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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83118C it is the complementary color #7CEE73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83118C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83118C shade: #881187, #99239A, #AA35AD, #BB47C0 and #CC59D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83118C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83118C shade: #83118C, #720079, #610066, #500053 and #3F0040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83118C shade: #83118C, #8C1174, #8C1153, #8C1131 and #8C1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83118C shade: #83118C, #62118C, #41118C, #1F118C and #11118C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83118C shade matches the following richer shades: #83118C and #8E0499

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83118C shade: #83118C, #781E7F, #6D2A73, #623766 and #584459

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83118C shade: #40118C, #61118C, #82118C, #8C1176 and #8C1155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83118C shade: #3E0843, #610C67, #83118C, #A615B1 and #C81AD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83118C shade: #83118C, #8C1F11 and #118C51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83118C shade: #83118C, #8C8211 and #118C82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83118C shade: #83118C, #8C1F11, #1B8C11 and #117E8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83118C shade: #83118C, #8C4411, #1B8C11 and #11598C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 88 / 0 / 45

HEX #83118C

RGB 131 17 140

HSL 295.61, 0.78%, 0.31%

LAB 32.08, 58.66, -40.28

 

Complementary color

CMYK 48 / 0 / 52 / 7

HEX #7CEE73

RGB 124 238 115

HSL 115.61, 0.78%, 0.69%

LAB 85.34, -56.02, 49.26

 

CMYK 0 / 88 / 1 / 47

HEX #881187

RGB 136 17 135

HSL 300.5, 0.78%, 0.3%

LAB 32.67, 58.78, -36.18

 

CMYK 1 / 77 / 0 / 40

HEX #99239A

RGB 153 35 154

HSL 299.5, 0.63%, 0.37%

LAB 38.39, 60.82, -38.54

 

CMYK 2 / 69 / 0 / 32

HEX #AA35AD

RGB 170 53 173

HSL 298.5, 0.53%, 0.44%

LAB 44.39, 61.73, -40.21

 

CMYK 3 / 63 / 0 / 25

HEX #BB47C0

RGB 187 71 192

HSL 297.52, 0.49%, 0.52%

LAB 50.54, 61.96, -41.41

 

CMYK 3 / 58 / 0 / 17

HEX #CC59D3

RGB 204 89 211

HSL 296.56, 0.58%, 0.59%

LAB 56.77, 61.76, -42.31

 

CMYK 6 / 88 / 0 / 45

HEX #83118C

RGB 131 17 140

HSL 295.61, 0.78%, 0.31%

LAB 32.08, 58.66, -40.28

 

CMYK 6 / 100 / 0 / 53

HEX #720079

RGB 114 0 121

HSL 296.53, 1%, 0.24%

LAB 26.61, 55.39, -37.3

 

CMYK 5 / 100 / 0 / 60

HEX #610066

RGB 97 0 102

HSL 297.06, 1%, 0.2%

LAB 21.95, 49.24, -32.7

 

CMYK 4 / 100 / 0 / 67

HEX #500053

RGB 80 0 83

HSL 297.83, 1%, 0.16%

LAB 17.13, 42.9, -27.94

 

CMYK 2 / 100 / 0 / 75

HEX #3F0040

RGB 63 0 64

HSL 299.06, 1%, 0.13%

LAB 12.14, 36.31, -22.96

 

CMYK 6 / 88 / 0 / 45

HEX #83118C

RGB 131 17 140

HSL 295.61, 0.78%, 0.31%

LAB 32.08, 58.66, -40.28

 

CMYK 0 / 88 / 17 / 45

HEX #8C1174

RGB 140 17 116

HSL 311.71, 0.78%, 0.31%

LAB 32.34, 56.74, -24.71

 

CMYK 0 / 88 / 41 / 45

HEX #8C1153

RGB 140 17 83

HSL 327.8, 0.78%, 0.31%

LAB 30.88, 52.72, -5.63

 

CMYK 0 / 88 / 65 / 45

HEX #8C1131

RGB 140 17 49

HSL 344.39, 0.78%, 0.31%

LAB 29.91, 49.93, 15.61

 

CMYK 0 / 88 / 88 / 45

HEX #8C1111

RGB 140 17 17

HSL 0, 0.78%, 0.31%

LAB 29.45, 48.6, 35.06

 

CMYK 6 / 88 / 0 / 45

HEX #83118C

RGB 131 17 140

HSL 295.61, 0.78%, 0.31%

LAB 32.08, 58.66, -40.28

 

CMYK 30 / 88 / 0 / 45

HEX #62118C

RGB 98 17 140

HSL 279.51, 0.78%, 0.31%

LAB 26.42, 52.96, -49.7

 

CMYK 54 / 88 / 0 / 45

HEX #41118C

RGB 65 17 140

HSL 263.41, 0.78%, 0.31%

LAB 21.65, 48.45, -57.72

 

CMYK 78 / 88 / 0 / 45

HEX #1F118C

RGB 31 17 140

HSL 246.83, 0.78%, 0.31%

LAB 18.3, 45.53, -63.36

 

CMYK 88 / 88 / 0 / 45

HEX #11118C

RGB 17 17 140

HSL 240, 0.78%, 0.31%

LAB 17.52, 44.89, -64.68

 

CMYK 6 / 88 / 0 / 45

HEX #83118C

RGB 131 17 140

HSL 295.61, 0.78%, 0.31%

LAB 32.08, 58.66, -40.28

 

CMYK 7 / 97 / 0 / 40

HEX #8E0499

RGB 142 4 153

HSL 295.57, 0.95%, 0.31%

LAB 34.27, 64.76, -44.64

 

