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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #831F3F it is the complementary color #7CE0C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #831F3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #831F3F shade: #881F3A, #99314D, #AA4360, #BB5573 and #CC6786

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #831F3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #831F3F shade: #831F3F, #720D2C, #610019, #500006 and #3F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #831F3F shade: #841F3F, #841F24 and #841F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #831F3F shade: #841F3F, #841F5A, #841F75, #771F84 and #5B1F84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #831F3F shade matches the following richer shades: #841F3F, #91113A and #9E0435

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #831F3F shade: #841F3F, #762C44, #693948, #5C464D and #4F5352

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #831F3F shade: #841F76, #841F5B, #841F40, #841F25 and #84331F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #831F3F shade: #410F1F, #62172F, #841F3F, #A5264F and #C72E5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #831F3F shade: #831F3F, #84761F and #1F6984

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #831F3F shade: #831F3F, #40841F and #1F4084

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #831F3F shade: #831F3F, #84761F, #1F8462 and #1F2C84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #831F3F shade: #831F3F, #73841F, #1F8462 and #2F1F84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 52 / 49

HEX #831F3F

RGB 131 31 63

HSL 340.8, 0.62%, 0.32%

LAB 29.82, 44.27, 5.86

 

Complementary color

CMYK 45 / 0 / 14 / 12

HEX #7CE0C0

RGB 124 224 192

HSL 160.8, 0.62%, 0.68%

LAB 82.59, -36.78, 6.59

 

CMYK 0 / 77 / 57 / 47

HEX #881F3A

RGB 136 31 58

HSL 344.57, 0.63%, 0.33%

LAB 30.69, 45.39, 10.54

 

CMYK 0 / 68 / 50 / 40

HEX #99314D

RGB 153 49 77

HSL 343.85, 0.51%, 0.4%

LAB 36.94, 45.43, 7.38

 

CMYK 0 / 61 / 44 / 33

HEX #AA4360

RGB 170 67 96

HSL 343.11, 0.43%, 0.46%

LAB 43.37, 44.91, 4.99

 

CMYK 0 / 55 / 39 / 27

HEX #BB5573

RGB 187 85 115

HSL 342.35, 0.43%, 0.53%

LAB 49.86, 44.15, 3.1

 

CMYK 0 / 50 / 34 / 20

HEX #CC6786

RGB 204 103 134

HSL 341.58, 0.5%, 0.6%

LAB 56.35, 43.29, 1.55

 

CMYK 0 / 76 / 52 / 49

HEX #831F3F

RGB 131 31 63

HSL 340.8, 0.62%, 0.32%

LAB 29.82, 44.27, 5.86

 

CMYK 0 / 89 / 61 / 55

HEX #720D2C

RGB 114 13 44

HSL 341.58, 0.8%, 0.25%

LAB 23.83, 43.15, 9.87

 

CMYK 0 / 100 / 74 / 62

HEX #610019

RGB 97 0 25

HSL 344.54, 1%, 0.19%

LAB 18.42, 40.31, 15.4

 

CMYK 0 / 100 / 93 / 69

HEX #500006

RGB 80 0 6

HSL 355.5, 1%, 0.16%

LAB 13.94, 34.76, 19.34

 

CMYK 0 / 100 / 100 / 75

HEX #3F0000

RGB 63 0 0

HSL 0, 1%, 0.12%

LAB 9.46, 29.45, 14.93

 

CMYK 0 / 77 / 52 / 48

HEX #841F3F

RGB 132 31 63

HSL 340.99, 0.62%, 0.32%

LAB 30.02, 44.58, 6.17

 

CMYK 0 / 77 / 73 / 48

HEX #841F24

RGB 132 31 36

HSL 357.03, 0.62%, 0.32%

LAB 29.44, 42.68, 23.18

 

CMYK 0 / 77 / 77 / 48

HEX #841F1F

RGB 132 31 31

HSL 0, 0.62%, 0.32%

LAB 29.37, 42.44, 26.25

 

CMYK 0 / 77 / 52 / 48

HEX #841F3F

RGB 132 31 63

HSL 340.99, 0.62%, 0.32%

LAB 30.02, 44.58, 6.17

 

CMYK 0 / 77 / 32 / 48

HEX #841F5A

RGB 132 31 90

HSL 324.95, 0.62%, 0.32%

LAB 30.93, 47.49, -10.29

 

CMYK 0 / 77 / 11 / 48

HEX #841F75

RGB 132 31 117

HSL 308.91, 0.62%, 0.32%

LAB 32.19, 51.32, -25.69

 

CMYK 10 / 77 / 0 / 48

HEX #771F84

RGB 119 31 132

HSL 292.28, 0.62%, 0.32%

LAB 30.8, 50.92, -37.46

 

CMYK 31 / 77 / 0 / 48

HEX #5B1F84

RGB 91 31 132

HSL 275.64, 0.62%, 0.32%

LAB 26.36, 45.04, -44.85

 

CMYK 0 / 77 / 52 / 48

HEX #841F3F

RGB 132 31 63

HSL 340.99, 0.62%, 0.32%

LAB 30.02, 44.58, 6.17

 

CMYK 0 / 88 / 60 / 43

HEX #91113A

RGB 145 17 58

HSL 340.78, 0.79%, 0.32%

LAB 31.18, 51.88, 11.5

 

CMYK 0 / 97 / 66 / 38

HEX #9E0435

RGB 158 4 53

HSL 340.91, 0.95%, 0.32%

LAB 33.16, 57, 17.96

 

CMYK 0 / 77 / 52 / 48

HEX #841F3F

RGB 132 31 63

HSL 340.99, 0.62%, 0.32%

LAB 30.02, 44.58, 6.17

 

