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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #834125 it is the complementary color #7CBEDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #834125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #834125 shade: #884120, #995333, #AA6546, #BB7759 and #CC896C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #834125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #834125 shade: #834125, #722F12, #611D00, #500B00 and #3F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #834125 shade: #834125, #832725 and #832525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #834125 shade: #834125, #835A25, #837325, #798325 and #5F8325

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #834125 shade matches the following richer shades: #834125, #903B17 and #9E3609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #834125 shade: #834125, #754632, #684C40, #5A514D and #4C575B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #834125 shade: #83253C, #832625, #833F25, #835825 and #837125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #834125 shade: #422112, #63311B, #834125, #A3512E and #C36137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #834125 shade: #834125, #558325 and #253083

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #834125 shade: #834125, #25833F and #3F2583

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #834125 shade: #834125, #558325, #256883 and #522583

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #834125 shade: #834125, #398325, #256883 and #6E2583

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 72 / 49

HEX #834125

RGB 131 65 37

HSL 17.87, 0.56%, 0.33%

LAB 35.48, 26.02, 29.54

 

Complementary color

CMYK 43 / 13 / 0 / 15

HEX #7CBEDA

RGB 124 190 218

HSL 197.87, 0.56%, 0.67%

LAB 73.66, -13.71, -20.6

 

CMYK 0 / 52 / 76 / 47

HEX #884120

RGB 136 65 32

HSL 19.04, 0.62%, 0.33%

LAB 36.21, 27.88, 33.34

 

CMYK 0 / 46 / 67 / 40

HEX #995333

RGB 153 83 51

HSL 18.82, 0.5%, 0.4%

LAB 43.06, 26.19, 31.21

 

CMYK 0 / 41 / 59 / 33

HEX #AA6546

RGB 170 101 70

HSL 18.6, 0.42%, 0.47%

LAB 49.85, 24.71, 29.26

 

CMYK 0 / 36 / 52 / 27

HEX #BB7759

RGB 187 119 89

HSL 18.37, 0.42%, 0.54%

LAB 56.56, 23.41, 27.51

 

CMYK 0 / 33 / 47 / 20

HEX #CC896C

RGB 204 137 108

HSL 18.13, 0.48%, 0.61%

LAB 63.19, 22.29, 25.95

HEX #CC896C

CMYK 0 / 50 / 72 / 49

HEX #834125

RGB 131 65 37

HSL 17.87, 0.56%, 0.33%

LAB 35.48, 26.02, 29.54

 

CMYK 0 / 59 / 84 / 55

HEX #722F12

RGB 114 47 18

HSL 18.13, 0.73%, 0.26%

LAB 28.52, 27.81, 31.78

 

CMYK 0 / 70 / 100 / 62

HEX #611D00

RGB 97 29 0

HSL 17.94, 1%, 0.19%

LAB 21.65, 29.55, 31.94

 

CMYK 0 / 86 / 100 / 69

HEX #500B00

RGB 80 11 0

HSL 8.25, 1%, 0.16%

LAB 15.19, 30.74, 23.41

 

CMYK 0 / 100 / 100 / 75

HEX #3F0000

RGB 63 0 0

HSL 0, 1%, 0.12%

LAB 9.46, 29.45, 14.93

 

CMYK 0 / 50 / 72 / 49

HEX #834125

RGB 131 65 37

HSL 17.87, 0.56%, 0.33%

LAB 35.48, 26.02, 29.54

 

CMYK 0 / 70 / 72 / 49

HEX #832725

RGB 131 39 37

HSL 1.28, 0.56%, 0.33%

LAB 30.42, 39.2, 23.67

 

CMYK 0 / 72 / 72 / 49

HEX #832525

RGB 131 37 37

HSL 0, 0.56%, 0.33%

LAB 30.11, 40.04, 23.3

 

CMYK 0 / 50 / 72 / 49

HEX #834125

RGB 131 65 37

HSL 17.87, 0.56%, 0.33%

LAB 35.48, 26.02, 29.54

 

CMYK 0 / 31 / 72 / 49

HEX #835A25

RGB 131 90 37

HSL 33.83, 0.56%, 0.33%

LAB 41.64, 11.44, 36.31

 

CMYK 0 / 12 / 72 / 49

HEX #837325

RGB 131 115 37

HSL 49.79, 0.56%, 0.33%

LAB 48.54, -3.11, 43.48

 

CMYK 8 / 0 / 72 / 49

HEX #798325

RGB 121 131 37

HSL 66.38, 0.56%, 0.33%

LAB 52.32, -16.49, 46.98

 

CMYK 27 / 0 / 72 / 49

HEX #5F8325

RGB 95 131 37

HSL 82.98, 0.56%, 0.33%

LAB 50.45, -27.7, 44.49

 

CMYK 0 / 50 / 72 / 49

HEX #834125

RGB 131 65 37

HSL 17.87, 0.56%, 0.33%

LAB 35.48, 26.02, 29.54

 

CMYK 0 / 59 / 84 / 44

HEX #903B17

RGB 144 59 23

HSL 17.85, 0.72%, 0.33%

LAB 36.21, 34.01, 38.38

 

CMYK 0 / 66 / 94 / 38

HEX #9E3609

RGB 158 54 9

HSL 18.12, 0.89%, 0.33%

LAB 37.71, 41.47, 46.21

 

CMYK 0 / 50 / 72 / 49

HEX #834125

RGB 131 65 37

HSL 17.87, 0.56%, 0.33%

LAB 35.48, 26.02, 29.54

 

