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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #836710 it is the complementary color #7C98EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #836710. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #836710 shade: #88670B, #99791E, #AA8B31, #BB9D44 and #CCAF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #836710. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #836710 shade: #836710, #725500, #614300, #503100 and #3F1F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #836710 shade: #836710, #834810, #832910 and #831010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #836710 shade: #836710, #808310, #618310, #428310 and #238310

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #836710 shade matches the following richer shades: #836710 and #8F6D04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #836710 shade: #836710, #77611C, #6B5B28, #5F5534 and #534E40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #836710 shade: #832910, #834810, #836610, #818310 and #628310

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #836710 shade: #3A2D07, #5E4A0B, #836710, #A88414 and #CDA119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #836710 shade: #836710, #168310 and #381083

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #836710 shade: #836710, #108366 and #661083

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #836710 shade: #836710, #168310, #102D83 and #7D1083

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #836710 shade: #836710, #10832D, #102D83 and #831066

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 88 / 49

HEX #836710

RGB 131 103 16

HSL 45.39, 0.78%, 0.29%

LAB 45.03, 2.89, 48.02

 

Complementary color

CMYK 48 / 36 / 0 / 6

HEX #7C98EF

RGB 124 152 239

HSL 225.39, 0.78%, 0.71%

LAB 64.14, 13.36, -46.83

 

CMYK 0 / 24 / 92 / 47

HEX #88670B

RGB 136 103 11

HSL 44.16, 0.85%, 0.29%

LAB 45.58, 5.16, 50.01

 

CMYK 0 / 21 / 80 / 40

HEX #99791E

RGB 153 121 30

HSL 44.39, 0.67%, 0.36%

LAB 52.44, 3.41, 50.82

 

CMYK 0 / 18 / 71 / 33

HEX #AA8B31

RGB 170 139 49

HSL 44.63, 0.55%, 0.43%

LAB 59.19, 1.99, 50.39

 

CMYK 0 / 16 / 64 / 27

HEX #BB9D44

RGB 187 157 68

HSL 44.87, 0.47%, 0.5%

LAB 65.82, 0.83, 49.44

 

CMYK 0 / 14 / 57 / 20

HEX #CCAF57

RGB 204 175 87

HSL 45.13, 0.53%, 0.57%

LAB 72.35, -0.14, 48.28

 

CMYK 0 / 21 / 88 / 49

HEX #836710

RGB 131 103 16

HSL 45.39, 0.78%, 0.29%

LAB 45.03, 2.89, 48.02

 

CMYK 0 / 25 / 100 / 55

HEX #725500

RGB 114 85 0

HSL 44.74, 1%, 0.22%

LAB 37.98, 4.86, 46.12

 

CMYK 0 / 31 / 100 / 62

HEX #614300

RGB 97 67 0

HSL 41.44, 1%, 0.19%

LAB 30.77, 7.34, 40.19

 

CMYK 0 / 39 / 100 / 69

HEX #503100

RGB 80 49 0

HSL 36.75, 1%, 0.16%

LAB 23.35, 10.03, 32.8

 

CMYK 0 / 51 / 100 / 75

HEX #3F1F00

RGB 63 31 0

HSL 29.52, 1%, 0.12%

LAB 15.68, 12.94, 23.32

 

CMYK 0 / 21 / 88 / 49

HEX #836710

RGB 131 103 16

HSL 45.39, 0.78%, 0.29%

LAB 45.03, 2.89, 48.02

 

CMYK 0 / 45 / 88 / 49

HEX #834810

RGB 131 72 16

HSL 29.22, 0.78%, 0.29%

LAB 36.92, 21.1, 41.23

 

CMYK 0 / 69 / 88 / 49

HEX #832910

RGB 131 41 16

HSL 13.04, 0.78%, 0.29%

LAB 30.52, 37.46, 35.76

 

CMYK 0 / 88 / 88 / 49

HEX #831010

RGB 131 16 16

HSL 0, 0.78%, 0.29%

LAB 27.39, 46.14, 33.03

 

CMYK 0 / 21 / 88 / 49

HEX #836710

RGB 131 103 16

HSL 45.39, 0.78%, 0.29%

LAB 45.03, 2.89, 48.02

 

CMYK 2 / 0 / 88 / 49

HEX #808310

RGB 128 131 16

HSL 61.57, 0.78%, 0.29%

LAB 52.8, -14.2, 54.33

 

CMYK 26 / 0 / 88 / 49

HEX #618310

RGB 97 131 16

HSL 77.74, 0.78%, 0.29%

LAB 50.47, -27.96, 51.44

 

CMYK 50 / 0 / 88 / 49

HEX #428310

RGB 66 131 16

HSL 93.91, 0.78%, 0.29%

LAB 48.8, -39.71, 49.34

 

CMYK 73 / 0 / 88 / 49

HEX #238310

RGB 35 131 16

HSL 110.09, 0.78%, 0.29%

LAB 47.79, -47.87, 48.06

 

CMYK 0 / 21 / 88 / 49

HEX #836710

RGB 131 103 16

HSL 45.39, 0.78%, 0.29%

LAB 45.03, 2.89, 48.02

 

CMYK 0 / 24 / 97 / 44

HEX #8F6D04

RGB 143 109 4

HSL 45.32, 0.95%, 0.29%

LAB 47.99, 4.89, 53.72

 

CMYK 0 / 21 / 88 / 49

HEX #836710

RGB 131 103 16

HSL 45.39, 0.78%, 0.29%

LAB 45.03, 2.89, 48.02

 

