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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #831ECC it is the complementary color #7CE133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #831ECC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #831ECC shade: #881EC7, #9930DA, #AA42ED, #BB54FF and #CC66FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #831ECC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #831ECC shade: #831ECC, #720CB9, #6100A6, #500093 and #3F0080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #831ECC shade: #831ECC, #B21ECC, #CC1EB7, #CC1E88 and #CC1E59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #831ECC shade: #831ECC, #541ECC, #251ECC and #1E1ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #831ECC shade matches the following richer shades: #831ECC and #860BDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #831ECC shade: #831ECC, #8031B9, #7D44A6, #7A5793 and #776A80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #831ECC shade: #241ECC, #521ECC, #801ECC, #AF1ECC and #CC1EBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #831ECC shade: #551384, #6C19A8, #831ECC, #9733E0 and #AA57E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #831ECC shade: #831ECC, #CC1E47 and #1ECC3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #831ECC shade: #831ECC, #CC801E and #1ECC80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #831ECC shade: #831ECC, #CC1E47, #69CC1E and #1ECCA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #831ECC shade: #831ECC, #CC2A1E, #69CC1E and #1EC0CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 85 / 0 / 20

HEX #831ECC

RGB 131 30 204

HSL 274.83, 0.74%, 0.46%

LAB 38.05, 67.98, -68.93

 

Complementary color

CMYK 45 / 0 / 77 / 12

HEX #7CE133

RGB 124 225 51

HSL 94.83, 0.74%, 0.54%

LAB 80.95, -56.66, 69.92

 

CMYK 32 / 85 / 0 / 22

HEX #881EC7

RGB 136 30 199

HSL 277.63, 0.74%, 0.45%

LAB 38.35, 67.64, -65.49

 

CMYK 30 / 78 / 0 / 15

HEX #9930DA

RGB 153 48 218

HSL 277.06, 0.7%, 0.52%

LAB 44.16, 68.76, -66.9

 

CMYK 28 / 72 / 0 / 7

HEX #AA42ED

RGB 170 66 237

HSL 276.49, 0.83%, 0.59%

LAB 50.16, 69.09, -67.83

 

CMYK 27 / 67 / 0 / 0

HEX #BB54FF

RGB 187 84 255

HSL 276.14, 1%, 0.66%

LAB 56.21, 68.71, -67.98

 

CMYK 20 / 60 / 0 / 0

HEX #CC66FF

RGB 204 102 255

HSL 280, 1%, 0.7%

LAB 61.27, 64.28, -59.74

 

CMYK 36 / 85 / 0 / 20

HEX #831ECC

RGB 131 30 204

HSL 274.83, 0.74%, 0.46%

LAB 38.05, 67.98, -68.93

 

CMYK 38 / 94 / 0 / 27

HEX #720CB9

RGB 114 12 185

HSL 275.38, 0.88%, 0.39%

LAB 32.58, 65.71, -66.84

 

CMYK 42 / 100 / 0 / 35

HEX #6100A6

RGB 97 0 166

HSL 275.06, 1%, 0.33%

LAB 27.56, 61.77, -63.8

 

CMYK 46 / 100 / 0 / 42

HEX #500093

RGB 80 0 147

HSL 272.65, 1%, 0.29%

LAB 23.04, 55.97, -59.7

 

CMYK 51 / 100 / 0 / 50

HEX #3F0080

RGB 63 0 128

HSL 269.53, 1%, 0.25%

LAB 18.43, 50.07, -55.47

 

CMYK 36 / 85 / 0 / 20

HEX #831ECC

RGB 131 30 204

HSL 274.83, 0.74%, 0.46%

LAB 38.05, 67.98, -68.93

 

CMYK 13 / 85 / 0 / 20

HEX #B21ECC

RGB 178 30 204

HSL 291.03, 0.74%, 0.46%

LAB 45.29, 75.18, -56.83

 

CMYK 0 / 85 / 10 / 20

HEX #CC1EB7

RGB 204 30 183

HSL 307.24, 0.74%, 0.46%

LAB 48.49, 76.65, -39.23

 

CMYK 0 / 85 / 33 / 20

HEX #CC1E88

RGB 204 30 136

HSL 323.45, 0.74%, 0.46%

LAB 46.37, 70.88, -14.48

 

CMYK 0 / 85 / 56 / 20

HEX #CC1E59

RGB 204 30 89

HSL 339.66, 0.74%, 0.46%

LAB 44.92, 66.77, 12.42

 

CMYK 36 / 85 / 0 / 20

HEX #831ECC

RGB 131 30 204

HSL 274.83, 0.74%, 0.46%

LAB 38.05, 67.98, -68.93

 

CMYK 59 / 85 / 0 / 20

HEX #541ECC

RGB 84 30 204

HSL 258.62, 0.74%, 0.46%

LAB 32.2, 62.57, -78.77

 

CMYK 82 / 85 / 0 / 20

HEX #251ECC

RGB 37 30 204

HSL 242.41, 0.74%, 0.46%

LAB 28.59, 59.49, -84.85

 

CMYK 85 / 85 / 0 / 20

HEX #1E1ECC

RGB 30 30 204

HSL 240, 0.74%, 0.46%

LAB 28.29, 59.24, -85.37

 

CMYK 36 / 85 / 0 / 20

HEX #831ECC

RGB 131 30 204

HSL 274.83, 0.74%, 0.46%

LAB 38.05, 67.98, -68.93

 

CMYK 40 / 95 / 0 / 13

HEX #860BDF

RGB 134 11 223

HSL 274.81, 0.91%, 0.46%

LAB 38.96, 75.9, -78.38

 

CMYK 36 / 85 / 0 / 20

HEX #831ECC

RGB 131 30 204

HSL 274.83, 0.74%, 0.46%

LAB 38.05, 67.98, -68.93

 

