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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #835FBD it is the complementary color #7CA042. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #835FBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #835FBD shade: #885FB8, #9971CB, #AA83DE, #BB95F1 and #CCA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #835FBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #835FBD shade: #835FBD, #724DAA, #613B97, #502984 and #3F1771

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #835FBD shade: #835FBD, #9D5FBD, #B65FBD, #BD5FAB and #BD5F92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #835FBD shade: #835FBD, #6A5FBD and #5F5FBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #835FBD shade matches the following richer shades: #835FBD, #7F4DD0, #7B3BE2 and #7729F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #835FBD shade: #835FBD, #8871AB, #8C8399, #909687 and #94A875

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #835FBD shade: #5F6FBD, #695FBD, #825FBD, #9B5FBD and #B45FBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #835FBD shade: #5B3A90, #6E46AD, #835FBD, #9A7CC9 and #B19AD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #835FBD shade: #835FBD, #BD5F88 and #62BD5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #835FBD shade: #835FBD, #BD825F and #5FBD82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #835FBD shade: #835FBD, #BD5F88, #9BBD5F and #5FBD95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #835FBD shade: #835FBD, #BD5F6C, #9BBD5F and #5FBDB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 50 / 0 / 26

HEX #835FBD

RGB 131 95 189

HSL 262.98, 0.42%, 0.56%

LAB 47.86, 34.68, -44.37

 

Complementary color

CMYK 23 / 0 / 59 / 37

HEX #7CA042

RGB 124 160 66

HSL 82.98, 0.42%, 0.44%

LAB 61.5, -27.67, 44.12

 

CMYK 26 / 48 / 0 / 28

HEX #885FB8

RGB 136 95 184

HSL 267.64, 0.39%, 0.55%

LAB 48.11, 34.79, -41.05

 

CMYK 25 / 44 / 0 / 20

HEX #9971CB

RGB 153 113 203

HSL 266.67, 0.46%, 0.62%

LAB 54.96, 33.88, -41.02

 

CMYK 23 / 41 / 0 / 13

HEX #AA83DE

RGB 170 131 222

HSL 265.71, 0.58%, 0.69%

LAB 61.7, 33.04, -41.01

 

CMYK 22 / 38 / 0 / 5

HEX #BB95F1

RGB 187 149 241

HSL 264.78, 0.77%, 0.76%

LAB 68.32, 32.26, -41.02

 

CMYK 20 / 35 / 0 / 0

HEX #CCA7FF

RGB 204 167 255

HSL 265.23, 1%, 0.83%

LAB 74.63, 30.43, -38.68

 

CMYK 31 / 50 / 0 / 26

HEX #835FBD

RGB 131 95 189

HSL 262.98, 0.42%, 0.56%

LAB 47.86, 34.68, -44.37

 

CMYK 33 / 55 / 0 / 33

HEX #724DAA

RGB 114 77 170

HSL 263.87, 0.38%, 0.48%

LAB 40.88, 35.72, -44.48

 

CMYK 36 / 61 / 0 / 41

HEX #613B97

RGB 97 59 151

HSL 264.78, 0.44%, 0.41%

LAB 33.78, 36.81, -44.55

 

CMYK 39 / 69 / 0 / 48

HEX #502984

RGB 80 41 132

HSL 265.71, 0.53%, 0.34%

LAB 26.61, 37.85, -44.51

 

CMYK 44 / 80 / 0 / 56

HEX #3F1771

RGB 63 23 113

HSL 266.67, 0.66%, 0.27%

LAB 19.48, 38.53, -44.13

 

CMYK 31 / 50 / 0 / 26

HEX #835FBD

RGB 131 95 189

HSL 262.98, 0.42%, 0.56%

LAB 47.86, 34.68, -44.37

 

CMYK 17 / 50 / 0 / 26

HEX #9D5FBD

RGB 157 95 189

HSL 279.57, 0.42%, 0.56%

LAB 50.72, 41.84, -39.66

 