CMYK 0 / 63 / 42 / 54

HEX #762C44

RGB 118 44 68

HSL 340.54, 0.46%, 0.32%

LAB 29.59, 34.84, 1.89

 

CMYK 0 / 46 / 31 / 59

HEX #693948

RGB 105 57 72

HSL 341.25, 0.3%, 0.32%

LAB 30.39, 23.26, 0.18

 

CMYK 0 / 24 / 16 / 64

HEX #5C464D

RGB 92 70 77

HSL 340.91, 0.14%, 0.32%

LAB 32.24, 10.68, -0.56

 

CMYK 5 / 0 / 1 / 67

HEX #4F5352

RGB 79 83 82

HSL 165, 0.02%, 0.32%

LAB 34.92, -1.82, 0.02

 

CMYK 0 / 77 / 11 / 48

HEX #841F76

RGB 132 31 118

HSL 308.32, 0.62%, 0.32%

LAB 32.24, 51.48, -26.24

 

CMYK 0 / 77 / 31 / 48

HEX #841F5B

RGB 132 31 91

HSL 324.36, 0.62%, 0.32%

LAB 30.97, 47.61, -10.88

 

CMYK 0 / 77 / 52 / 48

HEX #841F40

RGB 132 31 64

HSL 340.4, 0.62%, 0.32%

LAB 30.05, 44.67, 5.54

 

CMYK 0 / 77 / 72 / 48

HEX #841F25

RGB 132 31 37

HSL 356.44, 0.62%, 0.32%

LAB 29.46, 42.73, 22.56

 

CMYK 0 / 61 / 77 / 48

HEX #84331F

RGB 132 51 31

HSL 11.88, 0.62%, 0.32%

LAB 32.64, 33.62, 29.87

 

CMYK 0 / 77 / 52 / 75

HEX #410F1F

RGB 65 15 31

HSL 340.8, 0.63%, 0.16%

LAB 13.01, 25.57, 2.49

 

CMYK 0 / 77 / 52 / 62

HEX #62172F

RGB 98 23 47

HSL 340.8, 0.62%, 0.24%

LAB 21.63, 35.27, 4.21

 

CMYK 0 / 77 / 52 / 48

HEX #841F3F

RGB 132 31 63

HSL 340.99, 0.62%, 0.32%

LAB 30.02, 44.58, 6.17

 

CMYK 0 / 77 / 52 / 35

HEX #A5264F

RGB 165 38 79

HSL 340.63, 0.63%, 0.4%

LAB 37.75, 53.41, 7.57

 

CMYK 0 / 77 / 52 / 22

HEX #C72E5F

RGB 199 46 95

HSL 340.78, 0.62%, 0.48%

LAB 45.53, 61.83, 9.39

 

CMYK 0 / 76 / 52 / 49

HEX #831F3F

RGB 131 31 63

HSL 340.8, 0.62%, 0.32%

LAB 29.82, 44.27, 5.86

 

CMYK 0 / 11 / 77 / 48

HEX #84761F

RGB 132 118 31

HSL 51.68, 0.62%, 0.32%

LAB 49.45, -4.65, 46.88

 

CMYK 77 / 20 / 0 / 48

HEX #1F6984

RGB 31 105 132

HSL 196.04, 0.62%, 0.32%

LAB 41.31, -12.72, -21.4

 

CMYK 0 / 76 / 52 / 49

HEX #831F3F

RGB 131 31 63

HSL 340.8, 0.62%, 0.32%

LAB 29.82, 44.27, 5.86

 

CMYK 52 / 0 / 77 / 48

HEX #40841F

RGB 64 132 31

HSL 100.4, 0.62%, 0.32%

LAB 49.12, -39.92, 44.96

 

CMYK 77 / 52 / 0 / 48

HEX #1F4084

RGB 31 64 132

HSL 220.4, 0.62%, 0.32%

LAB 28.44, 13.56, -41.74

 

CMYK 0 / 76 / 52 / 49

HEX #831F3F

RGB 131 31 63

HSL 340.8, 0.62%, 0.32%

LAB 29.82, 44.27, 5.86

 

CMYK 0 / 11 / 77 / 48

HEX #84761F

RGB 132 118 31

HSL 51.68, 0.62%, 0.32%

LAB 49.45, -4.65, 46.88

 

CMYK 77 / 0 / 26 / 48

HEX #1F8462

RGB 31 132 98

HSL 159.8, 0.62%, 0.32%

LAB 49.1, -36.79, 10.38

 

CMYK 77 / 67 / 0 / 48

HEX #1F2C84

RGB 31 44 132

HSL 232.28, 0.62%, 0.32%

LAB 22.86, 27.43, -50.82

 

CMYK 0 / 76 / 52 / 49

HEX #831F3F

RGB 131 31 63

HSL 340.8, 0.62%, 0.32%

LAB 29.82, 44.27, 5.86

 

CMYK 13 / 0 / 77 / 48

HEX #73841F

RGB 115 132 31

HSL 70.1, 0.62%, 0.32%

LAB 52.11, -20.02, 48.89

 

CMYK 77 / 0 / 26 / 48

HEX #1F8462

RGB 31 132 98

HSL 159.8, 0.62%, 0.32%

LAB 49.1, -36.79, 10.38

 

CMYK 64 / 77 / 0 / 48

HEX #2F1F84

RGB 47 31 132

HSL 249.5, 0.62%, 0.32%

LAB 21.02, 37.59, -53.8

 

Description

Color code: HEX #831F3F | qconv.com Color code: HEX #831F3F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 31 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 31 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 52 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 52% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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