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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8359D9 it is the complementary color #7CA626. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8359D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8359D9 shade: #8859D4, #996BE7, #AA7DFA, #BB8FFF and #CCA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8359D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8359D9 shade: #8359D9, #7247C6, #6135B3, #5023A0 and #3F118D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8359D9 shade: #8258D9, #A558D9, #C858D9, #D958C7 and #D958A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8359D9 shade: #8258D9, #6058D9 and #5858D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8359D9 shade matches the following richer shades: #8258D9, #7D48E9 and #7737FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8359D9 shade: #8258D9, #8869C8, #8E79B8, #938AA7 and #999A97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8359D9 shade: #5874D9, #5F58D9, #8158D9, #A358D9 and #C558D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8359D9 shade: #5729B6, #6937D1, #8258D9, #9C7AE0 and #B59BE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8359D9 shade: #8359D9, #D95896 and #63D958

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8359D9 shade: #8359D9, #D98158 and #58D981

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8359D9 shade: #8359D9, #D95896, #B0D958 and #58D99B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8359D9 shade: #8359D9, #D95870, #B0D958 and #58D9C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 59 / 0 / 15

HEX #8359D9

RGB 131 89 217

HSL 259.69, 0.63%, 0.6%

LAB 48.23, 45.43, -59.85

 

Complementary color

CMYK 25 / 0 / 77 / 35

HEX #7CA626

RGB 124 166 38

HSL 79.69, 0.63%, 0.4%

LAB 63.09, -32.54, 57.11

 

CMYK 36 / 58 / 0 / 17

HEX #8859D4

RGB 136 89 212

HSL 262.93, 0.59%, 0.59%

LAB 48.43, 45.24, -56.67

 

CMYK 34 / 54 / 0 / 9

HEX #996BE7

RGB 153 107 231

HSL 262.26, 0.72%, 0.66%

LAB 55.13, 44.18, -56.56

 

CMYK 32 / 50 / 0 / 2

HEX #AA7DFA

RGB 170 125 250

HSL 261.6, 0.93%, 0.74%

LAB 61.75, 43.16, -56.44

 

CMYK 27 / 44 / 0 / 0

HEX #BB8FFF

RGB 187 143 255

HSL 263.57, 1%, 0.78%

LAB 67.6, 38.84, -49.81

 

CMYK 20 / 37 / 0 / 0

HEX #CCA1FF

RGB 204 161 255

HSL 267.45, 1%, 0.82%

LAB 73.25, 33.71, -40.83

 

CMYK 40 / 59 / 0 / 15

HEX #8359D9

RGB 131 89 217

HSL 259.69, 0.63%, 0.6%

LAB 48.23, 45.43, -59.85

 

CMYK 42 / 64 / 0 / 22

HEX #7247C6

RGB 114 71 198

HSL 260.31, 0.53%, 0.53%

LAB 41.47, 46.6, -59.95

 

CMYK 46 / 70 / 0 / 30

HEX #6135B3

RGB 97 53 179

HSL 260.95, 0.54%, 0.45%

LAB 34.69, 47.7, -59.91

 

CMYK 50 / 78 / 0 / 37

HEX #5023A0

RGB 80 35 160

HSL 261.6, 0.64%, 0.38%

LAB 27.97, 48.51, -59.57

 

CMYK 55 / 88 / 0 / 45

HEX #3F118D

RGB 63 17 141

HSL 262.26, 0.78%, 0.31%

LAB 21.51, 48.49, -58.58

 

CMYK 40 / 59 / 0 / 15

HEX #8258D9

RGB 130 88 217

HSL 259.53, 0.63%, 0.6%

LAB 47.92, 45.76, -60.36

 

CMYK 24 / 59 / 0 / 15

HEX #A558D9

RGB 165 88 217

HSL 275.81, 0.63%, 0.6%

LAB 51.82, 53.78, -53.88

 

CMYK 8 / 59 / 0 / 15

HEX #C858D9

RGB 200 88 217

HSL 292.09, 0.63%, 0.6%

LAB 56.36, 62.3, -46.4

 

CMYK 0 / 59 / 8 / 15

HEX #D958C7

RGB 217 88 199

HSL 308.37, 0.63%, 0.6%

LAB 57.9, 63.56, -33.58

 

CMYK 0 / 59 / 24 / 15

HEX #D958A4

RGB 217 88 164

HSL 324.65, 0.63%, 0.6%

LAB 56.5, 58.44, -15.55

 

CMYK 40 / 59 / 0 / 15

HEX #8258D9

RGB 130 88 217

HSL 259.53, 0.63%, 0.6%

LAB 47.92, 45.76, -60.36

 

CMYK 56 / 59 / 0 / 15

HEX #6058D9

RGB 96 88 217

HSL 243.72, 0.63%, 0.6%

LAB 44.91, 38.96, -65.39

 

CMYK 59 / 59 / 0 / 15

HEX #5858D9

RGB 88 88 217

HSL 240, 0.63%, 0.6%

LAB 44.32, 37.57, -66.36

 

CMYK 40 / 59 / 0 / 15

HEX #8258D9

RGB 130 88 217

HSL 259.53, 0.63%, 0.6%

LAB 47.92, 45.76, -60.36

 

CMYK 46 / 69 / 0 / 9

HEX #7D48E9

RGB 125 72 233

HSL 259.75, 0.79%, 0.6%

LAB 45.47, 57.47, -73.45

 

CMYK 52 / 78 / 0 / 2

HEX #7737FA

RGB 119 55 250

HSL 259.69, 0.95%, 0.6%

LAB 43.59, 68.67, -86.11

 