CMYK 4 / 50 / 0 / 26

HEX #B65FBD

RGB 182 95 189

HSL 295.53, 0.42%, 0.56%

LAB 53.82, 48.94, -34.58

 

CMYK 0 / 50 / 10 / 26

HEX #BD5FAB

RGB 189 95 171

HSL 311.49, 0.42%, 0.56%

LAB 53.97, 47.8, -23.85

 

CMYK 0 / 50 / 23 / 26

HEX #BD5F92

RGB 189 95 146

HSL 327.45, 0.42%, 0.56%

LAB 53.04, 43.87, -10.63

 

CMYK 31 / 50 / 0 / 26

HEX #835FBD

RGB 131 95 189

HSL 262.98, 0.42%, 0.56%

LAB 47.86, 34.68, -44.37

 

CMYK 44 / 50 / 0 / 26

HEX #6A5FBD

RGB 106 95 189

HSL 247.02, 0.42%, 0.56%

LAB 45.53, 28.28, -48.23

 

CMYK 50 / 50 / 0 / 26

HEX #5F5FBD

RGB 95 95 189

HSL 240, 0.42%, 0.56%

LAB 44.65, 25.7, -49.69

 

CMYK 31 / 50 / 0 / 26

HEX #835FBD

RGB 131 95 189

HSL 262.98, 0.42%, 0.56%

LAB 47.86, 34.68, -44.37

 

CMYK 39 / 63 / 0 / 18

HEX #7F4DD0

RGB 127 77 208

HSL 262.9, 0.58%, 0.56%

LAB 44.76, 48.72, -60.33

 

CMYK 46 / 74 / 0 / 11

HEX #7B3BE2

RGB 123 59 226

HSL 262.99, 0.74%, 0.56%

LAB 42.51, 61.46, -74.33

 

CMYK 51 / 83 / 0 / 4

HEX #7729F4

RGB 119 41 244

HSL 263.05, 0.9%, 0.56%

LAB 41.28, 72.31, -86.55

 

CMYK 31 / 50 / 0 / 26

HEX #835FBD

RGB 131 95 189

HSL 262.98, 0.42%, 0.56%

LAB 47.86, 34.68, -44.37

 

CMYK 20 / 34 / 0 / 33

HEX #8871AB

RGB 136 113 171

HSL 263.79, 0.26%, 0.56%

LAB 51.82, 21.09, -27.67

 

CMYK 8 / 14 / 0 / 40

HEX #8C8399

RGB 140 131 153

HSL 264.55, 0.1%, 0.56%

LAB 56.2, 7.8, -10.53

 

CMYK 4 / 0 / 10 / 41

HEX #909687

RGB 144 150 135

HSL 84, 0.07%, 0.56%

LAB 61.21, -5.02, 7.16

 

CMYK 12 / 0 / 30 / 34

HEX #94A875

RGB 148 168 117

HSL 83.53, 0.23%, 0.56%

LAB 66.2, -16.07, 24.11

 

CMYK 50 / 41 / 0 / 26

HEX #5F6FBD

RGB 95 111 189

HSL 229.79, 0.42%, 0.56%

LAB 48.85, 15.8, -42.98

 

CMYK 44 / 50 / 0 / 26

HEX #695FBD

RGB 105 95 189

HSL 246.38, 0.42%, 0.56%

LAB 45.44, 28.04, -48.37

 

CMYK 31 / 50 / 0 / 26

HEX #825FBD

RGB 130 95 189

HSL 262.34, 0.42%, 0.56%

LAB 47.76, 34.41, -44.54

 

CMYK 18 / 50 / 0 / 26

HEX #9B5FBD

RGB 155 95 189

HSL 278.3, 0.42%, 0.56%

LAB 50.48, 41.28, -40.05

 

CMYK 5 / 50 / 0 / 26

HEX #B45FBD

RGB 180 95 189

HSL 294.26, 0.42%, 0.56%

LAB 53.56, 48.37, -35

 

