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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #831A8D it is the complementary color #7CE572. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #831A8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #831A8D shade: #881A88, #992C9B, #AA3EAE, #BB50C1 and #CC62D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #831A8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #831A8D shade: #831A8D, #72087A, #610067, #500054 and #3F0041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #831A8D shade: #841A8E, #8E1A79, #8E1A59, #8E1A3A and #8E1A1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #831A8D shade: #841A8E, #641A8E, #451A8E, #261A8E and #1A1A8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #831A8D shade matches the following richer shades: #841A8E and #8F0C9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #831A8D shade: #841A8E, #782780, #6D3572, #624265 and #575057

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #831A8D shade: #441A8E, #631A8E, #821A8E, #8E1A7A and #8E1A5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #831A8D shade: #430D48, #63136B, #841A8E, #A420B1 and #C426D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #831A8D shade: #831A8D, #8E251A and #1A8E54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #831A8D shade: #831A8D, #8E821A and #1A8E82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #831A8D shade: #831A8D, #8E251A, #258E1A and #1A828E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #831A8D shade: #831A8D, #8E481A, #258E1A and #1A5F8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 82 / 0 / 45

HEX #831A8D

RGB 131 26 141

HSL 294.78, 0.69%, 0.33%

LAB 32.89, 56.66, -39.59

 

Complementary color

CMYK 46 / 0 / 50 / 10

HEX #7CE572

RGB 124 229 114

HSL 114.78, 0.69%, 0.67%

LAB 82.67, -52.58, 46.48

 

CMYK 0 / 81 / 0 / 47

HEX #881A88

RGB 136 26 136

HSL 300, 0.68%, 0.32%

LAB 33.46, 56.82, -35.54

 

CMYK 1 / 72 / 0 / 39

HEX #992C9B

RGB 153 44 155

HSL 298.92, 0.56%, 0.39%

LAB 39.48, 58.03, -37.41

 

CMYK 2 / 64 / 0 / 32

HEX #AA3EAE

RGB 170 62 174

HSL 297.86, 0.47%, 0.46%

LAB 45.7, 58.38, -38.73

 

CMYK 3 / 59 / 0 / 24

HEX #BB50C1

RGB 187 80 193

HSL 296.81, 0.48%, 0.54%

LAB 52.01, 58.24, -39.68

 

CMYK 4 / 54 / 0 / 17

HEX #CC62D4

RGB 204 98 212

HSL 295.79, 0.57%, 0.61%

LAB 58.35, 57.81, -40.39

 

CMYK 7 / 82 / 0 / 45

HEX #831A8D

RGB 131 26 141

HSL 294.78, 0.69%, 0.33%

LAB 32.89, 56.66, -39.59

 

CMYK 7 / 93 / 0 / 52

HEX #72087A

RGB 114 8 122

HSL 295.79, 0.88%, 0.25%

LAB 27.18, 54.11, -37.03

 

CMYK 6 / 100 / 0 / 60

HEX #610067

RGB 97 0 103

HSL 296.5, 1%, 0.2%

LAB 22.02, 49.41, -33.24

 

CMYK 5 / 100 / 0 / 67

HEX #500054

RGB 80 0 84

HSL 297.14, 1%, 0.16%

LAB 17.21, 43.07, -28.5

 

CMYK 3 / 100 / 0 / 75

HEX #3F0041

RGB 63 0 65

HSL 298.15, 1%, 0.13%

LAB 12.21, 36.49, -23.55

 

CMYK 7 / 82 / 0 / 44

HEX #841A8E

RGB 132 26 142

HSL 294.83, 0.69%, 0.33%

LAB 33.13, 57.03, -39.82

 

CMYK 0 / 82 / 15 / 44

HEX #8E1A79

RGB 142 26 121

HSL 310.86, 0.69%, 0.33%

LAB 33.71, 55.79, -25.7

 

