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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #834056 it is the complementary color #7CBFA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #834056. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #834056 shade: #884051, #995264, #AA6477, #BB768A and #CC889D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #834056. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #834056 shade: #834056, #722E43, #611C30, #500A1D and #3F000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #834056 shade: #813F55, #813F43 and #813F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #834056 shade: #813F55, #813F67, #813F79, #783F81 and #673F81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #834056 shade matches the following richer shades: #813F55, #913050, #A1204A, #B01045 and #C00140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #834056 shade: #813F55, #724F5A, #625F60, #526E65 and #437E6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #834056 shade: #813F79, #813F67, #813F55, #813F44 and #814D3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #834056 shade: #4A2431, #663243, #813F55, #9D4D67 and #B1627C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #834056 shade: #834056, #81793F and #3F7081

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #834056 shade: #834056, #55813F and #3F5581

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #834056 shade: #834056, #81793F, #3F816B and #3F4881

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #834056 shade: #834056, #76813F, #3F816B and #4A3F81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 34 / 49

HEX #834056

RGB 131 64 86

HSL 340.3, 0.34%, 0.38%

LAB 36.3, 31.35, 0.25

 

Complementary color

CMYK 35 / 0 / 12 / 25

HEX #7CBFA9

RGB 124 191 169

HSL 160.3, 0.34%, 0.62%

LAB 72.5, -26.18, 4.38

 

CMYK 0 / 53 / 40 / 47

HEX #884051

RGB 136 64 81

HSL 345.83, 0.36%, 0.39%

LAB 36.92, 32.59, 4.42

 

CMYK 0 / 46 / 35 / 40

HEX #995264

RGB 153 82 100

HSL 344.79, 0.3%, 0.46%

LAB 43.84, 31.6, 2.87

 

CMYK 0 / 41 / 30 / 33

HEX #AA6477

RGB 170 100 119

HSL 343.71, 0.29%, 0.53%

LAB 50.68, 30.65, 1.6

 

CMYK 0 / 37 / 26 / 27

HEX #BB768A

RGB 187 118 138

HSL 342.61, 0.34%, 0.6%

LAB 57.42, 29.76, 0.51

 

CMYK 0 / 33 / 23 / 20

HEX #CC889D

RGB 204 136 157

HSL 341.47, 0.4%, 0.67%

LAB 64.06, 28.94, -0.44

 

CMYK 0 / 51 / 34 / 49

HEX #834056

RGB 131 64 86

HSL 340.3, 0.34%, 0.38%

LAB 36.3, 31.35, 0.25

 

CMYK 0 / 60 / 41 / 55

HEX #722E43

RGB 114 46 67

HSL 341.47, 0.43%, 0.31%

LAB 29.25, 32.25, 1.97

 

CMYK 0 / 71 / 51 / 62

HEX #611C30

RGB 97 28 48

HSL 342.61, 0.55%, 0.25%

LAB 22.25, 32.86, 4.37

 

CMYK 0 / 88 / 64 / 69

HEX #500A1D

RGB 80 10 29

HSL 343.71, 0.78%, 0.18%

LAB 15.55, 32.54, 8

 

CMYK 0 / 100 / 84 / 75

HEX #3F000A

RGB 63 0 10

HSL 350.48, 1%, 0.12%

LAB 9.63, 29.93, 11.11

 

CMYK 0 / 51 / 34 / 49

HEX #813F55

RGB 129 63 85

HSL 340, 0.34%, 0.38%

LAB 35.75, 31.02, 0.05

 

CMYK 0 / 51 / 48 / 49

HEX #813F43

RGB 129 63 67

HSL 356.36, 0.34%, 0.38%

LAB 35.26, 28.81, 10.81

 

CMYK 0 / 51 / 51 / 49

HEX #813F3F

RGB 129 63 63

HSL 0, 0.34%, 0.38%

LAB 35.16, 28.39, 13.22

 

CMYK 0 / 51 / 34 / 49

HEX #813F55

RGB 129 63 85

HSL 340, 0.34%, 0.38%

LAB 35.75, 31.02, 0.05

 

CMYK 0 / 51 / 20 / 49

HEX #813F67

RGB 129 63 103

HSL 323.64, 0.34%, 0.38%

LAB 36.37, 33.72, -10.43

 

CMYK 0 / 51 / 6 / 49

HEX #813F79

RGB 129 63 121

HSL 307.27, 0.34%, 0.38%

LAB 37.12, 36.86, -20.55

 

CMYK 7 / 51 / 0 / 49

HEX #783F81

RGB 120 63 129

HSL 291.82, 0.34%, 0.38%

LAB 36.24, 35.62, -26.97

 

CMYK 20 / 51 / 0 / 49

HEX #673F81

RGB 103 63 129

HSL 276.36, 0.34%, 0.38%

LAB 34.03, 30.45, -30.6

 

CMYK 0 / 51 / 34 / 49

HEX #813F55

RGB 129 63 85

HSL 340, 0.34%, 0.38%

LAB 35.75, 31.02, 0.05

 

CMYK 0 / 67 / 45 / 43

HEX #913050

RGB 145 48 80

HSL 340.21, 0.5%, 0.38%

LAB 35.43, 43.54, 3.11

 

CMYK 0 / 80 / 54 / 37

HEX #A1204A

RGB 161 32 74

HSL 340.47, 0.67%, 0.38%

LAB 36.18, 53.71, 8.47

 

CMYK 0 / 91 / 61 / 31

HEX #B01045

RGB 176 16 69

HSL 340.13, 0.83%, 0.38%

LAB 37.9, 60.88, 14.54

 

CMYK 0 / 99 / 67 / 25

HEX #C00140

RGB 192 1 64

HSL 340.21, 0.99%, 0.38%

LAB 40.57, 66.26, 21.88

 