CMYK 0 / 18 / 76 / 53

HEX #77611C

RGB 119 97 28

HSL 45.49, 0.62%, 0.29%

LAB 42.09, 1.11, 40.52

 

CMYK 0 / 15 / 63 / 58

HEX #6B5B28

RGB 107 91 40

HSL 45.67, 0.46%, 0.29%

LAB 39.18, -0.32, 31.25

 

CMYK 0 / 11 / 45 / 63

HEX #5F5534

RGB 95 85 52

HSL 46.05, 0.29%, 0.29%

LAB 36.32, -1.17, 20.72

 

CMYK 0 / 6 / 23 / 67

HEX #534E40

RGB 83 78 64

HSL 44.21, 0.13%, 0.29%

LAB 33.26, -0.6, 9.04

 

CMYK 0 / 69 / 88 / 49

HEX #832910

RGB 131 41 16

HSL 13.04, 0.78%, 0.29%

LAB 30.52, 37.46, 35.76

 

CMYK 0 / 45 / 88 / 49

HEX #834810

RGB 131 72 16

HSL 29.22, 0.78%, 0.29%

LAB 36.92, 21.1, 41.23

 

CMYK 0 / 22 / 88 / 49

HEX #836610

RGB 131 102 16

HSL 44.87, 0.78%, 0.29%

LAB 44.75, 3.48, 47.79

 

CMYK 2 / 0 / 88 / 49

HEX #818310

RGB 129 131 16

HSL 61.04, 0.78%, 0.29%

LAB 52.88, -13.74, 54.44

 

CMYK 25 / 0 / 88 / 49

HEX #628310

RGB 98 131 16

HSL 77.22, 0.78%, 0.29%

LAB 50.53, -27.54, 51.52

 

CMYK 0 / 22 / 88 / 77

HEX #3A2D07

RGB 58 45 7

HSL 44.71, 0.78%, 0.13%

LAB 19.19, 1.29, 24.55

 

CMYK 0 / 21 / 88 / 63

HEX #5E4A0B

RGB 94 74 11

HSL 45.54, 0.79%, 0.21%

LAB 32.48, 1.85, 37.3

 

CMYK 0 / 21 / 88 / 49

HEX #836710

RGB 131 103 16

HSL 45.39, 0.78%, 0.29%

LAB 45.03, 2.89, 48.02

 

CMYK 0 / 21 / 88 / 34

HEX #A88414

RGB 168 132 20

HSL 45.41, 0.79%, 0.37%

LAB 56.96, 3.86, 58.37

 

CMYK 0 / 21 / 88 / 20

HEX #CDA119

RGB 205 161 25

HSL 45.33, 0.78%, 0.45%

LAB 68.42, 4.79, 67.98

 

CMYK 0 / 21 / 88 / 49

HEX #836710

RGB 131 103 16

HSL 45.39, 0.78%, 0.29%

LAB 45.03, 2.89, 48.02

 

CMYK 83 / 0 / 88 / 49

HEX #168310

RGB 22 131 16

HSL 116.87, 0.78%, 0.29%

LAB 47.55, -49.96, 47.76

 

CMYK 57 / 88 / 0 / 49

HEX #381083

RGB 56 16 131

HSL 260.87, 0.78%, 0.29%

LAB 19.43, 45.39, -55.75

 

CMYK 0 / 21 / 88 / 49

HEX #836710

RGB 131 103 16

HSL 45.39, 0.78%, 0.29%

LAB 45.03, 2.89, 48.02

 

CMYK 88 / 0 / 22 / 49

HEX #108366

RGB 16 131 102

HSL 164.87, 0.78%, 0.29%

LAB 48.64, -36.97, 7.37

 

CMYK 22 / 88 / 0 / 49

HEX #661083

RGB 102 16 131

HSL 284.87, 0.78%, 0.29%

LAB 26.26, 52.01, -44.31

 

CMYK 0 / 21 / 88 / 49

HEX #836710

RGB 131 103 16

HSL 45.39, 0.78%, 0.29%

LAB 45.03, 2.89, 48.02

 

CMYK 83 / 0 / 88 / 49

HEX #168310

RGB 22 131 16

HSL 116.87, 0.78%, 0.29%

LAB 47.55, -49.96, 47.76

 

CMYK 88 / 66 / 0 / 49

HEX #102D83

RGB 16 45 131

HSL 224.87, 0.78%, 0.29%

LAB 22.39, 24.92, -50.98

 

CMYK 5 / 88 / 0 / 49

HEX #7D1083

RGB 125 16 131

HSL 296.87, 0.78%, 0.29%

LAB 30.33, 56.2, -37.54

 

CMYK 0 / 21 / 88 / 49

HEX #836710

RGB 131 103 16

HSL 45.39, 0.78%, 0.29%

LAB 45.03, 2.89, 48.02

 

CMYK 88 / 0 / 66 / 49

HEX #10832D

RGB 16 131 45

HSL 135.13, 0.78%, 0.29%

LAB 47.67, -48.19, 37.16

 

CMYK 88 / 66 / 0 / 49

HEX #102D83

RGB 16 45 131

HSL 224.87, 0.78%, 0.29%

LAB 22.39, 24.92, -50.98

 

CMYK 0 / 88 / 22 / 49

HEX #831066

RGB 131 16 102

HSL 315.13, 0.78%, 0.29%

LAB 29.8, 53.02, -19.84

 

Description

Color code: HEX #836710 | qconv.com Color code: HEX #836710 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 103 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 103 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 88 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 88% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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