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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8339CA it is the complementary color #7CC635. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8339CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8339CA shade: #8839C5, #994BD8, #AA5DEB, #BB6FFE and #CC81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8339CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8339CA shade: #8339CA, #7227B7, #6115A4, #500391 and #3F007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8339CA shade: #8339CA, #AA39CA, #CA39C3, #CA399C and #CA3975

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8339CA shade: #8339CA, #5C39CA and #3939CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8339CA shade matches the following richer shades: #8339CA, #8325DE and #8411F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8339CA shade: #8339CA, #834DB6, #8262A2, #82768D and #818A79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8339CA shade: #393ECA, #5B39CA, #8239CA, #A839CA and #CA39C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8339CA shade: #59258C, #6E2DAC, #8339CA, #975AD3 and #AC7ADB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8339CA shade: #8339CA, #CA3965 and #39CA48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8339CA shade: #8339CA, #CA8239 and #39CA82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8339CA shade: #8339CA, #CA3965, #82CA39 and #39CA9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8339CA shade: #8339CA, #CA3939, #82CA39 and #39CACA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 72 / 0 / 21

HEX #8339CA

RGB 131 57 202

HSL 270.62, 0.58%, 0.51%

LAB 41.24, 57.85, -62.56

 

Complementary color

CMYK 37 / 0 / 73 / 22

HEX #7CC635

RGB 124 198 53

HSL 90.62, 0.58%, 0.49%

LAB 72.85, -45.77, 61.46

 

CMYK 31 / 71 / 0 / 23

HEX #8839C5

RGB 136 57 197

HSL 273.86, 0.55%, 0.5%

LAB 41.52, 57.64, -59.17

 

CMYK 29 / 65 / 0 / 15

HEX #994BD8

RGB 153 75 216

HSL 273.19, 0.64%, 0.57%

LAB 47.96, 57.2, -59.6

 

CMYK 28 / 60 / 0 / 8

HEX #AA5DEB

RGB 170 93 235

HSL 272.54, 0.78%, 0.64%

LAB 54.42, 56.5, -59.84

 

CMYK 26 / 56 / 0 / 0

HEX #BB6FFE

RGB 187 111 254

HSL 271.89, 0.99%, 0.72%

LAB 60.86, 55.69, -59.96

 

CMYK 20 / 49 / 0 / 0

HEX #CC81FF

RGB 204 129 255

HSL 275.71, 1%, 0.75%

LAB 66.33, 50.88, -51.69

 

CMYK 35 / 72 / 0 / 21

HEX #8339CA

RGB 131 57 202

HSL 270.62, 0.58%, 0.51%

LAB 41.24, 57.85, -62.56

 

CMYK 38 / 79 / 0 / 28

HEX #7227B7

RGB 114 39 183

HSL 271.25, 0.65%, 0.44%

LAB 34.9, 57.91, -61.85

 

CMYK 41 / 87 / 0 / 36

HEX #6115A4

RGB 97 21 164

HSL 271.89, 0.77%, 0.36%

LAB 28.79, 57.05, -60.56

 

CMYK 45 / 98 / 0 / 43

HEX #500391

RGB 80 3 145

HSL 272.54, 0.96%, 0.29%

LAB 23.05, 54.85, -58.45

 

CMYK 50 / 100 / 0 / 51

HEX #3F007E

RGB 63 0 126

HSL 270, 1%, 0.25%

LAB 18.2, 49.61, -54.58

 

CMYK 35 / 72 / 0 / 21

HEX #8339CA

RGB 131 57 202

HSL 270.62, 0.58%, 0.51%

LAB 41.24, 57.85, -62.56

 

CMYK 16 / 72 / 0 / 21

HEX #AA39CA

RGB 170 57 202

HSL 286.76, 0.58%, 0.51%

LAB 46.63, 65.5, -53.59

 

CMYK 0 / 72 / 3 / 21

HEX #CA39C3

RGB 202 57 195

HSL 302.9, 0.58%, 0.51%

LAB 51.18, 71.09, -41.99

 

CMYK 0 / 72 / 23 / 21

HEX #CA399C

RGB 202 57 156

HSL 319.03, 0.58%, 0.51%

LAB 49.35, 65.49, -21.97

 

CMYK 0 / 72 / 42 / 21

HEX #CA3975

RGB 202 57 117

HSL 335.17, 0.58%, 0.51%

LAB 47.97, 61.01, -0.56

 

CMYK 35 / 72 / 0 / 21

HEX #8339CA

RGB 131 57 202

HSL 270.62, 0.58%, 0.51%

LAB 41.24, 57.85, -62.56

 

CMYK 54 / 72 / 0 / 21

HEX #5C39CA

RGB 92 57 202

HSL 254.48, 0.58%, 0.51%

LAB 36.87, 51.26, -69.88

 

CMYK 72 / 72 / 0 / 21

HEX #3939CA

RGB 57 57 202

HSL 240, 0.58%, 0.51%

LAB 34.11, 46.88, -74.52

 

CMYK 35 / 72 / 0 / 21

HEX #8339CA

RGB 131 57 202

HSL 270.62, 0.58%, 0.51%

LAB 41.24, 57.85, -62.56

 

CMYK 41 / 83 / 0 / 13

HEX #8325DE

RGB 131 37 222

HSL 270.49, 0.74%, 0.51%

LAB 40.28, 69.91, -75.65

 

CMYK 45 / 93 / 0 / 5

HEX #8411F2

RGB 132 17 242

HSL 270.67, 0.9%, 0.51%

LAB 40.76, 78.83, -86.22

 

CMYK 35 / 72 / 0 / 21

HEX #8339CA

RGB 131 57 202

HSL 270.62, 0.58%, 0.51%

LAB 41.24, 57.85, -62.56

 

