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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83776C it is the complementary color #7C8893. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83776C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83776C shade: #887767, #99897A, #AA9B8D, #BBADA0 and #CCBFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83776C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83776C shade: #83776C, #726559, #615346, #504133 and #3F2F20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83776C shade: #83776B, #83706B and #836B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83776C shade: #83776B, #837D6B, #83836B, #7C836B and #76836B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83776C shade matches the following richer shades: #83776B, #977658, #AA7545, #BE7431 and #D1731E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83776C shade: #83776B, #70787F, #5D7992, #4979A6 and #367AB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83776C shade: #836B6D, #83706B, #83776B, #837D6B and #83836B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83776C shade: #564E46, #6D6259, #83776B, #978B81 and #AAA097

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83776C shade: #83776C, #73836B and #6D6B83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83776C shade: #83776C, #6B8377 and #776B83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83776C shade: #83776C, #73836B, #6B7883 and #7B6B83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83776C shade: #83776C, #6C836B, #6B7883 and #836B83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 18 / 49

HEX #83776C

RGB 131 119 108

HSL 28.7, 0.1%, 0.47%

LAB 50.81, 2.66, 7.72

 

Complementary color

CMYK 16 / 7 / 0 / 42

HEX #7C8893

RGB 124 136 147

HSL 208.7, 0.1%, 0.53%

LAB 56.09, -1.96, -7.36

 

CMYK 0 / 13 / 24 / 47

HEX #887767

RGB 136 119 103

HSL 29.09, 0.14%, 0.47%

LAB 51.16, 3.88, 11.22

 

CMYK 0 / 10 / 20 / 40

HEX #99897A

RGB 153 137 122

HSL 29.03, 0.13%, 0.54%

LAB 58.1, 3.48, 10.23

 

CMYK 0 / 9 / 17 / 33

HEX #AA9B8D

RGB 170 155 141

HSL 28.97, 0.15%, 0.61%

LAB 64.89, 3.13, 9.33

 

CMYK 0 / 7 / 14 / 27

HEX #BBADA0

RGB 187 173 160

HSL 28.89, 0.17%, 0.68%

LAB 71.55, 2.82, 8.48

 

CMYK 0 / 6 / 12 / 20

HEX #CCBFB3

RGB 204 191 179

HSL 28.8, 0.2%, 0.75%

LAB 78.08, 2.54, 7.68

 

CMYK 0 / 9 / 18 / 49

HEX #83776C

RGB 131 119 108

HSL 28.7, 0.1%, 0.47%

LAB 50.81, 2.66, 7.72

 

CMYK 0 / 11 / 22 / 55

HEX #726559

RGB 114 101 89

HSL 28.8, 0.12%, 0.4%

LAB 43.66, 3.04, 8.68

 

CMYK 0 / 14 / 28 / 62

HEX #615346

RGB 97 83 70

HSL 28.89, 0.16%, 0.33%

LAB 36.31, 3.5, 9.75

 

CMYK 0 / 19 / 36 / 69

HEX #504133

RGB 80 65 51

HSL 28.97, 0.22%, 0.26%

LAB 28.71, 4.1, 10.98

 

CMYK 0 / 25 / 49 / 75

HEX #3F2F20

RGB 63 47 32

HSL 29.03, 0.33%, 0.19%

LAB 20.8, 4.92, 12.44

 

CMYK 0 / 9 / 18 / 49

HEX #83776B

RGB 131 119 107

HSL 30, 0.1%, 0.47%

LAB 50.78, 2.49, 8.27

 

CMYK 0 / 15 / 18 / 49

HEX #83706B

RGB 131 112 107

HSL 12.5, 0.1%, 0.47%

LAB 48.85, 6.57, 5.52

 

CMYK 0 / 18 / 18 / 49

HEX #836B6B

RGB 131 107 107

HSL 0, 0.1%, 0.47%

LAB 47.5, 9.51, 3.58

 

CMYK 0 / 9 / 18 / 49

HEX #83776B

RGB 131 119 107

HSL 30, 0.1%, 0.47%

LAB 50.78, 2.49, 8.27

 

CMYK 0 / 5 / 18 / 49

HEX #837D6B

RGB 131 125 107

HSL 45, 0.1%, 0.47%

LAB 52.46, -0.95, 10.64

 

CMYK 0 / 0 / 18 / 49

HEX #83836B

RGB 131 131 107

HSL 60, 0.1%, 0.47%

LAB 54.15, -4.35, 13.01

 

CMYK 5 / 0 / 18 / 49

HEX #7C836B

RGB 124 131 107

HSL 77.5, 0.1%, 0.47%

LAB 53.58, -7.13, 12.12

 

CMYK 10 / 0 / 18 / 49

HEX #76836B

RGB 118 131 107

HSL 92.5, 0.1%, 0.47%

LAB 53.11, -9.47, 11.39

 

CMYK 0 / 9 / 18 / 49

HEX #83776B

RGB 131 119 107

HSL 30, 0.1%, 0.47%

LAB 50.78, 2.49, 8.27

 

CMYK 0 / 22 / 42 / 41

HEX #977658

RGB 151 118 88

HSL 28.57, 0.26%, 0.47%

LAB 52.11, 8.71, 21.45

 

CMYK 0 / 31 / 59 / 33

HEX #AA7545

RGB 170 117 69

HSL 28.51, 0.42%, 0.47%

LAB 53.71, 15.63, 34.53

 

CMYK 0 / 39 / 74 / 25

HEX #BE7431

RGB 190 116 49

HSL 28.51, 0.59%, 0.47%

LAB 55.75, 23.58, 47.61

 

CMYK 0 / 45 / 86 / 18

HEX #D1731E

RGB 209 115 30

HSL 28.49, 0.75%, 0.47%

LAB 57.95, 31.45, 58.31

 