CMYK 31 / 74 / 0 / 27

HEX #8031B9

RGB 128 49 185

HSL 274.85, 0.58%, 0.46%

LAB 38.36, 56.81, -57.32

 

CMYK 25 / 59 / 0 / 35

HEX #7D44A6

RGB 125 68 166

HSL 274.9, 0.42%, 0.46%

LAB 39.99, 42.59, -43.44

 

CMYK 17 / 41 / 0 / 42

HEX #7A5793

RGB 122 87 147

HSL 275, 0.26%, 0.46%

LAB 42.85, 26.37, -27.57

 

CMYK 7 / 17 / 0 / 50

HEX #776A80

RGB 119 106 128

HSL 275.45, 0.09%, 0.46%

LAB 46.7, 9.57, -10.31

 

CMYK 82 / 85 / 0 / 20

HEX #241ECC

RGB 36 30 204

HSL 242.07, 0.74%, 0.46%

LAB 28.55, 59.45, -84.93

 

CMYK 60 / 85 / 0 / 20

HEX #521ECC

RGB 82 30 204

HSL 257.93, 0.74%, 0.46%

LAB 31.99, 62.39, -79.11

 

CMYK 37 / 85 / 0 / 20

HEX #801ECC

RGB 128 30 204

HSL 273.79, 0.74%, 0.46%

LAB 37.62, 67.58, -69.64

 

CMYK 14 / 85 / 0 / 20

HEX #AF1ECC

RGB 175 30 204

HSL 290, 0.74%, 0.46%

LAB 44.8, 74.68, -57.64

 

CMYK 0 / 85 / 9 / 20

HEX #CC1EBA

RGB 204 30 186

HSL 306.21, 0.74%, 0.46%

LAB 48.65, 77.07, -40.74

 

CMYK 36 / 86 / 0 / 48

HEX #551384

RGB 85 19 132

HSL 275.04, 0.75%, 0.3%

LAB 23.88, 48.54, -48.93

 

CMYK 36 / 85 / 0 / 34

HEX #6C19A8

RGB 108 25 168

HSL 274.83, 0.74%, 0.38%

LAB 31.14, 58.33, -59.07

 

CMYK 36 / 85 / 0 / 20

HEX #831ECC

RGB 131 30 204

HSL 274.83, 0.74%, 0.46%

LAB 38.05, 67.98, -68.93

 

CMYK 33 / 77 / 0 / 12

HEX #9733E0

RGB 151 51 224

HSL 274.68, 0.74%, 0.54%

LAB 44.7, 68.66, -69.46

 

CMYK 26 / 62 / 0 / 10

HEX #AA57E5

RGB 170 87 229

HSL 275.07, 0.73%, 0.62%

LAB 52.97, 58.09, -58.8

 

CMYK 36 / 85 / 0 / 20

HEX #831ECC

RGB 131 30 204

HSL 274.83, 0.74%, 0.46%

LAB 38.05, 67.98, -68.93

 

CMYK 0 / 85 / 65 / 20

HEX #CC1E47

RGB 204 30 71

HSL 345.86, 0.74%, 0.46%

LAB 44.55, 65.67, 23.11

 

CMYK 85 / 0 / 71 / 20

HEX #1ECC3B

RGB 30 204 59

HSL 130, 0.74%, 0.46%

LAB 72.08, -68.45, 57.65

 

CMYK 36 / 85 / 0 / 20

HEX #831ECC

RGB 131 30 204

HSL 274.83, 0.74%, 0.46%

LAB 38.05, 67.98, -68.93

 

CMYK 0 / 37 / 85 / 20

HEX #CC801E

RGB 204 128 30

HSL 33.79, 0.74%, 0.46%

LAB 60.22, 22.37, 59.93

 

CMYK 85 / 0 / 37 / 20

HEX #1ECC80

RGB 30 204 128

HSL 153.79, 0.74%, 0.46%

LAB 72.91, -58.54, 26.5

 

CMYK 36 / 85 / 0 / 20

HEX #831ECC

RGB 131 30 204

HSL 274.83, 0.74%, 0.46%

LAB 38.05, 67.98, -68.93

 

CMYK 0 / 85 / 65 / 20

HEX #CC1E47

RGB 204 30 71

HSL 345.86, 0.74%, 0.46%

LAB 44.55, 65.67, 23.11

 

CMYK 49 / 0 / 85 / 20

HEX #69CC1E

RGB 105 204 30

HSL 94.14, 0.74%, 0.46%

LAB 73.73, -55.45, 68.55

 

CMYK 85 / 0 / 20 / 20

HEX #1ECCA3

RGB 30 204 163

HSL 165.86, 0.74%, 0.46%

LAB 73.61, -50.67, 8.88

 

CMYK 36 / 85 / 0 / 20

HEX #831ECC

RGB 131 30 204

HSL 274.83, 0.74%, 0.46%

LAB 38.05, 67.98, -68.93

 

CMYK 0 / 79 / 85 / 20

HEX #CC2A1E

RGB 204 42 30

HSL 4.14, 0.74%, 0.46%

LAB 45.06, 61.22, 47.14

 

CMYK 49 / 0 / 85 / 20

HEX #69CC1E

RGB 105 204 30

HSL 94.14, 0.74%, 0.46%

LAB 73.73, -55.45, 68.55

 

CMYK 85 / 6 / 0 / 20

HEX #1EC0CC

RGB 30 192 204

HSL 184.14, 0.74%, 0.46%

LAB 71.1, -33.93, -17.1

 

Description

Color code: HEX #831ECC | qconv.com Color code: HEX #831ECC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 30 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 30 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 85 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 85% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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