CMYK 28 / 58 / 0 / 29

HEX #834DB6

RGB 131 77 182

HSL 270.86, 0.42%, 0.51%

LAB 43.52, 43.08, -47.21

 

CMYK 20 / 40 / 0 / 36

HEX #8262A2

RGB 130 98 162

HSL 270, 0.26%, 0.51%

LAB 47.09, 25.92, -29.81

 

CMYK 8 / 16 / 0 / 45

HEX #82768D

RGB 130 118 141

HSL 271.3, 0.09%, 0.51%

LAB 51.41, 9.25, -10.82

 

CMYK 7 / 0 / 12 / 46

HEX #818A79

RGB 129 138 121

HSL 91.76, 0.07%, 0.51%

LAB 56.31, -6.6, 7.98

 

CMYK 72 / 69 / 0 / 21

HEX #393ECA

RGB 57 62 202

HSL 237.93, 0.58%, 0.51%

LAB 35.16, 43.98, -72.78

 

CMYK 55 / 72 / 0 / 21

HEX #5B39CA

RGB 91 57 202

HSL 254.07, 0.58%, 0.51%

LAB 36.77, 51.11, -70.04

 

CMYK 36 / 72 / 0 / 21

HEX #8239CA

RGB 130 57 202

HSL 270.21, 0.58%, 0.51%

LAB 41.11, 57.66, -62.77

 

CMYK 17 / 72 / 0 / 21

HEX #A839CA

RGB 168 57 202

HSL 285.93, 0.58%, 0.51%

LAB 46.33, 65.09, -54.08

 

CMYK 0 / 72 / 2 / 21

HEX #CA39C5

RGB 202 57 197

HSL 302.07, 0.58%, 0.51%

LAB 51.28, 71.41, -42.98

 

CMYK 36 / 74 / 0 / 45

HEX #59258C

RGB 89 37 140

HSL 270.29, 0.58%, 0.35%

LAB 27.68, 43.87, -47.71

 

CMYK 36 / 74 / 0 / 33

HEX #6E2DAC

RGB 110 45 172

HSL 270.71, 0.59%, 0.43%

LAB 34.34, 52.13, -56.25

 

CMYK 35 / 72 / 0 / 21

HEX #8339CA

RGB 131 57 202

HSL 270.62, 0.58%, 0.51%

LAB 41.24, 57.85, -62.56

 

CMYK 28 / 57 / 0 / 17

HEX #975AD3

RGB 151 90 211

HSL 270.25, 0.58%, 0.59%

LAB 50.21, 48, -53.15

 

CMYK 21 / 44 / 0 / 14

HEX #AC7ADB

RGB 172 122 219

HSL 270.93, 0.57%, 0.67%

LAB 59.71, 37.95, -42.44

 

CMYK 35 / 72 / 0 / 21

HEX #8339CA

RGB 131 57 202

HSL 270.62, 0.58%, 0.51%

LAB 41.24, 57.85, -62.56

 

CMYK 0 / 72 / 50 / 21

HEX #CA3965

RGB 202 57 101

HSL 341.79, 0.58%, 0.51%

LAB 47.52, 59.55, 8.59

 

CMYK 72 / 0 / 64 / 21

HEX #39CA48

RGB 57 202 72

HSL 126.21, 0.58%, 0.51%

LAB 71.95, -63.15, 52.45

 

CMYK 35 / 72 / 0 / 21

HEX #8339CA

RGB 131 57 202

HSL 270.62, 0.58%, 0.51%

LAB 41.24, 57.85, -62.56

 

CMYK 0 / 36 / 72 / 21

HEX #CA8239

RGB 202 130 57

HSL 30.21, 0.58%, 0.51%

LAB 60.62, 21.44, 49.43

 

CMYK 72 / 0 / 36 / 21

HEX #39CA82

RGB 57 202 130

HSL 150.21, 0.58%, 0.51%

LAB 72.71, -54.34, 25.26

 

CMYK 35 / 72 / 0 / 21

HEX #8339CA

RGB 131 57 202

HSL 270.62, 0.58%, 0.51%

LAB 41.24, 57.85, -62.56

 

CMYK 0 / 72 / 50 / 21

HEX #CA3965

RGB 202 57 101

HSL 341.79, 0.58%, 0.51%

LAB 47.52, 59.55, 8.59

 

CMYK 36 / 0 / 72 / 21

HEX #82CA39

RGB 130 202 57

HSL 89.79, 0.58%, 0.51%

LAB 74.37, -45.11, 61.66

 

CMYK 72 / 0 / 21 / 21

HEX #39CA9F

RGB 57 202 159

HSL 162.21, 0.58%, 0.51%

LAB 73.29, -48.03, 10.63

 

CMYK 35 / 72 / 0 / 21

HEX #8339CA

RGB 131 57 202

HSL 270.62, 0.58%, 0.51%

LAB 41.24, 57.85, -62.56

 

CMYK 0 / 72 / 72 / 21

HEX #CA3939

RGB 202 57 57

HSL 0, 0.58%, 0.51%

LAB 46.68, 56.7, 34.07

 

CMYK 36 / 0 / 72 / 21

HEX #82CA39

RGB 130 202 57

HSL 89.79, 0.58%, 0.51%

LAB 74.37, -45.11, 61.66

 

CMYK 72 / 0 / 0 / 21

HEX #39CACA

RGB 57 202 202

HSL 180, 0.58%, 0.51%

LAB 74.43, -36.7, -10.97

 

Description

Color code: HEX #8339CA | qconv.com Color code: HEX #8339CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 57 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 57 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 72 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 72% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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