25 132

HSL 293.27, 0.68%, 0.31%

LAB 30.29, 53.1, -38.28

 

CMYK 31 / 81 / 0 / 48

HEX #5B1984

RGB 91 25 132

HSL 277.01, 0.68%, 0.31%

LAB 25.52, 47.46, -46.22

 

CMYK 53 / 81 / 0 / 48

HEX #3E1984

RGB 62 25 132

HSL 260.75, 0.68%, 0.31%

LAB 21.53, 42.71, -52.91

 

CMYK 0 / 81 / 34 / 48

HEX #841957

RGB 132 25 87

HSL 325.23, 0.68%, 0.31%

LAB 30.13, 49.06, -9.54

 

CMYK 0 / 92 / 39 / 43

HEX #910C59

RGB 145 12 89

HSL 325.26, 0.85%, 0.31%

LAB 31.82, 55.49, -8.05

 

CMYK 0 / 81 / 34 / 48

HEX #841957

RGB 132 25 87

HSL 325.23, 0.68%, 0.31%

LAB 30.13, 49.06, -9.54

 

CMYK 0 / 68 / 29 / 53

HEX #782655

RGB 120 38 85

HSL 325.61, 0.52%, 0.31%

LAB 29.5, 40.53, -9.4

 

CMYK 0 / 53 / 22 / 58

HEX #6B3253

RGB 107 50 83

HSL 325.26, 0.36%, 0.31%

LAB 29.49, 29.81, -8.32

 

CMYK 0 / 33 / 14 / 63

HEX #5E3F51

RGB 94 63 81

HSL 325.16, 0.2%, 0.31%

LAB 30.71, 16.68, -5.38

 

CMYK 0 / 6 / 2 / 68

HEX #514C4F

RGB 81 76 79

HSL 324, 0.03%, 0.31%

LAB 32.88, 2.7, -1.04

 

CMYK 9 / 81 / 0 / 48

HEX #781984

RGB 120 25 132

HSL 293.27, 0.68%, 0.31%

LAB 30.29, 53.1, -38.28

 

CMYK 0 / 81 / 12 / 48

HEX #841974

RGB 132 25 116

HSL 308.97, 0.68%, 0.31%

LAB 31.49, 53.02, -26.15

 

CMYK 0 / 81 / 33 / 48

HEX #841958

RGB 132 25 88

HSL 324.67, 0.68%, 0.31%

LAB 30.17, 49.18, -10.14

 

CMYK 0 / 81 / 55 / 48

HEX #84193B

RGB 132 25 59

HSL 340.93, 0.68%, 0.31%

LAB 29.2, 46.24, 7.68

 

CMYK 0 / 81 / 77 / 48

HEX #84191E

RGB 132 25 30

HSL 357.2, 0.68%, 0.31%

LAB 28.63, 44.45, 26.04

 

CMYK 0 / 81 / 35 / 75

HEX #3F0C29

RGB 63 12 41

HSL 325.88, 0.68%, 0.15%

LAB 12.48, 27.54, -5.76

 

CMYK 0 / 82 / 35 / 62

HEX #621240

RGB 98 18 64

HSL 325.5, 0.69%, 0.23%

LAB 21.58, 39.07, -7.69

 

CMYK 0 / 81 / 34 / 48

HEX #841957

RGB 132 25 87

HSL 325.23, 0.68%, 0.31%

LAB 30.13, 49.06, -9.54

 

CMYK 0 / 81 / 35 / 35

HEX #A71F6D

RGB 167 31 109

HSL 325.59, 0.69%, 0.39%

LAB 38.37, 58.93, -10.55

 

CMYK 0 / 81 / 35 / 21

HEX #CA2684

RGB 202 38 132

HSL 325.61, 0.68%, 0.47%

LAB 46.46, 68.23, -11.95

 

CMYK 0 / 81 / 34 / 49

HEX #831956

RGB 131 25 86

HSL 325.47, 0.68%, 0.31%

LAB 29.89, 48.68, -9.27

 

CMYK 0 / 31 / 81 / 48

HEX #845B19

RGB 132 91 25

HSL 37.01, 0.68%, 0.31%

LAB 41.93, 10.72, 42.17

 

CMYK 81 / 1 / 0 / 48

HEX #198384

RGB 25 131 132

HSL 180.56, 0.68%, 0.31%

LAB 49.62, -27.36, -8.76

 

CMYK 0 / 81 / 34 / 49

HEX #831956

RGB 131 25 86

HSL 325.47, 0.68%, 0.31%

LAB 29.89, 48.68, -9.27

 

CMYK 33 / 0 / 81 / 48

HEX #588419

RGB 88 132 25

HSL 84.67, 0.68%, 0.31%

LAB 50.27, -31.72, 48.55

 

CMYK 81 / 33 / 0 / 48

HEX #195884

RGB 25 88 132

HSL 204.67, 0.68%, 0.31%

LAB 35.7, -3.21, -30.17

 

CMYK 0 / 81 / 34 / 49

HEX #831956

RGB 131 25 86

HSL 325.47, 0.68%, 0.31%

LAB 29.89, 48.68, -9.27

 

CMYK 0 / 31 / 81 / 48

HEX #845B19

RGB 132 91 25

HSL 37.01, 0.68%, 0.31%

LAB 41.93, 10.72, 42.17

 

CMYK 81 / 0 / 47 / 48

HEX #198446

RGB 25 132 70

HSL 145.23, 0.68%, 0.31%

LAB 48.45, -43.68, 25.34

 

CMYK 81 / 50 / 0 / 48

HEX #194284

RGB 25 66 132

HSL 217.01, 0.68%, 0.31%

LAB 28.82, 11.42, -41.14

 

CMYK 0 / 81 / 34 / 49

HEX #831956

RGB 131 25 86

HSL 325.47, 0.68%, 0.31%

LAB 29.89, 48.68, -9.27

 

CMYK 0 / 7 / 81 / 48

HEX #847B19

RGB 132 123 25

HSL 54.95, 0.68%, 0.31%

LAB 50.85, -7.7, 50.31

 

CMYK 81 / 0 / 47 / 48

HEX #198446

RGB 25 132 70

HSL 145.23, 0.68%, 0.31%

LAB 48.45, -43.68, 25.34

 

CMYK 81 / 74 / 0 / 48

HEX #192284

RGB 25 34 132

HSL 234.95, 0.68%, 0.31%

LAB 20.11, 33.4, -55.35

 

Description

Color code: HEX #831956 | qconv.com Color code: HEX #831956 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 25 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 25 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 34 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 34% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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