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Color name
HEX #833DFA

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #833DFA it is the complementary color #7CC205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #833DFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #833DFA shade: #883DF5, #994FFF, #AA61FF, #BB73FF and #CC85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #833DFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #833DFA shade: #833DFA, #722BE7, #6119D4, #5007C1 and #3F00AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #833DFA shade: #833DFA, #B63DFA, #E83DFA, #FA3DD8 and #FA3DA5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #833DFA shade: #833DFA, #503DFA and #3D3DFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #833DFA shade matches the following richer shades: #833DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #833DFA shade: #833DFA, #874DE9, #8B5DD9, #8F6DC9 and #937DB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #833DFA shade: #3D5CFA, #4F3DFA, #823DFA, #B43DFA and #E73DFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #833DFA shade: #5605DE, #6914F8, #833DFA, #9C65FB and #B68DFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #833DFA shade: #833DFA, #FA3D8E and #43FA3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #833DFA shade: #833DFA, #FA823D and #3DFA82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #833DFA shade: #833DFA, #FA3D8E, #B4FA3D and #3DFAA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #833DFA shade: #833DFA, #FA3D56, #B4FA3D and #3DFAE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 76 / 0 / 2

HEX #833DFA

RGB 131 61 250

HSL 262.22, 0.95%, 0.61%

LAB 45.72, 67.77, -82.56

 

Complementary color

CMYK 36 / 0 / 97 / 24

HEX #7CC205

RGB 124 194 5

HSL 82.22, 0.95%, 0.39%

LAB 71.47, -45.81, 70.83

 

CMYK 44 / 75 / 0 / 4

HEX #883DF5

RGB 136 61 245

HSL 264.46, 0.9%, 0.6%

LAB 45.86, 67.26, -79.52

 

CMYK 40 / 69 / 0 / 0

HEX #994FFF

RGB 153 79 255

HSL 265.23, 1%, 0.65%

LAB 51.36, 64.51, -76.03

 

CMYK 33 / 62 / 0 / 0

HEX #AA61FF

RGB 170 97 255

HSL 267.72, 1%, 0.69%

LAB 56.4, 59.16, -67.78

 

CMYK 27 / 55 / 0 / 0

HEX #BB73FF

RGB 187 115 255

HSL 270.86, 1%, 0.73%

LAB 61.69, 53.87, -59.18

 

CMYK 20 / 48 / 0 / 0

HEX #CC85FF

RGB 204 133 255

HSL 274.92, 1%, 0.76%

LAB 67.15, 48.79, -50.4

 

CMYK 48 / 76 / 0 / 2

HEX #833DFA

RGB 131 61 250

HSL 262.22, 0.95%, 0.61%

LAB 45.72, 67.77, -82.56

 

CMYK 51 / 81 / 0 / 9

HEX #722BE7

RGB 114 43 231

HSL 262.66, 0.8%, 0.54%

LAB 39.71, 67.94, -81.81

 

CMYK 54 / 88 / 0 / 17

HEX #6119D4

RGB 97 25 212

HSL 263.1, 0.79%, 0.46%

LAB 33.96, 67.25, -80.45

 

CMYK 59 / 96 / 0 / 24

HEX #5007C1

RGB 80 7 193

HSL 263.55, 0.93%, 0.39%

LAB 28.66, 65.17, -78.18

 

CMYK 64 / 100 / 0 / 32

HEX #3F00AE

RGB 63 0 174

HSL 261.72, 1%, 0.34%

LAB 24.04, 60.99, -74.59

 

CMYK 48 / 76 / 0 / 2

HEX #833DFA

RGB 131 61 250

HSL 262.22, 0.95%, 0.61%

LAB 45.72, 67.77, -82.56

 

CMYK 27 / 76 / 0 / 2

HEX #B63DFA

RGB 182 61 250

HSL 278.41, 0.95%, 0.61%

LAB 52.05, 75.74, -71.98

 

CMYK 7 / 76 / 0 / 2

HEX #E83DFA

RGB 232 61 250

HSL 294.29, 0.95%, 0.61%

LAB 59.34, 84.73, -59.85

 

CMYK 0 / 76 / 14 / 2

HEX #FA3DD8

RGB 250 61 216

HSL 310.79, 0.95%, 0.61%

LAB 60.44, 83.3, -38.88

 

CMYK 0 / 76 / 34 / 2

HEX #FA3DA5

RGB 250 61 165

HSL 326.98, 0.95%, 0.61%

LAB 58.39, 77.19, -12.75

 

CMYK 48 / 76 / 0 / 2

HEX #833DFA

RGB 131 61 250

HSL 262.22, 0.95%, 0.61%

LAB 45.72, 67.77, -82.56

 

CMYK 68 / 76 / 0 / 2

HEX #503DFA

RGB 80 61 250

HSL 246.03, 0.95%, 0.61%

LAB 41.13, 61.83, -90.29

 

CMYK 76 / 76 / 0 / 2

HEX #3D3DFA

RGB 61 61 250

HSL 240, 0.95%, 0.61%

LAB 39.97, 60.3, -92.25

 

CMYK 48 / 76 / 0 / 2

HEX #833DFA

RGB 131 61 250

HSL 262.22, 0.95%, 0.61%

LAB 45.72, 67.77, -82.56

 

CMYK 48 / 76 / 0 / 2

HEX #833DFA

RGB 131 61 250

HSL 262.22, 0.95%, 0.61%

LAB 45.72, 67.77, -82.56

 

CMYK 42 / 67 / 0 / 9

HEX #874DE9

RGB 135 77 233

HSL 262.31, 0.78%, 0.61%

LAB 47.42, 56.75, -70.22

 