CMYK 37 / 60 / 0 / 44

HEX #5B3A90

RGB 91 58 144

HSL 263.02, 0.43%, 0.4%

LAB 32.4, 34.01, -42.53

 

CMYK 36 / 60 / 0 / 32

HEX #6E46AD

RGB 110 70 173

HSL 263.3, 0.42%, 0.48%

LAB 39.09, 39.55, -49.14

 

CMYK 31 / 50 / 0 / 26

HEX #835FBD

RGB 131 95 189

HSL 262.98, 0.42%, 0.56%

LAB 47.86, 34.68, -44.37

 

CMYK 23 / 38 / 0 / 21

HEX #9A7CC9

RGB 154 124 201

HSL 263.38, 0.42%, 0.64%

LAB 57.56, 27.38, -35.8

 

CMYK 17 / 28 / 0 / 16

HEX #B19AD5

RGB 177 154 213

HSL 263.39, 0.41%, 0.72%

LAB 67.47, 20.12, -26.99

 

CMYK 31 / 50 / 0 / 26

HEX #835FBD

RGB 131 95 189

HSL 262.98, 0.42%, 0.56%

LAB 47.86, 34.68, -44.37

 

CMYK 0 / 50 / 28 / 26

HEX #BD5F88

RGB 189 95 136

HSL 333.83, 0.42%, 0.56%

LAB 52.71, 42.46, -5.21

 

CMYK 48 / 0 / 50 / 26

HEX #62BD5F

RGB 98 189 95

HSL 118.09, 0.42%, 0.56%

LAB 69.34, -46.21, 39.07

 

CMYK 31 / 50 / 0 / 26

HEX #835FBD

RGB 131 95 189

HSL 262.98, 0.42%, 0.56%

LAB 47.86, 34.68, -44.37

 

CMYK 0 / 31 / 50 / 26

HEX #BD825F

RGB 189 130 95

HSL 22.34, 0.42%, 0.56%

LAB 59.54, 18.72, 28.05

 

CMYK 50 / 0 / 31 / 26

HEX #5FBD82

RGB 95 189 130

HSL 142.34, 0.42%, 0.56%

LAB 69.78, -41.28, 21.47

 

CMYK 31 / 50 / 0 / 26

HEX #835FBD

RGB 131 95 189

HSL 262.98, 0.42%, 0.56%

LAB 47.86, 34.68, -44.37

 

CMYK 0 / 50 / 28 / 26

HEX #BD5F88

RGB 189 95 136

HSL 333.83, 0.42%, 0.56%

LAB 52.71, 42.46, -5.21

 

CMYK 18 / 0 / 50 / 26

HEX #9BBD5F

RGB 155 189 95

HSL 81.7, 0.42%, 0.56%

LAB 72.36, -26.67, 43.44

 

CMYK 50 / 0 / 21 / 26

HEX #5FBD95

RGB 95 189 149

HSL 154.47, 0.42%, 0.56%

LAB 70.17, -37.4, 11.76

 

CMYK 31 / 50 / 0 / 26

HEX #835FBD

RGB 131 95 189

HSL 262.98, 0.42%, 0.56%

LAB 47.86, 34.68, -44.37

 

CMYK 0 / 50 / 43 / 26

HEX #BD5F6C

RGB 189 95 108

HSL 351.7, 0.42%, 0.56%

LAB 51.93, 39.02, 10.29

 

CMYK 18 / 0 / 50 / 26

HEX #9BBD5F

RGB 155 189 95

HSL 81.7, 0.42%, 0.56%

LAB 72.36, -26.67, 43.44

 

CMYK 50 / 0 / 6 / 26

HEX #5FBDB1

RGB 95 189 177

HSL 172.34, 0.42%, 0.56%

LAB 70.87, -30.82, -2.51

 

Description

Color code: HEX #835FBD | qconv.com Color code: HEX #835FBD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 95 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 95 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 50 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 50% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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