CMYK 6 / 88 / 0 / 45

HEX #83118C

RGB 131 17 140

HSL 295.61, 0.78%, 0.31%

LAB 32.08, 58.66, -40.28

 

CMYK 6 / 76 / 0 / 50

HEX #781E7F

RGB 120 30 127

HSL 295.67, 0.62%, 0.31%

LAB 30.53, 50.56, -34.76

 

CMYK 5 / 63 / 0 / 55

HEX #6D2A73

RGB 109 42 115

HSL 295.07, 0.46%, 0.31%

LAB 29.78, 40.52, -28.49

 

CMYK 4 / 46 / 0 / 60

HEX #623766

RGB 98 55 102

HSL 294.89, 0.3%, 0.31%

LAB 30.13, 27.38, -19.75

 

CMYK 1 / 24 / 0 / 65

HEX #584459

RGB 88 68 89

HSL 297.14, 0.13%, 0.31%

LAB 31.65, 12.78, -9.19

 

CMYK 54 / 88 / 0 / 45

HEX #40118C

RGB 64 17 140

HSL 262.93, 0.78%, 0.31%

LAB 21.52, 48.33, -57.93

 

CMYK 31 / 88 / 0 / 45

HEX #61118C

RGB 97 17 140

HSL 279.02, 0.78%, 0.31%

LAB 26.26, 52.8, -49.97

 

CMYK 7 / 88 / 0 / 45

HEX #82118C

RGB 130 17 140

HSL 295.12, 0.78%, 0.31%

LAB 31.9, 58.48, -40.57

 

CMYK 0 / 88 / 16 / 45

HEX #8C1176

RGB 140 17 118

HSL 310.73, 0.78%, 0.31%

LAB 32.45, 57.02, -25.82

 

CMYK 0 / 88 / 39 / 45

HEX #8C1155

RGB 140 17 85

HSL 326.83, 0.78%, 0.31%

LAB 30.95, 52.93, -6.83

 

CMYK 7 / 88 / 0 / 74

HEX #3E0843

RGB 62 8 67

HSL 294.92, 0.79%, 0.15%

LAB 13.25, 33.45, -23.31

 

CMYK 6 / 88 / 0 / 60

HEX #610C67

RGB 97 12 103

HSL 296.04, 0.79%, 0.23%

LAB 22.94, 46.69, -31.76

 

CMYK 6 / 88 / 0 / 45

HEX #83118C

RGB 131 17 140

HSL 295.61, 0.78%, 0.31%

LAB 32.08, 58.66, -40.28

 

CMYK 6 / 88 / 0 / 31

HEX #A615B1

RGB 166 21 177

HSL 295.77, 0.79%, 0.39%

LAB 40.92, 70.36, -48.15

 

CMYK 7 / 88 / 0 / 16

HEX #C81AD6

RGB 200 26 214

HSL 295.53, 0.78%, 0.47%

LAB 49.34, 81.21, -55.88

 

CMYK 6 / 88 / 0 / 45

HEX #83118C

RGB 131 17 140

HSL 295.61, 0.78%, 0.31%

LAB 32.08, 58.66, -40.28

 

CMYK 0 / 78 / 88 / 45

HEX #8C1F11

RGB 140 31 17

HSL 6.83, 0.78%, 0.31%

LAB 30.87, 44.61, 36.27

 

CMYK 88 / 0 / 42 / 45

HEX #118C51

RGB 17 140 81

HSL 151.22, 0.78%, 0.31%

LAB 51.23, -45.44, 22.89

 

CMYK 6 / 88 / 0 / 45

HEX #83118C

RGB 131 17 140

HSL 295.61, 0.78%, 0.31%

LAB 32.08, 58.66, -40.28

 

CMYK 0 / 7 / 88 / 45

HEX #8C8211

RGB 140 130 17

HSL 55.12, 0.78%, 0.31%

LAB 53.58, -8.08, 55.19

 

CMYK 88 / 0 / 7 / 45

HEX #118C82

RGB 17 140 130

HSL 175.12, 0.78%, 0.31%

LAB 52.38, -32.99, -3.5

 

CMYK 6 / 88 / 0 / 45

HEX #83118C

RGB 131 17 140

HSL 295.61, 0.78%, 0.31%

LAB 32.08, 58.66, -40.28

 

CMYK 0 / 78 / 88 / 45

HEX #8C1F11

RGB 140 31 17

HSL 6.83, 0.78%, 0.31%

LAB 30.87, 44.61, 36.27

 

CMYK 81 / 0 / 88 / 45

HEX #1B8C11

RGB 27 140 17

HSL 115.12, 0.78%, 0.31%

LAB 50.72, -52.09, 50.37

 

CMYK 88 / 10 / 0 / 45

HEX #117E8C

RGB 17 126 140

HSL 186.83, 0.78%, 0.31%

LAB 48.18, -22.86, -15.66

 

CMYK 6 / 88 / 0 / 45

HEX #83118C

RGB 131 17 140

HSL 295.61, 0.78%, 0.31%

LAB 32.08, 58.66, -40.28

 

CMYK 0 / 51 / 88 / 45

HEX #8C4411

RGB 140 68 17

HSL 24.88, 0.78%, 0.31%

LAB 37.39, 27.38, 41.79

 

CMYK 81 / 0 / 88 / 45

HEX #1B8C11

RGB 27 140 17

HSL 115.12, 0.78%, 0.31%

LAB 50.72, -52.09, 50.37

 

CMYK 88 / 36 / 0 / 45

HEX #11598C

RGB 17 89 140

HSL 204.88, 0.78%, 0.31%

LAB 36.29, -1.45, -34.14

 

Description

Color code: HEX #83118C | qconv.com Color code: HEX #83118C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 17 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 17 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 88 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 88% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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