CMYK 40 / 59 / 0 / 15

HEX #8258D9

RGB 130 88 217

HSL 259.53, 0.63%, 0.6%

LAB 47.92, 45.76, -60.36

 

CMYK 32 / 48 / 0 / 22

HEX #8869C8

RGB 136 105 200

HSL 259.58, 0.46%, 0.6%

LAB 51.28, 33.05, -45.25

 

CMYK 23 / 34 / 0 / 28

HEX #8E79B8

RGB 142 121 184

HSL 260, 0.31%, 0.6%

LAB 54.95, 21.39, -30.26

 

CMYK 12 / 17 / 0 / 35

HEX #938AA7

RGB 147 138 167

HSL 258.62, 0.14%, 0.6%

LAB 59.13, 9.23, -14.09

 

CMYK 1 / 0 / 2 / 40

HEX #999A97

RGB 153 154 151

HSL 80, 0.01%, 0.6%

LAB 63.44, -0.93, 1.44

 

CMYK 59 / 47 / 0 / 15

HEX #5874D9

RGB 88 116 217

HSL 226.98, 0.63%, 0.6%

LAB 51.35, 20.33, -55.01

 

CMYK 56 / 59 / 0 / 15

HEX #5F58D9

RGB 95 88 217

HSL 243.26, 0.63%, 0.6%

LAB 44.83, 38.78, -65.51

 

CMYK 41 / 59 / 0 / 15

HEX #8158D9

RGB 129 88 217

HSL 259.07, 0.63%, 0.6%

LAB 47.82, 45.54, -60.53

 

CMYK 25 / 59 / 0 / 15

HEX #A358D9

RGB 163 88 217

HSL 274.88, 0.63%, 0.6%

LAB 51.58, 53.31, -54.28

 

CMYK 9 / 59 / 0 / 15

HEX #C558D9

RGB 197 88 217

HSL 290.7, 0.63%, 0.6%

LAB 55.95, 61.56, -47.07

 

CMYK 52 / 77 / 0 / 29

HEX #5729B6

RGB 87 41 182

HSL 259.57, 0.63%, 0.44%

LAB 31.78, 52.75, -66.49

 

CMYK 50 / 74 / 0 / 18

HEX #6937D1

RGB 105 55 209

HSL 259.48, 0.63%, 0.52%

LAB 38.44, 56.14, -71.3

 

CMYK 40 / 59 / 0 / 15

HEX #8258D9

RGB 130 88 217

HSL 259.53, 0.63%, 0.6%

LAB 47.92, 45.76, -60.36

 

CMYK 30 / 46 / 0 / 12

HEX #9C7AE0

RGB 156 122 224

HSL 260, 0.62%, 0.68%

LAB 58.39, 34.74, -47.44

 

CMYK 22 / 33 / 0 / 9

HEX #B59BE8

RGB 181 155 232

HSL 260.26, 0.63%, 0.76%

LAB 68.82, 25.09, -35.35

 

CMYK 40 / 59 / 0 / 15

HEX #8359D9

RGB 131 89 217

HSL 259.69, 0.63%, 0.6%

LAB 48.23, 45.43, -59.85

 

CMYK 0 / 59 / 31 / 15

HEX #D95896

RGB 217 88 150

HSL 331.16, 0.63%, 0.6%

LAB 56.02, 56.64, -8.09

 

CMYK 54 / 0 / 59 / 15

HEX #63D958

RGB 99 217 88

HSL 114.88, 0.63%, 0.6%

LAB 77.86, -57.77, 52.5

 

CMYK 40 / 59 / 0 / 15

HEX #8359D9

RGB 131 89 217

HSL 259.69, 0.63%, 0.6%

LAB 48.23, 45.43, -59.85

 

CMYK 0 / 41 / 59 / 15

HEX #D98158

RGB 217 129 88

HSL 19.07, 0.63%, 0.6%

LAB 62.64, 30.11, 36.52

 

CMYK 59 / 0 / 41 / 15

HEX #58D981

RGB 88 217 129

HSL 139.07, 0.63%, 0.6%

LAB 78.04, -54.65, 32.98

 

CMYK 40 / 59 / 0 / 15

HEX #8359D9

RGB 131 89 217

HSL 259.69, 0.63%, 0.6%

LAB 48.23, 45.43, -59.85

 

CMYK 0 / 59 / 31 / 15

HEX #D95896

RGB 217 88 150

HSL 331.16, 0.63%, 0.6%

LAB 56.02, 56.64, -8.09

 

CMYK 19 / 0 / 59 / 15

HEX #B0D958

RGB 176 217 88

HSL 79.07, 0.63%, 0.6%

LAB 81.6, -32.5, 57.73

 

CMYK 59 / 0 / 29 / 15

HEX #58D99B

RGB 88 217 155

HSL 151.16, 0.63%, 0.6%

LAB 78.5, -49.79, 20.15

 

CMYK 40 / 59 / 0 / 15

HEX #8359D9

RGB 131 89 217

HSL 259.69, 0.63%, 0.6%

LAB 48.23, 45.43, -59.85

 

CMYK 0 / 59 / 48 / 15

HEX #D95870

RGB 217 88 112

HSL 348.84, 0.63%, 0.6%

LAB 54.97, 52.58, 12.79

 

CMYK 19 / 0 / 59 / 15

HEX #B0D958

RGB 176 217 88

HSL 79.07, 0.63%, 0.6%

LAB 81.6, -32.5, 57.73

 

CMYK 59 / 0 / 11 / 15

HEX #58D9C1

RGB 88 217 193

HSL 168.84, 0.63%, 0.6%

LAB 79.36, -41.19, 1.22

 

Description

Color code: HEX #8359D9 | qconv.com Color code: HEX #8359D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 89 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 89 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 59 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 59% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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