CMYK 0 / 40 / 57 / 54

HEX #754632

RGB 117 70 50

HSL 17.91, 0.4%, 0.33%

LAB 34.79, 17.93, 20.5

 

CMYK 0 / 27 / 38 / 59

HEX #684C40

RGB 104 76 64

HSL 18, 0.24%, 0.33%

LAB 34.97, 10.04, 11.76

 

CMYK 0 / 10 / 14 / 65

HEX #5A514D

RGB 90 81 77

HSL 18.46, 0.08%, 0.33%

LAB 35.19, 2.93, 3.69

 

CMYK 16 / 4 / 0 / 64

HEX #4C575B

RGB 76 87 91

HSL 196, 0.09%, 0.33%

LAB 36.19, -3.34, -3.78

 

CMYK 0 / 72 / 54 / 49

HEX #83253C

RGB 131 37 60

HSL 345.32, 0.56%, 0.33%

LAB 30.58, 41.68, 8.91

 

CMYK 0 / 71 / 72 / 49

HEX #832625

RGB 131 38 37

HSL 0.64, 0.56%, 0.33%

LAB 30.27, 39.62, 23.48

 

CMYK 0 / 52 / 72 / 49

HEX #833F25

RGB 131 63 37

HSL 16.6, 0.56%, 0.33%

LAB 35.03, 27.13, 29.03

 

CMYK 0 / 33 / 72 / 49

HEX #835825

RGB 131 88 37

HSL 32.55, 0.56%, 0.33%

LAB 41.12, 12.63, 35.75

 

CMYK 0 / 14 / 72 / 49

HEX #837125

RGB 131 113 37

HSL 48.51, 0.56%, 0.33%

LAB 47.97, -1.97, 42.9

 

CMYK 0 / 50 / 73 / 74

HEX #422112

RGB 66 33 18

HSL 18.75, 0.57%, 0.16%

LAB 16.94, 14.26, 16.88

 

CMYK 0 / 51 / 73 / 61

HEX #63311B

RGB 99 49 27

HSL 18.33, 0.57%, 0.25%

LAB 26.53, 20.54, 23.85

 

CMYK 0 / 50 / 72 / 49

HEX #834125

RGB 131 65 37

HSL 17.87, 0.56%, 0.33%

LAB 35.48, 26.02, 29.54

 

CMYK 0 / 50 / 72 / 36

HEX #A3512E

RGB 163 81 46

HSL 17.95, 0.56%, 0.41%

LAB 44.04, 31.16, 35.5

 

CMYK 0 / 50 / 72 / 24

HEX #C36137

RGB 195 97 55

HSL 18, 0.56%, 0.49%

LAB 52.32, 36.11, 41.22

 

CMYK 0 / 50 / 72 / 49

HEX #834125

RGB 131 65 37

HSL 17.87, 0.56%, 0.33%

LAB 35.48, 26.02, 29.54

 

CMYK 35 / 0 / 72 / 49

HEX #558325

RGB 85 131 37

HSL 89.36, 0.56%, 0.33%

LAB 49.85, -31.66, 43.69

 

CMYK 72 / 63 / 0 / 49

HEX #253083

RGB 37 48 131

HSL 232.98, 0.56%, 0.33%

LAB 24.15, 25.11, -48.07

 

CMYK 0 / 50 / 72 / 49

HEX #834125

RGB 131 65 37

HSL 17.87, 0.56%, 0.33%

LAB 35.48, 26.02, 29.54

 

CMYK 72 / 0 / 52 / 49

HEX #25833F

RGB 37 131 63

HSL 136.6, 0.56%, 0.33%

LAB 48.24, -42.63, 28.9

 

CMYK 52 / 72 / 0 / 49

HEX #3F2583

RGB 63 37 131

HSL 256.6, 0.56%, 0.33%

LAB 23.73, 36.39, -48.66

 

CMYK 0 / 50 / 72 / 49

HEX #834125

RGB 131 65 37

HSL 17.87, 0.56%, 0.33%

LAB 35.48, 26.02, 29.54

 

CMYK 35 / 0 / 72 / 49

HEX #558325

RGB 85 131 37

HSL 89.36, 0.56%, 0.33%

LAB 49.85, -31.66, 43.69

 

CMYK 72 / 21 / 0 / 49

HEX #256883

RGB 37 104 131

HSL 197.23, 0.56%, 0.33%

LAB 41.11, -11.62, -21.09

 

CMYK 37 / 72 / 0 / 49

HEX #522583

RGB 82 37 131

HSL 268.72, 0.56%, 0.33%

LAB 26.03, 40.12, -44.82

 

CMYK 0 / 50 / 72 / 49

HEX #834125

RGB 131 65 37

HSL 17.87, 0.56%, 0.33%

LAB 35.48, 26.02, 29.54

 

CMYK 56 / 0 / 72 / 49

HEX #398325

RGB 57 131 37

HSL 107.23, 0.56%, 0.33%

LAB 48.56, -41.14, 41.94

 

CMYK 72 / 21 / 0 / 49

HEX #256883

RGB 37 104 131

HSL 197.23, 0.56%, 0.33%

LAB 41.11, -11.62, -21.09

 

CMYK 16 / 72 / 0 / 49

HEX #6E2583

RGB 110 37 131

HSL 286.6, 0.56%, 0.33%

LAB 30.1, 46.34, -38.04

 

Description

Color code: HEX #834125 | qconv.com Color code: HEX #834125 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 65 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 65 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 72 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 72% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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