CMYK 0 / 82 / 37 / 44

HEX #8E1A59

RGB 142 26 89

HSL 327.41, 0.69%, 0.33%

LAB 32.28, 51.65, -7.41

 

CMYK 0 / 82 / 59 / 44

HEX #8E1A3A

RGB 142 26 58

HSL 343.45, 0.69%, 0.33%

LAB 31.34, 48.79, 11.62

 

CMYK 0 / 82 / 81 / 44

HEX #8E1A1B

RGB 142 26 27

HSL 359.48, 0.69%, 0.33%

LAB 30.8, 47.14, 30.84

 

CMYK 7 / 82 / 0 / 44

HEX #841A8E

RGB 132 26 142

HSL 294.83, 0.69%, 0.33%

LAB 33.13, 57.03, -39.82

 

CMYK 30 / 82 / 0 / 44

HEX #641A8E

RGB 100 26 142

HSL 278.28, 0.69%, 0.33%

LAB 27.85, 50.97, -48.61

 

CMYK 51 / 82 / 0 / 44

HEX #451A8E

RGB 69 26 142

HSL 262.24, 0.69%, 0.33%

LAB 23.53, 46.02, -55.85

 

CMYK 73 / 82 / 0 / 44

HEX #261A8E

RGB 38 26 142

HSL 246.21, 0.69%, 0.33%

LAB 20.46, 42.52, -61.02

 

CMYK 82 / 82 / 0 / 44

HEX #1A1A8E

RGB 26 26 142

HSL 240, 0.69%, 0.33%

LAB 19.69, 41.64, -62.32

 

CMYK 7 / 82 / 0 / 44

HEX #841A8E

RGB 132 26 142

HSL 294.83, 0.69%, 0.33%

LAB 33.13, 57.03, -39.82

 

CMYK 8 / 92 / 0 / 39

HEX #8F0C9B

RGB 143 12 155

HSL 294.97, 0.86%, 0.33%

LAB 34.94, 64.2, -44.77

 

CMYK 7 / 82 / 0 / 44

HEX #841A8E

RGB 132 26 142

HSL 294.83, 0.69%, 0.33%

LAB 33.13, 57.03, -39.82

 

CMYK 6 / 70 / 0 / 50

HEX #782780

RGB 120 39 128

HSL 294.61, 0.53%, 0.33%

LAB 31.81, 47.28, -33.34

 

CMYK 4 / 54 / 0 / 55

HEX #6D3572

RGB 109 53 114

HSL 295.08, 0.37%, 0.33%

LAB 31.83, 34.62, -24.61

 

CMYK 3 / 35 / 0 / 60

HEX #624265

RGB 98 66 101

HSL 294.86, 0.21%, 0.33%

LAB 32.77, 20.46, -15.03

 

CMYK 0 / 8 / 0 / 66

HEX #575057

RGB 87 80 87

HSL 300, 0.04%, 0.33%

LAB 34.91, 4.34, -3.06

 

CMYK 52 / 82 / 0 / 44

HEX #441A8E

RGB 68 26 142

HSL 261.72, 0.69%, 0.33%

LAB 23.41, 45.89, -56.05

 

CMYK 30 / 82 / 0 / 44

HEX #631A8E

RGB 99 26 142

HSL 277.76, 0.69%, 0.33%

LAB 27.69, 50.79, -48.86

 

CMYK 8 / 82 / 0 / 44

HEX #821A8E

RGB 130 26 142

HSL 293.79, 0.69%, 0.33%

LAB 32.78, 56.63, -40.39

 

CMYK 0 / 82 / 14 / 44

HEX #8E1A7A

RGB 142 26 122

HSL 310.34, 0.69%, 0.33%

LAB 33.76, 55.93, -26.25

 

CMYK 0 / 82 / 36 / 44

HEX #8E1A5B

RGB 142 26 91

HSL 326.38, 0.69%, 0.33%

LAB 32.36, 51.88, -8.6

 

