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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8364C8 it is the complementary color #7C9B37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8364C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8364C8 shade: #8864C3, #9976D6, #AA88E9, #BB9AFC and #CCACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8364C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8364C8 shade: #8364C8, #7252B5, #6140A2, #502E8F and #3F1C7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8364C8 shade: #8364C8, #9E64C8, #B964C8, #C864BC and #C864A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8364C8 shade: #8364C8, #6864C8 and #6464C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8364C8 shade matches the following richer shades: #8364C8, #7C53D9, #7642EA and #7031FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8364C8 shade: #8364C8, #8975B7, #9086A6, #969795 and #9DA784

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8364C8 shade: #647BC8, #6764C8, #8264C8, #9D64C8 and #B764C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8364C8 shade: #5938A1, #6A45BD, #8364C8, #9B82D3 and #B4A1DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8364C8 shade: #8364C8, #C86496 and #6EC864

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8364C8 shade: #8364C8, #C88264 and #64C882

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8364C8 shade: #8364C8, #C86496, #AAC864 and #64C896

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8364C8 shade: #8364C8, #C86478, #AAC864 and #64C8B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 50 / 0 / 22

HEX #8364C8

RGB 131 100 200

HSL 258.6, 0.48%, 0.59%

LAB 49.63, 34.64, -47.9

 

Complementary color

CMYK 20 / 0 / 65 / 39

HEX #7C9B37

RGB 124 155 55

HSL 78.6, 0.48%, 0.41%

LAB 59.89, -26.18, 47.34

 

CMYK 30 / 49 / 0 / 24

HEX #8864C3

RGB 136 100 195

HSL 262.74, 0.44%, 0.58%

LAB 49.84, 34.66, -44.65

 

CMYK 29 / 45 / 0 / 16

HEX #9976D6

RGB 153 118 214

HSL 261.88, 0.54%, 0.65%

LAB 56.67, 33.71, -44.56

 

CMYK 27 / 42 / 0 / 9

HEX #AA88E9

RGB 170 136 233

HSL 261.03, 0.69%, 0.72%

LAB 63.37, 32.85, -44.49

 

CMYK 26 / 39 / 0 / 1

HEX #BB9AFC

RGB 187 154 252

HSL 260.2, 0.94%, 0.8%

LAB 69.97, 32.05, -44.44

 

CMYK 20 / 33 / 0 / 0

HEX #CCACFF

RGB 204 172 255

HSL 263.13, 1%, 0.84%

LAB 75.8, 27.69, -36.86

 

CMYK 35 / 50 / 0 / 22

HEX #8364C8

RGB 131 100 200

HSL 258.6, 0.48%, 0.59%

LAB 49.63, 34.64, -47.9

 

CMYK 37 / 55 / 0 / 29

HEX #7252B5

RGB 114 82 181

HSL 259.39, 0.4%, 0.52%

LAB 42.69, 35.75, -48.07

 

CMYK 40 / 60 / 0 / 36

HEX #6140A2

RGB 97 64 162

HSL 260.2, 0.43%, 0.44%

LAB 35.63, 36.94, -48.23

 

CMYK 44 / 68 / 0 / 44

HEX #502E8F

RGB 80 46 143

HSL 261.03, 0.51%, 0.37%

LAB 28.49, 38.15, -48.3

 

CMYK 49 / 77 / 0 / 51

HEX #3F1C7C

RGB 63 28 124

HSL 261.88, 0.63%, 0.3%

LAB 21.37, 39.16, -48.1

 

CMYK 35 / 50 / 0 / 22

HEX #8364C8

RGB 131 100 200

HSL 258.6, 0.48%, 0.59%

LAB 49.63, 34.64, -47.9

 

CMYK 21 / 50 / 0 / 22

HEX #9E64C8

RGB 158 100 200

HSL 274.8, 0.48%, 0.59%

LAB 52.46, 41.85, -43.23

 

CMYK 8 / 50 / 0 / 22

HEX #B964C8

RGB 185 100 200

HSL 291, 0.48%, 0.59%

LAB 55.68, 49.37, -37.93

 

CMYK 0 / 50 / 6 / 22

HEX #C864BC

RGB 200 100 188

HSL 307.2, 0.48%, 0.59%

LAB 57.1, 51.49, -28.71

 

CMYK 0 / 50 / 20 / 22

HEX #C864A1

RGB 200 100 161

HSL 323.4, 0.48%, 0.59%

LAB 56.05, 47.15, -14.71

 

CMYK 35 / 50 / 0 / 22

HEX #8364C8

RGB 131 100 200

HSL 258.6, 0.48%, 0.59%

LAB 49.63, 34.64, -47.9

 

CMYK 48 / 50 / 0 / 22

HEX #6864C8

RGB 104 100 200

HSL 242.4, 0.48%, 0.59%

LAB 47.27, 28.06, -51.8

 

CMYK 50 / 50 / 0 / 22

HEX #6464C8

RGB 100 100 200

HSL 240, 0.48%, 0.59%

LAB 46.97, 27.16, -52.31

 

CMYK 35 / 50 / 0 / 22

HEX #8364C8

RGB 131 100 200

HSL 258.6, 0.48%, 0.59%

LAB 49.63, 34.64, -47.9

 

CMYK 43 / 62 / 0 / 15

HEX #7C53D9

RGB 124 83 217

HSL 258.36, 0.64%, 0.59%

LAB 46.29, 47.24, -63.04

 

CMYK 50 / 72 / 0 / 8

HEX #7642EA

RGB 118 66 234

HSL 258.57, 0.8%, 0.59%

LAB 43.78, 59.53, -76.8

 

CMYK 55 / 80 / 0 / 2

HEX #7031FB

RGB 112 49 251

HSL 258.71, 0.96%, 0.59%

LAB 42.16, 70.47, -89.05

 