CMYK 0 / 9 / 18 / 49

HEX #83776B

RGB 131 119 107

HSL 30, 0.1%, 0.47%

LAB 50.78, 2.49, 8.27

 

CMYK 12 / 6 / 0 / 50

HEX #70787F

RGB 112 120 127

HSL 208, 0.06%, 0.47%

LAB 49.99, -1.46, -4.86

 

CMYK 36 / 17 / 0 / 43

HEX #5D7992

RGB 93 121 146

HSL 208.3, 0.22%, 0.47%

LAB 49.59, -3.57, -16.78

 

CMYK 56 / 27 / 0 / 35

HEX #4979A6

RGB 73 121 166

HSL 209.03, 0.39%, 0.47%

LAB 49.31, -2.75, -29.02

 

CMYK 71 / 34 / 0 / 27

HEX #367AB9

RGB 54 122 185

HSL 208.85, 0.55%, 0.47%

LAB 49.75, -0.36, -39.39

 

CMYK 0 / 18 / 17 / 49

HEX #836B6D

RGB 131 107 109

HSL 355, 0.1%, 0.47%

LAB 47.55, 9.85, 2.46

 

CMYK 0 / 15 / 18 / 49

HEX #83706B

RGB 131 112 107

HSL 12.5, 0.1%, 0.47%

LAB 48.85, 6.57, 5.52

 

CMYK 0 / 9 / 18 / 49

HEX #83776B

RGB 131 119 107

HSL 30, 0.1%, 0.47%

LAB 50.78, 2.49, 8.27

 

CMYK 0 / 5 / 18 / 49

HEX #837D6B

RGB 131 125 107

HSL 45, 0.1%, 0.47%

LAB 52.46, -0.95, 10.64

 

CMYK 0 / 0 / 18 / 49

HEX #83836B

RGB 131 131 107

HSL 60, 0.1%, 0.47%

LAB 54.15, -4.35, 13.01

 

CMYK 0 / 9 / 19 / 66

HEX #564E46

RGB 86 78 70

HSL 30, 0.1%, 0.31%

LAB 33.71, 1.78, 5.93

 

CMYK 0 / 10 / 18 / 57

HEX #6D6259

RGB 109 98 89

HSL 27, 0.1%, 0.39%

LAB 42.32, 2.74, 6.71

 

CMYK 0 / 9 / 18 / 49

HEX #83776B

RGB 131 119 107

HSL 30, 0.1%, 0.47%

LAB 50.78, 2.49, 8.27

 

CMYK 0 / 8 / 15 / 41

HEX #978B81

RGB 151 139 129

HSL 27.27, 0.1%, 0.55%

LAB 58.63, 2.72, 6.96

 

CMYK 0 / 6 / 11 / 33

HEX #AAA097

RGB 170 160 151

HSL 28.42, 0.1%, 0.63%

LAB 66.46, 2.04, 5.98

 

CMYK 0 / 9 / 18 / 49

HEX #83776C

RGB 131 119 108

HSL 28.7, 0.1%, 0.47%

LAB 50.81, 2.66, 7.72

 

CMYK 12 / 0 / 18 / 49

HEX #73836B

RGB 115 131 107

HSL 100, 0.1%, 0.47%

LAB 52.88, -10.63, 11.05

 

CMYK 17 / 18 / 0 / 49

HEX #6D6B83

RGB 109 107 131

HSL 245, 0.1%, 0.47%

LAB 46.18, 6.08, -12.96

 

CMYK 0 / 9 / 18 / 49

HEX #83776C

RGB 131 119 108

HSL 28.7, 0.1%, 0.47%

LAB 50.81, 2.66, 7.72

 

CMYK 18 / 0 / 9 / 49

HEX #6B8377

RGB 107 131 119

HSL 150, 0.1%, 0.47%

LAB 52.61, -11.23, 3.62

 

CMYK 9 / 18 / 0 / 49

HEX #776B83

RGB 119 107 131

HSL 270, 0.1%, 0.47%

LAB 47.07, 9.63, -11.53

 

CMYK 0 / 9 / 18 / 49

HEX #83776C

RGB 131 119 108

HSL 28.7, 0.1%, 0.47%

LAB 50.81, 2.66, 7.72

 

CMYK 12 / 0 / 18 / 49

HEX #73836B

RGB 115 131 107

HSL 100, 0.1%, 0.47%

LAB 52.88, -10.63, 11.05

 

CMYK 18 / 8 / 0 / 49

HEX #6B7883

RGB 107 120 131

HSL 207.5, 0.1%, 0.47%

LAB 49.73, -2.31, -7.64

 

CMYK 6 / 18 / 0 / 49

HEX #7B6B83

RGB 123 107 131

HSL 280, 0.1%, 0.47%

LAB 47.45, 11.08, -10.92

 

CMYK 0 / 9 / 18 / 49

HEX #83776C

RGB 131 119 108

HSL 28.7, 0.1%, 0.47%

LAB 50.81, 2.66, 7.72

 

CMYK 18 / 0 / 18 / 49

HEX #6C836B

RGB 108 131 107

HSL 117.5, 0.1%, 0.47%

LAB 52.38, -13.27, 10.26

 

CMYK 18 / 8 / 0 / 49

HEX #6B7883

RGB 107 120 131

HSL 207.5, 0.1%, 0.47%

LAB 49.73, -2.31, -7.64

 

CMYK 0 / 18 / 0 / 49

HEX #836B83

RGB 131 107 131

HSL 300, 0.1%, 0.47%

LAB 48.23, 14.01, -9.67

 

Description

Color code: HEX #83776C | qconv.com Color code: HEX #83776C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 119 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 119 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 18 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 18% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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