CMYK 36 / 57 / 0 / 15

HEX #8B5DD9

RGB 139 93 217

HSL 262.26, 0.62%, 0.61%

LAB 49.89, 45.02, -57.14

 

CMYK 29 / 46 / 0 / 21

HEX #8F6DC9

RGB 143 109 201

HSL 262.17, 0.46%, 0.61%

LAB 52.94, 32.89, -43.14

 

CMYK 21 / 32 / 0 / 27

HEX #937DB9

RGB 147 125 185

HSL 262, 0.3%, 0.61%

LAB 56.46, 20.85, -28.46

 

CMYK 76 / 63 / 0 / 2

HEX #3D5CFA

RGB 61 92 250

HSL 230.16, 0.95%, 0.61%

LAB 46.38, 42.74, -81.69

 

CMYK 68 / 76 / 0 / 2

HEX #4F3DFA

RGB 79 61 250

HSL 245.71, 0.95%, 0.61%

LAB 41.06, 61.74, -90.4

 

CMYK 48 / 76 / 0 / 2

HEX #823DFA

RGB 130 61 250

HSL 261.9, 0.95%, 0.61%

LAB 45.61, 67.63, -82.74

 

CMYK 28 / 76 / 0 / 2

HEX #B43DFA

RGB 180 61 250

HSL 277.78, 0.95%, 0.61%

LAB 51.77, 75.4, -72.43

 

CMYK 8 / 76 / 0 / 2

HEX #E73DFA

RGB 231 61 250

HSL 293.97, 0.95%, 0.61%

LAB 59.19, 84.55, -60.11

 

CMYK 61 / 98 / 0 / 13

HEX #5605DE

RGB 86 5 222

HSL 262.4, 0.96%, 0.45%

LAB 32.61, 72.59, -88.49

 

CMYK 58 / 92 / 0 / 3

HEX #6914F8

RGB 105 20 248

HSL 262.37, 0.94%, 0.53%

LAB 38.34, 77.43, -93.71

 

CMYK 48 / 76 / 0 / 2

HEX #833DFA

RGB 131 61 250

HSL 262.22, 0.95%, 0.61%

LAB 45.72, 67.77, -82.56

 

CMYK 38 / 60 / 0 / 2

HEX #9C65FB

RGB 156 101 251

HSL 262, 0.95%, 0.69%

LAB 55.42, 53.16, -67.22

 

CMYK 28 / 44 / 0 / 1

HEX #B68DFC

RGB 182 141 252

HSL 262.16, 0.95%, 0.77%

LAB 66.54, 37.9, -49.87

 

CMYK 48 / 76 / 0 / 2

HEX #833DFA

RGB 131 61 250

HSL 262.22, 0.95%, 0.61%

LAB 45.72, 67.77, -82.56

 

CMYK 0 / 76 / 43 / 2

HEX #FA3D8E

RGB 250 61 142

HSL 334.29, 0.95%, 0.61%

LAB 57.67, 74.95, -0.34

 

CMYK 73 / 0 / 76 / 2

HEX #43FA3D

RGB 67 250 61

HSL 118.1, 0.95%, 0.61%

LAB 86.95, -77.54, 72.09

 

CMYK 48 / 76 / 0 / 2

HEX #833DFA

RGB 131 61 250

HSL 262.22, 0.95%, 0.61%

LAB 45.72, 67.77, -82.56

 

CMYK 0 / 48 / 76 / 2

HEX #FA823D

RGB 250 130 61

HSL 21.9, 0.95%, 0.61%

LAB 67, 41.12, 56.16

 

CMYK 76 / 0 / 48 / 2

HEX #3DFA82

RGB 61 250 130

HSL 141.9, 0.95%, 0.61%

LAB 87.47, -70.87, 44.46

 

CMYK 48 / 76 / 0 / 2

HEX #833DFA

RGB 131 61 250

HSL 262.22, 0.95%, 0.61%

LAB 45.72, 67.77, -82.56

 

CMYK 0 / 76 / 43 / 2

HEX #FA3D8E

RGB 250 61 142

HSL 334.29, 0.95%, 0.61%

LAB 57.67, 74.95, -0.34

 

CMYK 28 / 0 / 76 / 2

HEX #B4FA3D

RGB 180 250 61

HSL 82.22, 0.95%, 0.61%

LAB 90.97, -47.33, 77.34

 

CMYK 76 / 0 / 33 / 2

HEX #3DFAA8

RGB 61 250 168

HSL 153.97, 0.95%, 0.61%

LAB 88.06, -64.17, 26.46

 

CMYK 48 / 76 / 0 / 2

HEX #833DFA

RGB 131 61 250

HSL 262.22, 0.95%, 0.61%

LAB 45.72, 67.77, -82.56

 

CMYK 0 / 76 / 66 / 2

HEX #FA3D56

RGB 250 61 86

HSL 352.06, 0.95%, 0.61%

LAB 56.42, 71, 31.02

 

CMYK 28 / 0 / 76 / 2

HEX #B4FA3D

RGB 180 250 61

HSL 82.22, 0.95%, 0.61%

LAB 90.97, -47.33, 77.34

 

CMYK 76 / 0 / 10 / 2

HEX #3DFAE0

RGB 61 250 224

HSL 171.75, 0.95%, 0.61%

LAB 89.27, -51.31, -0.7

 

Description

Color code: HEX #833DFA | qconv.com Color code: HEX #833DFA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 61 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 61 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 76 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 76% 0% 2% C M Y K

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Provide designers and agencies with accurate color values.

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