CMYK 35 / 50 / 0 / 22

HEX #8364C8

RGB 131 100 200

HSL 258.6, 0.48%, 0.59%

LAB 49.63, 34.64, -47.9

 

CMYK 25 / 36 / 0 / 28

HEX #8975B7

RGB 137 117 183

HSL 258.18, 0.31%, 0.59%

LAB 53.45, 21.97, -32.06

 

CMYK 13 / 19 / 0 / 35

HEX #9086A6

RGB 144 134 166

HSL 258.75, 0.15%, 0.59%

LAB 57.78, 10.29, -15.58

 

CMYK 1 / 0 / 1 / 41

HEX #969795

RGB 150 151 149

HSL 90, 0.01%, 0.59%

LAB 62.33, -0.74, 0.92

 

CMYK 6 / 0 / 21 / 35

HEX #9DA784

RGB 157 167 132

HSL 77.14, 0.17%, 0.59%

LAB 66.88, -9.81, 16.95

 

CMYK 50 / 39 / 0 / 22

HEX #647BC8

RGB 100 123 200

HSL 226.2, 0.48%, 0.59%

LAB 53, 13.1, -42.7

 

CMYK 49 / 50 / 0 / 22

HEX #6764C8

RGB 103 100 200

HSL 241.8, 0.48%, 0.59%

LAB 47.19, 27.83, -51.93

 

CMYK 35 / 50 / 0 / 22

HEX #8264C8

RGB 130 100 200

HSL 258, 0.48%, 0.59%

LAB 49.53, 34.39, -48.06

 

CMYK 22 / 50 / 0 / 22

HEX #9D64C8

RGB 157 100 200

HSL 274.2, 0.48%, 0.59%

LAB 52.35, 41.58, -43.42

 

CMYK 9 / 50 / 0 / 22

HEX #B764C8

RGB 183 100 200

HSL 289.8, 0.48%, 0.59%

LAB 55.43, 48.81, -38.34

 

CMYK 45 / 65 / 0 / 37

HEX #5938A1

RGB 89 56 161

HSL 258.86, 0.48%, 0.43%

LAB 32.97, 39.51, -51.96

 

CMYK 44 / 63 / 0 / 26

HEX #6A45BD

RGB 106 69 189

HSL 258.5, 0.48%, 0.51%

LAB 39.57, 43.6, -57.82

 

CMYK 35 / 50 / 0 / 22

HEX #8364C8

RGB 131 100 200

HSL 258.6, 0.48%, 0.59%

LAB 49.63, 34.64, -47.9

 

CMYK 27 / 38 / 0 / 17

HEX #9B82D3

RGB 155 130 211

HSL 258.52, 0.48%, 0.67%

LAB 59.56, 26.65, -38.31

 

CMYK 19 / 27 / 0 / 13

HEX #B4A1DE

RGB 180 161 222

HSL 258.69, 0.48%, 0.75%

LAB 69.8, 19.15, -28.35

 

CMYK 35 / 50 / 0 / 22

HEX #8364C8

RGB 131 100 200

HSL 258.6, 0.48%, 0.59%

LAB 49.63, 34.64, -47.9

 

CMYK 0 / 50 / 25 / 22

HEX #C86496

RGB 200 100 150

HSL 330, 0.48%, 0.59%

LAB 55.68, 45.56, -8.86

 

CMYK 45 / 0 / 50 / 22

HEX #6EC864

RGB 110 200 100

HSL 114, 0.48%, 0.59%

LAB 73.25, -46.6, 41.53

 

CMYK 35 / 50 / 0 / 22

HEX #8364C8

RGB 131 100 200

HSL 258.6, 0.48%, 0.59%

LAB 49.63, 34.64, -47.9

 

CMYK 0 / 35 / 50 / 22

HEX #C88264

RGB 200 130 100

HSL 18, 0.48%, 0.59%

LAB 60.93, 23.71, 27.34

 

CMYK 50 / 0 / 35 / 22

HEX #64C882

RGB 100 200 130

HSL 138, 0.48%, 0.59%

LAB 73.3, -44.73, 26.26

 

CMYK 35 / 50 / 0 / 22

HEX #8364C8

RGB 131 100 200

HSL 258.6, 0.48%, 0.59%

LAB 49.63, 34.64, -47.9

 

CMYK 0 / 50 / 25 / 22

HEX #C86496

RGB 200 100 150

HSL 330, 0.48%, 0.59%

LAB 55.68, 45.56, -8.86

 

CMYK 15 / 0 / 50 / 22

HEX #AAC864

RGB 170 200 100

HSL 78, 0.48%, 0.59%

LAB 76.54, -25.66, 46.3

 

CMYK 50 / 0 / 25 / 22

HEX #64C896

RGB 100 200 150

HSL 150, 0.48%, 0.59%

LAB 73.69, -40.88, 16.18

 

CMYK 35 / 50 / 0 / 22

HEX #8364C8

RGB 131 100 200

HSL 258.6, 0.48%, 0.59%

LAB 49.63, 34.64, -47.9

 

CMYK 0 / 50 / 40 / 22

HEX #C86478

RGB 200 100 120

HSL 348, 0.48%, 0.59%

LAB 54.81, 41.76, 7.49

 

CMYK 15 / 0 / 50 / 22

HEX #AAC864

RGB 170 200 100

HSL 78, 0.48%, 0.59%

LAB 76.54, -25.66, 46.3

 

CMYK 50 / 0 / 10 / 22

HEX #64C8B4

RGB 100 200 180

HSL 168, 0.48%, 0.59%

LAB 74.39, -34.16, 1.02

 

Description

Color code: HEX #8364C8 | qconv.com Color code: HEX #8364C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 100 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 100 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 50 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 50% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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