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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #836048 it is the complementary color #7C9FB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #836048. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #836048 shade: #886043, #997256, #AA8469, #BB967C and #CCA88F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #836048. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #836048 shade: #836048, #724E35, #613C22, #502A0F and #3F1800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #836048 shade: #836048, #835048 and #834848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #836048 shade: #836048, #837048, #838048, #768348 and #668348

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #836048 shade matches the following richer shades: #836048, #945D37, #A45A27, #B55716 and #C55406

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #836048 shade: #836048, #736358, #626669, #526979 and #416C8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #836048 shade: #834850, #835048, #836048, #836F48 and #837F48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #836048 shade: #4E392B, #684C39, #836048, #9E7457 and #AF896E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #836048 shade: #836048, #608348 and #484883

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #836048 shade: #836048, #488360 and #604883

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #836048 shade: #836048, #608348, #486B83 and #6B4883

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #836048 shade: #836048, #4E8348, #486B83 and #7D4883

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 45 / 49

HEX #836048

RGB 131 96 72

HSL 24.41, 0.29%, 0.4%

LAB 43.74, 10.97, 19.26

 

Complementary color

CMYK 32 / 13 / 0 / 28

HEX #7C9FB7

RGB 124 159 183

HSL 204.41, 0.29%, 0.6%

LAB 63.75, -6.17, -16.31

 

CMYK 0 / 29 / 51 / 47

HEX #886043

RGB 136 96 67

HSL 25.22, 0.34%, 0.4%

LAB 44.24, 12.63, 22.97

 

CMYK 0 / 25 / 44 / 40

HEX #997256

RGB 153 114 86

HSL 25.07, 0.28%, 0.47%

LAB 51.24, 11.63, 21.49

 

CMYK 0 / 22 / 38 / 33

HEX #AA8469

RGB 170 132 105

HSL 24.92, 0.28%, 0.54%

LAB 58.1, 10.81, 20.17

 

CMYK 0 / 20 / 34 / 27

HEX #BB967C

RGB 187 150 124

HSL 24.76, 0.32%, 0.61%

LAB 64.83, 10.11, 18.97

 

CMYK 0 / 18 / 30 / 20

HEX #CCA88F

RGB 204 168 143

HSL 24.59, 0.37%, 0.68%

LAB 71.44, 9.5, 17.86

 

CMYK 0 / 27 / 45 / 49

HEX #836048

RGB 131 96 72

HSL 24.41, 0.29%, 0.4%

LAB 43.74, 10.97, 19.26

 

CMYK 0 / 32 / 54 / 55

HEX #724E35

RGB 114 78 53

HSL 24.59, 0.37%, 0.33%

LAB 36.52, 12.03, 20.82

 

CMYK 0 / 38 / 65 / 62

HEX #613C22

RGB 97 60 34

HSL 24.76, 0.48%, 0.26%

LAB 29.13, 13.39, 22.61

 

CMYK 0 / 48 / 81 / 69

HEX #502A0F

RGB 80 42 15

HSL 24.92, 0.68%, 0.19%

LAB 21.56, 15.17, 24.52

 

CMYK 0 / 62 / 100 / 75

HEX #3F1800

RGB 63 24 0

HSL 22.86, 1%, 0.12%

LAB 13.89, 17.39, 21.01

 

CMYK 0 / 27 / 45 / 49

HEX #836048

RGB 131 96 72

HSL 24.41, 0.29%, 0.4%

LAB 43.74, 10.97, 19.26

 

CMYK 0 / 39 / 45 / 49

HEX #835048

RGB 131 80 72

HSL 8.14, 0.29%, 0.4%

LAB 39.63, 20.43, 13.74

 

CMYK 0 / 45 / 45 / 49

HEX #834848

RGB 131 72 72

HSL 0, 0.29%, 0.4%

LAB 37.71, 25.08, 11.1

 

CMYK 0 / 27 / 45 / 49

HEX #836048

RGB 131 96 72

HSL 24.41, 0.29%, 0.4%

LAB 43.74, 10.97, 19.26

 

CMYK 0 / 15 / 45 / 49

HEX #837048

RGB 131 112 72

HSL 40.68, 0.29%, 0.4%

LAB 48.11, 1.59, 24.96

 

CMYK 0 / 2 / 45 / 49

HEX #838048

RGB 131 128 72

HSL 56.95, 0.29%, 0.4%

LAB 52.65, -7.47, 30.7

 

CMYK 10 / 0 / 45 / 49

HEX #768348

RGB 118 131 72

HSL 73.22, 0.29%, 0.4%

LAB 52.46, -14.7, 30.22

 

CMYK 22 / 0 / 45 / 49

HEX #668348

RGB 102 131 72

HSL 89.49, 0.29%, 0.4%

LAB 51.3, -21.28, 28.52

 

CMYK 0 / 27 / 45 / 49

HEX #836048

RGB 131 96 72

HSL 24.41, 0.29%, 0.4%

LAB 43.74, 10.97, 19.26

 

CMYK 0 / 37 / 63 / 42

HEX #945D37

RGB 148 93 55

HSL 24.52, 0.46%, 0.4%

LAB 44.8, 18.62, 30.86

 

CMYK 0 / 45 / 76 / 36

HEX #A45A27

RGB 164 90 39

HSL 24.48, 0.62%, 0.4%

LAB 46.11, 26.32, 41.37

 

CMYK 0 / 52 / 88 / 29

HEX #B55716

RGB 181 87 22

HSL 24.53, 0.78%, 0.4%

LAB 47.88, 34.47, 51.17

 

CMYK 0 / 57 / 97 / 23

HEX #C55406

RGB 197 84 6

HSL 24.5, 0.94%, 0.4%

LAB 49.77, 42.05, 58.04

 