CMYK 7 / 82 / 0 / 72

HEX #430D48

RGB 67 13 72

HSL 294.92, 0.69%, 0.17%

LAB 15.22, 33.8, -23.6

 

CMYK 7 / 82 / 0 / 58

HEX #63136B

RGB 99 19 107

HSL 294.55, 0.7%, 0.25%

LAB 24.26, 45.89, -32.24

 

CMYK 7 / 82 / 0 / 44

HEX #841A8E

RGB 132 26 142

HSL 294.83, 0.69%, 0.33%

LAB 33.13, 57.03, -39.82

 

CMYK 7 / 82 / 0 / 31

HEX #A420B1

RGB 164 32 177

HSL 294.62, 0.69%, 0.41%

LAB 41.37, 67.68, -47.45

 

CMYK 7 / 82 / 0 / 17

HEX #C426D3

RGB 196 38 211

HSL 294.8, 0.69%, 0.49%

LAB 49.28, 77.72, -54.29

 

CMYK 7 / 82 / 0 / 45

HEX #831A8D

RGB 131 26 141

HSL 294.78, 0.69%, 0.33%

LAB 32.89, 56.66, -39.59

 

CMYK 0 / 74 / 82 / 44

HEX #8E251A

RGB 142 37 26

HSL 5.69, 0.69%, 0.33%

LAB 32.14, 43.34, 32.78

 

CMYK 82 / 0 / 41 / 44

HEX #1A8E54

RGB 26 142 84

HSL 150, 0.69%, 0.33%

LAB 52.07, -44.68, 22.36

 

CMYK 7 / 82 / 0 / 45

HEX #831A8D

RGB 131 26 141

HSL 294.78, 0.69%, 0.33%

LAB 32.89, 56.66, -39.59

 

CMYK 0 / 8 / 82 / 44

HEX #8E821A

RGB 142 130 26

HSL 53.79, 0.69%, 0.33%

LAB 53.8, -6.87, 52.97

 

CMYK 82 / 0 / 8 / 44

HEX #1A8E82

RGB 26 142 130

HSL 173.79, 0.69%, 0.33%

LAB 53.14, -33.17, -2.37

 

CMYK 7 / 82 / 0 / 45

HEX #831A8D

RGB 131 26 141

HSL 294.78, 0.69%, 0.33%

LAB 32.89, 56.66, -39.59

 

CMYK 0 / 74 / 82 / 44

HEX #8E251A

RGB 142 37 26

HSL 5.69, 0.69%, 0.33%

LAB 32.14, 43.34, 32.78

 

CMYK 74 / 0 / 82 / 44

HEX #258E1A

RGB 37 142 26

HSL 114.31, 0.69%, 0.33%

LAB 51.63, -50.65, 48.8

 

CMYK 82 / 8 / 0 / 44

HEX #1A828E

RGB 26 130 142

HSL 186.21, 0.69%, 0.33%

LAB 49.66, -23.51, -14.56

 

CMYK 7 / 82 / 0 / 45

HEX #831A8D

RGB 131 26 141

HSL 294.78, 0.69%, 0.33%

LAB 32.89, 56.66, -39.59

 

CMYK 0 / 49 / 82 / 44

HEX #8E481A

RGB 142 72 26

HSL 23.79, 0.69%, 0.33%

LAB 38.66, 26.31, 39.14

 

CMYK 74 / 0 / 82 / 44

HEX #258E1A

RGB 37 142 26

HSL 114.31, 0.69%, 0.33%

LAB 51.63, -50.65, 48.8

 

CMYK 82 / 33 / 0 / 44

HEX #1A5F8E

RGB 26 95 142

HSL 204.31, 0.69%, 0.33%

LAB 38.48, -3.58, -31.87

 

Description

Color code: HEX #831A8D | qconv.com Color code: HEX #831A8D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 26 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 26 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 82 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 82% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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