CMYK 0 / 51 / 34 / 49

HEX #813F55

RGB 129 63 85

HSL 340, 0.34%, 0.38%

LAB 35.75, 31.02, 0.05

 

CMYK 0 / 31 / 21 / 55

HEX #724F5A

RGB 114 79 90

HSL 341.14, 0.18%, 0.38%

LAB 37.68, 16.52, -0.53

 

CMYK 0 / 3 / 2 / 62

HEX #625F60

RGB 98 95 96

HSL 340, 0.02%, 0.38%

LAB 40.61, 1.4, -0.15

 

CMYK 25 / 0 / 8 / 57

HEX #526E65

RGB 82 110 101

HSL 160.71, 0.15%, 0.38%

LAB 44.07, -12.3, 1.69

 

CMYK 47 / 0 / 15 / 51

HEX #437E6B

RGB 67 126 107

HSL 160.68, 0.31%, 0.38%

LAB 48.48, -24.15, 4.4

 

CMYK 0 / 51 / 6 / 49

HEX #813F79

RGB 129 63 121

HSL 307.27, 0.34%, 0.38%

LAB 37.12, 36.86, -20.55

 

CMYK 0 / 51 / 20 / 49

HEX #813F67

RGB 129 63 103

HSL 323.64, 0.34%, 0.38%

LAB 36.37, 33.72, -10.43

 

CMYK 0 / 51 / 34 / 49

HEX #813F55

RGB 129 63 85

HSL 340, 0.34%, 0.38%

LAB 35.75, 31.02, 0.05

 

CMYK 0 / 51 / 47 / 49

HEX #813F44

RGB 129 63 68

HSL 355.45, 0.34%, 0.38%

LAB 35.28, 28.92, 10.21

 

CMYK 0 / 40 / 51 / 49

HEX #814D3F

RGB 129 77 63

HSL 12.73, 0.34%, 0.38%

LAB 38.43, 20.34, 17.61

 

CMYK 0 / 51 / 34 / 71

HEX #4A2431

RGB 74 36 49

HSL 339.47, 0.35%, 0.22%

LAB 19.8, 19.74, -0.39

 

CMYK 0 / 51 / 34 / 60

HEX #663243

RGB 102 50 67

HSL 340.38, 0.34%, 0.3%

LAB 28.14, 25.44, 0.12

 

CMYK 0 / 51 / 34 / 49

HEX #813F55

RGB 129 63 85

HSL 340, 0.34%, 0.38%

LAB 35.75, 31.02, 0.05

 

CMYK 0 / 51 / 34 / 38

HEX #9D4D67

RGB 157 77 103

HSL 340.5, 0.34%, 0.46%

LAB 43.44, 36.18, 0.52

 

CMYK 0 / 45 / 30 / 31

HEX #B1627C

RGB 177 98 124

HSL 340.25, 0.34%, 0.54%

LAB 51.31, 35.01, -0.34

 

CMYK 0 / 51 / 34 / 49

HEX #834056

RGB 131 64 86

HSL 340.3, 0.34%, 0.38%

LAB 36.3, 31.35, 0.25

 

CMYK 0 / 6 / 51 / 49

HEX #81793F

RGB 129 121 63

HSL 52.73, 0.34%, 0.38%

LAB 50.34, -5.39, 32.65

 

CMYK 51 / 13 / 0 / 49

HEX #3F7081

RGB 63 112 129

HSL 195.45, 0.34%, 0.38%

LAB 44.56, -11.56, -14.51

 

CMYK 0 / 51 / 34 / 49

HEX #834056

RGB 131 64 86

HSL 340.3, 0.34%, 0.38%

LAB 36.3, 31.35, 0.25

 

CMYK 34 / 0 / 51 / 49

HEX #55813F

RGB 85 129 63

HSL 100, 0.34%, 0.38%

LAB 49.48, -28.04, 30.86

 

CMYK 51 / 34 / 0 / 49

HEX #3F5581

RGB 63 85 129

HSL 220, 0.34%, 0.38%

LAB 36.25, 4.86, -27.35

 

CMYK 0 / 51 / 34 / 49

HEX #834056

RGB 131 64 86

HSL 340.3, 0.34%, 0.38%

LAB 36.3, 31.35, 0.25

 

CMYK 0 / 6 / 51 / 49

HEX #81793F

RGB 129 121 63

HSL 52.73, 0.34%, 0.38%

LAB 50.34, -5.39, 32.65

 

CMYK 51 / 0 / 17 / 49

HEX #3F816B

RGB 63 129 107

HSL 160, 0.34%, 0.38%

LAB 49.28, -26.73, 5.51

 

CMYK 51 / 44 / 0 / 49

HEX #3F4881

RGB 63 72 129

HSL 231.82, 0.34%, 0.38%

LAB 32.43, 13.35, -33.39

 

CMYK 0 / 51 / 34 / 49

HEX #834056

RGB 131 64 86

HSL 340.3, 0.34%, 0.38%

LAB 36.3, 31.35, 0.25

 

CMYK 9 / 0 / 51 / 49

HEX #76813F

RGB 118 129 63

HSL 70, 0.34%, 0.38%

LAB 51.74, -14.64, 34.11

 

CMYK 51 / 0 / 17 / 49

HEX #3F816B

RGB 63 129 107

HSL 160, 0.34%, 0.38%

LAB 49.28, -26.73, 5.51

 

CMYK 43 / 51 / 0 / 49

HEX #4A3F81

RGB 74 63 129

HSL 250, 0.34%, 0.38%

LAB 30.87, 22.14, -35.82

 

Description

Color code: HEX #834056 | qconv.com Color code: HEX #834056 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 64 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 64 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 34 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 34% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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