CMYK 0 / 27 / 45 / 49

HEX #836048

RGB 131 96 72

HSL 24.41, 0.29%, 0.4%

LAB 43.74, 10.97, 19.26

 

CMYK 0 / 14 / 23 / 55

HEX #736358

RGB 115 99 88

HSL 24.44, 0.13%, 0.4%

LAB 43.17, 4.49, 8.61

 

CMYK 7 / 3 / 0 / 59

HEX #626669

RGB 98 102 105

HSL 205.71, 0.03%, 0.4%

LAB 42.94, -0.9, -2.23

 

CMYK 32 / 13 / 0 / 53

HEX #526979

RGB 82 105 121

HSL 204.62, 0.19%, 0.4%

LAB 43.18, -4.37, -11.7

 

CMYK 53 / 22 / 0 / 46

HEX #416C8A

RGB 65 108 138

HSL 204.66, 0.36%, 0.4%

LAB 43.78, -5.92, -21.09

 

CMYK 0 / 45 / 39 / 49

HEX #834850

RGB 131 72 80

HSL 351.86, 0.29%, 0.4%

LAB 37.91, 26.06, 6.37

 

CMYK 0 / 39 / 45 / 49

HEX #835048

RGB 131 80 72

HSL 8.14, 0.29%, 0.4%

LAB 39.63, 20.43, 13.74

 

CMYK 0 / 27 / 45 / 49

HEX #836048

RGB 131 96 72

HSL 24.41, 0.29%, 0.4%

LAB 43.74, 10.97, 19.26

 

CMYK 0 / 15 / 45 / 49

HEX #836F48

RGB 131 111 72

HSL 39.66, 0.29%, 0.4%

LAB 47.83, 2.17, 24.6

 

CMYK 0 / 3 / 45 / 49

HEX #837F48

RGB 131 127 72

HSL 55.93, 0.29%, 0.4%

LAB 52.37, -6.92, 30.34

 

CMYK 0 / 27 / 45 / 69

HEX #4E392B

RGB 78 57 43

HSL 24, 0.29%, 0.24%

LAB 25.92, 7.16, 12.34

 

CMYK 0 / 27 / 45 / 59

HEX #684C39

RGB 104 76 57

HSL 24.26, 0.29%, 0.32%

LAB 34.82, 9.13, 15.91

 

CMYK 0 / 27 / 45 / 49

HEX #836048

RGB 131 96 72

HSL 24.41, 0.29%, 0.4%

LAB 43.74, 10.97, 19.26

 

CMYK 0 / 27 / 45 / 38

HEX #9E7457

RGB 158 116 87

HSL 24.51, 0.29%, 0.48%

LAB 52.34, 12.73, 22.47

 

CMYK 0 / 22 / 37 / 31

HEX #AF896E

RGB 175 137 110

HSL 24.92, 0.29%, 0.56%

LAB 60.01, 10.68, 20.01

 

CMYK 0 / 27 / 45 / 49

HEX #836048

RGB 131 96 72

HSL 24.41, 0.29%, 0.4%

LAB 43.74, 10.97, 19.26

 

CMYK 27 / 0 / 45 / 49

HEX #608348

RGB 96 131 72

HSL 95.59, 0.29%, 0.4%

LAB 50.91, -23.64, 27.94

 

CMYK 45 / 45 / 0 / 49

HEX #484883

RGB 72 72 131

HSL 240, 0.29%, 0.4%

LAB 33.25, 16.36, -33.28

 

CMYK 0 / 27 / 45 / 49

HEX #836048

RGB 131 96 72

HSL 24.41, 0.29%, 0.4%

LAB 43.74, 10.97, 19.26

 

CMYK 45 / 0 / 27 / 49

HEX #488360

RGB 72 131 96

HSL 144.41, 0.29%, 0.4%

LAB 50.04, -27.72, 13.05

 

CMYK 27 / 45 / 0 / 49

HEX #604883

RGB 96 72 131

HSL 264.41, 0.29%, 0.4%

LAB 35.52, 23.34, -29.54

 

CMYK 0 / 27 / 45 / 49

HEX #836048

RGB 131 96 72

HSL 24.41, 0.29%, 0.4%

LAB 43.74, 10.97, 19.26

 

CMYK 27 / 0 / 45 / 49

HEX #608348

RGB 96 131 72

HSL 95.59, 0.29%, 0.4%

LAB 50.91, -23.64, 27.94

 

CMYK 45 / 18 / 0 / 49

HEX #486B83

RGB 72 107 131

HSL 204.41, 0.29%, 0.4%

LAB 43.55, -5.68, -17.21

 

CMYK 18 / 45 / 0 / 49

HEX #6B4883

RGB 107 72 131

HSL 275.59, 0.29%, 0.4%

LAB 36.74, 26.78, -27.53

 

CMYK 0 / 27 / 45 / 49

HEX #836048

RGB 131 96 72

HSL 24.41, 0.29%, 0.4%

LAB 43.74, 10.97, 19.26

 

CMYK 40 / 0 / 45 / 49

HEX #4E8348

RGB 78 131 72

HSL 113.9, 0.29%, 0.4%

LAB 49.88, -30.2, 26.43

 

CMYK 45 / 18 / 0 / 49

HEX #486B83

RGB 72 107 131

HSL 204.41, 0.29%, 0.4%

LAB 43.55, -5.68, -17.21

 

CMYK 5 / 45 / 0 / 49

HEX #7D4883

RGB 125 72 131

HSL 293.9, 0.29%, 0.4%

LAB 38.96, 32.55, -23.91

 

Description

Color code: HEX #836048 | qconv.com Color code: HEX #836048 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 96 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 96 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 45 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 45% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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